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Discotexas
Browse the latest digital releases on Discotexas
Review: Moullinex and Xinobi's Discotexas label has delivered some fine material of late. Happily, this EP - a label ddebut from from Los Angeles duo Wild & Free - is pretty nifty, too. Curiously, there's no original version present, though Wild and Free's remix, a wonderfully dreamy, languid and ear-pleasing slice of hazy poolside nu-disco with subtle Balearic flourishes, is probably closest to their original vision. Xinobi emphasizes the track's largely hidden melancholic moments on his sumptuous deep house take, while the Boys Get Hurt version is a piano-laden Balearic house shuffler. Arguably the best version, though, comes from Justin Strauss and Bryan Mette as WhateverWhatever. Moodier, fuzzier and built around lightly toasted jazz breakbeats, their remix brilliantly re-casts the track as a woozy indie-disco treat.
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DT 082D
22 Jun 18
Disco/Nu-Disco
22 Jun 18
Disco/Nu-Disco
Review: It would be fair to say that there's a head of steam building behind "Far Away Place". It was originally featured on Bruno "Xinobi" Cardossa's 2017 sophomore set On The Quiet, but has since appeared as a single (on Anjunadeep, no less). We're willing to wager that this edition, featuring some fine new remixes, will be extremely popular with both DJs and dancers. Last year's fine rework from Jody Wisternoff and James Grant is joined by new rubs by Tensnake and Pete Herbert. Predictably, it's Tensnake who takes top prize via a sparkling, funk-fuelled, synthesizer heavy version that sounds like a summer anthem in the making. That's not to say that Pete Herbert's revisions aren't good, though; in fact his breezy, extra percussive Balearic disco Dub is every bit as essential.
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DT 083
20 Apr 18
Disco/Nu-Disco
20 Apr 18
Disco/Nu-Disco
Review: Since transferring to Discotexas (he was previously associated with Gomma), Munich man Moullinex has delivering some impressive outings, not least the loose, jangly and life-affirming dancefloor cheeriness that is recent single "Love, Love, Love". Here, it gets given the remix treatment by a trio of talented producers. Up first is Larse, whose intoxicating version laces the original's multi-tracked, dream-pop style vocal hooks over a rolling, acid-flecked, analogue style house groove. Switchdance opts for a hazier, slightly deeper approach - think haunting flute lines, slightly foreboding bass and bubbly electronics - while Les Loups weighs in with a jaunty, energy-packed, disco-flecked deep house rub.
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DT 075
28 Apr 17
Disco/Nu-Disco
28 Apr 17
Disco/Nu-Disco
Played by: Future Bones
Review: Since making his name with a string of fine EPs on Electrique Music earlier in the decade, Bufi returned to action last year with a fine album entitled Revelacion. Here, a quartet of likeminded producers takes it in turns to rework tracks from that set. Spanish producer AFFKT steps up first, sneakily turning EBM-influenced chugger "Apocalipstick" into a hard-wired chunk if throbbing, Italo-disco inspired sleaze. Eskimo Recordings regulars Zombies In Miami delivers a sparse, electro-influenced revision of "New Ground", before Max Jones tiptoes the fine line between acid-flecked deep house and psychedelic nu-disco on his re-make of "Interlude". Finally, Damon Jee gives "Peaks" a thorough going over, fixing Nitzer Ebb style electronics to a dark-wave disco groove.
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DT 073
17 Mar 17
Disco/Nu-Disco
17 Mar 17
Disco/Nu-Disco
Review: Lisbon's Discotexas return with Mexican producer Bufi and his Revalacion LP. The solo project of one Mateo Gonzalez Bufi, a producer hailing from Mexico City who claims to have been influenced by a wide variety of genres ranging from early chicago acid house or detroit techno, to scandinavian nu-disco, to post-punk and krautrock. He's released previously on ISM, Kitsune and La Belle. Starting out with the slow burning EBM of "Apocalipstick (feat Franka Polari)" or the lo-slung acid house of "Dan's Return (feat Zimmer)", there's more variety on offer in the form of "Peaks" and its dark, slinky tech house stylings or the the brooding, Crosstown Rebels style deep house of "New Ground (feat Lalolimann)".
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DT 063D
04 Nov 16
Disco/Nu-Disco
04 Nov 16
Disco/Nu-Disco
Review: Some 12 months on from its release, Bruno "Xinobi" Cardosa has handed over the parts to his quietly impressive debut album, 1975, to a crack team of remixers. It's Psychemagik who arguably impress the most, building up an atmospheric, tribal-influenced rhythm on their version of "Bogota", before turning the track into a throbbing, druggy, big room house beast. Munk's version of Afrobeat-influenced cut "Crime" is a Balearic disco treat - think woozy fretless bass, chiming melodies and glistening guitars - while Cut Slack turn "Real Fake" into a suitably loved-up chunk of loose-limbed, sun-kissed synth-pop. It's a formidably breezy rework, and one that should sound as good in a club as it does on your car stereo.
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DT 054
25 Sep 15
Disco/Nu-Disco
25 Sep 15
Disco/Nu-Disco
Review: Portugal's Moulinex, otherwise known as Luis Clara Gomes, has made his name on his native Discotexas label, an outlet reserved for positive, disco-filtered house music. This latest effort sees Gomes' "Take A Chance" tune being rewired, remangled and transformed by a pair of remixers; the first is by Satin Jackets who goes for a strictly hazy, utterly boogied-out approach for the summer months, while Black Loops takes care of turning the original into a dark, dubby and pulsating floor stomper with subtle filter-house waves.
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DT 053
29 Jun 15
Disco/Nu-Disco
29 Jun 15
Disco/Nu-Disco
