Review:
As the title suggests, this five-tracker from the previously re-edit-happy Editorial imprint showcases slo-mo disco/house crossover cuts from a selection of mostly little-known producers (the fast-rising Matthew Kyle aside). For those who've been digging the superb releases of labels like Sleazy Beats, Wolf Music and Instruments Of Rapture, Slo-Motion Potion comes highly recommended. It's largely impressive stuff, with DJ Butcher's epic "Shake Your Body", Kyle's deliciously sensual "Off My Mind" and 78 Edits' heady opener "Come On Baby" standing out. That said, the whole package is well worth a listen.
Review:
There's a notable inclusion in the list of producers contributing to Editorial's latest red-hot collection of floor-friendly reworks. Vastly experienced house producer Art of Tones turns re-editor on "Bootyshaker", a sublime, loose-limbed interpretation of a Red Greg-championed disco-soul favourite that benefits greatly from just the right amount of low-end house pressure. Similar accolades could be placed on the gently bouncy disco-funk shuffle of Matt Hughes' electric piano and jazz guitar-laden "Walk The Chalk", or for that matter the deep, spacey and radiator-warm electrofunk bliss of Special Q's talkbox-sporting "Lost in You". Elsewhere, Sellouts goes all "boom-bap" on the freshly baked instrumental hip-hop head-nodder "Ain't No Thang", while Barry Closer gets tactile and glassy-eyed on the Balearic boogie of "Closer".
Review:
Orbiting the Sun, just near Venus, is a little known planet called Closed Paradise. When not residing there, this disco-chic producer resides in the more earthly domain of France. Editorial have scored a real coup here by signing him up for this sizzling four-track outing that covers thick, syrupy disco-house ("Bad Girl"), majestic ecstasy-house ("Asymmetric"), thumping French Touch boogie ("Dice") and the utterly sublime synth-moods of "Filtered Light". C'est Bon!
Review:
Relative newcomers Difusion return with four more re-edits here. They've dug deep enough for the original source material to remain a mystery, but 'I Can Feel It' is a smooth, lounge-y soul cut with a male vocal, 'Can I Do It' is a rawer funk jam centred around the "Can I do it? Can y'all do it? All together now" vocal chant and 'Afrocal' is a mid-paced rolling groove with a female lead vocal, Afro-flavoured BVs and lavish orchestration, while finally 'Askin' You' is a dusty, scratchy, jazzy affair with a speeded-up "and I'm askin' you" female vocal and some fine work on the ivories.
Review:
Editorial are back with more throwback disco sounds for our decadent dancefloor (guilty) pleasure! Starting out with the sublime deep soul of Slow Steps "We Won't Have To Cry No More (re-work)" they then launch into Los Angeles' Dino (yes, not Gino!) Soccio's "West Athena Funk" which stays on the soul train for a while until the epic boogie drama of Rayko's "Magic Number" ups the tempo, good and proper. Danny Deluxe serves up some summery Balearic vibes on "The Best Years" but they leave the best for last with Sunner Souls' "Show Me Your Love", a funky disco house groove for late night fashion crowds, which is ironically by a Siberian producer! We can dig it!
Review:
Leading re-edit imprint Editorial continues to deliver the goods, almost eight years to the day since the release of its debut release. Come To The Jam marks the first collaborative endeavour from Italian producers DJ Spranga and Massimo Vanoni. Opting for a warm, jazzy and groovy sound throughout - think jazz-funk brought up to date, with natural nods towards disco, soul and funk - the duo barely puts a foot wrong throughout. Highlights wise, we're really enjoying the clipped guitars, mazy electric piano solos and lolloping grooves of "What You What" and the revised disco-jazz of "Come to the Jam", though the break-driven disco-funk shuffle of "Jungle Beat" and Afro-cosmic throb of "Love Groove" are equally as impressive.
Review:
Aussie edit maestro Dr Packer enjoyed a productive 2015, delivering top-selling releases for such labels as DiscoDat, Masterworks Music and Hot Digits. Here, he kick-starts 2016 with All Nite, another white-hot collection of tried-and-tested reworks. As usual, there's much to admire, from the piano-heavy, hands-in-the-air goodness of Inner Life re-rub "All Nite Boogie", to the rolling, anthem-like sweetness of "Everlasting", a well-crafted snip of the Whispers' "And The Beat Goes On". In between, you'll find similarly solid versions of Diana Ross ("Call The Doctor") and Cherelle and Alexander O'Neal ("No Love Like Saturday"). The source material may be a little on the well-known side, but the edits are pretty tasty.
