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D.KO
Browse the latest digital releases on D.KO
Review: Two years ago, we waxed lyrical about Flabaire's last album-length excursion, a delightfully dusty and atmospheric blend of deep house and instrumental hip-hop cuts entitled 'Bandwidth'. Predictably, we're going to enthuse about this belated follow-up too, which sees the Frenchman add further layers of musical complexity - including some deliciously jazzy instrumentation - to his sample-heavy, MPC-driven production template. Dreamy, immersive and more comforting than a king-size duvet, the set's seven tracks include the French producer's takes on futurist ambient techno ('Mot Rose'), jazz-flecked Balearic soundscapes (the ultra-deep 'Layer 4', 'Layer 5' and glistening 'Layer 7'), drowsy downtempo sounds ('Layer 6'), dub techno ('Echo Park') and echo-drenched guitar textures ('We Were Talking About The Space Between Us All'). Inspired.
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DKOLP 07
20 Nov 20
Experimental/Electronic
20 Nov 20
Experimental/Electronic
Review: Although he's occasionally made guest appearances on other labels - most notably Rekids, Money $ex and Vertv - Quentin Leroy AKA Mad Rey has been a key member of the D.KO family since the label's launch six years ago. Here he returns to the French imprint for the first time in two years with a predictably solid collection of cuts. Four of the six cuts are designated as dub mixes, with the French producer variously offering up techno-tempo loopy deep house ("Never Know"), Mella Dee style techno-disco ("Bon Souvenir"), warehouse-ready ghetto-tech sleaze ("Go Fast") and lo-fi Chicago jack on steroids ("Balle Perdue"). Elsewhere, "Le Dermier Mot" is the kind of drowsy deepness found on Aphex Twin's "Selected Ambient Works Volume 1", while "Make It Right" is a breezy piano-house treat.
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DKORL 01
03 Apr 20
Deep House
03 Apr 20
Deep House
Review: D.K.O founder Mezigue has a fine track record of delivering deep house, acid and techno that tends towards the eccentric. It was brilliantly showcased on his 2017 debut album "Votez Mezigue", a set that also regularly veered off in all manner of different directions. "Le Meilleur Titre Pour Un Album" takes a similar approach, with the Parisian producer wrapping weird, ear-catching electronic riffs, buzzing acid lines and colourful synth chords around a variety of tight but varied rhythm tracks. Highlights include the spiraling drum and bass business of "Scod Revolution Jamais Dans Les Charts", the eyes-closed synth solos and retro-futurist piano house grooves of "La Celle-sound-cloud" and the drowsy, jazz-funk influenced, hip-hop tempo loveliness of closing cut "Jtbgd92".
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DKOLP 06
15 Nov 19
Deep House
15 Nov 19
Deep House
