Review: Gavin Sutherland aka Fudge Fingas is back under a new alias for Edinburgh based house oddballs Firecracker. A long known staple of the Scottish imprint, they themselves seem equally as perplexed as we are- but we can all agree that it's certainly not altogether unpleasant. Boss man Lindsay Todd describes it as 'occupying the space between alien-revisited exotica, classic jacking house workouts and a BoC 'Chromakey Dreamcoat' kinda vibe'. From the swirling and hypnotic esoterica of "Descent Into Nasqueron" to the brooding journey into the abyss that is "Chapel Perilous Closed". Then comes the EP's most accessible track "Late Feeling Yourself", a smoky, sexed-up, late-night deep house jam that calls to mind his usual work or that by label staple Linkwood.
Review: For the first in a series of reinterpretations of material from Linkwood's superb Expressions album, Firecracker Recordings has turned to deep house veterans Ghosts of the Sky (AKA Chicagodeep and Taelue), and fast-rising machine abusers Nummer. The latter trot off on an aquatic techno tip, turning the becalmed and melancholic "Love Lost" into a techno-tempo stroll through vintage Carl Craig chords, sweaty machine percussion, and yearning melodies. There's a warmer and heavier, if surprisingly stripped back, feel to Ghosts of the Sky's version of "Object", with spluttering electronics and sumptuous chords stretching out over a rich synth bassline and hissing, cymbal-heavy groove.
Review: Sparklingly brilliant return for Vakula on the Firecracker affiliated Shevchenko label, seemingly founded to give the Ukrainian the space to fill his creative impulses. Again referencing the cultural heritage of his homeland, with a hand stamped quote from foremost Ukrainian poet Leysa Ukrainka, Vakula's first release in a minute begins with the aptly titled "You Cannot Resist". Heavy jacking rhythms combine superbly with guttural filtered tones and are countered by the rising crescendo of glistening piano touches and far reaching pads across the opening few moments. However, as with seemingly every production from Vakula, the ease with which he travels through various sonic moods within the space of a track simply captivates. Flipside and there's so much detail to the ecstatic rhythmic pulses of "Rural Dances" it's hard to decide what to focus on - perhaps the most immediately satisfying aspect being the bleeping melodies that sound like R2D2 high on MDMA.
Review: Following the release of his acclaimed debut album, In Waves, on ESP Institute, Lord of the Isles man Neil McDonald returns home to Firecracker Recordings. With six tracks to choose from, Parabolas of Neon is almost a mini-album. It boasts a quartet of sublime, mind-soothing ambient cuts, topped and tailed by two more rhythmic moments. Opener "Sunrise 89", a shameless dose of nostalgia built around heavy, bleep techno style sub bass and electronic motifs, offers a perfect balance between dancefloor heaviness and dreamy, saucer-eyed intent. Then there's the small matter of the title track, which is the kind of ultra-deep, ultra-dreamy chugger that you just want to hug at six in the morning.
Review: Firecracker offshoot Shevchenko has put out some of the finest house records over the years thanks to the inspiring work of Vakula. This time, however, "No Music" favours a more techno-leaning approach than usual. Swarms of industrial scratches are engulfed into a psychedelic arrangement packed with enough crunches to make your jaw wobble! Then, the aptly named "Vermona" pays a clear homage to the power of analogue beat arrangement and we're back into more familiar territories as smooth chords and effect-driven rhythms glide over the track. "Hand Made Beat" sees Vakula excel his capabilities and creates an intricate network of sloppy beats and ghostly melodies which grow and then dissolve with ease. A great addition to an already scintillating catalogue. Tip!
Review: Here is another Firecracker which has been kindly made available on digital and it's as pretty much as you'd expect... Regardless, enlisting long term Juno favourites Vakula and Juju & Jordash to remix Fudge Fingas is always going to be a strong look. The object of their prowess is "Mass X", taken from What Works, Fingas' 2010 debut for the Edinburgh imprint and the original's chiming sea calm gets reworked into two differing but complementary dub house gems. The Ukrainian - no stranger to remixing Fudge for Fire - calls shotgun with a wonderfully dusty house number filled with the kind of brain melting touches we've come to demand from Vakula. In contrast Amsterdam dwellers Juju & Jordash go uber deep, continuing their recent strand of immersive and expansive remixes that feel so soft you want to bury yourself in them.
