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Emotional Rescue

   
I Remember Mama - (4:06) 102 BPM Biggest-selling track on this release
   
Hard Times - (4:19) 101 BPM
ERC 125
14 May 21
Disco/Nu-Disco
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In The Rain - (3:28) 73 BPM Biggest-selling track on this release
   
In The Rain (Mukatsuku dub) - (4:10) 71 BPM
ERC 120
14 May 21
Roots/Lovers Rock
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Lorraine - (4:10) 79 BPM Biggest-selling track on this release
   
Lorraine (Lexx dub) - (4:13) 79 BPM
ERC 122
14 May 21
Roots/Lovers Rock
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I Want To Be Free - (3:32) 100 BPM
   
Freedom - (3:41) 100 BPM Biggest-selling track on this release
ERC 123
14 May 21
Roots/Lovers Rock
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Be Thankful (7" mix) - (5:03) 92 BPM Biggest-selling track on this release
   
Be Thankful (Slowly dub) - (4:24) 92 BPM
ERC 124
14 May 21
Roots/Lovers Rock
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Crazy Kind Of Feeling (7" mix) - (4:17) 95 BPM
   
Crazy Kind Of Feeling (dub take 2) - (5:10) 95 BPM Biggest-selling track on this release
ERC 121
14 May 21
Roots/Lovers Rock
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Before Sunrise - (4:44) 54 BPM
   
Sunrise - (3:27) 142 BPM
   
Morning - (2:55) 102 BPM
   
Noon & Afternoon - (5:14) 105 BPM
   
Sunset - (3:32) 120 BPM
   
Night - (20:16) 102 BPM
   
Ramon - (7:06) 119 BPM
ERC 110
14 May 21
Jazz
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Double Talk - (4:27) 101 BPM Biggest-selling track on this release
   
Dubble Dub - (4:19) 101 BPM
   
Double Talk (DJ Duckcomb Discomix) - (7:26) 101 BPM
Review: The second in the series of DJ Duckcomb-affiliated reissues brings the Jamaica / London connection to light, with a reissue of the Brixton based band Red Cloud under the spotlight. Double Talk was their debut release, coming on House / Freestyle / Reggae label Dancefloor Records, first explored by Emotional Rescue several years ago. After meeting with label head, Jeffrey Collins, in his then London base, the band went on release 2 albums, a 12" and 7" with him, as well as notably being Floyd Lloyd Seivright's backing band. The original 1983 12"" - now a highly sought after digger's disco reggae bomb - Double Talk is a perfect summer Lovers jam. A tale of sweat talking, cross loving and loss, with redemption and strength, all backed by an uplifting drum and bass, with guitar, keys and piano highlighting the JA climbs instilled in dem sound. Dubble Dub brings it all down, stripping away and lifting the interplay between keys and piano, allowing guitar to ride above warm bass grooves. Duckcomb then returns with his now trademark riding the vocal'n'dub, gently teasing'n'pulling, looping'n'flipping, before letting the echoplex loose to just let the wonderful groove bump'n'grind.
ERC 102
25 Dec 20
Reggae Classics/Ska
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Gimme More Lovin (instrumental Muezzin mix) - (5:48) 96 BPM
   
Yeh Naina Yaad Hai - (4:57) 100 BPM
   
Sick Of Love - (4:18) 65 BPM
   
A Lulu A Bobe Danz - (2:57) 91 BPM
   
Listen To The Earthbeat / The Driving Force - (3:05) 101 BPM Biggest-selling track on this release
Review: Emotional Rescue presents the 2nd EP (of 4) highlighting the music of International Noise Orchestra. Centered around Ulrich Hornberg and Wolfgang Sperner, aka producers Gemini Brothers, this world supergroup released 5 LPs and 2 EPs in just 4 years. Again showcasing their rhythm, calm and power, a metaphysical, real sensitivity and intellectualism, all wrapped around the groove. Starting with their own instrumental remix of Gimme Move Lovin', this little known 12" B side has long been a play for heads and allows the band's Pop Balearic, esoteric meets electronics to shine, layering Fairlight samples over a funky bass 4/4 around some '88 Amnesia pool dive. Next the anthem, Yeh Naina Yaad Hai, as Asha Bhosle's beautiful vocals from the Manzil Manzil soundtrack, are mixed with drum machines to create a dream Bollywood meeting. Again there are Glynnis Thomas (Savage Progress) vocals, now atop a sax laden Synth Pop brain, mind and body dance. Alias, Internationales Ger?uschorchester offer wonderful jazz leanings for A Lulu A Bobe Danz, where the bop takes a leftfield embrace. To close then, Mr Richard Strange returns, invoking The Driving Force, returning to the idiosyncratic, percussive Earthbeat. Listen!
ERC 093
06 Nov 20
Balearic/Downtempo
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Come On Sister - (6:35) 106 BPM Biggest-selling track on this release
   
Come On Sister (instrumental) - (5:37) 106 BPM
   
Come On Sister (Bruno discomix) - (8:10) 106 BPM
ERC 105
29 Oct 20
Disco/Nu-Disco
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Street Talk - (5:28) 137 BPM
   
Street Talk (dub) - (5:05) 137 BPM
   
Street Talk (Rune Lindbaek discomix) - (7:42) 69 BPM Biggest-selling track on this release
   
Street Talk (rap) - (4:33) 137 BPM
ERC 108
29 Oct 20
Funk
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Music Street - (4:56) 137 BPM Biggest-selling track on this release
   
Music Street (instrumental) - (4:40) 137 BPM
   
Music Street (Universal Cave Discomix) - (8:44) 137 BPM
ERC 109
29 Oct 20
Euro Dance/Pop Dance
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Everything Is Fine - (3:14) 86 BPM Biggest-selling track on this release
   
