Review: Place Of Worship is Ben 'Sun' Davidson's fifth release on Delusions Of Grandeur and, true to form, it's an effortless, sun-kissed affair. It starts with the wonderfully uplifting "See It Come Shining", where Davidson combines raw beats with sensuous, stirring strings and soulful piano lines. "Oceanways T150" is similarly cosmic and upbeat, with the UK producer laying down a cacophony of found sound samples and cosmic bleeps over a gentle drum track. The mood throughout the release is sensuous and unhurried, and nowhere is this more apparent than on the blissed-out "Atlantis Transfer", where Davidson combines a plunging house bass with atmospheric ambient textures.
Review: First unleashed on vinyl this time last year, Flight Mode and Joel Brittain's first collaborative EP has finally made it to digital download. This is undoubtedly a good thing, because "Burn This" is superb. In its' original form, the track is a near perfect fusion of dub disco heaviness - chunky bass guitar, delay-laden horn snuppets, crunchy drums - and the kind of electronic instrumentation and mood-enhancing chords more often found in straight-up deep house cuts. There are two tidy accompanying remixes: a sparkling, synth-heavy Balearic house revision by Medlar and a suitably trippy, spaced out Flight Mode dub that's arguably even more driving and floor-friendly than the original mix.
Review: Since making his debut in 2011, Paxton Fettel has proven adept at delivering jazz-funk-fuelled house and downtempo releases that fuse expert musicianship with a keen knowledge of what makes dancefloors tick. "Night Waves" marks his first appearance on Freerange offshoot Delusions of Grandeur and is every bit as alluring as his previous work. The title track is bold and brassy, with Fettel hammering out life-affirming piano riffs over a throbbing, full-throttle house groove rich in rubbery bass guitar, booming beats and disco-house style filter tricks. It's utterly joyous and something of a serious stomper. "Pacifica 399 To Freedom" is a breezier but no less rush-inducing chunk of Balearic house positivity, while "It's Clear" sees him dip his toe in deeper, more electronic house waters with predictably impressive - and jazzy - results.
Review: Four quite varied tracks make up this latest offering from London-based deep house stable Delusions Of Grandeur. 'Dawn' itself, in its Original Mix form, is a mellow cut with a hint of influences from west coast jazz-funk, while 'Taste Of Life' is a more percussive affair with a very 70s-sounding vocoder/talkbox vocal backing a second, spoken male one. 'Hear The Sun' maintains the laidback feel but operates at a more danceable tempo, while completing the EP is Sven Weissman's ReDawn Inbassed Mix of the title track, which is the one to head for if more traditionally styled deep, dubby house is your bag.