Review: Next up from the Fodder team, a smokey display of original production-based creativity as we see Jubley land with a vibrant two track display, exploring the more broken-beat end of the UKG spectrum. We open up with the mechanical rhythmic design of 'Day 3', a bubbling exploration of unique drum sounds and moogy bass notation below, giving us a very original feeling, On the flip to this we then take in 'Back Seat Driving', a shuffling sweep through more digitised drum sounds and tidily arranged subs below, rounding off this enigmatic two tracker with a final dash of oomf.
Review: As ever with the legendary production styles of Jubley, we have learned to expect the unexpected, with this latest helping of juice coming to us courtesy of the ever-ready Fodder imprint. We open up with the eerie synthetics and smart sampling of 'Why That', a vibrant title track that showcases Jubley's underground mastery in a smoothened blaise of electronic structure. Next, 'Minus 132' strips things back further for a slightly more quirky 2-step, before the broken-beat drumlines and unique bass designs of 'Back Then' give us a very tasty finale. Top work from a legend, but we wouldn't expect anything less!
Review: Next up from the ever-ready Jubley, a clunky display of percussive mastery as we explore four brand new rollers, courtesy of the Fodder imprint. First up, we dive straight into the steadily cascading drum work of the title track 'Beginnings', setting the tone nicely through smart sound design and creeping melodic influxes throughout, before the pace quickens somewhat with 'Let's Av A Go', a heavily syncopated sift through groovy bass nodes and unusual vocal sampling to match. From here, 'Bad Lives' then arrives with more vibrant chord work and another eerie backdrop of tidily arranged synth pads, with the steadily popping bounce and chord combos of 'Entry Riddim' then providing us with a perfect landing.
Review: This is a truly tasty two-tracker from the Fodder family, who let Slo Worm run riot with both of these originals, exploring a combination of time dance abstraction and dungeon-dwelling bass flavour. We open up our deep dive with a splash into 'When Like', a marvellous title track through a vibrant display of shuffling, metallic percussive stabs and eerie vocal chops, giving us a very tidy introduction indeed. Next, 'Pump' delivers a feisty display of hard hitting drum stutters and more distant percussive presses taking the whole vibe of the EP a little bit more underground, for a much more moody outing. A lovely piece of work indeed. .
Review: Next up from Fodder, Jubley steps up for a tasty display of dancefloor flavour as we take in three spicy new originals. We kick start with the gorgeous arrangements of 'Still In', a super tidy combination of fuzzy drum punches and distant melodic jitters, which all tie together to give us thought-provoking techy originals. Next, 'I'm The One' AKA 'Lilt On Ice' arrives with more cool flavour, pushing together smooth sweeping subs with catchy vocal chops and an unpredictable set of chord arrangements, followed by a perfect finale in 'Snouts In The Sun', which gives us a moody UKG feel, driven by unique percussion and tidy sub designs. Great work!
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