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Dessous Germany
Browse the latest digital releases on Dessous Germany
Various
Phonique - "Worked It Out" (feat Ian Whitelaw & Meitz - Charles Webster Second remix) - (7:45) 125 BPM 
Played by: Marc Cotterell (Plastik People)
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DESCD13-DIG
30 Nov 07
Deep House
30 Nov 07
Deep House
Played by: Ross Couch, Marco Febbraro, ROMANTO (YSR / DISCO MACHINE), Chris Coco, Da Funk, Eddie Niguel Aka Edel, Andre Lodemann, Dairmount (Room With A View), Lucky Sun, Juno Recommends Deep House, Juno Recommends Downtempo, Fred Everything, Matthew Kyle, Djs: Most Charted - Deep House
Review: It's been nine years since Vincenzo released his much-checked debut album. In that time, he seems to have had a kind of crisis of confidence, because Wherever I Lay My Head is a distinctly different beast to debut Welcome To Zanarkand. For starters, it's distinctly less dancefloor-focussed, instead offering a home stereo-friendly take on deep house that sleepily ambles between weary positivity and sparkling melodic intent. It's a formula that largely hits the mark, offering a somewhat epic mix of gorgeously sunny grooves and melancholic shufflers. Certainly, it will find fans amongst those who enjoy breezy deep house, and when it really hits the mark, it's nothing short of sublime.
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DESCD 16J
19 May 11
Deep House
19 May 11
Deep House
Played by: Pete Dafeet, Owain Kimber (Owain K), The Revenge, Thomas Sonora, Juno Recommends Deep House, Kirby, Axer Rouf, Bleep District, Nacho Marco, J&M BROTHERS, Djs: Most Charted, Lemon Popsicle
Review: Bristol's Jamie Anderson has always been a bit of a musical chameleon. While he has rarely strayed far from house pastures, he's turned his hand to everything from classic tech-house and hypnotic deepness to rough acid and even fidget. Here, he's back on familiar ground with a four-track deep and tech-house excursion on Dessous, this time in collaboration with up-and-coming Cardiff producer Owain Kimber. As you'd expect from Anderson, there's plenty of eyes-wide-shut melodies and twittering Detroitian synths to savour (see "Airwalk" and "Limelight"), alongside some ultra-deep grooves for the afterhours heads. Of these, it's the low-end hustle of "Without Dub" that most impresses.
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DES 101D
11 Feb 11
Deep House
11 Feb 11
Deep House
Played by: Dlay/Syndrome, Giom, Mark Johnson Bournemouth, Juno Recommends Deep House, JAVI LOPEZ, Hannah Wild, Brandon Bass, Julien Sandre
Review: It doesn't seem long since Burnski was taking his first steps in house, releasing promising EPs for Tropez, Infant and 2020 Vision. Now he's something of a grizzled veteran, with the production skills and trademark sound to show for it. As a result, this three-tracker for Dessous boasts some of his strongest work yet. The title track itself is a real peach; a nine minute exercise in eyes-wide-shut deep house that pairs soft and cuddly synths and vocals samples with thick and booming low end pressure. "There's A Cukprit" offers an impressive mix of late night creepiness and post-jack chugginess, while "Watch Out" should inject some much-needed funk into dreary afterhours dancefloors.
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DES 103
13 May 11
Deep House
13 May 11
Deep House
Review: Long-standing German tech-house legend Steve Bug, founder of both Pokerflat and Dessour, returns to the latter label with something a bit special, and likely to satisfy all of your DJ needs. The producing don has taken it upon himself to remix a twelve tunes, all from different artists that have shaped the sound of house and techno as we know it today. You'll find Bug's retouches on artists like Simon Baker, Manuel Tur, and even Lovebirds. However, the special moments come from his sleek Re-Dub of Chez Damier's mythical house bomb "New York Dub", a stripped back edit of Laurent Garnier's "Whistle For Frankie, and the gorgeously deep swells of his remix of "Pensum" by Francis Harris. Masterful, and very much recommended.
