Funk Blasters has been blasting out the funkiest breakbeat and bass since 2011. The label, headed up by French DJ and producer, Morlack, has been pulsing out party-starting power with releases from the likes of: Itchy Bastards, Discobeta, Mako, Mondo Exotica, Mr Bristow, and a mountain of madness from Morlack himself.
Review: If you're looking for some proper dirty, lowdown funk vibes, you won't do much better this week than this four-tracker from French producer Morlack, which indeed makes its intentions clear from the outset thanks to the rather rude spoken female vocal that kicks off 'Boogaloo 22'. Once that's out of the way, you're in for 20 minutes of sleazy, grinding beats, low-slung basslines and James Brown-esque vocal shouts that should satisfy even the most pernickety of funkateers, helped along in the case of 'Need A Help 22' by some cheeky AWB nods. The exception to the rule is 'Poopoo Lala', which has an 80s electrofunk/boogie feel and comes topped with the vocal from Jocelyn Brown's 'Ego Maniac'. Good stuff!
Review: Parisian Morlack is back with the fifth edition in his Cheeky Edits series on Funk Blasters. A classic funk anthem gets a resplice on the charmingly titled "Take Ur Dead Ass Home", getting balearic on the low-slung "Bamboo Vendor", then going down a neon-lit '80s sounding route on "Turn Up L." while doing what it says on the tin on "Getting Deeeep" which gets down Cameo style (and super sleazy) then going for a funky disco house groove on "Don't Letting Go".
Review: A legend of the breakbeat, sample disco, balearic and disco scene is one Morlack who turns in a huge EP of rock, R&B and pop sounds to touches of ragga, big band and San Francisco inspirations! Full of whooshing whites noise and sweet filter modulation, "GetOff" explodes with a hype NYC vibe next to the Faith No More antics of "Epic Enough". "My Spin Is Ur Drama" takes the EP down a more chilled, balearic and R&B inspired path - with a rap-laced vocal section - alongside "Spirit Of The Skurred" which is the clearcut breakbeat diamond of this latest Funk Blaster.
Review: Breakbeat is most definitely back on the up this year, and it is primarily down to the sheer consistency of artists such as Morlack who tireless push forward with new projects on such a regular basis. This latest album episode goes by the name of 'Bluff' and encapsulates everything we love about Morlack's sound, from the stunning instrumental sampling and punchy drum work of 'Colibri Shine' to the dipping grooves of 'Sex Me'. For us, the highlights here have to include both the excellent vocal slicing of '2Be In Family', and of course the horn-heavy riffs of the title track 'Bluff'. Excellent stuff from the breakbeat mastermind!
Review: Funk Blasters are back and this time alongside the king of cuts himself; Morlack, who arrives on the scene with a fresh bag of magic as he unveils the second volume of his 'Cheeky Edits' series. We begin with the shuffling disco beats of 'Cruncked House', before moving into the soul grooves and expressive riffs of 'Feel It'. To follow; 'Smthing Special', another futuristic soul slice, leading into the darkened hip hop drumwork of 'A Toke'. The project then rounds off nicely with 'Knee Dip', a funkadelic blend of crunchy rhythms, precise vocal slices and moogy bass leads, packed with flavour and energy.
Review: Last year's Nasty Boogie LP by Mondo Exotica introduced us to this new kid on the electro-swing block. Now Funk Blasters have commissioned remixes of a selection of album tracks. This EP features four reworks, kicking off with Morlack's rejig of "Pussy Caravan", in which he turns in a solid, beefed-up party breaks jam. Elsewhere Kalletti Klub adds a pulsating tech-house edge to the big band joint "Make Them Dance" and Johnny Lectro turns "Stereophonic Swing" into a bizarre hybrid of clownish melodies and minimal house. Lastly Morlack returns for the moody electro-soul of his "Yellow Ribbon" remix.
Review: What do we have here then? Well Morlack's decided to compile the perfect (digital) stocking filler here, with the 33 tracks bumper compilation Essential Blasters on his mighty Funk Blasters label. Essentially we get many tracks from a small pool of artists, but that's cool because it's literally chocker with party anthems, all perfect for the festive season. Highlights include the brassy, go-go stomp of Morlack's "Put It Out", the raw breaky funk of "Lemme Talk" by Itchy Bastards and the 4/4 rockabilly swagger of "Elephant Boogie" by Mondo Exotica.
