Review: Marz and Paul's Discobeta project returns after almost a year's silence with another firing collection of premium party jams. We ignite with straight-up party hit "Who Da Phunk?" before diving deep into "Good Foot", a barbed electro/funk hybrid where the hook screams mid-'00s while the bass and guitar scream mid-'70s. "Come Correct" is a heady rewind to the acid house halcyon era with more samples than a generous delicatessen. Speaking of generous, Funk Blasters have also thrown in an instrumental of "Who Da Punk?" for good measure. Bouncy.
Review: Scotty Marz and Erin Paul's Discobeta project hits party pay-dirt with this spotless four-track sample session. There's a slick rock vibe running through "Up & Coming" as we experience swashbuckling organic breakbeats and even bolder guitar riffs before we head deep into a groaning bass session on "NasT Anthem". Further on "Worthwhile" flips the flavour with a glitchy-disco lick complete with a mild peppering from Jay-Z while "Yo Hit It" gets busy on the classic funk tip, all horns, salubrious slap bass and sopping wet wah-wah guitars, it's the perfect way to end an accomplished EP.
Review: Serious party vibes abound as El Salvadorian Itchy Bastards add three new funk nuggets to their armoury. "Make Money" takes Busta to trumpet school, "Lemme Talk" looks to Clinton for some world dominance (George, not Bill) and "Roundacorna" is a deeper, jacking affair with a lolloping slap-bass riff and some lovely organ and wukka-wukka guitar twangs on the main hook.
Review: Nu-funk breaks label Funk Blasters drop four new gems from the Itchy Bastards on this new EP - led by the chunky P-funk of "Funk Iz Us" and backed nicely by the old-school rap of "Movin' Machine" and the more disco-paced, brass-flecked "Hang On".
Review: Premium beat dealers Itchy Bastards lay the smack down once again with three instantly engaging party blasters. "Another State Of Mind" rolls heavily with a cheeky Van Halen reference and an overall anthemic vibe. "Lovers Rock", meanwhile, takes a very well-known Kathy Brown vocal and subverts her with dark panache. Finally "Ground Control" shows a heavier side to the Itchy fellows as we flip from half tempo to slick, spacey drum & bass. Complete with big synth flavours and a great sense of drama, it's the perfect way to conclude a highly accomplished EP.
Review: It's 80s time! Eat your Filofaxes. Buy low. Sell high. Have rubbish hair! Or... Just get your funky selves down on this retro-funky four piece. Spanish soundclowns Itchy Bastards give EU's "Doing Da Butt" a raw rub, ensuring not to take any of its authentic timely class. Morlack, meanwhile, takes what sounds like a Paula Abdul snippet and blends it with every shade of block party on "Give It Here" and gets cosmic with on well known vocal from "Let No Man Put Asunder" on "Monie 2009". Finally Itchy Bastards finish the show with some lovely glockenspiel action. Naturally.
Review: Famed for their Stank Soul Edits vinyl series, Mako & Mr Bristo return on Funk Blasters with the mightily titled, Electric Bongo Disco. The name captures the vibes on here pretty well - four vintage cuts loved for their breaks gently souped up for modern dance floors. Opener is "Sugar Hill Bongos", which lovingly updates a Sugarhill Gang classic. Elsewhere "Hype Fresh Mine" is poppy disco meets hip house, "Refried Beans" is a sweet vintage B-boy gem and "Electric Ruffneck" really goes there, sampling Edie Grant and somehow making it actually sound cool! Now that's talent.
Review: Here we have a shared EP showdown between 'seasoned ghetto-funk priest', Morlack, and the self-proclaimed 'deadly mash-up monks' Mako & The Hawk. Mash-ups are indeed the dish of the day, with the former delivering some cleverly tweaked 80s boogie "Big Flow" and slick vintage funk "Heaven's Posse". The latter act are on a different tip though, with Radio Clash given a hip-hop makeover in "Doug Clash" and a lazy rap meets reggae uptown in "Lighters On The Corner".
Review: Last year's Nasty Boogie LP by Mondo Exotica introduced us to this new kid on the electro-swing block. Now Funk Blasters have commissioned remixes of a selection of album tracks. This EP features four reworks, kicking off with Morlack's rejig of "Pussy Caravan", in which he turns in a solid, beefed-up party breaks jam. Elsewhere Kalletti Klub adds a pulsating tech-house edge to the big band joint "Make Them Dance" and Johnny Lectro turns "Stereophonic Swing" into a bizarre hybrid of clownish melodies and minimal house. Lastly Morlack returns for the moody electro-soul of his "Yellow Ribbon" remix.
