Review: Not content with having risen on the tides of their Sound of Sumo label's success, label bosses Kry Wolf have elected to start a new label in the form of Food Music. Debuting last year with a release from Shadow Child, the pair now take centre stage for the label's second release. Entitled The Flood, the lead track combines sharp tech-house beats with buzzsaw bass and slick vocal samples, all coated in deep strings, while "Workin Hard" takes things up a notch with its crisp flurry of claps and synth bubbles driven along by some peak-time rave piano. "Together" meanwhile combines techno and bass in equal measure with its dark, tunnelling acidic bassline and dubbed out piano chords; it's a stark contrast to Makes No Sense's remix of the track which gives it into a light UKG-inspired rework.
Review: Don't worry, "Dappy" isn't an ode or homage to N-Dubz' ratty frontman. In fact it couldn't be further from Dappy's cheesy UK grime-lite if it tried. Romping away with a resonant warbling bass and unrelenting 4/4 stomp, it's an ultimate buzz cut that doesn't sound too far away from a Dirtybird record. Remix-wise Belgian ghetto-groover Kill Frenzy pitches down the vocal sample and adds much more of a haunted flavour to the groove. Either version is dark enough to send Dappy crying to his dear old mum.
Review: Cymbal-heavy UK garage beats? Check! Sub-bothering bassline? Check! Dreamy, oddly pitched vocal sample? Check! Sweaty, wide-eyed late night vibe? Check! Result: "23" has all the right ingredients to impress bass music heads - and those into Hypercolour-ish deep house/bass music blends. It also comes backed with a couple of notable remixes, with bass veteran Zinc providing his own typically big VIP version. In truth, it's not that much different from the original, though Zinc's build-up extension, additional wobbly noises and bass EQ'ing work bring the most out of the near-anthemic original. Kry Wolf make the most of the original's dreamy samples and beef up the bottom-end wobble on their in-your-face remix.
Review: Despite residing in Adelaide, Australia, producer Motez Obaidi seems to have a firm grasp on what's rocking clubs this side of the world. His sound - bassy, in-your-face, cheeky and undeniably party-friendly - is steeped in UK garage, the bassy deep house of Huxley and the rubbery fluidity of hot-to-trot labels such as Hot Creations. "Ride Roof Back" - in its Club Edit form - is undeniably big, lacing pitched-down hip-hop vocal samples over a big synth bassline, skippy garage beats and gargantuan synth builds. The deeper "Take Off" isn't as instantly impressive, but makes up for that thanks to some killer drops and tasty UK Funky influences.
Review: Having previously impressed with a series of singles on their own Sound of Sumo label, Lewis Darvill and Bill Francis moved to Food Music earlier this year, releasing the Food EP to great acclaim. Here they follow it up with more shuffling, bottom-heavy house. With its pulsating sub-bass, classic US garage beats, choice samples and alien stabs, "Nightmode" is arguably the pick for peaktime plays. That said, the rush-inducing keys, cut-up vocals and cute melodies of "U Like" should also appeal to DJs who like their beats upfront and party-friendly. For those of a ravier persuasion, the Pedestrian remix of "Nightmode" should be an essential purchase.
Review: People often ask, "what are friends for?" Well, in the case of Pete Graham, they're primarily there to make killer bass tunes with. Here we get four such collaborations, which prove that sometimes, two heads are better than one. "Who Dat" sees Graham joined by Marc Spence and Chris Lorenzo for some menacing, broken streetlight UKF material, "Wom" describes the moody wobble of this Lornezo collaboration, Mark Starr arrives to perk things up with the garage-influenced house of "Something In The Water" and "Finding Neverland" sees Thomas Graham add some seriously low boom to this booty bass jam.