Every Dub - (3:20) 86 BPM
   
Everything Is Fine (Chuggy Discomix) - (7:20) 85 BPM
ERC 106
29 Oct 20
Reggae Classics/Ska
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Crazy King Of Feeling - (5:17) 95 BPM Biggest-selling track on this release
   
Crazy King Of Feeling (dub Take 1) - (5:15) 95 BPM
   
Crazy King Of Feeling (DJ Duckcomb Disco mix) - (7:48) 94 BPM
ERC 101
29 Oct 20
Disco/Nu-Disco
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Shoot From The Hip - (3:51) 61 BPM
   
Shoot It From The Hip (instrumental) - (3:53) 61 BPM
   
Shoot It From The Hip (Diesel & Jarvis Discomix) - (8:45) 61 BPM Biggest-selling track on this release
ERC 107
29 Oct 20
Leftfield
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Double Talk - (4:29) 101 BPM
   
Dubble Dub - (4:20) 101 BPM Biggest-selling track on this release
   
Double Talk (DJ Duckcomb Discomix) - (7:29) 101 BPM
ERC 102
29 Oct 20
Leftfield
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Everything Is Fine - (3:14) 86 BPM Biggest-selling track on this release
   
Every Dub - (3:20) 86 BPM
   
Everything Is Fine (Chuggy Discomix) - (7:20) 85 BPM
Review: To close the 3 EP reissue series of Neville King and Lee Laing's King & City label, the all female group Charisma are presented with their summer infused Lovers cut, Everything Is Fine. Three Lewisham friends, Angela Richardson on lead vocals, with Geselle and Janie backing, were active from 1982 to 1990, but are really remembered for the early recordings made with Neville King. Their debut, Everything Is Fine rides the Lovers sound at its peak. Written with One Blood's Lloyd Robinson, with the rest of band of Robinson brothers providing the rhythm section, this is pure South London sound system music. Recorded again at TMC (Tooting Music Centre) Recording Studios - working alongside the likes of Dillinger, Tradition and New Musik - Everything Is Fine rides a beautiful soul reggae rhythm as Trevor (Drums) and Lloyd (Bass) Robinson set the foundations, while One Blood provide the Dub mix. A true love's lament, a song of hope, serenity and pure vibes. Label head Chuggy slides behind the mixing desk for an extended Discomix that stretches, loops and dubs the vocal and dub back forth, to close a glimpse at this uniquely British phenomenon, taking reggae closer to it's heart and soul.
ERC 106
23 Oct 20
Disco/Nu-Disco
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Be Thankful (original mix) - (7:56) 92 BPM Biggest-selling track on this release
   
Be Thankful (Lexx Discomix) - (7:22) 92 BPM
Review: The King & City label is the subject of three reissues, starting with One Blood's classic Lovers Rock take of William DeVaughn's soul anthem, Be Thankful. Taking the influence of reggae from the Caribbean diaspora within the cultural melting pot of 70s London, the birth of Lovers Rock, often-dubbed 'romantic reggae', is a uniquely black British sound, developed against a backdrop of riots, racial tension and sound systems. A style suited to the London scene, it represents an apolitical counterpoint to the then dominant conscious Rastafarian sound and continued the soulful and commonly love-themed rocksteady style. Active during the scene's peak, King & City was launched by Neville King and Lee Laing to champion the sound and alongside other producers like Dennis Bovell, created genre-defining hits. Formed in 1979 One Blood was made up of the 5 Robinson brothers - Errol, Jerry, Lloyd, Trevor and Paul - and recording at the legendary TMC studios, went on to release two albums and countless singles. Be Thankful pays homage to DeVaughn's original, with smooth vocals gliding atop tight drum and bass, vocal jumping up dub pom acapella to summer perfection. The tapes here passed to cohort Lexx, crafting a wonderful discodub that is all groove, expertly cutting back and forth... diamonds in the back, sunroof top.
ERC 104
09 Oct 20
Roots/Lovers Rock
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Come On Sister - (6:35) 106 BPM
   
Come On Sister (instrumental) - (5:37) 106 BPM
   
Come On Sister (Bruno Discomix) - (8:10) 106 BPM Biggest-selling track on this release
Review: The King & City reissue series continues with Paul Robinson's disco boogie jam Come On Sister. Moving from the Lovers sound of his early productions, his first solo recording was aimed straight at the blues, clubs and pirate stations of South London and beyond - a prolific artist on the rise. Appearing as a 13 year old protegee drummer in The Simeons, recording for the legendary Freedom Sounds label out of Kingston; to forming the influential Roots / Lovers Rock outfit One Blood; then vocalist in the Nick Straker Band; and through to a 30 year career as "dubplate" producer / singer Barry Boom, Robinson is a man of talents and serious legacy. This highly sought after debut, part of Neville King and Lee Laing's family of labels, followed releases in One Blood and productions for female Lovers groups Blood Sisters and Charisma. A pure disco boogie party cut, Come On Sister sees the Robinson family hit the Brit funk.
In label style, the track is given the Discomix treatment, here by up and coming digger, dealer and producer, Bruno (Perfect Lives). Letting the horns, dub bass and drums build in anticipation before the keys and guitar join and it all drops to Robinson's vocals - Come On Sister.
ERC 105
11 Sep 20
Disco/Nu-Disco
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Safari - (3:58) 107 BPM
   
Safari (Lexx Discomix) - (7:36) 108 BPM Biggest-selling track on this release
Review: After the trilogy of King Sporty & The Ex-tra's EPs in 2018, Emotional Rescue returns to the music of Noel Williams with this first ever single release of his 1976 reggae disco bomb, Safari, backed with a special discomix by Lexx.
Taken from William's debut album, Deep Reggae Roots, it can be considered a culmination of his career to date, from growing up on the streets of Kingston, Jamaica, to his first singles for Studio One and Trojan, his relocation to Miami and the birth of his Konduko label and moves to incorporate the local clubs growing affiliation with funk and disco.
ERC 097
24 Jul 20
Funk
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Gimme Your Lovin - (5:43) 114 BPM Biggest-selling track on this release
   