Review: Morlack comes correct once again with a 27-track collection of total funk blasts. Naughty booties, reversions and mash-ups galore, the eclectic vibe ranges from skippy hair-swishing party rock ("Funky Woman") to cheeky Ting Tings reversions ("Hang It Up") via crazy blends of Zeppelin, Black Box and Outkast ("Ride On A Whole Lotta Love"). Elsewhere we hit gems like the big disco string B.M.W sucker punch "Get A Lil Stupid" and Bowie-busting block party slammer "Triple Fame". Morlack's repertoire was already bulging before this - now it's just ridiculous. Easily one of the best masters of the illicit art of mashery.
Review: French funkateer Morlack gets lively with an EP that belies its unforgiving title... Far from sounding cruel, each of the five cuts on here resonate with a sprightly, positive glow. The big problem is where to start: do you kick off your party with the slap-bass naughtiness and party chant of "It's Hot"? Or you go straight for the jugular with the rampant "Do It To Me"? Alternatively you could press the 'carnival' button and get freaky with the heaving horns of "Mamboteca". How about throwing the party into delightful disarray with the Cypress Hill/Bootsy booty "Refugee Camp"? Or, for your final option, causing a mosh pit with the Busta-front electro-techno-rock clash "Tical"? It's all about the options, of which Morlack gives you plenty. Cruel? Too generous more like!
Review: Following up his original "Good To Go-Go" volume late last year, French funk shuffler Morlack unleashes his ghetto ghouls with this super heavyweight five pack. Both "Say Nope 2Dope" and "Wickedest Band Alive" swagger with block-rocking boogie funk flavour, referencing the likes of Rare Essence and Sugar Hill. Elsewhere we're seduced by Prince-level synth flashes on "Go-Go Queen", we're massaged by '80s synths on "Take Some Bitches" and get all p-funk on "You Know What's Up". Consistently heavy and utterly funky, Morlack's funk message is loud and clear right now.
Review: Every now and then the outre space-glam '80s outfits in Morlack's wardrobe start to beckon and before you know it he's rustled up another fine collection dedicated to his love of Go-Go, the cult proto hip-hop sound that emanated from Washington DC. If you're unfamiliar with this style, you can look to the Fresh Prince theme to get an idea (albeit a watered down version). For the real deal though check out the 13 raw cuts here that boast those signature rolling electro drums, funk samples and carefully layered acapelllas from the likes of King Tee and Chuck Brown.
Review: French breaks-bass producer and remixer Morlack has made a name for himself with some cheeky edits and sub-punishing originals over the last few years, but "Where Do U Get Ur Funk From" is his first full-length foray for the Funk Blasters label and it's a gem from start to finish. A mix of straight up raw JB funk (as on "Put It Out") to heavyweight nu-funk breaks ("Soul Train Line"), Morlack lends his hand to all manner of styles and keeps things buzzing and distinctly party-flavoured over the LP's thirteen tracks.
Review: Well, it's most certainly hit the time to get funky as we take a stroll through this high energy collection of breakbeat chops from Morlack, who lands on the Funk Blasters imprint with fantastic results. We are treated to some absolute sauce buckets on this one, from the irresistible melodic grooves of 'U R The Rap Machine' to the old school vocal sampling of 'Family Anime' and gritty bass work on 'Movin' Alright'.Following this, the high energy bassline movements and hard hitting drums of 'Get Down' certainly strike a chord, with the EP rounding off well on the smooth vocal lines of 'Crazy Wig'.
Review: Breakbeat is most definitely back on the up this year, and it is primarily down to the sheer consistency of artists such as Morlack who tireless push forward with new projects on such a regular basis. This latest album episode goes by the name of 'Bluff' and encapsulates everything we love about Morlack's sound, from the stunning instrumental sampling and punchy drum work of 'Colibri Shine' to the dipping grooves of 'Sex Me'. For us, the highlights here have to include both the excellent vocal slicing of '2Be In Family', and of course the horn-heavy riffs of the title track 'Bluff'. Excellent stuff from the breakbeat mastermind!
