Review: Doc Sleep is an alias for DJ/producer Melissa Maristuen, and this album is reflective of her clubbing experiences in the US and Europe. As one might expect, bringing these varying elements together makes for a varied release. Deep, woozy house prevails on "Palm Reader", while the stripped back "Echo Azure" reveals minimal influences. Cloud Sight Fade also explores home listening territory - "Enchanted Static" is a reflective, downbeat track and "Professor Eucalyptus" serves up melancholic ambience. However, the album's true highlights inhabit the intersection of these styles, with both "Lemon Zest" and the title track delivering dreamy break beat house excursions.
Review: Honey Soundsystem's Dezier comes correct with this immaculately detailed debut album. From the circuit board presentation to the album narrative itself Parler Music is a lavish affair that stretches the perception of everything we've learnt about him on labels such as Cin Cin, HNYTRX and Public Release. Back again on Dark Entities (where it all began for this alias five years ago) Parler Music is a fluorescent romp through tempos and emotions; the white knuckle synthwave of "Un Subalterne Insubordonne", the iced-out electro of "Teleconference", the sleazy off-beat slinks and triumphant chords of "Entr'acte", the pregnant cosmosis of "Une Salade Oblongue", the list of immersive synthscapes and stories goes on. A genuinely beautiful debut album.
Review: There's much to admire on this latest 12" excursion from hard-working Israeli duo Red Axes. On the A-side you'll find two brand new collaborations, the most notable of which is "NYX Tape" - a clandestine, mind-altering chunk of minimal wave drug-chug featuring the distinctive spoken word vocals of original no wave star Gina X (she of "No GDM" fame). Chloe Raunet AKA C.A.R lends her similarly stylish spoken word vocals to the EP's other original production, the acid-fired electro filthiness that is "5 Min". On the flipside you'll find two tasty re-edits of tracks from the Dark Entries catalogue: a dub-tinged, dancefloor-friendly take on Solid Moon's spacey "Destination Moon" and a rolling, club-ready tweak of X-Ray Pop's quirky electronic bubbler "La Machine a Rever".
Review: 2017 has been a good year for fans of The Hacker AKA long-serving producer Michel Amato. Having already impressed via rock solid EPs on Stilleben and Bordello a Parigi, Amato delivers his first full-length excursion since 2014. As you'd probably expect, Les Theatre Des Operations tends towards the alien and intergalactic, with Amato serving up a range of tracks rich in bleeping electronic melodies, unfussy drum machine rhythms and angular, TB-303 style basslines. As usual, the eight tracks neatly blur the boundaries between techno and electro - both rhythmically and sonically - while regular collaborator Miss Kittin lends a hand on moody and mind-altering album highlight "Time X", adding some typically sleazy and stylish spoken word vocals.
Review: Boris Blank and Carlos Peron launch their Tranceonic moniker, and it comes through on the effortlessly cool Dark Entries stable, home to what we would say are the best electronic releases of the last five years. No pressure, then. New Crime is a difficult LP to pin down, or to even begin categorizing under one banner, with each track offering a different and equally delightful strain of electronic psychedelia. To give you a taste, the duo craft their own take on Yello's infamous "Bostisch" killer, which quickly dissipates into the more sparse, imperceptible drum and synth cocktails of tunes like "Police Action In Zurich" or "America Is Happy". Don't worry, though, there's plenty of dance grooves for you to get stuck into, such as the deep ad wonderful "Butterfly". It's a keeper.
Review: The final part of Dark Entries' long-running series of archival Patrick Cowley releases showcases tracks originally recorded for Afternooners, a late '70s gay porn film by director John Coletti. As with previous Cowley releases on Dark Entries, the double album also contains previously unheard material rediscovered from the Fox Studio archives. It's another essential collection of atmospheric synthesizer music in the producer's distinctive style, all told, with tracks ranging from the whistling cheeriness of "Hot Beach" and the sparkling, cowbell-laden throb of "One Hot Afternoon" to the dubbed-out, semi-ambient dreaminess of "Bore & Stroke" and the humid, upbeat "Jungle Orchid".
Review: Amongst those that keep track of these things, German trio Hyonobeat are considered proto-techno pioneers. While it's not known whether Detroit's Belleville Three were fans, you could argue that Hynobeat's rhythm-focused approach pre-dated both techno and Chicago house. Thanks to this fine retrospective from Dark Entries, you can judge for yourself. The material included was all recorded between 1983 and 1986, with the wild, off-kilter polyrhythms and ragged TB-303 lines of "The Arumbeya Fetish", mutant electro of "Kilian" and high-octane thrust of the decidedly out-there "Mission in Congo" standing out. Remarkably, Hypnobeat would chain together drum machines and bass synthesizers to create their tracks - a practice that would later become common during the acid house era.
Review: The underground's most serious retroverts: Josh Cheon & Co. keep on doing their thing but we're most curious when they unearth new talent. Following in the footsteps on Linea Aspera, Summerian Fleet and Inhalt is now the Montreal based Solitary Dancer. Some of you may remember their eponymously titled debut E.P. on Midland's Graded imprint in late 2016 after the track "Desire & Apathy" was featured on his Essential Mix. Starting off with the afterhours noir house of "Anything" which is the perfect soundtrack to night of secrecy/desire and debauchery, there's then the brooding minimal electro bass of "Losing Touch" executing yet more stylish sleaze. If that wasn't enough, Montreal's favourite daughter Marie Davidson lends her sultry vocal talents to the bold nu-italo excursion "Emails 2 Myself".
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