From slow-mo jams to deep, thick,beats, Canadian label Editorial is all about those disco-infused, soulful and funky flavours. Formed in 2009 by Ed Wizard & Disco Double Dee, Editorial has delivered releases from names including: Rayko, The Funk District, Art Of Tones, Yse Saint Laur’ant, The Owl and an abundance of tracks from the Wizard himself. Editorial’s sub-label is Clandestine Boogie.
Review: Ed Wizard and Disco Double Dee come with more contemporary disco vibes on their own Editorial label. 'Be Free' comes on like a long-lost Sister Sledge dub - check those fluttering guitars - before being given a more Euro-flavoured rerub courtesy of Nebraska. Elsewhere, 'Mista Groove' is redolent of early 80s NYC disco from the likes of Raw Silk and Loose Joints, 'Ol School' is a bass-y, mid-paced cut topped with an "interview" vocal - it sounds like Roger Sanchez talking, but don't quote me on that - before the aptly titled 'Western' plays us out on a more downtempo, cinematic note. Good stuff all round.
Review: We've become accustomed to the Editorial label offering up expansive EPs packed to the rafters with tasty edits and reworks, but even by the imprint's high standards Raw Funk is rather special. It begins with a bumpin' chunk of hazy and excitable sample house courtesy of Cody Currie (the brilliant 'Aquarian Girl') and ends with some slow-motion, downtempo disco sweetness from Ed Wizard & Disco Double Dee ('Slippin'); in between, you'll find a fine rearrangement of an organ-laden chunk of sweaty dancefloor soul (the Funk District's 'An Evening With El Diablo'), some slap-bass-sporting disco-funk (Matt Hughes' 'Get Down'), and a righteous trip into driving disco territory (the Owl's low-slung 'Funky Feelin').
Review: There are plenty of re-editors and rework merchants with larger discographies than Editorial regulars Ed Wizard and Disco Double Dee, though few who deliver quite as consistently. Further proof arrives via their first outing of 2020, "Soul Shakers", a four-track collection of reworks based around breathing new life into dusty soul jams. The sweatiest and more obviously peak-time focused cut is undoubtedly the dense and energy-packed percussion workout "Spaced Drumz" (and yes, it lives up to the title), though celebratory disco-soul rework "Make Some Love" will also get hearts pounding out on the dancefloor. Of the EP's two slower and chuggier moments, it's the wonderfully hazy opener "Do The Thang" that's our pick.
Review: As the powerhouse pair behind many of Editorial and Chopshop's greatest hits, Ed Wizard and Disco Double Dee needs little introduction. They begin their latest must-check re-edit release with "Arctic Boogie", a cheery chunk of mid-tempo electrofunk blessed with rubbery synth bass and filtered horn lines, before joining the dots between baggy deep house dreaminess and low-slung disco goodness on "Orbit"and the even slicker "About The Music". EP highlight "Heatwave" is a snappy rearrangement of a solo-sporting chunk of sun-kissed boogie positivity, while closing cut "Neptune Rising" expertly joins the dots between oven-hot jazz-funk, head-nodding hip-hop beats and groovy pitched down disco.
Review: Label-hopping producer and re-editor Massimo Vanoni has enjoyed a relatively quiet year thus far, with a low-key outing on Atop his only release of note. This EP on Editorial should thrust him back into the spotlight though, as it really is rather good. Its' most headline-grabbing feature is the sedate, slo-mo tempos he's decided to operate at. Sure, there is one 120 BPM workout - the acid-speckled, jazz guitar-laden disco/deep house fusion of sun-kissed stunner "House Revenge" - but everything else hovers around the 100 BPM mark. On standout "Feel It", Vanoni works wonders with a chugging groove, dub delays and snippets from a seriously sweet cut, while "On Your Loving" is a superb sunset-ready groover rich in elastic slap bass, vintage electronics and dreamy chords.