Review: Famed for their Stank Soul Edits vinyl series, Mako & Mr Bristo return on Funk Blasters with the mightily titled, Electric Bongo Disco. The name captures the vibes on here pretty well - four vintage cuts loved for their breaks gently souped up for modern dance floors. Opener is "Sugar Hill Bongos", which lovingly updates a Sugarhill Gang classic. Elsewhere "Hype Fresh Mine" is poppy disco meets hip house, "Refried Beans" is a sweet vintage B-boy gem and "Electric Ruffneck" really goes there, sampling Edie Grant and somehow making it actually sound cool! Now that's talent.
Review: We all know his name. And by now we should all know what he sounds like, too... Morlack has been blazing the nu funk, bass and bootleg scene with creativity and stacks of long players for a good half decade now. This latest set comprises 14 of his genre-melting dancefloor devices; from the Kravitz dancehall facelift "Boss Like Me" to the slap-bass strutting, percussion heavy 80s rap homages "For The Brothers In The Ghetto" and "Problems Generator" each cut is primed for unashamed party fun. Elsewhere there's a 90s ghetto twist on the Tower Of Power-twisting "Movin' On The Dumb Stuff" while another highlight "Back It On" sees Beenie Man getting the funkiest version of his illustrious life. Not a dull moment throughout, Morlack keeps killing it. Get to know.
Review: Morlack assembles yet another distinguished troupe for his latest label collection. All exclusives, all funky, all guaranteed to smash your party's trousers to pieces, highlights include the Parliament-level squidgy funk on DJ Clairvo's "I Like To Like It", DiscObeta's disco-flexing fix of Redman on "Get It On", Mako & Mr Bristow's super nerdy homage of criminally overlooked hip-hop classics "Re-Freshed Rhymes" and Itchy Bastards' guitar-slapping glitch space disco breaker "Let Yourself Go". Morlack has the honour of closing the show, and he does so with a euphoric twist on an A-Ha classic. Incredible stuff, it needs to be heard to be believed.
Review: Morlack comes correct once again with a 27-track collection of total funk blasts. Naughty booties, reversions and mash-ups galore, the eclectic vibe ranges from skippy hair-swishing party rock ("Funky Woman") to cheeky Ting Tings reversions ("Hang It Up") via crazy blends of Zeppelin, Black Box and Outkast ("Ride On A Whole Lotta Love"). Elsewhere we hit gems like the big disco string B.M.W sucker punch "Get A Lil Stupid" and Bowie-busting block party slammer "Triple Fame". Morlack's repertoire was already bulging before this - now it's just ridiculous. Easily one of the best masters of the illicit art of mashery.
Review: Morlack's a dark horse! Having emerged in the last 18 months with a selection of ace floor-shattering singles on Breakbeat Paradise, Big M and Funk Blasters, he's not so once as hinted at a full-length album. Yet here it is; and it sounds as if it's been in our collections forever. Operating with a slithering, low-swung vibe there's heavy emphasis on bold hip-hop breaks, sopping wet basslines and well crafted hip-hop vocals from the likes of ODB, Bootsy Collins, Public Enemy and many many more. As the album progresses we shimmy from cheeky b-boy to raw funk ("Bizz") to 80s electro boogie pop ("Yabba Bridge") to decadent synth-driven proto-house ("I'm Too Sexy"). From mischievous funk flinger to full album artist, Morlack's taking names right now.
Review: French funkateer Morlack gets lively with an EP that belies its unforgiving title... Far from sounding cruel, each of the five cuts on here resonate with a sprightly, positive glow. The big problem is where to start: do you kick off your party with the slap-bass naughtiness and party chant of "It's Hot"? Or you go straight for the jugular with the rampant "Do It To Me"? Alternatively you could press the 'carnival' button and get freaky with the heaving horns of "Mamboteca". How about throwing the party into delightful disarray with the Cypress Hill/Bootsy booty "Refugee Camp"? Or, for your final option, causing a mosh pit with the Busta-front electro-techno-rock clash "Tical"? It's all about the options, of which Morlack gives you plenty. Cruel? Too generous more like!
Review: Nu-funk breaks label Funk Blasters drop four new gems from the Itchy Bastards on this new EP - led by the chunky P-funk of "Funk Iz Us" and backed nicely by the old-school rap of "Movin' Machine" and the more disco-paced, brass-flecked "Hang On".
Review: French breaks-bass producer and remixer Morlack has made a name for himself with some cheeky edits and sub-punishing originals over the last few years, but "Where Do U Get Ur Funk From" is his first full-length foray for the Funk Blasters label and it's a gem from start to finish. A mix of straight up raw JB funk (as on "Put It Out") to heavyweight nu-funk breaks ("Soul Train Line"), Morlack lends his hand to all manner of styles and keeps things buzzing and distinctly party-flavoured over the LP's thirteen tracks.
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