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DESDD 16
23 Oct 15
Deep House
23 Oct 15
Deep House
Various
Played by: Juno Recommends Deep House
Review: For those who like their house deep, groovy and emotion-rich, Dessous's back catalogue is a veritable goldmine. It is rather vast, though, so it's good to see the Steve Bug-helmed imprint giving us a few pointers via this excellent compilation. Check, for example, the drowsy chords, undulating bass and jazzy drums of Thierry Tomas's "Piu Piu", the basement-bothering tech-tinged chunkiness of James Dexter's "120" and the ultra-deep late night hyonotism of Chocky's "Self-Knowledge (Dub)", where hazy and trippy synthesizer motifs ebb and flow over a locked-in groove. Further highlights come in the shape of Tom Flynn's fuzzy and far-out "Pluck" and a brilliant mid-tempo Genius of Time rub of Vincenzo's "106 Downtown" full of gentle acid lines and freaky electronic noises.
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DESDD 19
14 Sep 18
Deep House
14 Sep 18
Deep House
Played by: Pete Dafeet, Vincent Inc, Jafar (Poussez/Artizan Music), Fragedis, Fabien Kamb, Juno Recommends Minimal Tech, Bruno Browning, Subb-an
Review: Andrade drops his first EP on Steve Bug's Dessous imprint. Alongside "Face De Bouc," we get two more original Andrade productions and a remix of the title track provided by fellow Frenchman, D'Julz. Since arriving on French label, Time Has Changed last year, Andrade has managed to build a fresh, deep sound of his own. This sound, as heard over EPs such as "Design Pattern," "Fingers" and "Day of Defeat" on the aforementioned label has so impressed Dessous owner, Steve Bug that the German signed him up for two EPs on his own imprint. "Face De Bouc" is the first of these, showcasing his deep and groovy, house sound that slots perfectly onto Dessous. The title track is a pumping take on disco house. The vocal stipulates "take a ride," something that Andrade?s playfully funky bassline immediately does. Swinging beats join the mix before simple, more rumbling bass takes over and starts to drive the track. Using cosmic elements and some nifty horn parts, the track builds and builds as its funkiness comes back to life again. D?Julz, who is seemingly the face of this EP, comes next with his trademark upfront and high quality take. Starting off in tougher tract, the remix remains grounded through some deft jazz-like percussion. With its dub influenced approach to house music, this remix displays all the quality and skill that has made D?Julz the in-demand artist he is now. Finishing with two more Andrade tracks, the Frenchman stakes his claim to be held in such regard. "Old Rules" is tight, funky sub bass working in perfect cohesion with classic house stabs whereas "Prototype" goes even deeper than the rest, complete with soft female vocal meanderings and solid pumping grooves. This is Andrade showing just what he?s got for his first EP for Dessous, and as far as I can see - besides ample groove and funk, that also seems to be a whole lot of talent.
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DES 94D
26 Mar 10
Deep House
26 Mar 10
Deep House
Played by: Reed & Radley, Owain Kimber (Owain K), Jad & The, Juno Recommends Deep House, Tom (Shur-I-Kan) Szirtes, Denny Loco, Djs: Most Charted - Deep House, DJ P-SOL
Review: Few deep house producers seem to work quite as hard as Andy Ash. Over the last few years, he's released on a plethora of labels, including On The Prowl, Foto, StilLove4Music, Scenery and Quintessentials. Here, he pops up on Steve Bug's Dessous imprint with three more perfectly pitched doses of melodic deepness. "Workin" - a dreamy, techno-tempo fusion of swirling chords, bold stabs and evocative melodies propelled forwards by hissing ride cymbals - is arguably the pick of the bunch, though it faces stiff competition. The slower, baggier but no less emotion rich "Mindflow" - seemingly a tribute to early '90s Chicago deep house - runs it close, while the bustling keys, smooth bassline and darting electronics of "Release and Check (Part 1)" are a joy to behold.