Review: When an EP comes with a radio edit and this many remixes, it's fair to say that the label think it has the legs to crossover into the mainstream. Certainly, this latest missive from Dave Spoon under his Shadow Child alias has the potential to be big. Think epic builds, chiming melodies, sparkling house pianos and a big, heavy bassline. Oh, and a bold vocal about the joys of Fridays. Job done. Remix-wise, most attention will be focused on the MK Medicine Dub. Full of his trademark vocal cut-ups and gargantuan pianos, you'll be hearing it everywhere over the next few months. Elsewhere, there's a soaring D&B remix from The Prototypes, a murky, acid house influenced take from Maison Sky, and a couple of solid reworks from Spoon himself.
Review: Lena Cullen was once in a short-lived indie-pop duo with Maya Jane Coles called She is Danger. Now, the singer/producer/multi-instrumentalist is making a go of it as a solo artist, and here delivers her debut single for bass/deep house fusionists Food Music. "Timeless" is quietly impressive, with Cullen layering her own strong, attractive vocals over a bass-heavy groove seemingly heavily influenced by both fluid modern deep house and organ-sporting vintage US garage. A variety of Food regulars step up to provide remixes, with Kry Wolf's pleasingly wobbly and in-your-face 4am Dub just edging out Shadow Child's dreamy, UKG-influenced version in the "top rework" stakes.
Review: Having previously released for Numbers, Saigon Recordings and 877, Belgian combo Goldffinch are past masters at joining the dots between a myriad of bass-heavy dancefloor styles. Here, they pop up on Food Music with a trio of heavily compressed cuts seemingly inspired by the murky middle ground between revivalist garage (US and UK) and woozy European tech-house. Opener "Black Pyramid" is the most striking of the three tracks, with cut-up vocal samples and Belgian rave style stabs riding a sub-bothering bassline. "Erosion" is more fluid, with dreamy vocal hits swirling round dewy-eyed melodies and skippy US garage grooves. Finally, "Feather" is deeper, providing a modern tech-house take on classic US garage.
Review: Annie Mac faves Hannah Wants and Chris Lorenzo have been tipped for big things this year. Certainly, their particular brand of bass-heavy, basement-friendly tech-house is incredibly appealing, with both tracks here impressing. Lead cut "Girls" takes a no-nonsense approach, layering sparse bleep melodies and wonky vocal samples over a hissing, skipping groove and apocalyptic sub-bass. "Breathe" is similarly booming but slightly deeper, with eyes-wide-shut chords and vocal harmonies bouncing over a sturdy groove. Like its predecessor, "Breathe" also features a gargantuan speed garage bassline, which provides a sweaty counterbalance to the dreamy electronics and tactile melodies above.
Review: Amsterdam-based Italian producer Nima "NT89" Tahmasebi has previously impressed with his in-your-face blends of electro and techno, with occasional forays into deeper, tech-tinged territory. Each of these sides of his personality are explored on this three-tracker for Food Music. "Purple Garden" itself is pleasingly fluid, lacing deep trance melodies and Visionquest atmospherics over a touchy-feely tech-house groove. "Subsquent", on the other hand, is bold and brassy, a pulsating, strobelit fusion of heavy analogue bass, incessant drum machine rhythms and warehouse-friendly sound effects. If that's not enough to get the tastebuds tingling, "Nowhere" takes us into deep garage territory, contrasting cut-up vocals and two-step rhythms with quick bursts of 4/4 groovery and wide-eyed deep house breakdowns.
Review: When Belgian producer Kill Frenzy first surfaced back in the late '90s, he made a name for himself as a purveyor or robust, slightly jarring electro-house. He's clearly mellowed with age, because this EP for Food Music is decidedly deep. "Errybody" is warm and woozy, all tactile beats, intoxicating chords and drawn-out builds, while the Shadow Child and Tom Flynn Remix turns it into a wonky, acid-flecked stepper. "I Like It", his collaboration with Sacha Robotti, is deeper and dreamier, with just enough garage influence to excite the Hypercolour heads. It's good, as is B-Ju's sparse, percussive, low end-heavy deep garage re-fix.