Dr Sarmaz - (6:14) 131 BPM
   
Feel It Flow - (3:56) 60 BPM
   
Atai (L'Eau Est Chaude) - (4:35) 124 BPM
   
Culture Rescue Service - (5:03) 96 BPM
Review: Emotional Rescue is proud to reissue a collection of global music band, International Noise Orchestra, presented across 4 special EPs. Founded when Berlin based musician Ulrich Hornberg mixed a newly acquired Commodore 64 with visiting Algerian drummer Jol Allouche's tablas - old culture meets new technology - the fundamentals were laid. Simple, maybe na?ve, with a curiosity to combine and inspire. Old meets new starts with their cover of Gimme Your Lovin, taking Winwood's classic and molding a white funk, pop, rock, dance hybrid, with enigmatic actor / singer Richard Strange's distinctive poetic delivery. Following Dr Sarmaz, released under INO's alias - Internationales Ger?uschorchester - the global dance vibrations begin. Feel It Flow is pure 80's dance pop, with Glynnis Thomas (Savage Progress) distinctive tones leading to the jazz fusion of Ata?, before closing with the guitar / synth / tabla rhythms of Culture Rescue Service.
ERC 092
03 Jul 20
Balearic/Downtempo
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Hey! - (4:13) 97 BPM
   
Can We Rebuild Our City? - (3:12) 90 BPM Biggest-selling track on this release
Review: Sometimes a record comes along that is a wonderful anomaly that really is all about the music. Silver Leaf recently appeared on the radar via obscuro diggers on both sides of the Atlantic and landed with a Hey! What is known about Silver Leaf, beyond that it was a short-lived mid-80s project out of Cincinnati, Ohio, is that it features ex-Zephyr keyboardist John Faris, working alongside the mysterious vocalist Silvia Leaf. The difference between the blues and occasional psychedelic rock of early 70s Boulder, Colorado's Zephyr and the lo-fi recordings of Silver Leaf are striking, but in Hey! and Can We Rebuild Our City?, the power of the ballad and strong playing of John, is wrapped in mid-80s, mid-States lo fi heaven. Whether a non-de-plume, Ms Leaf's searing, innocent vocals fly above John's keys and programming. Hey!'s repetitive exhalations act like a mantra to a party, while tom's chime in accompaniment. Here it comes! Can We Rebuild Our City? starts with Faris' forlorn intro before crashing percussion heads to some kind of wonderful, as Leaf questions a calls to hearts.
ERC 096
03 Apr 20
Disco/Nu-Disco
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Riddim Of Inari (extended mix) - (4:48) 102 BPM
   
Mi C'Yaan - (3:15) 103 BPM
   
When Will You Come Down? - (3:56) 110 BPM
   
Picayune - (3:10) 100 BPM Biggest-selling track on this release
   
Cricket (Part II) - (3:03) 108 BPM
   
Ancient Nomads - (4:04) 95 BPM
Review: For the second Riddims EP, collating the music of The New Morning, the label highlights further how a group based around the southern Germany Afro-Cosmic scene created a melange of music, a sound, that stepped wide of the house and techno movement then sweeping Europe.

In Global Rhythm Records, friends and producers, DJ Otti and Jay Pee, alongside DJ Thilo and DJ Fred, represented Munich "Westside", running parties and across just 11 self distributed releases, carved their own eclectic niche that were being played by the likes of scene DJs Stefan Egger and Enne.

Slowed afro-percussion, Brazilian flavours, elements of ethno folk, flighty wood instruments, trance overtures, shamanic voices and more are pieced together via heavy sample use in an early hip hop mastermix style.

Again with no track lasting much over 4 minutes, these musical vignettes are perfect tools for the eclectic DJ. Covering uplifting - almost Balearic grooves - to deeper mind-inducing spellbinds and to darker corners of trippy psychedelic invocation, this is The New Morning experience.
ERC 090
06 Mar 20
Balearic/Downtempo
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Konga Bina (Trance vocal) - (7:17) 127 BPM
   
Roots & Culture - (4:20) 105 BPM Biggest-selling track on this release
   
Flatline - (3:35) 100 BPM
   
Picayune - (3:34) 108 BPM
   
Riddim Of Inari (Tribal mix) - (5:49) 102 BPM
   
Anthems - (4:09) 105 BPM
ERC 091
01 Mar 20
Funk
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Ascension - (5:57) 111 BPM
   
Rite Of Passage - (2:33) 116 BPM
   
Raindance - (7:13) 96 BPM
   
Ba-makala - (4:46) 108 BPM Biggest-selling track on this release
   
Cloud Cover - (5:49) 116 BPM
   
Musica Ficta - (3:36) 138 BPM
   
Out Of Nothing - (6:07) 157 BPM
   
Steppe Land - (6:46) 94 BPM
Review: Following on from the excellent "Scene In Mirage" reissue that broke O Yuki Conjugate to a whole new crowd, Emotional Rescue return to the archives over-looked Nottingham 'dirty ambient' outfit. Their second LP "Into Dark Water", originally released in 1987, is just as powerful as the first - a hypnagogic journey fuelled by a global stew of sound, feeding into elegant, evocative pieces. Fans of classic Jon Hassell will find much to enjoy here, but equally those appreciating the exotic post punk undercurrents of 23 Skidoo et al will easily find themselves drawn into the likes of "Ba-makala". Stunning, borderless musings from a hidden treasure of the UK's post-industrial heritage.
ERC 080
21 Feb 20
Ambient/Drone
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In The Jungle (Bullion remix) - (4:57) 120 BPM Biggest-selling track on this release
   
Sqeezi (Reckonwrong remix) - (4:11) 122 BPM
   
Down The Locale (Gengahr remix) - (5:43) 64 BPM
   
Walk On, Bye (Bullion remix) - (6:38) 88 BPM
   
Belle Dux On The Beach (William Doyle rework) - (6:42) 91 BPM
Review: The second EP of remixes from Man Jumping's reissue on Emotional Rescue features luminaries Bullion, Reckonwrong, Gengahr and William Doyle with their reversions of songs from the Jumpcut album.

