Review: Described as a clean-cut all-American pedal steel guitarist, and member of the country-tinged Mojave 3 outfit on 4AD, Raymon Richards has an epic discography to be discovered. Introduced to the leftfield, house and disco loving community through ESP Institute, the label champions Richards' new age twang and ambience of through The Lost Art Of Wandering. Largely an ambient affair of finger picked guitars, harmonicas and percussion, all lathered in gorgeous reverb and delay, there's still some drum machines and rhythm tracks to be found in "Roslyn, Washington", "Fossil, Oregon" and deep into "Tucson, Arizona". The Lost Art Of Wandering is an all-American affair and ode to the lonely roads and rolling tumbleweeds of dreamland's wild west.
Review: Under the now familiar TCB alias, Christian Beisswenger has spent the best part of a decade offering up distinctive mutations of deeo house, techno and tech-house for labels including Live At Robert Johnson, Tasteful Nudes, Die Orakel and House Is OK. "Prima Astrology" sees him tackle the mini-album format for the first time via an outing on ESP Institute that's arguably aimed more towards home listening than any of his previous work. Of course, there are a number of club-ready cuts on show, but like the album's more downtempo offerings they're deep, spacey, cleverly composed and often shot through with references to dub-house and dub techno (see "Wet FX" and "Once Past Twenty" for starters). It's a good blend that makes for suitably drowsy and enjoyable listening, with highlights including the eccentric, off-kilter opener "Spooks", the deep digi-dub of "Help For People" and the blue-tinged early morning warmth of "Prima Astrology".
Review: You certainly can't accuse Japanese chill-out producer and found sound enthusiast Ground of sticking too rigidly to a well-defined blueprint - the three tracks presented here don't sound anything like each other! In its Original form, 'Follow Me' is a world music-leaning Balearic number, with a hefty bassline, mantra-like female vocal, aquatic sounds, heavyweight hand percussion and an overall hypnotic feel. The Jay Glass Dubs Mix then takes the track into seriously out-there experimental territory, before the EP's completed by 'Ozone House', a percussion- and vibes-led affair with a pronounced Far Eastern feel. If you dig Gilles P or Bonobo, you'll probably dig Ground, too.
Review: Osaka's GROUND is no newcomer to the world of experimental electronics, with the artist's last official EP having come out all the way back in 1995 as a self-releases 7" on the forever-defunct 595-76-8239 Music. Sunizsm is his debut LP, with a few of these tunes already out in the last few months on separate EPs, each one of them backed by a series of killer remixes, of course. The LP as a whole, however, is a startling beauty, dipping and diving from dance music to the abstract, rich in Ground's Japanese aesthetics. "Logos", one of the tracks released already, is a tripping bundle of percussion and Eastern vocal chops and, among our other favourites on here, there's also the off-kilter chimes of "Hanasai", the moody bass tones of "Feel It", and the hypnotic journey that is "Sunizsm" itself. House-not-house for the DJ-not-DJs.
Review: Given that Neil McDonald aka Lord of the Isles has released on notable labels like Firecracker - and its offshoots - as well as Phonica, Mule and Permanent Vacation, it was only a matter of time before ESP Institute tapped him for a release. That said, McDonald does not follow a typical deep house trajectory here. Indeed, the title track, in its extended version, is a distorted jacking affair, shot through with dark waves of acid. While Ian Blevins' version offers a pulsing, less visceral alternative take on "Weh-In", overall this release is jittery and hyperactive, as the abstract twists and growling bass of closing track "Pik" demonstrates.
Review: Fresh from unleashing an album of the year contender in Young Marco's Biology, ESP Institute welcome Munich trio Tambien back into the fold for a superb second record. The Der Elf single is described by the label as "a beacon of hope in a dark warehouse" andwill be welcome news for anyone that indulged in Drogato, last year's ESP bow from Bartellow and Public Possession pair Marvin & Valentino. Both tracks here suggest Tambien's productions are growing in confidence and range with each release. The concoction of bouncing 909 rhythms, gently bent synths and heavily delayed vocals that make up the title track could easily be mistaken for a production from Mark Seven's Parkway label, and is complemented nicely by the melodically-driven deepness of "Are You In Touch w/ Varan?"
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