Review: Mysterious British trio Makes No Sense offer a glimpse into their wonky, bass-heavy world with a bumping EP on Food Music. "Sling" has a kind of Hypercolour feel to it, all thumping beats, garage hustle, booming bass, delay-laden vocal samples and dreamy, post-Balearic breakdowns. Munnibrotherz remix, building their version around powerful garage grooves, sub-bothering low-end wonk and decidedly quirky vocal manipulation. "Therapy" shows a different side to the trio, all nightmarish vocal samples, spooky breakdowns and saucer-eyed tech-house rhythms. "Group Therapy", on the other hand, blends chunky deep house beats with hip-wigglin' UK Funky attitude.
Review: Mak & Pasteman have been solid staples on London's Food Music, but it is with a heavy heart that we bid farewell to the talented duo. They will be calling it a day to focus on personal projects and what a way to sign off with this jam titled "Tell Ya Something". It's a fierce expression in percolator jack in the vein of classic Green Velvet/Relief Records style. If that was not enough, the legend from NYC Junior Sanchez delivers an extended remix which gets into some infectious disco loop shenanigans that's sure to burn up the dancefloor - much like anything else by the undisputed veteran.
Review: For the next installment on Food Music, Kry Wolf and Shadow Child look to Bunkball Records boss Don Rimini, who serves up some truly boompty and bass driven jams on the Curiosa EP. First up, the Frenchman gets truly obtuse and bouncy on the druggy main room groove of "Sexy Garl", then gets aboard the acid express on the spacey and infectious "That House Music". This is followed by the jitty percolator jack of "Camouflage" reminiscent of early Green Velvet, while the stripped down rhythm trax of "This Is Not A Skeet" call to mind even earlier sounds of Chicago's first wave.
Review: Food Music is back again to follow up last week's terrific Day & Night various artists EP, which featured the likes of No-e, M.A.S.C & Fast Eddie, with another batch of young guns on Night & Day (see what they did there?). Bournemouth's Harry Judda (Dirtybird/Simma Black/Of Unsound Mind) teams up with James Davison on the swingy and bass-driven UK garage influence of "Skittle", Nesky gives you a taste of the acid life on the jacking "Bass Trip", Italian duo M.F.S. Observatory tread a similar 303 driven path on the old school Midwest techno vibe of "Ainno" and another banger comes from Mac & Ward on the peak time warehouse stomp of "Jups".
Kitchen Disco - "House Of Colin" (Shadow Child extended Refix) - (5:30) 128 BPM
AnD_oR - "Prehab" (extended mix) - (6:50) 125 BPM
Review: Following up some great releases by the likes of Posthuman, Queer On Acid & Robert Owens, Food Music now present this terrific various artists EP that brings you the creme de la creme of current house talent. M.A.S.C & Fast Eddie appear with the late '80s commercial dance music energy of "Rise Up", No-e delivers the upbeat tech house thump of "I Don't Care", while label boss Shadow Child serves up an extended refix of Kitchen Disco's "House Of Colin" which goes down an old school techno route complete with jacked vocals. Speaking of which, it's a classic acid house vibe all the way on AnD_oR's 303 driven "Prehab" which closes out a fine package.
Review: Food Music continues its fine form with a heavy-loaded remix release after bomb after bomb from the likes of Coldwater and Fake Blood. The boys get together to remix a collection of tracks from a mixed pool of artists, some new and some who have already featured on the label. This is all within the bass spectrum, of course (although we hate to use that term so loosely), with seven dance-ready cuts in total. If we were to pull the gold then we'd have to lean towards Applebottom's rework of Kry Wolf's own "No Trouble" - a deranged tech-house bruiser with nutty vocal samples - and Fake Blood's remix of Vhyce's "Be The Same", a jazzy and break-ridden house lick. Top.
Review: After revealing each exclusive track over the last month, Kry Wolf finally delivers his DNA collection. A way of showing his own roots and party passions while celebrating his peers and labelmates' finest studio creations, the mix is a great reflection of Wolf, his and Shadow Child's label and its talented roster. Highlights include Shadow Child and Friend Within's WOW-referencing "The Moon", Kry Wolf's percussion-pummelled twist on "Piano Weapon", Geoff K's floor-melting bass shaker "Dysturbed Trumpet" and NYTA's dangerously demonic vocal cut "The Call". Also included is Kry Wolf's mix that joins the dots between the many sonic shades. A great concept backed up by an immaculate collection; DNA is where it's at.