Review:
Canadian twosome Ed Wizard and Disco Double Dee return to Editorial with some "Party Favors". The headline attraction is arguably another outing for Greg Wilson's forgotten 2011 revision of "Flip Da Beat", a delay-laden mid-tempo roller rich in filtered bass, echoing vocal samples, crispy disco drums and super-sweet disco and hip-hop samples. There's plenty to set the pulse racing elsewhere, too. "Stellar Dub" is a fine rework of a punchy Brazilian disco-funk jam that wisely focuses on the killer groove and ear-catching horn lines, while "Name of Luv" sees them straighten out and beef-up a grandiose disco number full of swirling strings, busy Clavinet lines and sugary soul vocals.
Review:
The Editorial re-edit label have a deep sense of purpose and that is to hunt down as many top notch spliced and diced classics and release them quick smart. With over 20 releases in just a few years, they must be pretty good at their job. DJ Steef begins proceedings with the slow and loungey "Rising South Coast", before the temperature rises with the guitar-driven and string-laden funk of DJ Moar's 'Funky French' really starts the party. Things get slow and saucy again though, on Hotbox's "Can't Get Enough" before we get in a sublime disco-house spin with Thomass Jackson's "Luv Doctor". Things end in an upbeat fashion with "Music Is Love" an early 70s slow funk anthem re-tweaked by Ed Wizard and Disco Double Dee.
Review:
On this latest must-have missive, the Editorial crew has assembled an all-star cast of re-editors and house-loving disco rework merchants. Thrillingly, it contains a now rare outing from slo-mo specialist Duff Disco, whose atmospheric, beatdown style chugger "Always on My Mind" is undoubtedly one of the best things he's released in years. Props, too, to Irish disco-house specialists Get Down Edits, who weigh in with the warm and summery grooves of "Hey (What's Happening)". Elsewhere, Buzz Compass subtly beefs up and filters out a sleazy disco favourite on the constantly rising "U Deserve It", while Ed Wizard and Disco Double Dee get the party started in their inimitable style via a touch of disco/hip-hop fusion ("Moonlite").
Review:
By now, we should all know what to expect from Editorial's multi-artist edit missives, namely refined party-starting fodder that puts the needs of dancefloors first and foremost. That's certainly what Ed Wizard and Disco Double Dee serve up on the bustling, bass-heavy Afro-funk style madness of the first of five "Dope Licks" on the long running label's latest EP. Hotmood's string-powered disco-funk bubbler "Worldwide" also hits the heights thanks to punchy horns and rolling, beefed-up beats, while Levantine's "Right On" is a rolling and relaxed exercise in filter-sporting disco-house grooves. Elsewhere, Melon Bomb's "Sweet Jam" makes merry with rubbery beats, jazzy bass guitar, dubbed-out vocal snippets and clipped funk guitars, while Alex Zuiev's "Get Lifted" offers the perfect balance between Idjuts style dub disco madness and toe-tipping disco-house chunkiness.
Review:
When the sun's out, you can depend on Editorial to get their musical guns out. Now the weather's improved and guess what? Here come the Editorial crew with this sizzling collection of five sunkissed edits - all geared to hanging out and having fun in the Great Outdoors. Highlights include the plucky, guitar echoes, Fender Rhodes shimmers and rolling bass of "Tricity" by Matt Hughes, the poolside cocktail house vibes of "Disco Shake" by C Da Afro and the touchy-feely Balearic headnodder "Damn Your Eyes" by Old Chap.
Review:
Whilst others are only just getting back to speed, re-edit chiefs Editorial have already been back delivering a packed schedule of choice jams since January. The heat doesn't let up yet either with this new multi-artist mini comp. Ed Wizard and Disco Double Dee start proceedings with the uplifting clavinet boogie of "Peoples Groove" and Matt Hughes' "Sunshine" takes what sounds like a subtle O'Jays sample and gives it a laid back disco sheen. Elsewhere The Owl's "Pimp Talk" provides perfect evening cocktails by the pool vibes and Rahaan closes the show with the chic electro-boogie of "Fine Feelings".