Review: In our eyes, prolific re-editors and party-starting mash-up merchants Ed Wizard and Disco Double Dee have always been "top of the chops". The Editorial imprint thinks this, too, hence serving up this expansive collection of some of the duo's finest reworks. There are gems aplenty to be unearthed throughout, from the loved-up, delay-laden mid-tempo dreaminess of sultry opener "Summer Love" and the 80s soul-with-filters lusciousness of "Boogie Flight", to the gentle house drums and disco-boogie horns of funk-fuelled favourite "Feel Good Jam". There's more straight-up celebratory disco to be found elsewhere on the compilation, too, with the parping horns and soaring strings of "People's Groove" and the low-slung flex of "Like U Do" standing out.
Review: The Editorial bandwagon keeps on rolling, pushing on through the night like a long distance trucker high on extra-strong coffee and legal stimulants. As usual, there's a veritable skip-load of peak-time goodness to be found on the label's latest collection of reworks and re-edits. We're particularly enjoying the mazy jazz-funk synths and elastic slap-bass action of HotMood's lolloping "Hey You" and the rolling, Blaxploitation fuelled disco-house business of Ed Wizard and Disco Double D's "Diesel Power", though the sleazy boogie swirl of C Da Afro's "Intimate Disco Stories" and the horn-heavy, slo-mo disco-funk bounce of Tonbe's "It's Not Over" also set our pulses racing.
Review: Leading re-edit imprint Editorial continues to deliver the goods, almost eight years to the day since the release of its debut release. Come To The Jam marks the first collaborative endeavour from Italian producers DJ Spranga and Massimo Vanoni. Opting for a warm, jazzy and groovy sound throughout - think jazz-funk brought up to date, with natural nods towards disco, soul and funk - the duo barely puts a foot wrong throughout. Highlights wise, we're really enjoying the clipped guitars, mazy electric piano solos and lolloping grooves of "What You What" and the revised disco-jazz of "Come to the Jam", though the break-driven disco-funk shuffle of "Jungle Beat" and Afro-cosmic throb of "Love Groove" are equally as impressive.
Review: There's a notable inclusion in the list of producers contributing to Editorial's latest red-hot collection of floor-friendly reworks. Vastly experienced house producer Art of Tones turns re-editor on "Bootyshaker", a sublime, loose-limbed interpretation of a Red Greg-championed disco-soul favourite that benefits greatly from just the right amount of low-end house pressure. Similar accolades could be placed on the gently bouncy disco-funk shuffle of Matt Hughes' electric piano and jazz guitar-laden "Walk The Chalk", or for that matter the deep, spacey and radiator-warm electrofunk bliss of Special Q's talkbox-sporting "Lost in You". Elsewhere, Sellouts goes all "boom-bap" on the freshly baked instrumental hip-hop head-nodder "Ain't No Thang", while Barry Closer gets tactile and glassy-eyed on the Balearic boogie of "Closer".
Review: Editorial regulars Ed Wizard and Disco Double Dee join forces once more, this time to celebrate the joys of drunkenly dancing in a pub's backyard. There's a definite alfresco looseness to electric piano-laden jazz-funk opener "Basement Jazz", while the groovy and hypnotic "Disco Thang" - which boasts a sneaky nod or two to Yellow Magic Orchestra - may cause a few dancers to spill their pint. Elsewhere, a P-funk classic gets turned into a shuffling house number on "Down With The Groove", the duo drops some more low-slung, string-laden disco on "Come Back Baby", and "Get Down" is a riotous fusion of rubbery disco-boogie grooves, punchy horns, and funk-fuelled freestyle vocals.
Review: The best thing about spring is all the new stuff starts to arrive. Editorial have taken this idea quite literately and have rounded up a whole bunch of fresh new faces and tunes. There are nine fine jams contained on Spring Thing comp, some of the (many) highlights include the sweet and tender boogie-pop of "Good 4 You" by the artfully-punned Serge Gamesbourg, the throbbing bass loops of the sublime "Closer & Closer" and the mesmerising fusion of punk-funk bass and sunshine keyboard melodies on "Brighter" by Dagfest.