Nathan Jenkins aka Bullion follows his recent rerub of Thomas Leer (ERC072) to provide two remixes. His remake of In The Jungle keeps the originals (leftfield) dance floor roots, but sprinkles the ubiquitous warm glow and off kilter fun(k) that he evokes; while his retake of Walk On, Bye drifts back, highlighting intricate percussion; congas, bass and vocal atmospherics along some breezy swing.

Reckonwrong is next; turning the bossa vibes of Sqeezi into his own new wave meets Italo reversion; topped with his unique 'under the cupboard stairs' vocals. Funky, driving, this overlooked star adds to his cannon for Whities, Pinkman and DEEK.

After a string of impressive releases for Trangressive / Beggars, Gengahr make a surprise addition, lifting Down The Locale from deceptive beginnings to anthemic heights, adding echo-laden guitar and vocals to the original's underbelly, before a bass break and return lifts to the heavens.

Finally, William Doyle provides perfect closure. Moving away from his East India Youth moniker (XL Recordings), his output has drifted towards ambient introspection, however, here points to addtional layers; rebuilding Belle Dux On The Beach with added bass, guitar, drums and finally vocals that culminate in a prefect 'to the skies' outrospection.
ERC 088
14 Feb 20
Balearic/Downtempo
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Walk On, Bye (Khidja remix) - (8:39) 87 BPM Biggest-selling track on this release
   
Down The Locale (Khidja remix) - (9:15) 127 BPM
Review: To accompany the reissue of Man Jumping's Jumpcut album, Emotional Rescue offers 2 remix EPs that showcase the band's music with versions by contemporary producers.

Starting with stalwarts and friends in duo Khidja, it's not often you can put together a reissue that modern day wunder producers have requested, however, that is precisely what occurred. Badgering over several years about their love of Man Jumping and how they should be revered, when the call came that the reissue was happening, Khidja were the first names down.

After breaking through on sister label [Emotional] Especial way back in 2013, the pair have gone on to much acclaim with releases for Malka Tuti, Hivern Discs and DFA to name (drop) a few.

Handed the tapes, their love of Man Jumping's virtuoso playing is evident in these amazing remixes. Walk On, Bye takes its Reich meets Pop aspirations and drifting across 9 minutes of laidback but bass heavy rhythms, intricacies of clarinet, sax and trumpet are stretched and fused to repetition perfection.

Following, Down The Locale's jazz roots is developed, recast and updated, extenuating the bass, while piano and vocals interplay over scattered, skipping drums to become a latter day 'contemporary dance' odyssey.
ERC 087
31 Jan 20
Balearic/Downtempo
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In The Jungle - (5:10) 60 BPM
   
World Service - (6:08) 111 BPM
   
Aerotropics (12" mix) - (6:49) 56 BPM
   
Belle Du On The Beach - (5:54) 119 BPM
   
Walk On, Bye - (5:54) 88 BPM
   
Sqeezi - (6:21) 111 BPM
   
Down The Locale - (6:03) 128 BPM
   
In The Jungle (12" mix - digital bonus track) - (8:00) 60 BPM Biggest-selling track on this release
Review: Emotional Rescue presents the music ensemble Man Jumping, with a reissue of their experimental, post-minimalist meets pop debut album Jumpcut, to be followed by 2 special remix EPs featuring Khidja, Bullion, Reckonrong and more. Formed in 1983 out of the disbanded The Lost Jockey (Les Disques Du Crepuscule), Man Jumping's aim was to move on from the unwieldy nature of that collective to combine the 'systems music' of Steve Reich, Terry Riley, LaMonte Young etc with rock, funk, dance and world music and create a new cross over. Consisting of studied musicians and created from theory as well as technique, the liberation from formal restrictions took shape over four years that spawned 2 albums and one 12". Released on Bill Nelson's 'Cocteau' label in 1985, Jumpcut's was critically praised but destined for more discerning ears. The 8 songs - including here a 12" mix of Aerotropics - developed from 16 stave manuscript into live recordings straight to tape, with no sequencing to keep their live feel intact. Carefully planned but made in the moment, members Charlie Seaward, Glyn Perrin, John Lunn, Orlando Gough and Shaung Tozer's legacy is demonstrably durable, a testament to their originality of thought to an idea of what might be rather than an imitation of what has been.
ERC 086
17 Jan 20
Balearic/Downtempo
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Capueira - (2:58) 108 BPM
   
Cricket Island (Tribal mix) - (4:23) 110 BPM Biggest-selling track on this release
   
In Japan - (5:24) 111 BPM
   
Jay's Rhama - (2:12) 102 BPM
   
In Harmony - (4:31) 105 BPM
   
Infinite Chant - (4:24) 95 BPM
Played by: LEGO EDIT
Review: The 1990s Afro-Cosmic scene, highlighting on Munich's The New Morning project, is the focus of an in depth reissue, collected across 3 six-track EPs.

As the influence and cult of Baldelli's Cosmic sound spread out across Italy from the late 1970s, the music expanded, mixing new wave, African, funk, electro, space rock, Brazilian, jazz and dub, all delivered in a freestyle playing that became Afro.

Adding percussion, samples and effects, the music spread north to Austria and Southern Germany, where DJs, producers, labels and parties flourished. In 1994, DJ Otti and Jay Pee started Global Rhythm Records and with friends DJ Thilo and DJ Fred released 1O EPs and 1 LP over 4 years.

