Funk Blasters has been blasting out the funkiest breakbeat and bass since 2011. The label, headed up by French DJ and producer, Morlack, has been pulsing out party-starting power with releases from the likes of: Itchy Bastards, Discobeta, Mako, Mondo Exotica, Mr Bristow, and a mountain of madness from Morlack himself.
Review: Breakbeat is most definitely back on the up this year, and it is primarily down to the sheer consistency of artists such as Morlack who tireless push forward with new projects on such a regular basis. This latest album episode goes by the name of 'Bluff' and encapsulates everything we love about Morlack's sound, from the stunning instrumental sampling and punchy drum work of 'Colibri Shine' to the dipping grooves of 'Sex Me'. For us, the highlights here have to include both the excellent vocal slicing of '2Be In Family', and of course the horn-heavy riffs of the title track 'Bluff'. Excellent stuff from the breakbeat mastermind!
Review: Re-edit maestro Morlack went AWOL for a while, with reported sightings of him partying with Trotter in as far away locations as Brazilian jungles coming in thick and fast. Well wherever he disappeared to this producer is back and he's brandishing a new album to boot! Beautiful Mistakes features 13 new jams, all of which are guaranteed to get you moving in one direction or other. Highlights include the lively jump up Egyptian DnB of "Belly Pyramid", the smooth 80s soul grind of the title track and the glistening electro-funk grooves of "Nightlife". Back in business!
Review: Every now and then the outre space-glam '80s outfits in Morlack's wardrobe start to beckon and before you know it he's rustled up another fine collection dedicated to his love of Go-Go, the cult proto hip-hop sound that emanated from Washington DC. If you're unfamiliar with this style, you can look to the Fresh Prince theme to get an idea (albeit a watered down version). For the real deal though check out the 13 raw cuts here that boast those signature rolling electro drums, funk samples and carefully layered acapelllas from the likes of King Tee and Chuck Brown.
Review: We all know his name. And by now we should all know what he sounds like, too... Morlack has been blazing the nu funk, bass and bootleg scene with creativity and stacks of long players for a good half decade now. This latest set comprises 14 of his genre-melting dancefloor devices; from the Kravitz dancehall facelift "Boss Like Me" to the slap-bass strutting, percussion heavy 80s rap homages "For The Brothers In The Ghetto" and "Problems Generator" each cut is primed for unashamed party fun. Elsewhere there's a 90s ghetto twist on the Tower Of Power-twisting "Movin' On The Dumb Stuff" while another highlight "Back It On" sees Beenie Man getting the funkiest version of his illustrious life. Not a dull moment throughout, Morlack keeps killing it. Get to know.
Review: Morlack comes correct once again with a 27-track collection of total funk blasts. Naughty booties, reversions and mash-ups galore, the eclectic vibe ranges from skippy hair-swishing party rock ("Funky Woman") to cheeky Ting Tings reversions ("Hang It Up") via crazy blends of Zeppelin, Black Box and Outkast ("Ride On A Whole Lotta Love"). Elsewhere we hit gems like the big disco string B.M.W sucker punch "Get A Lil Stupid" and Bowie-busting block party slammer "Triple Fame". Morlack's repertoire was already bulging before this - now it's just ridiculous. Easily one of the best masters of the illicit art of mashery.
Review: Morlack's a dark horse! Having emerged in the last 18 months with a selection of ace floor-shattering singles on Breakbeat Paradise, Big M and Funk Blasters, he's not so once as hinted at a full-length album. Yet here it is; and it sounds as if it's been in our collections forever. Operating with a slithering, low-swung vibe there's heavy emphasis on bold hip-hop breaks, sopping wet basslines and well crafted hip-hop vocals from the likes of ODB, Bootsy Collins, Public Enemy and many many more. As the album progresses we shimmy from cheeky b-boy to raw funk ("Bizz") to 80s electro boogie pop ("Yabba Bridge") to decadent synth-driven proto-house ("I'm Too Sexy"). From mischievous funk flinger to full album artist, Morlack's taking names right now.
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