Review:
For as long as any of us can remember, the Editorial label has led the way in multi-artist re-edit EPs. Their latest missive is, unsurprisingly, a bit of a Christmas cracker. Tomas Malo kicks things off with "Welcome Distraction", a filter disco-house revision of Escort's 2006 revivalist disco gem "Starlight", before label regulars Ed Wizard & Disco Double Dee drop the ultra-positive, disco-with-bells-on fun of "Your House Tonite". Pontchatrain gets "Nasty" with a chunk of righteous, floor-friendly disco-rock/house fusion, Sunner Soul delivers some horn-totin' disco-funk brilliance, and P-Sol confirms a "Luv 2 Dance" by cutting up a familiar old disco staple. As for Mars, he heads for the end-of-night close dance via sensual R&B vocals, nods to P-funk and some superbly sumptuous synths.
Review:
Editorial regulars Ed Wizard and Disco Double Dee join forces once more, this time to celebrate the joys of drunkenly dancing in a pub's backyard. There's a definite alfresco looseness to electric piano-laden jazz-funk opener "Basement Jazz", while the groovy and hypnotic "Disco Thang" - which boasts a sneaky nod or two to Yellow Magic Orchestra - may cause a few dancers to spill their pint. Elsewhere, a P-funk classic gets turned into a shuffling house number on "Down With The Groove", the duo drops some more low-slung, string-laden disco on "Come Back Baby", and "Get Down" is a riotous fusion of rubbery disco-boogie grooves, punchy horns, and funk-fuelled freestyle vocals.
Review:
To mark reaching fifty releases, Editorial has decided to push the boat out a little, unleashing an album's worth of edits, reworks, re-imaginings and sample-heavy cut-ups from regular contributors Ed Wizard and Disco Double Dee. There are few surprises, but plenty of floor-focused groovers and breezy summer jams, in a range of tempos, that variously touch on funk, soul, disco-funk and boogie. It will almost certainly take you a while to really get your head round it all, but it's worth the effort; the fluttering, slap bass-propelled "Phunkosphere" and rip-snorting funk rework "Sho Nuff" are amongst the strongest things they've done to date.
Review:
In our eyes, prolific re-editors and party-starting mash-up merchants Ed Wizard and Disco Double Dee have always been "top of the chops". The Editorial imprint thinks this, too, hence serving up this expansive collection of some of the duo's finest reworks. There are gems aplenty to be unearthed throughout, from the loved-up, delay-laden mid-tempo dreaminess of sultry opener "Summer Love" and the 80s soul-with-filters lusciousness of "Boogie Flight", to the gentle house drums and disco-boogie horns of funk-fuelled favourite "Feel Good Jam". There's more straight-up celebratory disco to be found elsewhere on the compilation, too, with the parping horns and soaring strings of "People's Groove" and the low-slung flex of "Like U Do" standing out.
Review:
Elusive duo Ed Wizard & Disco Double Dee have been delighting dancefloors around the globe since 2009. With their signature brand of chunky disco dubs infused with hip-hop flavours and a slow mo house feel. They have had numerous releases on great labels around the globe like Whiskey Disco , Disco Deviance, Paper & more in addition to having their tracks played by the likes of Soul Clap and Derrick Carter. Not to mention being remixed by legend Greg Wilson, so these guys definitely have credentials. With no plans to slow down , they now drop the "Slo-Mo Disco" LP on the mighty Editorial Records this summer. A perfect way to light up any daytime disco pool party, BBQ or dancefloor!
Review:
Sounds like a crew, actually a singular chap: Dave Allison's Ed Wizard & Disco Double D project returns with five more slippery soul shakers. "Red Hot" is all about the salubrious bassline wriggles while "We Gonna Shake" instructs on much more of a tight groove, heads-down level and "The Showdown" serves you with seriously slinky talkbox beef. Deeper again we find disco strings and hypnotising percussion on "Diggin' The Scene" before sparking up and dusting off the air piano for "Jazz Wave". Get your freak on.
Review:
The scalpel fiends and rework hounds behind the Editorial label rarely disappoint, and this latest split EP is packed with floor-friendly midtempo goodies. The most revelatory cut of all is Ed Wizard and Disco Double Dee's "Slow Fire", a delicious 109 BPM bumper that re-casts Gwen McRae's electrofunk-era disco bomb as a stoned head-nodder. It works so well that you wonder why nobody's done it before. Elsewhere, there's some sweet groovery from Feza, a surprisingly percussive disco-funk jam from the usually dawdling 78 Edits, and a decidedly Balearic jazz-funk excursion from Manmademusic and Freshtone. Really, it's only the usually on-point B-Jam who lets the side down with the so-so "Everyday".