The 3 EPs select the best of this output, including unreleased tracks, mixing a love of funk, disco, hip hop and house with syncopated analogue beats and live percussion. The 90-110 bpm sample heavy tracks, often running for only 3 to 4 minutes, showcase their eclectic sound collage.

More than DJ tools, the EPs were warmly received by aficionados and clubbers alike, becoming mainstays at the afro-tribal gatherings taking place throughout the scene. Secret plays for taste-making DJs since, their scarcity and value have increased considerably, bringing a new appreciation of their Afro-Funky sound.
ERC 089
23 Dec 19
Balearic/Downtempo
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Ramana - (6:34) 88 BPM Biggest-selling track on this release
   
Bohdran - (6:38) 102 BPM
   
Amazonas - (9:22) 75 BPM
   
Blue Castle - (8:05) 80 BPM
   
Rain - (9:32) 115 BPM
   
Semi-Piliated Human - (4:16) 114 BPM
   
Drala - (9:13) 94 BPM
   
Bendir - (15:11) 106 BPM
   
Sweat Season - (5:40) 99 BPM
   
Seven Heaven - (11:38) 75 BPM
   
Silver Lining - (4:29) 110 BPM
Review: Emotional Rescue is delighted to present a collection of works by the founding father of the modern drum movement, Glen Velez. Collated from his first 3 solo albums from 1985 to 1989, Sweet Season is a snapshot in to the pioneering composing and performance of this four-time Grammy winner. Born in 1949, of Mexican American ancestry, Velez grew up in Texas before moving to New York in 1967. Playing jazz on the drums he soon gravitated to hand drums from around the world (frame drums in particular), seeking out teachers from many different musical traditions.

Among the many instruments Velez favours are the Irish bodhran, the Brazilian pandeiro, the Arabic riq, the North African bendir and the Azerbaijani ghaval. Although these instruments are similar in construction they have their own playing techniques that open new possibilities.

Sweet Season highlights this vocabulary, mixing and adapting techniques from various cultures to develop new ones. The music, often composed as cross-cultural ensembles, has a particular fondness for polyrhythms - superimposing different meters simultaneously - while incorporating Stepping Split-tone and Central Asian Overtone singing to complete the global horizons.

This new genre of contemporary drumming has been hugely influential and seen Velez work with the likes of John Cage and Steve Reich, as well as teaching his virtuosic combinations of hand movements and finger techniques to many emerging players.
ERC 078
13 Dec 19
Balearic/Downtempo
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Letsam La - (3:38) 108 BPM
   
Chaque Jour Est Un Bon Jour - (1:55) 92 BPM
   
Soleymani Dub - (4:34) 84 BPM Biggest-selling track on this release
   
Sunshine Boy & The Time Keeper - (3:08) 101 BPM
   
Chapati Train - (1:53) 99 BPM
   
Tu Renverses Encore! - (0:06) 123 BPM
   
Getting To Know The Moon - (2:56) 71 BPM
   
Au Dessus De La Falaise - (3:03) 129 BPM
   
Razaye Axel Jube Hast - (5:30) 125 BPM
   
Vapanda's Electric Garden - (2:38) 109 BPM
   
She Walks So Easily Across The Sky - (7:54) 109 BPM
   
Chirine - (3:05) 77 BPM
Review: Emotional Rescue are doing a fine job of sifting through the considerable Vox Populi! archives to present the finest sounds from this most adventurous of French collectives. The specific period focused on here is the post-1989 sound of the band exploring more explicit world influences with stunning results. At times delicate and folky, occasionally funky and elsewhere more experimental and heavy in its atmosphere, there's so much to absorb here as core members Kyrou, Mitra and Khalatbari work with a swelling cast of musicians to take trips to distant lands both real and imaginary.
ERC 079
29 Nov 19
Balearic/Downtempo
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Passion - (3:28) 121 BPM Biggest-selling track on this release
   
The Man I Feel - (3:22) 120 BPM
Review: Emotional Rescue again delves in the world of private pressings, with a reissue of British electronic pop meets proto-house duo 4AM. With copies of their self titled album now highly sought after, this timely reissue presents two of their songs as a stand alone single.

Consisting of multi-instrumentalist Steve Kirby - piano, guitar, bass, programming - and vocalist Kevin Finch, 4AM came together after youths filled with a love of music. Following a string of band attempts, Steve dived in to the world of midi, allowing him to build a studio set up and play solo. A meeting with new work colleague Kevin quickly developed to joining forces to expand on his early demos.

Their melodic, dance-influenced pop draws on a love of Japan, OMD and The The, but also ECM jazz and a touch of white boy soul. The TR-808 drum and hi-hats, string stabs and random acid squelches - although no TR-303 was used - highlights the influence the nascent House sounds emanating from the second summer of love of 1988/89 had in their music melting pot.

Over this, personal lyrics flow, full of honest emotions and a touch of youthful naivety thrown in - of relationships, love, sex and passions. Intended as a personal artifact, the original album was released in 1990 with no promotion or live shows and has taken until now, some 30 years, to find a cult audience. I want you with a Passion.
ERC 085
08 Nov 19
Balearic/Downtempo
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I Can't Crack (Broken mix) - (6:24) 60 BPM Biggest-selling track on this release
   
Throw Away The Script (instrumental mix) - (5:16) 119 BPM
   
Dancing The Hard Bargain (extended mix) - (6:25) 93 BPM
   
Bullet (Unreleased mix) - (9:08) 78 BPM
Review: Emotional Rescue return to the music of cult British group Furniture, shining a light on this unique band's extended 12" mixes and alternate takes. In the 80s tradition, these versions shrug off commercial concerns for something more exciting - long run times and space to tease FX and processes that a radio-friendly single wouldn't allow. "I Can't Crack (Broken Mix)" is an epic crescendo, while the instrumental mix of "Throw Away The Script" locks into a scratchy percussive workout anchored by a moody bassline. The sprightly piano lines and cascading sax on "Dancing The Hard Bargain" are a delight to lose yourself in, while "Bullet" strikes a somber but stirring tone to close the EP out.
ERC 073
28 Oct 19
Pop
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Let's Chase The Sun - (3:53) 122 BPM
   