Review: Re-edit maestro Morlack went AWOL for a while, with reported sightings of him partying with Trotter in as far away locations as Brazilian jungles coming in thick and fast. Well wherever he disappeared to this producer is back and he's brandishing a new album to boot! Beautiful Mistakes features 13 new jams, all of which are guaranteed to get you moving in one direction or other. Highlights include the lively jump up Egyptian DnB of "Belly Pyramid", the smooth 80s soul grind of the title track and the glistening electro-funk grooves of "Nightlife". Back in business!
Review: We all know his name. And by now we should all know what he sounds like, too... Morlack has been blazing the nu funk, bass and bootleg scene with creativity and stacks of long players for a good half decade now. This latest set comprises 14 of his genre-melting dancefloor devices; from the Kravitz dancehall facelift "Boss Like Me" to the slap-bass strutting, percussion heavy 80s rap homages "For The Brothers In The Ghetto" and "Problems Generator" each cut is primed for unashamed party fun. Elsewhere there's a 90s ghetto twist on the Tower Of Power-twisting "Movin' On The Dumb Stuff" while another highlight "Back It On" sees Beenie Man getting the funkiest version of his illustrious life. Not a dull moment throughout, Morlack keeps killing it. Get to know.
Review: Go-Go was a strain of US hip-hop that hit peak popularity in the mid to late 80s...unless you are re-edit hero Morlack who has never let go (go). Good To Go-Go Vol IV features seven of the kind of tunes that saw the style quickly evolve into themes for TV shows like Fresh Prince Of Bel Air and The Cosby Show (season eight FYI). Highlights include the quirky funk of the cruel-to-be-kind "Wind It On Ugly", the raw throated Busta Rhymes bounce of "Love 2 Fire" and the DX synth bass twangs of smooth soul jam, "She's A Bad Girl".
Review: As one of the leading Parisian future breakbeat masters, Morlack makes a return to Funk Blasters for a super groovy four track project by the name of 'Good To Go Go Vol. 5'. Right from the off we are greeted with super crunchy drum patterns on 'Woody's Groove' and 'Go Go Bart', both of which combine these arrangements with very catchy funk riffs. On 'Got My Eyes On You' the funk levels increase as smooth vocal samples roll into play alongside vibrant bass melodies. With 'Hey Buddy' we are thrown a super curveball as we delve into more latin rhythms and carnival themes before we finish the EP nicely with the crafty yet soulful design on 'Let Me See You Go Go'.
Review: It's been a very exciting 2019 for Morlack, who continues his run of top quality releases by teaming up here with the ever-ready Funk Blasters team for the third edition of 'Cheeky Edits'. We kick off with the classy sample work and pulsating drum pressure of 'Rumba', before moving into the spaced out percussive structures of 'Momie' and latin-inspired arrangements of 'El Ray'. Next, 'Masta Rocka' arrives with a real punchy drumline, before the the almost 80's sounding compositional layout of 'Da Bird' rounds us off with a bang.
Review: Morlack's a dark horse! Having emerged in the last 18 months with a selection of ace floor-shattering singles on Breakbeat Paradise, Big M and Funk Blasters, he's not so once as hinted at a full-length album. Yet here it is; and it sounds as if it's been in our collections forever. Operating with a slithering, low-swung vibe there's heavy emphasis on bold hip-hop breaks, sopping wet basslines and well crafted hip-hop vocals from the likes of ODB, Bootsy Collins, Public Enemy and many many more. As the album progresses we shimmy from cheeky b-boy to raw funk ("Bizz") to 80s electro boogie pop ("Yabba Bridge") to decadent synth-driven proto-house ("I'm Too Sexy"). From mischievous funk flinger to full album artist, Morlack's taking names right now.
Review: Just like his previous EP a few months back on Breakbeat Paradise, Morlack ticks every single party box possible across five tracks here. Kicking off with his darkest moment to date, "Ghetto Messiah" is a vicious Bassnectar flavoured rub of Fugee's "Rumble In The Jungle. Meanwhile "Get Twisted" flips the switch completely with a fair tale nu-funk jam that utilises DMX's "X Gonna Give It To Ya" to a booty-shaking excess. Elsewhere we find Big Daddy Kane going disco ("Dogzone V3") and Nas, Kanye and KRS-One getting lively on a the fattest p-funk groove this side of the Weight Watchers clinic ("Get A Lil' Stupid").