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DES 118
03 Feb 14
Deep House
03 Feb 14
Deep House
Various
Review: While Dessous may have originally laboured under the shadow of being "Steve Bug's other label", in recent times the imprint has really come into its own as an outlet for high quality deep house. This expansive 23-track collection gathers together some of Dessous' best moments from the last couple of years, throwing in a smattering of unreleased cuts from label stalwarts Vincenzo, Tigerskin and Phonique for good measure. As you'd perhaps expect, there's some exemplary deep and tech-house on show throughout, with Steve Bug's "Do It Right", Burnski's "Sometimes Takes Longer" and two superb Jamie Anderson/Owain K collaborations among the many highlights.
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DESCD 17
16 Sep 11
Deep House
16 Sep 11
Deep House
Played by: Loco Dice
Review: "Imagine" is an apt title for deep house stalwart Andre Lodemann's latest effort. Blessed with all manner of intricate musical touches - loose jazz drums, sneaky guitars, dreamy freestyle vocals, deep chords and bubbling electronics - it appears to be the product of a particularly vivid imagination. This is no bad thing; it eschews the standard deep house formula, instead delivering something far more interesting, involving and, dare we say it, playable. The similarly melodic and drifting "Eyes Wide Open" tightens up the grooves, but retains a picturesque air of natural majesty. For those seeking more straightforward pleasures, Alix Alvarez's rework of "Eyes Wide Open" bulks up the beats in pursuit of chunky, melodic deep house delights.
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DES 115
29 Jul 13
Deep House
29 Jul 13
Deep House
Review: Dessous label mainstay and Hamburg native Vincenzo is back and presents another release that seems dedicated to one of his favourite cities: Melbourne in Australia. He teams up with Voyeurhythm boss Tyson Ballard on "Malvern Road", what a deep and soulful journey this one is. Killer bassline too. "Follow" sees Vincenzo go solo on this smooth and emotive jam that is so typical of his work; a career that has spanned nearly twenty years. Finally he hooks up with Melbourne producer Mic Newman for the sultry house number that's rather fittingly titled "Melbs".
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DES 130
19 Feb 16
Deep House
19 Feb 16
Deep House
Played by: Owain Kimber (Owain K), Phonetica, Kisk, Alkalino, Chris Deepak, Roberto Rodriguez (Manolo), Juno Recommends Deep House, Dj Assassin (Recode Recordings), Djs: Most Charted - Deep House, Kyodai, Thomas Elmore
Review: Man of many aliases Petros Manganaris (INFO, The Scientifics, Petter Pann etc.) returns to his most famous pseudonym, Echonomist, for a deep and sensual outing on Dessous. "Keys To Life" offers up a tactile blend of energetic low-end shuffle, spiralling chords, cosmic vocal samples and killer organs. While vintage American deep house seems to be his primary influence (check the skipping drums for proof), he carefully steers clear of hollow revivalism. The seemingly unstoppable Kyodai goes even deeper on his remix, thickening up the percussion and stripping the track back to a booming, late night groove. The EP also includes a tasty dose of hazy autumnal sunshine in the shape of "Fair Ride".
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DES 116
09 Sep 13
Deep House
09 Sep 13
Deep House
Review: Bristol tech-house veteran and Cardiff-based DJ/producer Owain K have been working together for some time, with 2012's "Do You Know" being one of the sleeper hits of last summer. Here, Dessous Recordings gives it the remix treatment. Barcelona's Soul Minority kicks things off with a version that gets just the right balance between weighty low-end shuffle, summery brightness and sparse deepness. The Inner Space mix is propelled forward by waves of smooth chords and bubbling electronics, while the Jazz Reprise mix drops layers of twinkling jazz keys over a classic '90s house groove. There's also a Juno exclusive in the shape of the Deep Space mix - a bumpin' deep house tweak with just the right amount of synth-laden futurism.