Review: A quarter of a century has passed since the surge in disco-fired funky house from France led to the dancefloor dominance of "French touch" records. This EP from the previously little-known Jac Solaire was clearly inspired by that sound, though there's enough 21st century musical tricks to think of it as an update to the style rather than a tribute. We get three different takes on lead cut 'Volaris': an original mix that blends fresh, saucer-eyed vocals and bright-and-breezy disco instrumentation with a typically thickset French touch groove; a classic, Cassisus style rework from Alex Virgo, and a more heavily cut-up, stab-happy take from No-e that reminded us of DJ Sneak. Bonus cut 'Into The Night', meanwhile, could well end up being this year's 'Music Sounds Better With You'.
Review: Theo Keating, who also makes music under The Wiseguys moniker, appears with his twisted brand of UK deep house under the Fake Blood alias on the excellent Food Music - the label itself being a regular home to some of the best up and coming talent from the Anglian corners. If you wanted house music with a distinct 'bass' edge to it then you've come to the right place, indeed, as tracks like "Music Box" flutter their 4/4 rhythm among amen breaks and right-edged basslines. "Hornets" itself is basically a Metalheadz tune circa 1997 that's been given a dosage of tranquiliser and taken down to house-techno levels.
Review: Here's something of a surprise: an EP of fluid but forceful deep house cuts from Matthew Harvey, previously best known as one half of New Zealand based D&B outfit Concord Dawn. While there are a few nods to his junglist past throughout - think heavy basslines and clear bass music influences - there's otherwise little to suggest this is his first foray into house. There's much to admire, from the bold pianos, dusty vocal cut-ups and shuffling rhythms of "Barrow" and pleasingly dirty "Farlington", to the woozy chords, low-end wobble and skippy percussion of opener "Dirty Organs".
Review: Lewis Darvill and Bill Francis are Kry Wolf, a British duo who have made their pushed their name forwards thanks to an extensive number of EP's on labels such as Sounds Of Sumo, and even an appearance on Claude Von Stroke's Dirtybird. Their latest cuts come courtesy of Food Music, who have been on fire in recent months, and they're nuthin' but a load of house tinted bangers. "Pushing Me" is a peak time monster for summer dancefloors such as Cocorico and Cavo Paradiso, while "The Feels" is bumpier and a touch more stuttering when it comes to its bass, and "Cosmic Vibes" shuts things down with a deep, sweltering low-end and minimalistic percussion slamming.
Review: London's Christian Sibthorpe, known around the UK house circles as A1 Bassline, touches down on Food Music for the first time after a hefty load of EP's on labels such as Dirtybird, Gruuv and Southern Fried, and he appears in the form of a one track gun-slinger in his familiarly dirty and shuffled-out percussive flex. "Odd Soulz" takes its inspiration from different corners of the electronic spectrum, drafting in an electro bassline down below, a techno beat swing, and finishing with a fine layer of Chicago goodness for the soul. A true UK hybrid tune, and a memorable one at that.
Review: Opening track "Orbit" with its menacing breakbeat and dark atmosphere gets things off to a nice start and there's more of the same later with "Reinforced Texture". The uplifting and soulful vibes of "1.200" could appeal to Planet E or Innervisions fans alike. There's also "Odd Soulz" with its razor sharp bassline and soaring synth leads which give way to a killer drop; peak time tech house done well. "Technicality" gets back into the breakbeat swing of things with dub delay aesthetics and a crunchy, junglised amen for good measure. But "Swathe" is the real highlight here; groovy, snarling acid backed by latin percussion on this impressive house jam.