Review: Within the world of breakbeat, there are few names held in such high regard as Morlack, who continues his incredibly consistent run this time around with a five track package on Funk Blasters, that being the fourth edition of his 'Cheeky Edits' series. We begin with the 80's inspired drum smashes and stripped back vocal sampling on 'Breakin', followed by groovy bass guitar licks of 'Telepathy' and pulsating retro synth work of 'Ur Life'. The quality levels remain incredibly high throughout as we then take in 'Da Bomb', a disco-ready roller decorated with glistening guitar riffs and a well sampled chorus block, before the brick wall drum smashes of 'Funky Stuff' see us out in style. Excellent work.
Review: Although it's fair to assume that every new release from party-orientated producer Morlack will mine the 1980s for inspiration, it's harder to guess which genre he'll focus on. This latest EP actually has more of a contemporary feel, but still doffs a hat to his beloved vintage boogie. "All I Wanna Do Is Funk With You" sounds like The Commodores if they had gone hip-house, "Anytime" features a raw and nasty arpeggiated bassline that's straight from Patrick Cowley's back catalogue, but with added go-go beats, and the title track is elasticated cocktail disco at its finest.
Review: Funk Blasters are back and this time alongside the king of cuts himself; Morlack, who arrives on the scene with a fresh bag of magic as he unveils the second volume of his 'Cheeky Edits' series. We begin with the shuffling disco beats of 'Cruncked House', before moving into the soul grooves and expressive riffs of 'Feel It'. To follow; 'Smthing Special', another futuristic soul slice, leading into the darkened hip hop drumwork of 'A Toke'. The project then rounds off nicely with 'Knee Dip', a funkadelic blend of crunchy rhythms, precise vocal slices and moogy bass leads, packed with flavour and energy.
Review: It's a great time for breakbeat in general, with new heavyweight releases dropping every week, thanks primarily to the consistency of top labels such as Funk Blasters. They here welcome sounds of fan favourite Morlack across four wicked originals, beginning with the spooky themes and grizzly synth rolls of 'Candy Skank'. Next, 'Lorins Dance', in which we hear choppy vocal slaps forged together with smooth jazzy saxophone lines before 'Rhythm 20' lets a funkadelic bassline run riot. Finally, the euphoric harmonic structures of 'Same Feeling' work as an excellent sign out for a top quality body of work.
Review: With the breakbeat movement growing stronger and stronger each week, it's quite incredible to see just how consistent Morlack's release schedule has been over the last few years, with a new project dropping seemingly at least once a month, this time on Funk Blasters. We are treated to four powerful originals, kicking off with sizzling horn lines and crunchy drum smacks of 'Robin Practise', alongside the chiming melodic lines and percussive rhythms of 'Jamaica Girls'. Next, the project takes a more violent turn with the powerful electric lines of 'Sardines' and the funk-infused approach of 'Kinda Hectic', signing this one out with a bang!
Review: It's time to drive ourselves into a new wave of breakbeat and funk-inspired goodness, as we here welcome Mr Bristow and Benny Silver across four potent originals, courtesy of the Funk Blasters imprint. We kick off with the inspired lyricism and booming drum slaps of 'Should Have Said', followed by the warbling bass tonality of 'Good Morning' and more melodic vocal expressions of 'Prove Richard Wrong'. Finally, 'Stupid' rounds the project off in style with a more laid back compositional approach.
Review: Morlack assembles yet another distinguished troupe for his latest label collection. All exclusives, all funky, all guaranteed to smash your party's trousers to pieces, highlights include the Parliament-level squidgy funk on DJ Clairvo's "I Like To Like It", DiscObeta's disco-flexing fix of Redman on "Get It On", Mako & Mr Bristow's super nerdy homage of criminally overlooked hip-hop classics "Re-Freshed Rhymes" and Itchy Bastards' guitar-slapping glitch space disco breaker "Let Yourself Go". Morlack has the honour of closing the show, and he does so with a euphoric twist on an A-Ha classic. Incredible stuff, it needs to be heard to be believed.
Review: What do we have here then? Well Morlack's decided to compile the perfect (digital) stocking filler here, with the 33 tracks bumper compilation Essential Blasters on his mighty Funk Blasters label. Essentially we get many tracks from a small pool of artists, but that's cool because it's literally chocker with party anthems, all perfect for the festive season. Highlights include the brassy, go-go stomp of Morlack's "Put It Out", the raw breaky funk of "Lemme Talk" by Itchy Bastards and the 4/4 rockabilly swagger of "Elephant Boogie" by Mondo Exotica.