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DESDD 08J
04 Feb 13
Deep House
04 Feb 13
Deep House
Played by: Daryl Stay [ Poker Flat ], Joachim Spieth, Burnski, Juno Recommends Deep House, Adam Khan (Void Music)
Review: When it comes to working with a fusion of deep house and dub influences, no one holds more relevance than Germany's Max Hessen, AKA Lagenberg. The Essen native, who has been producing since 2007, is already well known following an impressive string of releases for the likes of Resopal Red, Sthlmaudio, Drumpoet Community, Liebe*Detail, his own Mild Pitch (which he runs with Manuel Tur and Dplay)and of course, Dessous. Now returning to Steve Bug's Dessous once more, Lagenberg dives further into his exploration of deep house music tinged with dub atmospheres on the excellent "Past Present" EP.
All three tracks on the release are concocted with some very basic ingredients. They all revolve around slow but thumping beat patterns, deep, dubbed out and unrestrained subs and some sparse chords. Opening the EP, "Past Present" is an ultra deep and moody, modern sounding amalgamation of dub and classic Chicago influences. It bristles along with a tough analog energy as the crisp drum patterns open up into the surging bass that drives the track.The haunting female vocal adds to the moodiness whilst ensuring it never spills over into sheer dread or menace. "Backyard" has a slower groove giving it any easier feel than its predecessor. Complex dub arrangements huff amid yet another heavy and warm sound aesthetic. This full bodied, hazy, heady sound runs away with the track as echoed vocal snippets chase along, giving the whole tune a spaced out but flowing feel. Now in more of a fidgety mode, the EP moves into a housier tone on "Monday 16th." Steadily evolving string arrangements and classic deep house chords trickle over some funky and exotic percussion as the track rolls on through the dubby jungle floor of Langenberg's soundscape.
All three tracks on the release are concocted with some very basic ingredients. They all revolve around slow but thumping beat patterns, deep, dubbed out and unrestrained subs and some sparse chords. Opening the EP, "Past Present" is an ultra deep and moody, modern sounding amalgamation of dub and classic Chicago influences. It bristles along with a tough analog energy as the crisp drum patterns open up into the surging bass that drives the track.The haunting female vocal adds to the moodiness whilst ensuring it never spills over into sheer dread or menace. "Backyard" has a slower groove giving it any easier feel than its predecessor. Complex dub arrangements huff amid yet another heavy and warm sound aesthetic. This full bodied, hazy, heady sound runs away with the track as echoed vocal snippets chase along, giving the whole tune a spaced out but flowing feel. Now in more of a fidgety mode, the EP moves into a housier tone on "Monday 16th." Steadily evolving string arrangements and classic deep house chords trickle over some funky and exotic percussion as the track rolls on through the dubby jungle floor of Langenberg's soundscape.
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DES 97
18 Jun 10
Deep House
18 Jun 10
Deep House
Played by: Giom
Review: For rising star James Dexter it's business as usual, this time for long running Hamburg institution Dessous. First up is "Have It Like That", which fits right in with Steve Bug's label's modus operandi just fine with this sexy late night deep house journey for sophisticated crowds. He dives deeper on "No time", which is more reminiscent of late '90s U.S. house: think Guidance or Nite Grooves. Finally "Get On To This" ups the ante proper on this sleazy tribal tech house killer equally indebted to the late 90's in a way that Hipp E & Halo would appreciate.
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DES 129D
29 Jan 16
Deep House
29 Jan 16
Deep House
Phonique feat Ian Whitlaw
Review: Over the last fifteen years Michael Vater's Phoniquie project has become somewhat of an institution within the world of deep house music. Admired as much for the sheer volume of his output as the quality that lies within it, Phonique has notched up nearly forty releases on labels such as Moodmusic, Crosstown Rebels, Brique Rouge, Souvenir, Renaissance, Global Underground and Poker Flat. But it is with Steve Bug?s sister label, Dessous, that Phonique has had the most fruitful relationship, bearing two acclaimed full length albums, the Erotic Moments in House compilation and a number of twelve inches. His 2004 debut LP, Identification was followed in 2007 by Good Idea, an album heralded for its combination of house, electro, hip-hop and disco. This June, the Berlin based producer will release his third studio album for the imprint, Kissing Strangers. Combing catchy underground pop moments with strong, club-ready cuts, Phonique conveys his love for all musical styles. Brimming with modern, soulful house music with a summery hue, Kissing Strangers is an immensely anticipated album. To ease the wait, Dessous are now releasing a remix package around album track, "Our Time Our Chance."