Automatically, You And Me - (4:12) 127 BPM
   
I Need Somebody - (4:36) 72 BPM
   
Let's Make A Love Child - (4:07) 113 BPM
   
A Natural Love - (3:13) 100 BPM Biggest-selling track on this release
   
Mesmerise A Friend - (4:15) 73 BPM
Review: Some people seem like they should have been born in a different era - think of Jacob Rees-Mogg or those odd folks who dress in 1940s clothing 24/7. This EP, likewise, was really born to be played on the sun deck of your late 70s Laurel Canyon mansion, packed as it is with lazy, laidback grooves that blend soul, jazz-funk and rock influences with a sprinkling of house-y pianos and synth stabs. The Latin-tinged 'I Need Somebody' is one standout, while 'A Natural Love' captures that early 80s soul vibe nicely, but really it's an EP that's best allowed to wash over you whole while you get the cocktails ready...
ERC 084
23 Aug 19
Disco/Nu-Disco
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Psycho Killer - (4:21) 58 BPM
   
Psycho Killer (Double Wave edit) - (4:34) 59 BPM
ERC 068
30 Jul 19
Indie/Alternative
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Fajrann - (5:44) 127 BPM
   
Ne Doubte Pas (instrumental) - (4:05) 120 BPM Biggest-selling track on this release
ERC 067
30 Jul 19
Disco/Nu-Disco
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Storm - (5:25) 91 BPM Biggest-selling track on this release
   
Storm (Arp Duppy Chip mix) - (5:40) 62 BPM
ERC 065
30 Jul 19
Balearic/Downtempo
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I Have Been Waiting For You (vocal) - (3:47) 81 BPM
   
I Have Been Waiting For You (version) - (3:38) 81 BPM
   
I Have Been Waiting For You (DJ Duckcomb Digimix) - (7:19) 81 BPM Biggest-selling track on this release
Review: Emotional Rescue serve up a balmy curveball cut perfect for the summer months here. Glen Ricks "I Have Been Waiting For You" was originally released back in 1983 on the highly collectible Seraf label, and it's rightly been a holy grail dig ever since. With a distinctive swinging funk in the groove and some deliciously wobbly dub chords, this is not your average 80s boogie cut. Ricks' vocal channels the most soulful Jamaican deliveries, sealing the deal on this evergreen jam that sounds great in original and version forms. DJ Duckcomb steps up with a tender "Digimix" that retains the dusty crunch of the original with just a little extra bite in the beats.
ERC 082
29 Jul 19
Roots/Lovers Rock
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Movement 1-3: In The Beginning / Toto, I've A Feeling We're Not In Kansas Anymore / Wherever Two Or More Are Gathered - (23:08) 159 BPM
   
Movement 4-6: Life In The Gravity Well / As The Earth Kissed The Moon / Something's Moving - (22:01) 158 BPM
Review: Emotional Rescue is honoured to reissue the benchmark in new age ambient music, Michael Stearns epic Planetary Unfolding album. Out of press on vinyl for over 30 years, here is Stearns masterful electronic symphony in 6 movements, recorded using his Serge modular synthesizer at the Continuum Studio in 1981.

The culmination of years of exploration in "space" music, Stearns journey, to the album's release, was one of learning and application. Involved in music since his teens, he graduated from guitar bands in the late 60s to an increasing interest in the principles of electronic music synthesis and the physics of musical instruments.

He moved from Tucson, Arizona to Los Angeles in 1975 where he performed live during movement meditation classes at the Continuum Studio. He released his first cassette album in 1977 before going on to record 7 albums during this formative period.

With Planetary Unfolding, the musical ideas that Michael performed on the Serge developed into this 52-minute masterpiece of music, six movements, three on each side of the LP. Based on the idea that the universe is made of sound held together through resonance, where atoms, cells, oceans, plants, animals and humans, all are part of a complex orchestration - the Earth as a being of sound.

Having first approached Michael in 2013, his uncertain response that the album could be rereleased in a way that the music would be given justice via vinyl, the idea was never forgotten. Gaining discovery, appraisal and prominence when "As The Earth Kissed The Moon" appeared in edited form on the "I Am The Centre" box set from Light In The Attic, this excellent window into the world of Private issue new age music, superbly compiled by Douglas McGowan, further increased the interest in Michael's and others, such as Laraaji, music.

With the likes of Matthewdavid's Leaving Records and Jonny Nash's Melody As Truth pushing the ambient curve beyond a post club, chill out fad, classic albums can rightly sit alongside this 'new age of the new age', so that ambient music again has a gravity and place of it's own. This specially re-mastered version by Bob Ohllson features the original artwork by Leilani Bost, liner notes by long-term friend and fellow musician, Gary David, as well as the photography of Ron Peterson, together bringing this wonderful album to life once again.
ERC 056
12 Jul 19
Ambient/Drone
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Soft Touch - (4:18) 112 BPM Biggest-selling track on this release
   
Keep On Dancing - (3:41) 113 BPM
   
In The Rain - (3:27) 73 BPM
   
Be What You Want To Be - (4:37) 118 BPM
   
Papa Doo - (5:15) 90 BPM
   
Why Not - (4:07) 101 BPM
Played by: LEGO EDIT
Review: As far as collaborative delights go, this really takes the cake. Miami boogie wildcard Noel Williams, aka King Sporty, throwing it down heavy with legendary Jamaican reggae axe man Ernest Ranglin - as you might expect, the results are incendiary. "Soft Touch" has a hint of the cosmic about it as it romps through insanely catchy chorus chants, stirring brass stabs and Ranglin's sweet licks. "Keep On Dancing" has a more uptempo feel, "In The Rain" slips into a laid back reggae skank and "Be What You Want To Be" turns the vintage disco heat back up. Throughout this wonderful mini LP, the duo switch between each other's strengths and bring out the best in each other, like all good collaborations should.
ERC 083
10 Jun 19
Disco/Nu-Disco
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Preparativos Para El Viaje - (6:40) 106 BPM
   