Review: Shevchenko is making the third helping of productions from the Ukrainian now availabel on digital. This release follows the upward trajectory of Shevchenko to date, as our impressions of Mama Said Glow were surpassed by the quite recent SHEV002. "Dub As Always" is typically unique, beginning like a bastardized East European cousin to Felix Da Housecat's "Kick Drum" before drafting in huge waves of burning synths. Vocals echo around our senses, falling to the depths before rising and shooting in different directions as the track throbs away at your brain. Vakula indulges in some scratchy, abrasions on "Track 2" which makes for the kind of production those with little studio know how will sit through and wallow in a state of confusion as to how he made it. As ever, it's hard to compare anyone else to what Vakula is doing right now.
Review: Following his prime edit material for Cole Medina's American Standard label, Scottish producer Lord Of The Isles has seen original productions land on the likes of Cocktail d'Amore, Ene, and his own Little Strong as well as gracing the Phonica Special Edition Series. Now he arrives on Firecracker's Shevchenko edition for the label's seventh release, with three tracks representing the many shades and hues of his production palette. "Elgol" sees the producer venture into similarly impressionistic house territory as Legowelt, with nebulous organ chords joined by loosely jacking drums and gentle acid textures. On the flip, "Galicia" delivers a deep jam with all the same free-flowing analogue tendrils and luscious bass, while "Timber Lorries Emerging" combines a bassline with a John Carpenter-inspired tension with neo-Balearic soul, a combination that works a lot better in practice than you'd expect. As with all Shevchecnko releases clear vinyl and exceptional music is the order of the day - highly recommended.
Review: Here's a pleasant surprise! Jimmy Billingham bringing his distinct brand of drawn out, emotive acid as HOLOVR to the good ship Firecracker. HOLOVR has largely been restricted to the digital or cassette format, yet 2015's Line Of Flight LP for Billingham's own Indole label proved what we always thought; it's music you want to hear booming out of a pair of turntables in a club! The Trace Realm EP, another thing of visual beauty thanks to House of Traps, continues in this vein with opening track "Transient Field" a real highlight along with the spoken word-blessed lysergic drift of closing track "Corporeal Crust (Cthelll Core)".
Review: Firecracker sub label Unthank is back with Whodamammy aka Raffaele Arcella, an Italian DJ and producer based in Naples. He's related to the collective Early Sounds Recordings (with local hero Massimo Di Lena) and is one of the founders of Periodica Records. The music on offer on the Prima Industria EP is is a fusion between cosmic sounds, proto house, jazz funk and electronica. After the sublime intro that is "Iris Primum" get gets straight down to business on the oddball acid of "Indigo Auctoritas" and a couple of short experimental pieces which make for curious listening. But it's all about the following tracks in our opinion, where the intergalactic space funk of "Wise Glaciem" made a nice impression, as did the rather Hieroglyphic Being sounding analogue soul of "Neuter Gyrum".
Review: First announced over 15 months ago, Firecracker finally come through with You've Never Been To Konotop (Selected Works 2009-2012) a rather finely presented collection of tracks from the self styled 'Slavic Spiritual Warrior" Vakula. The main recording alias of Ukrainian Mikhaylo Vityk, Vakula first emerged in 2009 with a succession of singular deep house explorations for respected hubs such as Dekmantel, Ethereal Sounds, 3rd Strike and Firecracker offshoot Shevchenko an as the extended title suggests this album focuses on unreleased material from this same period. Musically, the tone mirrors Vityk's material for Shevchenko, taking the mainframe of house and melding it with elements of "Ukrainian folk melodies, esoteric cryptic rhythm patterns, field recordings, interludes and overgrown organic effects hidden beneath acres of cosmic murk."
Review: Having launched in fine style with the crazed Moodymann meets Dance Mania genius of Bakey USTL, Firecracker's Unthank offshoot keeps the focus squarely on Eastern Europe with some equally fine productions from a more celebrated entity. If this year is going to be dedicated to anyone, Ukraine's favourite son must surely be on the list - treating our ears and your hips to a veritable bounty of expert releases on numerous labels of high repute - Dekmantel, 3rd Strike and Ethereal Sounds to name but three. Anyone who has indulged in just one of the aforementioned releases should need no prompting to check this ten inch - with Vakula drawing on a surfeit of influences such as AFX, Claro Intelecto and DBX across the three untitled tracks. The A Side is where the deepness lies whilst the flip contains an expansive deviation into subaqueous, stripped down, hypnotic minimalism. Don't be expecting "A Tender Place" Mk2 but do expect to be seriously impressed.
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