Featuring the haunting and timeless vocals of Ian Whitelaw, the original showcases the deepest of house music with melodic progressions and the kind of pristine synth lines that come hand in hand with Phonique. Riding his current wave of creativity, Best Works man Andre Lodemann delivers a sophisticated, reduced remix that bubbles along with rich atmospheric layers, subbed up bass and a resourceful use of Whitelaw's vocal. Wahoo, a duo made up of Georg von dem Bussche (Georg Levin) and Steffen Berkhahn (Dixon) work the esteemed musicality that both artists share into a funky, epic musical version of "Our Time Our Change." By adding a host of live instrumentation including drums, strings, pianos and horns, the duo turn this into a very special remix.
Featuring the haunting and timeless vocals of Ian Whitelaw, the original showcases the deepest of house music with melodic progressions and the kind of pristine synth lines that come hand in hand with Phonique. Riding his current wave of creativity, Best Works man Andre Lodemann delivers a sophisticated, reduced remix that bubbles along with rich atmospheric layers, subbed up bass and a resourceful use of Whitelaw's vocal. Wahoo, a duo made up of Georg von dem Bussche (Georg Levin) and Steffen Berkhahn (Dixon) work the esteemed musicality that both artists share into a funky, epic musical version of "Our Time Our Change." By adding a host of live instrumentation including drums, strings, pianos and horns, the duo turn this into a very special remix.
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DES 96DIG
14 May 10
Deep House
14 May 10
Deep House
Played by: Platzdasch
Review: Given that he's been knocking out high quality deep house for the best part of a decade, it's something of a surprise to find that Central Heated House is Max "Langenberg" Heesen's debut album. Less surprising, perhaps, is the high quality threshold maintained throughout. Heesen obviously counts Larry Heard amongst his greatest influences, as there's a real Mr Fingers feel evident throughout. Of course, there are deviations from the script - see the deep soulful house of Blakkat collaboration "Shadows", the bubbling, acid-flecked boisterousness of "Dreamliner", and the Tenaglia at Twilo flex of "Planitz Proposal" - but for the most part it's a deep, melodious and atmospheric affair.
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DESLP 18
18 Nov 16
Deep House
18 Nov 16
Deep House
Played by: The Revenge, Chris Coco, Juno Recommends Deep House, Farley/Diesel/Nunes (Faith), Zoe Xenia
Review: Ex-Phonique producer Tigerskin makes his debut for Dessous with the groove-focused three tracker, "Matters of the Heart". The title track combines super funky, nu-house beats with a soulful musicality and a powerful vocal performance from Zoe Xenia. Perfect for summer, the lead track also comes with the deeper and more reflective "Carlos' Thoughts" and the Tigerskin ass-shaking styled "Eyewitness" that comes peppered with horn stabs, spooky atmospherics and dramatic crescendos.
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DESDD 03
21 May 10
Deep House
21 May 10
Deep House
Review: When it comes to yearning, early morning deep house, you can always rely on Dessous to deliver the goods. Here they come up trumps again, with label stalwart Vincenzo "brother of Florian" Kruse delivering a typically touchy feely late night romp. The original version of "The Clearing" feels lightweight at first, but give it time to develop and you're rewarded with booming low end and quietly chiming melodies. The "Clearing Dub" goes further into sunrise territory thanks to two colossal breakdowns, while fellow deep house veteran Ian Pooley ups the piano and acid quota on his reverential rework.