Review: Hot Bristol duo Bill Francis & Lewis Darvill are Kry Wolf. who've released previously on Sounds Of Sumo and Palms Out Sounds. My Nu Leng are another up and cming local duo who have appeared on Black Butter Records and MTA Records. If that wasn't enough, the duos also enlist the vocal talents of one Kiko Bun; an original rudeboy from London. Now you may be hinking there's too many cooks in the kitchen but you'd be sadly mistaken! This pitched down and deconstructed take on modern jungliest sounds is pure fire. Rumbling sub bass, choppy amen breaks combined with Bun's convining dub stylin' vocals are the bomb right here.
Review: From Simma Black to Project Fallout, and now Food Music, Low Steppa is steadily making a name for himself in the bass game, and this new EP from the producer is testament to his skills as a fine beatsmith, and as a laterally-minded crafter of fine, sci-fi beats. "On the One" is a house tune with a distinctive UK edge in its low tones, and the same goes for "Rainy Days" and its old-school garage approach. "Gone Black" is a fine piece of soulful dance music that would make any Chicago producer proud, but it's "My Black T Shirt" that earns our deepest attention thanks to its tightly woven groove, and perfectly executed sonic hook. Crafty and recommended.
Review: Italian electro-pop freaks Crookers are back! They make deep house these days and don't do too badly at it. "Beautiful" features a bossa-jazz flavour over its woozy esoteric beats. "Dub Side 3" is more direct like the name would suggest on this dark and low slung journey track that will appeal to Crosstown Rebels fans. Elsewhere there's a couple more remixes of "Beautiful" which are equally impressive but for our money it's all about Kry Wolf's druggy, party-starting tech house makeover which will get the adrenalin levels peaking with its tough beat, funky bassline and trippy elements all working in harmony.
Review: Shadow Child & Kry Wolf bring you Boxia, the next recruit presenting on Food Music. According to Boxia's bio, he has been around for about a year, "dealing in under the counter tracks to some of the DJ elite". Enough said! First up "Biology" is banging acid house with the most exquisite 303 squelch you'll hear ever, complete with chipmunk vocals and white noise build ups; all the good stuff! Next up, the dark tech house of "Crunch" is a more serious affair featuring a pitch shifted monologue and a sample of Inner City's "Pennies From Heaven" riding on top of a rolling, early morning groove for hedonists. Finally "Progress" pays homage to the original deep house sound of early nineties Chicago featuring warm swirling chords, a swing fuelled beat and cut up female vocals.
Review: Having recently impressed with the booming Low Frequencies EP on Domino Effect, publicity-shy producer Under_Score transfers to bass-house specialists Food Music. In its' original form, "Indigo" is a heady and intoxicating bassline roller, with woozy blues vocal samples and spooky deep house electronics riding a shuffling groove and thunderous sub-bass motif. Walker & Royce push the track further towards straight-up UK garage territory on their Vocal and Dub interpretations, with the latter's darker, tougher intent guaranteeing a stronger dancefloor response. The third and final rework comes from DJ E Clyps, who adds extra garage swing to the beats while introducing a few dreamier deep house elements.
Review: London's Shadow Child presented his top track "Ooh Tune" for his esteemed Food Music imprint earlier in the year and here are the remixes. Rising star Danny Howard has been championed by the label and rest assured he does indeed appear. The Blackpool native gives the track a much needed tough rolling extended mix.
Mak & Pasteman deliver another extended mix, and this one was actually our pick of the bunch: their rendition delivering a totally bangin' acid techno perspective in early '90s fashion. Likewise, Dutch junglist Coco Bryce delivers another nostalgic homage - one for the rollers that had massive respect for the likes of Goldie or Alex Reece back in the day. Finally DJ Octopus from Venice hands in the Heavy Breathing extended mix. This guy has appeared previously on the likes of Hot Haus, Shall Not Fade, Muscle Records and Chiwax - so you know you are in good hands.