Review:
The cheeky scamps at Editorial can usually be relied on to bring the goodness. This latest split EP is, predictably, bulging with highlights. Ed Wizard and Disco Double Dee drop a bit of deep house/rubbery disco fusion on the head-nodder's fave "The Way You Move", while Aussie Jad & The Ladyboy ops for a sinewy, seductive, ultra-deep house vibe on his sumptuous "Love Is". B-Jam's "Have Some" is an almost X-rated chunk of electrofunk cut-up madness, all backwards cuts, grunting grooves and stuttering edits. There's a dash of straight-up disco in the form of Joutro Mundo's stretched-out "Body Heat", while Tonbe impresses with "Hot Ivy", a hip-grinding slice of electrofunk badness with analogue synths by the shipload.
Review:
There's something admirable about the no-nonsense approach of the Editorial camp. While steeped in a deep love of the disco sound and the genre's deep history, the edits and reworks they release are first and foremost tried-and-tested dancefloor bumpers. The four cuts here are a great case in point. Ed Wizard & Disco Double Dee's "Do It One More Time" is a hustlin', low-slung treat (recasting Harvey Mason's "Groovin You" as a sweaty chugger), while Rabo & Snob's "Camel Filter" romps along on a formidable disco-funk flex. The biggest surprise, though is Vinyladdicted's "Alright", a rush-inducing chunk of Balearic disco.
Review:
The long-standing Editorial stable have welcomed many choice boogie and disco heads to do the honours in reviving classic gems from the seemingly endless mine of 70s and 80s wares, and they're at it once again with the Good Fot Get Down collection. Regular contributors Ed Wizard and Disco Double Dee keep things lightly shuffling and laid back on "Let U Go" while The Owl gets into a more stripped and stiff floor-focused funk. The Funk District have more clear intentions in getting the party started with "Disco Dynamite", while Spankie Hazard gets a little jazzy on "Party". Whatever your funky needs, Editorial have it all and more.
Review:
Ed Wizard and Disco Double Dee are arguably Editorial's most overworked duo; rarely a release slips out of the label's clandestine, underground HQ without at least one of their sneaky re-cuts on it. Here, they deliver two smart and sassy re-interpretations. The first, "Inner City", is a dubby, jazzy take on Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)" that profits from some booming house bottom end. "Magic", on the other hand, has a delightful looseness - all lazy, loping breaks, sweet jazz guitars and rasping horns. Another solid Editorial EP is completed by Virgin Magnetic Material's "Fly", a faithfully Balearic re-incarnation of Steve Miller Band's "Fly Like An Eagle".
Review:
For what it's worth, we believe that Ethyene was one of the underground success stories of 2017. This EP of deep house-tinged disco reworks for Editorial - his first release of 2018 when it appeared on vinyl a month or two back - follows inspired outings on Kolour LTD and Moonrise Hill Material. Turn first to the lolloping, loved-up sweetness of "Rains Over Occident", where glistening jazz guitars and toasty chords recline over a laidback house groove, before strapping yourself in for the wild disco ride that is '80s soul-meets-jazz funk bubbler "Walkin' In The Sunshine". Elsewhere, "Free To Give" joins the dots between loved-up modern soul and jazzy deep house, while closer "Solitary Sex" is a Rhodes-heavy broken beat number.
Review:
Disco casual Rafael Fernandez lands on the disco-friendly Editorial imprint - known for their trigger-happy edits - so it's all fun and games; good vibes all around. As such, "Answer From Above" is a gorgeous, stop-start disco-sampling stomper that reminds us a little bit of Sound Stream if it wasn't for the heavy vocal action, and guess what!? There's also a string-heavy version for all your dancefloor antics. "Corner Street Blues" is more funky, moodier and features Gabriel Covarrubias on the mic, while "Bones" digs and chomps its way across snappy vocal chants and a steady, thumping kick for good measure.
Review:
When it comes to crafting slinky but floor-friendly reworks, St Petersburg-based rework merchants Gradient Logic has a pretty impressive track record. Their latest EP, Shy Shy Hush Hush, marks their first appearance on Editorial, a re-edit imprint that boasts a far higher profile than some of the outlets they've released on. They begin with the chopped-up, loop-house treat that is the title track, before breathing new life into a synth-pop era electrofunk jam on the slick but sturdy "Please Come Back". Speaking of "Spasen Train", you'll struggle to find a more punchy, choppy and relentlessly sweaty remake of everyone's favourite subway-themed NYC boogie duo, while "Heave Ho" sees them brilliantly rearrange a bouncy, piano-laden 1980s gem in a Tiger and Woods style.