Review: Editorial are back everyone: look out! Our favourite edits label now presents us with The Funk District, who is Fernando Mendoza based out of Cancun, Mexico. There's some smooth and soulful disco edited for your convenience on "Groove Me", any guesses who he's taken the razor to on this one? On "Give It To You" we're loving the sultry vibes he's accentuating from the original and "Summer Breeze" takes us back for another glorious ride on the soul train assisted by some nice filtered and loopy build ups that'd make even The Noodleman stand up and notice!
Review: Editorial are back with more throwback disco sounds for our decadent dancefloor (guilty) pleasure! Starting out with the sublime deep soul of Slow Steps "We Won't Have To Cry No More (re-work)" they then launch into Los Angeles' Dino (yes, not Gino!) Soccio's "West Athena Funk" which stays on the soul train for a while until the epic boogie drama of Rayko's "Magic Number" ups the tempo, good and proper. Danny Deluxe serves up some summery Balearic vibes on "The Best Years" but they leave the best for last with Sunner Souls' "Show Me Your Love", a funky disco house groove for late night fashion crowds, which is ironically by a Siberian producer! We can dig it!
Review: Editorial Records have been delivering top selling 'slo-mo disco and deep grooves...from around the globe' since 2009. Here they keep the heat on with a new summer-friendly compilation, Golden Grooves. There are 15 choice cuts here, all of which employ a formula of providing a mellow house frame on which to hang some filtered vintage samples. Highlights include the serpentine bassline of Matt Hughes' cocktail-houser "Rodeo Warrior", the Minnie Ripperton-with-a-backbeat haze of "The Spirit" by The Groovers and the spacey hiNRG disco of "Body Heat".
Review: Super Value Edits frontman Riccio touches down on the similarly discofied Editorial outlet with four freaky-deaky disco joints in an ultra-sleek, contemporary flavour. "I've Loved It" is a grizzly boogie attack complete with a funky guitar riff and wailing vocals, "Put Some Love In Your Life" is slower, more soulful and utterly sexy, while "Flute" is a wonderful DJ tool that'd go down a storm in any Moodymann set. "Little Drummer" provides something more tropical and this release is seriously recommended for the disco heads!
Review: The long-standing Editorial stable have welcomed many choice boogie and disco heads to do the honours in reviving classic gems from the seemingly endless mine of 70s and 80s wares, and they're at it once again with the Good Fot Get Down collection. Regular contributors Ed Wizard and Disco Double Dee keep things lightly shuffling and laid back on "Let U Go" while The Owl gets into a more stripped and stiff floor-focused funk. The Funk District have more clear intentions in getting the party started with "Disco Dynamite", while Spankie Hazard gets a little jazzy on "Party". Whatever your funky needs, Editorial have it all and more.
Review: A label that likes its edits 'deep n' thick', Editorial have rustled a killer new compilation, Funkquinox, of their favourite recent slo-mo disco. Some of our faves from this eight-track compilation include Bloody Tadi's deep, soulful and sublime houser "Take A Ride", the shimmering disco haze of Alfonso's "Only Love" and Suptil's beautifully distant sensuous future-memory, "Metro To Paradise 84".
Review: Editorial is one of the leading re-edit labels currently doing the business, so it's only fitting that they should enlist some leading re-editors for Love Dubs. Australia's Dr Packer leads the charge with a sublime spaced out version of Teena Maries' slap bass classic Behind The Groove. Further highlights include the slo-mo, hands in the air vibes of "Bionic Love" by Robjamweb and the orchestrated '70s glamour beat of "Smile" by Black Rebel.