Review: Shadowchild's label welcomes Joedan to the fold with this dance floor-friendly release. "Just A Feelin" revolves around detuned riffs, a driving rhythm and some tripped out vocals. It sounds like an update of releases on 90s deep house labels like Cross Section. The title track is more stripped back and takes influences from UK garage, with its crashing snares and relentless off-beat rhythm sounding like a tough, modern take on 2-step. Rounding off the release is "Barca". Once again, it sees Joedan shift approach, with ominous chords building and building over firing hi hats and lone bleeps. It all adds up to one of 2017's most impressive Eps that resides in the house /techno grey area.
Review: "My MPC" is an ode to the one of the key pieces of equipment used to make techno: on the title track's nightmare chord stabs, the MPC is called out by an unknown vocalist, alongside "two turntables and a bunch of records|". As the track reaches a rolling drum climax, there can be no doubt that the MPC has been hugely beneficial to the process. "Tijuana" sees Mak & Pasteman change their focus to concentrate on a shaking, percussive affair that has echoes of Mexican funk. "Velvit" is different again, with the pair combining a house diva vocal with a rolling, stepping techno rhythm
Review: Frenchman Christopher Kah is up next on London's Food Music, following up great ones by Xpansions, Dom Rimini and Mak & Pasteman lately. An alumnus of labels such as International Deejay Gigolo, Planet Rouge and Cr2, Kah certainly has the credentials and he's definitely in fine form on the Call Of Jack EP. From the dub techno infused funky house cut that is the title track, fuelled by that legendary "Can You Feel It" sample, plus the uplifting and euphoric funky house thriller "Sun State" soon follows, and, in addition to this you're treated to a remix of it by label co-chief Shadow Child's Cream Terrace extended remix taking into slinky and hypnotic tech house territory.
Do It Right (Catchment extended remix) - (6:11) 124 BPM
Do It Right (Code 23 Rework) - (4:31) 140 BPM
Review: Deep talks from Horx; a man who's name flashes across the bass spectrum from time to time but vanishes just as quickly. With collaborations with Adam F and label boss Shadow Child over the years, he returns for his first solo outing on Food: "Do It Right" is pure funk hypnosis with a slink-sprung bassline, bouncing cloud-leaping melodies and hypnotising vocal sample. Remix-wise Catchment adds more of a tech-primed push while Code 23 (Shadow Child and S.P.Y of course) get busy on the jungle breaks. Do the right thing.
Review: Zero B's "Lock Up" is the next installment in Shadow Child's 'Curated by' series on Food Music. This one is considered a classic all these years later, and these new mixes are set to take it further than before - so here is a huge remix package featuring the likes of Red Rack'em, Kiwi and more. The groovy breakbeat action of the original is remastered, in addition to a wicked junglist roller perspective by legends 2 Bad Mice, the ever reliable Lady Blaktronika provides some spiritual deep house vibes on her rework and Super Rhythm Trax's Jerome Hill is on form as always with his epic rave reconstruction.
Review: The latest release on Shadow Child's label features the progeny of techno royalty: Dantiez is Kevin 'Reese' Saunderson's son and based on this release, it is clear that a talent for electronic music runs in the family. Teaming up with fellow US producer Mad Villains, he delivers a forward-thinking release. "Philosophy" resounds to tough house beats and repetitive vocal snippets - a continuation of his father's Tronikhouse project perhaps? - as well as searing electronic riffs. On "Insomnia" the pair's focus shifts to tough, bleepy techno, with tonal shifts inspired by LFO, while "More" sounds influenced as much by UK garage as US techno, as skipping beats underpin hypnotic chord builds.
Review: Shadow Child and Kry Wolf's Food Music are on a roll at the moment and their next thriller comes from Sander van den Oever aka Sander Dellariva: a DJ/producer from the Netherlands that is certainly on the rise. Snatch!, Underground Audio and Flashmob LTD are just some of the labels he has released on of late. He delivers a sublime serving of Afro-influenced uplifting house on the fittingly titled "Piano Track". Also featured is the tough rolling main-room bounce of "Can't Take It" and the hard hitting peak time techno of "Acid Pump" with its sick TB-303 flourishes. Dellariva is definitely one to watch moving forward into 2018!
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