Neptuno - (5:38) 150 BPM Biggest-selling track on this release
   
La Verdad De Lo Pequeno - (3:25) 74 BPM
   
Paseo Celeste - (8:21) 83 BPM
   
Gacelle - (7:08) 70 BPM
   
Lo Inevitable - (4:38) 81 BPM
   
Aqui Y Ahora - (6:13) 137 BPM
   
Lo Ves Ya Te Lo Decia - (6:43) 150 BPM
Review: Spanish multi-instrumentalist and producer Luis Paniagua gets the Emotional treatment here with the reissue of the stunning 1987 album "Neptuno". It's a joyous album that revels in global musical traditions, and its accomplished finish is a marvel considering he recorded it with Luis Delgado in his Madrid attic within just a few days. From the treated string swells and sitar lilt of the title track to the lively percussive tumble of "Gacelle" and on to the bell chimes of "Aqui Y Ahora", this is a stunning record executed with talent and rich with the many wonderful tones to be enjoyed from a whole world of instrumentation.
ERC 071
28 May 19
Ambient/Drone
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I've Been Waiting For You (vocal) - (3:47) 81 BPM
   
I've Been Waiting For You (instrumental) - (3:38) 81 BPM
   
I've Been Waiting For You (DJ Duckcomb Discomix) - (7:19) 81 BPM Biggest-selling track on this release
Review: Emotional Rescue heads to the Caribbean and the effervescent boogie funk of Glen Ricks. The Jamaican groover originally released the much sought-after "I've Been Waiting For You" in 1983, and it's been hard to track down ever since. Whether in its full vocal form or the beautifully dubbed out instrumental version, this is a seriously sunny slice of good time party music that stands up to any boogie classic you care to mention. LA's DJ Duckcomb steps up for a Discomix of the original that draws on the vocal and instrumental takes to sustain that balmy vibe for even longer - the selector's dream!
ERC 081
28 May 19
Disco/Nu-Disco
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Saving Grace - (4:16) 99 BPM
   
Saving Grace (Bullion Redux) - (6:01) 100 BPM Biggest-selling track on this release
   
Tight As A Drum - (4:37) 81 BPM
   
Tight As A Drum (Bullion Redux) - (4:23) 81 BPM
Review: Thomas Leer was mainly active in the late 70s and early 80s, dropping two singles on Cherry Red that provided the source material for the two original tracks on this Emotional Rescue reissue 12". Opener "Saving Grace" is a rich, bombastic blast of synthwave, all chugging arps and massive leads, while "Tight As A Drum" heads into more psychedelic territory, using strange gating techniques and deft FX to create a wondrous, shimmering bed for Leer's poetic chat over the top. Bringing an inventive angle to the release, the label signed Bullion up for two wonderfully warm, wobbly remixes. Honing in on the weirder qualities of Leer's work, these modern interpretations make a perfect bridge from the old to the new - highly recommended!
ERC 075
15 Apr 19
Disco/Nu-Disco
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The Aubergine That Ate Rangoon - (3:37) 110 BPM
   
The Aubergine That Ate Rangoon (Cherrystones rework) - (7:24) 110 BPM
   
City Of Lagoons - (5:11) 67 BPM Biggest-selling track on this release
   
City Of Lagoons (Cherrystones rework) - (5:10) 90 BPM
Review: A connection that perhaps didn't seem obvious at first but makes sense when you think about it, space rock titans get the niche reissue treatment on Emotional Rescue with Chuggy's ever prolific stable picking two deep cuts from the band's frankly intimidating back catalogue. Originally released in 1976 on "Astounding Sounds, Amazing Music", "The Aubergine That Ate Rangoon" and "City Of Lagoons" are both examples of Hawkwind at their cosmic best, and not afraid to hold down a groove either. Alongside the originals, we're also treated to some wild remix versions from wayfaring astral traveler Cherrystones - lucky for us!
ERC 074
18 Mar 19
Rock
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Transatlantic Cable - (3:25) 120 BPM
   
They're On Me - (2:57) 80 BPM
   
Robert Nightman's Story - (3:51) 113 BPM
   
I Miss You - (4:32) 74 BPM
   
Why Are We In Love - (5:10) 103 BPM Biggest-selling track on this release
   
A Letter To Myself - (3:54) 115 BPM
Review: Emotional Rescue is delighted to present the first of two EPs from British '80s band Furniture, starting with their much sought-after, six-song "mini-album" - as they were known then - which has recently been rediscovered by a new generation of DJs and collectors.

"Transatlantic Cable" compares the cliches of a certain type of American romance - Bogart, Sinatra, Dean - to the reality of life in West London. "They're On Me" is probably one of very few pop songs to feature double bass and the word "newsagent", while "Robert Nightman's Story" is powered by a riff on marimba and abrasive rhythm guitar.

