Review: Hard to pronounce, even harder to ignore and impossible not to like, Frijsfo continue to delve deeper and deeper into bass-tickled compositions with these four floor-friendly treats. Buzzin10 get sexy with a 4/4 garage cut that lays lush organs over a paranoid backdrop, Sully's "Feel It" takes us right back to the fuzzy two-step soundtrack to the turn of the century, Point B's "Comfort Zone" explores the icy messages of early Metalheadz via a Radioactiveman style bump n' shuffle breakbeat and Warlock closes the show on an awesome Vibert style acid wonk. Beautiful.
Review: It's been a long time between drinks for Kamal Joory, whose last album under his Geiom alias dropped way back in 2007. It's no surprise, then, that Black Screen sees him shift his attention from experimental dubstep and post-dubstep fusions, to a wide-ranging electronic sound that takes him in a multitude of directions. Musically, it's album born out of a love of invention. At times, there's so much going on that it's hard to keep up. That's not a criticism, though; if anything, it makes for much more enjoyable listening. There are skittish IDM rhythms, acid-flecked garage-dubstep fusions, calming ambient interludes, juke-influenced beat science, jazz-step electronica mash-ups and loads more besides. Oh, and electro-calypso. Recommended.