Review:
We're not sure what Hotmood got up to on his recent Rhodes Trip, but whatever it was, it was good enough to result in his latest EP on the mighty Editorial. Boasting four tracks, the EP features the freshest sounds from nu-disco world capital Mexico. "Can You Dig It" opens with smooth, jazzy and Latin-tinged poolside boogie, "Magic Touch" follows up with some looped saxy -fizz, whilst "Check This Out Yo!" veers into funky/disco house territory and "Soul Energy" wraps things up with a heady Fender-Rhodes-lead groover. Slick stuff.
Review:
Following a superb outing on Whiskey Disco earlier in the year, Guillermo "Hotmood" Gonzalez returns to Editorial with his first EP for the label in almost two years. First up you'll find "Don't Care", a rolling and summery chunk of string-laden disco warmth with added house chops, before Gonzalez brilliantly reworks a hazy (un-credited) disco-funk classic by putting extra emphasis on the track's mazy saxophone solos. More disco sweetness is provided in the form of the head-in-the-clouds dancefloor bliss of "I Can Be You", before the producer doffs a cap to Tiger and Woods on the loopy Latin disco/deep house fusion of closer "You Can't Play That".
Review:
Here on Editorial's latest compilation, Waxed: 9, the BPMs are typically low. Nothing wrong with that of course, and Matt Hughes begins things nicely with some dreamy and soft chilled disco on the filtered instrumental "Star System", next up "Girls, Girls, Girls" is probably the perkiest EP track here with a jagged electro funk bassline, taught guitar and string stabs, with its shimmering analogue synths, "Get It Right" is like the sound of a magic carpet night flight over ancient Arabia or something, and finally "Hypnotic Groove" is the token houser - all slow thump and piano loops.
Review:
Not content with presenting us with the action-packed Gold Grooves compilation, the ever-generous Editorial are back with another meaty compilation. There are five new cuts to get to grips with here - Matt Hughes's luxurious tight-funk bass anthem "Solar Boogie", the lazy, lapping ocean beach disco of "Any Damn Time" by Danny Deluxe and the chuggin locomotive rhythms of I Gemin's "How Could It". Elsewhere Jay Airiness brings some Italo-space disco to the table with "Sunshine Grooves and "Public Transit" is slick cocktail-house at its finest.
Review:
For their latest release, nu-disco dons Editorial have gone for the whole 'set meal' approach, hence the title "Table D'Hote". There's a smattering of great tastes and dishes served up here, all for one fixed price, including Siberian producer Sunner Soul's tight sunkissed disco houser "Keep In Touch", Mermaid's deep and sensual throbber "Bright Nights" and Silver Rider's Grade A Latin boogie clapper "Fool's Gold".
Review:
Having previously danced the night away, the extended musical family behind the Editorial imprint sit down together for a nice spot of Sunday Brunch. In practice, that means a slightly deeper, groovier flex than some previous outings. There's plenty to enjoy, though, from the low-slung mutant nu-disco of JKriv's "Something Special" and the tumbling goodness of Sonicvibe's "Wet Level" (based on Rick James' "Cold Blooded"), to the original boogie sweetness of DJ Butcher's "All My Dub" (a much-needed tweak of Major Harris's long-forgotten "All My Life"). Of course, there are a couple of peaktime stompers, with Feza's Bohannon-ish "Feel Like" standing out.
Review:
Editorial's latest EP comes from Lemon Mint, a Mexico City-based nu-disco/deep house fusionist who has previously released material on Midnight Riot and Hotbox. The four tracks here offer a neat summary of his trademark sound. "Spiral" is a dreamy, head-in-the-clouds chugger with just a whisper of acid to push things forwards, while "The Rubdown" effortlessly joins the dots between the sweaty, loop-heavy style of Tiger & Woods, and Lemon Mint's own deep and hypnotic explorations. Elsewhere, "Tornado" makes merry with sun-bright nu-disco chords, rolling beats and superb electric guitar riffs, while "Messages" sees the Mexican deliver a distinctive rework of a 1960s soul gem.