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DES 100
25 Jan 11
Deep House
25 Jan 11
Deep House
Dessous Classics / Various
Phonique - "Worked It Out" (feat Ian Whitelaw & Meitz - Charles Webster Second remix) - (7:45) 125 BPM
Played by: Owain Kimber (Owain K)
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DESDD 09
25 Feb 13
Deep House
25 Feb 13
Deep House
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0718756269960
24 Jun 02
Minimal/Tech House
24 Jun 02
Minimal/Tech House
Various
Review: Steve Bug's Dessous imprint is one of the best and most consistent deep house and minimal labels going. On Dessous Best Kept Secrets Volume 2, the follow up to 2007's first instalment, they prove it yet again with a compilation that charts both the current and future sound of the label. Full of emotion, warmth and soul, the release serves as a true indication of the label's ethos as a whole and leaves a lasting impression on the listener.
David Durango has been making impressive appearances on Dessous and Poker Flat of late. So much so that the young half Swiss, half Spanish producer was chosen to open this compilation with the first of his three offerings on the release. "Juegos Fantasiticos" opens proceedings with some warm, deep house that sounds as comfortable as it does laid back. "Striptease" showcases Durango's more upbeat side before "Human" delves into a minimal aesthetic courtesy of deft high end percussion, low bass squeezes and acute phaser work.
Alongside smooth, chord-laden house like "Le Groove Rhodes" from Rene Breithbarth and Claire Ripley's "Labyrinth" we get the techno influenced twisted synths of Moodymanc's "Omlette" and the darker more driving sound of "Merise" by Andrade. "New Road FM" by Burnski brings the groove with some cosmic, jacking twists and Graeme Park closes the release with his slo-mo house remix of Ryo Murakami's "Just For This."
Dessous Best Kept Secrets Volume 2 takes you on a delightfully soulful and rhythmic journey of their label. Although the compilation never strays too far away from their signature sound nor breaks any new barriers, it does an expert job of bringing you the vintage and emotive deep house that has made the imprint so special in the first place.
David Durango has been making impressive appearances on Dessous and Poker Flat of late. So much so that the young half Swiss, half Spanish producer was chosen to open this compilation with the first of his three offerings on the release. "Juegos Fantasiticos" opens proceedings with some warm, deep house that sounds as comfortable as it does laid back. "Striptease" showcases Durango's more upbeat side before "Human" delves into a minimal aesthetic courtesy of deft high end percussion, low bass squeezes and acute phaser work.
Alongside smooth, chord-laden house like "Le Groove Rhodes" from Rene Breithbarth and Claire Ripley's "Labyrinth" we get the techno influenced twisted synths of Moodymanc's "Omlette" and the darker more driving sound of "Merise" by Andrade. "New Road FM" by Burnski brings the groove with some cosmic, jacking twists and Graeme Park closes the release with his slo-mo house remix of Ryo Murakami's "Just For This."
Dessous Best Kept Secrets Volume 2 takes you on a delightfully soulful and rhythmic journey of their label. Although the compilation never strays too far away from their signature sound nor breaks any new barriers, it does an expert job of bringing you the vintage and emotive deep house that has made the imprint so special in the first place.
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DESCD 14D1
14 Apr 10
Deep House
14 Apr 10
Deep House
Review: Dessous Recordings - Steve Bug's other label - has always supported the more melodic, fluid end of the deep house spectrum. While recent releases have been notable by the force of their low-end bounce, the label's commitment to musicality remains. This EP from Parisian producer Olivier Andrade continues that trend. "Hype No Tool" boasts sweaty, bumping drums, but it's to the hypnotic, jazzwise piano riff and long, drawn-out chords that the ear is drawn. "Love", meanwhile, opts for more of a cut-up garage revival flex, while "Magic Key" is simply sumptuous. As if that lot wasn't enough to get the juices flowing, there's also a tipsy, loose remix of "Hype No Tool" from Dessous regular Kiki.
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DES 113
11 Mar 13
Deep House
11 Mar 13
Deep House
