Review: Two fierce and firin' nu-disco/disco-house bullets courtesy of Irish producer SHEE make up this latest from Eats Everything's Edible label. 'Get Loose (On & On)' has something of a DJ Sneak-ish cut-up feel, but with a BPM count that harks back more to the mid-90s than to today's considerably lowered tempos. The accompanying 'Get Up And Dance' is a little less frantic but no less strutty, and sports a looped "get up and dance" vocal that puts this writer vaguely in mind of 'Renegade Master' in its sheer relentlessness and attitude. One for when the crowd's got plenty of vodka and Red Bull inside it!
Review: London-raised Sasha GiGi has been a rising star in the club scene for some time, with fellow Bristol resident Eats Everything championing her undeniable DJ skills. He's now gone one further by signing her to his Edible imprint, with this EP marking her official debut. In keeping with the current trend to push tempos upwards, even when making house music, title track 'Sugar Daddy' is a formidably bass-heavy, 130 BPM beast, while GiGi supplying short spoken word snippets, warped noises and (more surprisingly) bluesy vocal samples atop a sweaty drum machine beat and booming bassline. 'Let's Dance', meanwhile, is a loopy, sub-heavy disco jacker that makes great use of a variety of samples from disco, rap and electrofunk cuts. Both tracks sound like guaranteed party-starters.
Review: Polish pair Catz 'N Dogz have mixed things up a lot over the last few years, expanding their musical repertoire to include nods to Balearica, nu-disco and synth-soul. Even so, they remain particularly good at delivering big, bold and breathless peak-time house anthems, as their latest release for Edible proves. 'First Night Out' is insanely heavy and driving, with mutilated trumpet sounds, raw electronic stabs and cut-up vocal snippets rising above a thunderous bassline and the most energetic house beat you're likely to hear all year. Eats Everything opts to build on this "Derrick Carter style 'boompty' house-on-steroids" feel on his remix, adding even wilder acid sounds, an even deeper bassline and some seriously mind-altering electronic motifs.
Review: In the decade that has passed since he made his debut on FUSE London, Seb Zito has delivered a swathe of fine EPs but never delivered a debut full-length excursion. Truth In My Steps, his first album, is therefore well overdue. Its' 11 tracks are attractive, addictive and undeniably club-ready, with Zito expertly fusing elements of deep house, UK garage, tech-house, breakbeat and broken beat to create thrilling hybrids of the sort that could only have emerged from London. Such is the quality throughout, picking highlights is tough, but we're currently really enjoying the pulsating funkiness of acid-breaks cut 'One Finger Skank', the stab-happy eccentricity of 'Come On', the bassline/UK funky-influenced wildness of 'Charlie's Gaff', and the high-octane drum & bass rattle of 'Mans From London'.
Review: We all know the quality that Seb Zito is working with at the moment, which is why we were so thrilled to see this tidy new two track delight land in our store courtesy of the team at Edible. We kick this one off with '2am Lover', featuring the magnificent vocal prowess of Black Coco, who delivers a nostalgic vocal line jam packed with harmonic beauty and catchy riffing. This gives the perfect lift to Seb's colourful instrumental structure below, which focuses on clicky percussive hits and pulsating bass stabs. On the B-side, 'Bad Bwoy' takes it old school again with some throwback LFO action atop a hi-hat-heavy set of drum breaks for good measure. Tidy stuff indeed!
Review: Quality boompty tech-house with added dancefloor dynamics, from the one and only Cuartero here. Malaga's finest has presented top tracks of late on Saved, Hot Creations and Knee Deep in Sound - and this new one for Eats Everything's label brings even more heat. From the rolling liquid groove action of "Rapuh" which is perfectly suited to the warm up ot afterhours alike, through to the groovy minimal funk of "Mo Chi Chi" - this EP comes right in time for the summer season on The White Isle.
Review: The enigmatic Lord Leopard is back on Eats Everything's Edible label with more boompty and bass-driven wares that are guaranteed to rock the main room at peak time. Considering his previous credentials releasing on top labels like Dirtybird, you know you are in good hands with this dude! The Cornish recluse serves up what is probably his toughest groove yet on the fierce funk roller "Quit Moanin'" which will mix well with your Gruuv or Material tracks, while the intoxicating 'woop woop' of "The Connect" is perfect for those heads-down moments right after the peak time - and perfect for losing yourself under the strobe light.
Review: Fresh off a great release recently on Seth Troxler's Play It Say It, Fuse London stalwart Seb Zito is back again - this time for the always reliable Edible imprint run by none othe than Eats Everything. The Twenty.2 EP features more swing than you can shake an MPC at -rolling and funtional tech house jams that you've come to know and love the man for. From "Slap Dash" with its druggy and wobbly bassline that's the perfect sound of an East London warehouse party after midnight, through to the very UK style bounce of "Bit Of Kip" and the soulful and bittersweet mood lighting of "Haphazard" being perfrct for all those afterhours solitary dancers.
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