"I Miss You", a torch song so good you'd think Julie London might have cut it. A highlight for many is "Why Are We In Love". This track is a key reason for the revival of interest in the band, with pattering rhythm part and the sweet clarinet melody, creating an atmosphere that has attracted a following among discerning DJs. "A Letter To Myself" introduced the band's new, expanded line-up adding Sally Still (bass, vocals) and Maya Gilder (keyboards), which would endure until the band stopped in 1990.
ERC 072
04 Mar 19
Pop
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Introduction - (1:06) 109 BPM
   
Le Reveil - (4:33) 94 BPM
   
L'Amour Pour Bouclier - (4:18) 60 BPM
   
Ne Doute Pas - (3:58) 60 BPM
   
Le Long De Fleuve Amour - (4:00) 71 BPM
   
Le Guerrier - (2:24) 56 BPM
   
Introduction - (0:14) 69 BPM
   
Secret - (2:12) 56 BPM
   
Aurore - (9:04) 129 BPM
   
Kiroel - (0:26) 79 BPM
   
Douleur - (2:31) 113 BPM Biggest-selling track on this release
   
Sorciere - (3:31) 129 BPM
   
De L'Autre Cote Du Miroir - (2:46) 128 BPM
   
Les Coquillages - (1:43) 116 BPM
Review: Emotional Rescue is delighted to offer this compilation of music from Elaine Kibaro and her particular coalesce of chanson, folk, balearic and touch of disco, all encased in her strong French and North African roots.

The music included here, released between 1979 to 1989, is an expression of her development, of music changes matching growth in life, conveyed through her emotions in song. Opening with the spoken word Introduction from her debut album, "Mirrors" and the folk rock of melodies of Le Reveil from the 1981 follow up, Au Soleil, her early works are characterised by band, orchestra and choirs complimenting her voice as one.

This is further heard on the mystical Sorciere, psyche percussion of Secret, the marching Le Guerrier and the inclusion her first "hit" with Aurore, appearing her in all it's extended, off-kilter guitar meets organ form.

Exploring sensitivity and desires the compilation matches these earlier folk and world inspired songs with her move towards electronic production that accompanied a return some 4 years later, adding balearic and even pop dance found on 1985's Le Long De Fleuve Amour and the following 1989 opus, in Kiroel.

L'Amour Pour Bouclier and Ne Doute Pas lift her music higher towards lovers' heights, with word, melody, and rhythm giving the desire to dance and be free, while her continuing exploration of chanson and spoken word takes on new meanings via the new wave meets estoric Douleur, while the emotionally charged soundscape of Kiroel brings balance.

Inspired by the purity of song, Kibaro's music's has a timeless essence to behold; a voice and words found through life experience - beauty, discovery, nature and dreams.

A love and hope in music, her quest for the infinite potential in song.
ERC 066
18 Dec 18
Balearic/Downtempo
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That Will Be That - (3:08) 85 BPM Biggest-selling track on this release
   
This Time - (4:28) 88 BPM
Review: Emotional Rescue previously dived into the plush, soulful and verdant sound of Jaki Whitren and John Cartwright with the reissue of their essential International Times album back in 2013. Sadly Whitren and Cartwright passed away two years ago, and this 7" of previously CD/digital-only material materialises in tribute to these wonderfully talented souls. "That Will Be That" is an effervescent boogie jam with rich synths that interplay beautifully with Whitren's stunning vocal, while "This Time" takes a starkly opposite approach with just the most delicate of keys lingering behind Whitren's powerful, echoing vocal. It's a poignant note of remembrance for two gifted musicians who shone their light into the world.
ERC 069
03 Dec 18
Soul
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Kyrie - (4:15) 96 BPM Biggest-selling track on this release
   
Beyond Control 3 - (4:23) 65 BPM
   
Infiltration - (3:23) 53 BPM
   
Sedation - (3:27) 133 BPM
   
P2 - (4:00) 134 BPM
   
From Here To Where - (2:45) 131 BPM
   
Intromission - (0:58) 153 BPM
   
Anima - (3:31) 157 BPM
   
Odomankoma - (5:53) 127 BPM
   
Aura - (1:11) 133 BPM
   
Flute Cloud - (3:26) 63 BPM
   
Waiteri - (3:18) 78 BPM
   
Denouement - (3:22) 118 BPM
Review: British dark ambient legends O Yuki Conjugate presented their debut album Scene In Mirage back in 1984, which gets a much needed reissue here on Emotional Rescue. Recorded on a four-track in a basement studio in Leeds, it showcased different facets of their sound. From their beginnings using bass, analogue machines and tape loops (made from cassettes stolen from local libraries) to the future development of the band and their signature style of experimental sound collages. Fast forward to 2018, original members Roger Horberry and Andrew Hulme are now returning in their fourth incarnation of O Yuki Conjugate with live shows and new music to come.
ERC 053
31 Oct 18
Coldwave/Synth
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Lifestream (extended mix) - (6:26) 119 BPM Biggest-selling track on this release
   
Rain Trek - (6:12) 57 BPM
Review: Clifford White is the kind of 80s curio that Emotional Rescue love so dearly - a bedroom keyboard warrior who happened to catapult to professional studio environs in the blink of an eye. The two tracks pressed up here previously appeared on a 1989 LP in an abridged version - White has returned to both tracks and stretched them out to enhance their playability in the dance. Both "Lifestream" and "Rain Trek" aren't your typical party starters though - rather they're lilting, uplifting synth expressions strapped to a mixable beat. That's exactly why they've been hot property on the Balearic scene for a long time, and now they're available in loud-cut, blissfully extended form for the modern heads to get dreamy to.
ERC 064
08 Oct 18
Balearic/Downtempo
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Cameroon Massif! (Massive mix) - (8:00) 123 BPM
   
Cameroon Massif! (Massing mix) - (7:48) 123 BPM
   
Cameroon Massif! (live At The Brain 09 mix) - (13:02) 123 BPM Biggest-selling track on this release
Review: Hailing from the mists of the early 90s UK techno scene, Ramjac Corporation's "Cameroon Massif!" epitomises everything great about the anything goes spirit of the scene prior to firm genre boundaries being established. Emotional Rescue have done the right thing and brought the vintage curio back to light, and what a return it is. While it shows its age, it sounds in fine fettle, all rolling breaks, trancey zaps and mysterious vocal hooks that positively draw you into a transcendental rave headspace. Both the "Massive" and "Massing" mixes are essential, but then you also get the added bonus of a live version from a reunion gig back in 2009.
ERC 061
14 Sep 18
Deep House
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