Bursting onto the underground scene in 2002, Kasra’s multi-award winning label Critical Music has been rolling out nothing but ice cold drum and bass ever since. Originally starting as a passion project in Kasra’s North London flat, the label has grown to diversify its sound, pushing out anything from deep, rich, liquid, minimal steppers, bouncy half-time cuts and hard-edge ammunition. Nurturing new talent and supporting some of D&B’s finest, Critical boasts a five star roster of artists including: Circuits, Charl Brix, Enei, Emperor, Fade Black, Foreign Concept, Halogenix, Hyroglifics, Ivy Lab, Jakes, Levela, Mefjus, Particle, Redders, Rider Shafique, QZB, Solah, Sam Binga, T>I and the big boss Kasra himself. Critical is also home to its highly esteemed club night series, Critical Sound, which has sold out Bristol’s Motion and London’s Studio 338, as well as taking shape as branded festival stages across the UK and overseas.
Review: As you can imagine, Hyroglifics landing on Critical Music for a full three track display is always going to cause somewhat of a ruckus. This collection is a perfect example of understanding the room as the chiming vocal repetition and tweaking 140 synthetics of 'Sing To It' open us up with a fiery feeling of originality. From here, Deft arrives for a slightly quicker paced episode as the crunching synthesiser pounds and the bubbling subs of 'Two For Two' give us another gutpunching original. Finally, we skip back into the 170's with 'Albany Road', a synthetic slapper, switching and alternating between gnarly bass textures and well processed drum punches, giving us the perfect closer to this already intense collection.
Review: Sam Binga and Hyroglifics represent two of the most ingenious beat makers in the drum and bass, a pair of producers who, through their work on Critical Music amongst others, has pushed the boundaries of the genre. Wicked & Bad represents further encroachment onto the territory of neighbouring genres, including garage and grime, and the pair have managed to stay true to the formula of drum & bass whilst expanding on it with serious finesse. 'Wits End' embodies this mission statement best, as robotic vocals machinate alongside a bouncing garage beat and wallowing low frequency notes to form a technoid funk that's both heavy and sophisticated. There are more traditional jungle flavours on the title track, featuring Riko Dan on top form to provide a vocal overlay to the tune's rambunctious drums and pummelling bassline. More genre bending stuff from the Critical crew.
Review: Today's Critical lesson is brought to you by the letter B... Binga, Breakage and absolute badness. First up Breakage adds a rolling booty bounce to one of the many highlights on Binga's album Wasted Days album. Binga returns the favour by looking back into the annals of Critical history and dusting off Breakage's formative 2005 skanker "Staggered Dub" and injecting a cool amount of deep halftime space. Both exemplary examples of remix authenticity. Blimey. Bigness.
Review: The ever-rising star of 2010/11 and master of experimental beats brings us the follow up EP to his superlative Noir EP which landed on Critical around this time last year. In the title track "Aria", Rockwell blends glitchy, cinematic rhythms with sonorous, blissed out vocals and cooling instrumentals. Next, "Live For The Moment" adds a dash of funk, whilst talented duo Ulterior Motive's remix of the aforementioned "Noir" is nothing short of superlative, as they toughen it up with a super dark b-line smashing breaks and that iconic Virus-meets-Subtitles tenacity. A collab with Hemlock owner Untold backs this up in "Rehekou Sunrise", adding a shimmy of samples and soulful bliss as we reach the end of the EP.
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