The compound for one of Detroit’s most respected ghetto tech dons, DJ Godfather, Databass’ second coming has arrived. Boasting a catalogue that supported an early run of releases from DJs Funk, Assault, Deon and Sluggo, Databass has since turned a freshly tapped source for new DJ Godfather material. A true OG in the art of footwork, juke, electro and straight up ghetto tech, Godfather’s Electro Beats For Freaks album is a standout highlight, next to sleeper hits lile “Smoke In Da Air”, “Jit or Die”, “Shut The Fuck Up” and “Keep Your Name Out My Mouth”. Home to the sounds of Sheefy McFly, Starski & Clutch and Erik Travis too - Detroit be in the building.
Review: Following on from a series of diverse, at times pop-leaning releases, DJ Godfather goes back to his Detroit roots on Killshot. The title track is a frenetic piece of high-tech jazz, with dramatic chords and strings swooping in over a frenetic metallic rhythm. "Funk For The Trunk" is a killer electro track, with Godfather fusing splurging acid with a menacing bass and an angular rhythm. The sum of these parts is an uncompromising but funky workout. And Godfather remains in similar territory for "Subterranean Tech Beat". Based on a barrelling groove, its high frequency tones and relentless percussion prime it for peak-time use.
Review: Another week, another DJ Godfather release. The veteran Detroit producer is in a creative purple patch right now, and That Booty is a reminder of the range and depth of his sound. It moves from the title track's primal ghetto tech swing -and Lil Mz 313's suggestive vocals - to the soulful, R&B-tinged groove of "Till It's All Gone". It too features a vocalist - in this instance it's Ricky Burns's seductive tones. Godfather delivers a reflective interlude in the shape of "Footwerkz". However, it's only a temporary pause and soon enough, he bounces back with the jacking, vocal-tinged ghetto of "Not Me" and "Smokin' Up Yo Weed".
Review: DJ Godfather is in the middle of a creative purple patch, and Hypnotized is the latest in a series of releases from the Detroit artist. The title track has a pop sensibility, thanks to the use of a catchy, vocoder vocal. Looped over rolling breaks, it has the potential to be a hit. In contrast, "Table Terrorist", available here in two versions, sees Godfather indulge his hip-hop leanings. Call and response vocals vie with turntablist scratches and cuts for the listener's attention. Of course, the sound of ghetto is never too far away on a Godfather release. In this instance, it comes in the form of the high-octane "Damn It's Fat", which features Ricky Burns' captivating rhymes.
Review: DJ Godfather has released a slew of material recently, and on his latest EP, he takes aim at a particular demographic within the DJ community. Hooking up with rapper Goodmoney G100, the title track calls out his peers who 'stand in the booth, pressing sync buttons'. Realised against the backdrop of a bruising electro funk rhythm, it's a compelling call out of modern DJ culture. On "Damage Control", the storied Detroit producer shows a deeper side - playing out over a robust bass, mysterious synths call to mind Drexciyan mystique. In contrast, "Down Woodward Avenue" sees him stay in an esoteric place, but this time the focus is on chord-heavy techno. "Count Back" is classic Godfather electro, with speak and spell vocals and otherworldly tones playing out over a frenetic rhythm.
Review: DJ Godfather has always gone his own way, and this EP is no exception. The title track serves up a more dystopian take on his trademark sound as he invites the listener on a journey through his hometown. Powered by crisp drums and eerie synths, the track's centrepiece is a foreboding vocal. In contrast, there's the jittery ghetto tech of "Godfather L.I.V.E.", while on "She Gettin' Hits", he presents another side. Underpinned by a throbbing, ebm-style groove, it features Goodmoney G100 delivering an insistent rap. Returning to his roots, Godfather closes out the release with the old school Detroit electro of "That Street Beat".
Review: Detroit electro icon DJ Godfather is back again to continue on with the latest release in a series of 11 total EPs on Databass. Experience the sound of mechanoids going to battle on "That Electro Shit" before Brian Jeffries delivers a thumping late night house jam on the impressive "1200s Are Lit". "Intergalactic Funk" loves up to its title on this typically soulful hi-tech jam, and "Oh Shit" (feat Goodmoney G100) goes back to the seminal DJ Godfather sound of old which gets seriously deep, down and dirty as we like it.
Review: Detroit electro icon DJ Godfather returns this week with the latest release on his ever reliable Databass imprint. "Hold Up" is next in a series of 11 EPs and sees him collaborate with Chicago booty bass pioneer DJ Deeon. This is the guy who laid down the foundations for what Godfather would soon expand upon with his explorations in the 'ghettotech' sound. Needless to say, the results make for one seriously down and dirty dancefloor workout. Elsewhere, the hi-tech soul beats of "Let's Talk Some Jit" equally satisfies, as does the emotive mood music of "Shake Them" and the in-your-face bass attack of closing cut "Squo?"
Review: It's great to see Detroit pioneer DJ Godfather back releasing music regularly. Hot on the heels of It's Ghetto Tech, he drops this new, diverse release. The title track is a dark, stepping electro roller. Featuring an insistent synth riff, grinding bass and deft hip-hop scratches, it's less frenetic than Godfather's typical material, but no less funky. "Can't C Me" sees him follow a similar approach, with falsetto vocals added to the mix. Godfather reverts to his trademark ghetto tech sound for "Bass Drop". Featuring Lil Mz 313, the interplay between jittery rhythm and call-and-response vocal are irresistible. Changing tact again, "Assassin On The Decks" resounds to melodic piano lines and warbling acid swirls.
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