Aldo Romano, Louis Sclavis & Henri Texier - "Soweto Sorrow" (live At Jazz A Vienne, 2000) - (4:01) 99 BPM
La Banda De Santiago De Cuba - "Chan Chan" (live At Jazz A Vienne, 2003) - (4:05) 94 BPM
Emile Londonien - "Strength" - (4:35) 94 BPM
Review: The Jazz A Vienne festival has been drawing jazz lovers to southeastern France every year since 1981, and now they mark their Covid-delayed 40th anniversary with a 14-track compilation featuring a blend of brand new material and classic live recordings from the festival itself - "hard bop, pure jazz classicism and hip-hop urgency united in a single breath," is how they put it. It's one of the vintage nuggets - The Milt Jackson & Hank Jones All-Star Quartet's 1997 recording of 'Delilah' - that provides the album's standout cut for yours truly, but with the likes of Lalo Schiffrin and Gilberto Gil nestling up alongside a host of younger artists, jazzbos of a more tradtional (but definitely not 'trad') mindset will find much to enjoy here.
Review: For a slice of Heavenly Sweetness from arguably the best alt-contemporary jazz and spiritual label out there, may we reintroduce the sounds of four piece Laurent Bardainne & Tigre D'eau Douce! Having debuted last year with the four track Marvin EP, the group goes large with the Love Is Everywhere album taking in the freshest sounds of brass horns, percussion and free-lacin' cool jazz with all matter of rhodes, cowbells, drums and funkadelic basslines. For subtle disco vibrations look to "Bachibouzouk" alongside freer jazz compositions like "Cabane" and "Apaches". Recorded at ICP studios in Brussels the ensemble looks to ragtime in "Kinshasa" while keeping it mellow and subdued in "Everlasting Child" and spy movie themed in "Song Dong Hee".
Review: Laurent Bardainne is a French saxophonist who's played in the bands Poni Hoax, Limousine and Lost. Last year his new combo Tigre D'Eau Douce made their debut at a European jazz festival, and how here are the first recorded fruits of their labours. Deep funk meets smooth jazz would be the overall idea, with Bardainne's sax naturally taking centre stage. Jazzbos should head for 'Aot' and 'Marvin' itself, 'Porsche 944' is the pick for the funkateers, while the Vibe Drops Remix of the latter caters for the b-boys and b-girls with an added rap vocal.
Review: Where to start with this one? On their first album proper (not counting a collaborative effort with Simone Mazzer in 2017), French duo Cotonete push jazz-fusion in directions that would have progenitors like Stanley Clarke, Weather Report or Morrissey-Mullen shaking their heads in wonder. With tracks ranging from the languid melancholy of 'Layla' and 'Super-Vilain' to the scorching jazz-funk of 'Last Drink', and from the more traditional jazz stylings of 'Escola Frances Dos Tubaroes' to the Afro-inspired 'Guarani Kaiowa', Super-Vilains is just dripping in invention and musicianship, and likely to find fans right across the jazz community.
Review: It would be fair to say that Anthony Joseph is an artist of many talents. Over the years he's collaborated with a multitude of top-notch musicians and producers, performed some breathtakingly good poetry and written some damn fine books. "People of the Sun", his latest album, is another triumph. Inspired by Port of Spain's legendary annual carnival, the set sees Joseph wrap his own politically charged spoken word vocals around some joyously positive music bristling with Caribbean musical references. There are naturally nods towards calypso and soca, not to mention plenty of typically tropical instrumental flourishes (steel drums, pedal steel, chiming metallic percussion), though the influence of soul, jazz-funk and, most notably, contemporary jazz is arguably much stronger. Either way, it's a terrific
Review: Happy birthday Heavenly Sweetness! 10 years deep into their explorations, excavations and curations, French label Heavenly Sweetness look back over the decade and hand pick some of their favourite moments. With such a fine ear for timelessness and vibe, the whole collection runs with a soul and spiritual fluidity as one cohesive body of work; from the incredible-yet-so-gradual momentum of Chickenwing All Stars "Celestial Blues" to touching homages to the one and only Coltrane from both Patchworks and Byard Lancaster via slick spacebound feminist hip-hop from Sly Johnson and a stacks more, this is the type of collection you can lose entire weeks of your life to. Here's to another 10 years.
Raphael Toine - "Femmes Pays Douces" - (5:48) 92 BPM
Review: The earlier editions of the Beach Diggin' series were released in the depths of winter, but this new fifth instalment continues to buck the trend by appearing at the height of summer. Ibiza veterans Mambo & Guts are once again at the helm, providing us with 13 more 'perfect soundtracks for a lazy day at the beach' (there's also a 40 min mix too!). Highlights include the squelchy electronic funk of Raphael Toine's "Femmes Pays Douces", the sleek Italo-disco/Balearica of Andre-Marie Tala's "Sweet Dole" and the Rebles' impossibly tropical soca cover of Sade's "Sweetest Taboo".
Review: Here's yet another rare '80s compilation with even more deep cuts than the last. Where do they find them all? Heavenly Sweetness clearly know but they ain't telling! They are showing though, and here on Digital Zandoli they reveal 12 newly discovered disco, boogie and zouk tracks recorded about 30 years ago in the West Indies. We're clearly spoilt for choice on this record, but highlights include the synthetic sea breeze grooves of Puzzle Pulsion's "Mwoin Ka Songe", the mellow Afro grooves of Zanman's "Poutchi" and the abstract body music via a sandy beach vibes of OR EA's "Biguine Inferno".
Review: Since making his debut in the mid noughties - some 15 years after he began making beats -Ibiza-based Guts has developed his sound somewhat. Where his early releases doffed a cap to classic trip-hop and downtempo grooves, recent outings have effortlessly joined the dots between live funk, golden era hip-hop and modern soul, with some notable jazz and Latin American influences thrown in. Eternal, his latest full-length, continues this approach, throwing in additional nods to P-funk (the superb "Give You Up"), nu-jazz ("Incomplete"), and Afrobeat ("Dance, Love & Die"). With a string of guest musicians, singers and rappers lending a hand, Eternal is a vibrant, thrill-a-minute album that shows off the full range of Guts' finely honed skills.
Review: Following releases on Brownswood and Do Right!, Leron Thomas has finally been given the opportunity to deliver his own long player courtesy of Heavenly Sweetness. It's an accomplished debut too, boasting 12 cuts of leftfield soul and funk. Highlights include the jazzy, space age dubber "Role Play", the low slung, live roller "Victorian Walls" and the punk-jazz fuzzbomb "Asako". Interesting stuff!
Review: Despite being presented as the perfect soundtrack for a lazy day at the beach, both previous installments of Beach Diggin' were released in January - not best time for the beach if you're up north. However this time, the in-house mixologists at Heavenly Sweetness, Guts and Mambo, are releasing volume three bang on time for summer. Last time they plowed super-deep and have dug up even more here, coming up with 14 sunkissed rarities including the golden tones of Gene Lawrence's "Feel Like Making Love" and the low down and dirty vintage funk dub-out "Wars In Space" by Brother Resistance. Now, where's the sunblock?
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