Review: Over the last few years, the Editorial imprint - an outlet for disco, electrofunk and house-centric re-edits and reworks - has established a winning formula: expansive, compilation style EPs featuring tracks from a wide range of scalpel-wielding talents. This 33rd excursion sticks to the script, offering another quintet of floor-friendly rubs. There's a dash of heavyweight P-funk (Ed Wizard and Disco Double Dee's forthright "Saturday Night"), some cut-and-paste, sampleadelic beats (Future Feelings' Steinski-ish "Basement Jam"), a sprinkling of deep disco-house (Matt Hughes, P-Sol) and a fluid, Aim-ish trip into downtempo instrumental hip-hop territory (Riccio's electric piano-heavy "Reflections").
Review: Having proved more than adept at delivering contemporary re-jigs of disco, soul and electrofunk obscurities, the Editorial crew continue to blur the boundaries between re-edits and original production with a decidedly laidback, groovesome EP of summery tracks. Predictably, there's much to enjoy, from the baggy, organ-and-guitar heavy deep disco goodness of Tonbe's "Letter From The Past", to the horizontal listening pleasures of Sunner Soul's slo-mo surprise "Caribbean Wind". In between, you'll find a range of tasty, floor-friendly morsels, including the delay-laden piano party of SonicVibe's "No Cure" and the rolling disco heaviness of Martin Hayes' "Mesmerized".
Review: The last installment of Editorial's 'Waxed' series seems like quite a while ago, but now part six is here and it's worth the wait. The mo-mo grooves of the previous edition have been replaced by a more euphoric boogie vibe. "Power Of Funk" features catchy brass work, seriously elastic bass and a super anthemic chorus. Elsewhere we also get restrained electro-boogie "Lose Control" and a meandering '70s boudoir grind called "Soft Landing". However it's the sublime glistening loops of "Lucy Called" that's got us truly spellbound.
Review: Nu disco re-edit label Editorial seem to be continuing on their recent deep slo-mo direction. Their fifth label comp/EP sees them in fine fettle, with Sellouts delivering the deep n loopy "Satisfy" (a deceptively powerful dancefloor builder), Deep&Disco's "Otis Held Tight" is a beautifully sparse yet soulful outing, Manuel Shagun's "So Good" provides an amazing glammy disco stomp, riddled with samples and all the better for it, while the party winds up with the cruising blue sky funk of The Noodleman's "3rd Time".
Review: Having previously danced the night away, the extended musical family behind the Editorial imprint sit down together for a nice spot of Sunday Brunch. In practice, that means a slightly deeper, groovier flex than some previous outings. There's plenty to enjoy, though, from the low-slung mutant nu-disco of JKriv's "Something Special" and the tumbling goodness of Sonicvibe's "Wet Level" (based on Rick James' "Cold Blooded"), to the original boogie sweetness of DJ Butcher's "All My Dub" (a much-needed tweak of Major Harris's long-forgotten "All My Life"). Of course, there are a couple of peaktime stompers, with Feza's Bohannon-ish "Feel Like" standing out.
Review: The Editorial re-edit label have a deep sense of purpose and that is to hunt down as many top notch spliced and diced classics and release them quick smart. With over 20 releases in just a few years, they must be pretty good at their job. DJ Steef begins proceedings with the slow and loungey "Rising South Coast", before the temperature rises with the guitar-driven and string-laden funk of DJ Moar's 'Funky French' really starts the party. Things get slow and saucy again though, on Hotbox's "Can't Get Enough" before we get in a sublime disco-house spin with Thomass Jackson's "Luv Doctor". Things end in an upbeat fashion with "Music Is Love" an early 70s slow funk anthem re-tweaked by Ed Wizard and Disco Double Dee.
Review: The scalpel fiends and rework hounds behind the Editorial label rarely disappoint, and this latest split EP is packed with floor-friendly midtempo goodies. The most revelatory cut of all is Ed Wizard and Disco Double Dee's "Slow Fire", a delicious 109 BPM bumper that re-casts Gwen McRae's electrofunk-era disco bomb as a stoned head-nodder. It works so well that you wonder why nobody's done it before. Elsewhere, there's some sweet groovery from Feza, a surprisingly percussive disco-funk jam from the usually dawdling 78 Edits, and a decidedly Balearic jazz-funk excursion from Manmademusic and Freshtone. Really, it's only the usually on-point B-Jam who lets the side down with the so-so "Everyday".
Review: The Editorial crew present their 18th release in less than two years, and it's another bumper selection of scalpel jobs primed for house dancefloors. 78 Edits opens proceedings with a typical slow burner, before DJ Steef delivers one of the highlights - a simmering soul chugger that rises and falls in all the right places. The Candy Dealers opt for a super dubbed-out electrofunk vibe on their vast "Don't Stop", before DJ Butcher provides some sturdy, floor-friendly fare in the shape of "Clap & Stomp". The undisputed highlight, though, is The Lonely Smoker's "Keep The Same", a loopy, chunky version of Thelma Jones' soul classic "How Long" that's got serious chops.
Review: Ed Wizard and Disco Double Dee are arguably Editorial's most overworked duo; rarely a release slips out of the label's clandestine, underground HQ without at least one of their sneaky re-cuts on it. Here, they deliver two smart and sassy re-interpretations. The first, "Inner City", is a dubby, jazzy take on Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)" that profits from some booming house bottom end. "Magic", on the other hand, has a delightful looseness - all lazy, loping breaks, sweet jazz guitars and rasping horns. Another solid Editorial EP is completed by Virgin Magnetic Material's "Fly", a faithfully Balearic re-incarnation of Steve Miller Band's "Fly Like An Eagle".
Review: With Valentines Day just around the corner, Editorial changes tack and takes a step into the world of loved-up, slo-mo groovery. It's a smart move. They've got some great up-and-coming producers involved, with Matthew Kyle's pal Joseph Terruel and Aussie moustache man Rocco Raimundo both offering deliciously deep, spine-tingling rubs. The latter's epic, filter-heavy "Looking For You" is arguably one of the best things he's done to date - a sinewy, string-laden disco slow dance that should impress all but the most miserable of disco purists. Heion's "Run" and DJ Steef's "I Can Win" are gorgeous, too, offering loopy, bass-heavy grooves with just the right amount of lip-smacking charm.
Review: As the title suggests, this five-tracker from the previously re-edit-happy Editorial imprint showcases slo-mo disco/house crossover cuts from a selection of mostly little-known producers (the fast-rising Matthew Kyle aside). For those who've been digging the superb releases of labels like Sleazy Beats, Wolf Music and Instruments Of Rapture, Slo-Motion Potion comes highly recommended. It's largely impressive stuff, with DJ Butcher's epic "Shake Your Body", Kyle's deliciously sensual "Off My Mind" and 78 Edits' heady opener "Come On Baby" standing out. That said, the whole package is well worth a listen.
Review: Sneaky re-edit imprint Editorial likes to offer good value. As with previous releases, "Cross Corner" features no less than six floor-friendly reworks to satisfy the needs of all but the pickiest disco divas. While there are a couple of merely solid versions of well-known hits (Grace Jones and Marvin Gaye both get cut-up), there are far more high quality re-arrangements of lesser-known gems. Of particular interest are the contributions from The Legendary 1979 Orchestra and Manmademusic, both of whom wonderfully stretch out soul-flecked disco gems with inch-perfect precision.
Review: This seven-track collection of disco re-edits from the Editorial camp has a lot to offer - not least previously unreleased cuts from fast-rising scalpel starlets Matthew 'MK' Kyle and Rayko. It's Kyle who steals the show, laying down a typically groovesome deep house/disco cut that boasts some particularly blissful jazz-funk guitar samples. Rayko's cut - a dancefloor-friendly re-dub of "What Did You Do To Me?" - is as solid and playable as you'd expect. Elsewhere, debutant Noodleman excels with the deep fried cosmic funk of "Teachin' & Tryin", and Ed Wizard & Disco Double Dee bring the heavyweight party flavours with "Get Some".
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