Review: Hospital Productions have been around for a hell of a long time, with releases dating back to 1998. For the last fifteen years they've progressed impressively and have grown by expanding their catalogue as far as black metal. Silent Servant, one half of the now defunct Sandwell District label, makes his debut for the American label with sheer elegance and emotion. Negative Fascination is a true LP, with all the productions representing an entity rather than a collection of dancefloor tools. Tracks such as "Invocation Of Lust", which sway effortlessly across desolate plains of synths and distant melodies, fall neatly into place with others; "Moral Divide (Endless)" being its natural epilogue as ghostly sounds and transmuted effects are caught in a whirlpool of rough, analogue beats. Only certain parts such as "The Strange Attractor" could be bracketed as belonging to the techno realm, with most other tracks containing much more than just club antics. "Temptation & Desire" could only be considered techno in so far as its dark approach, but it's the ingenious sound arrangements that fall between their spaces which make this album a true gem. Highly recommended.
Review: Juan Mendez pushes the largely abstract approach on his debut album towards the dance floor. Ironically though, the LP version of "Strange Attractor" was more brutal and upfront. On this version, Mendez lets the chain mail groove throb beneath layer upon layer of eerie chords, abstract whispers and what could be an angle grinder running in the background. This version of "Invocation of Lust" has an eerie, garbled vocal in the background, but fused with spiky metallic percussion and a thumping kick drum and throbbing bass, makes for a compelling club record. Finally, "Utopian Disaster (End)" is the most Sandwell-esque track on offer, its slamming rhythm, droning sounds and reverberating, doubled up claps sounding like a sequel to the Negative Fascination EP that was released on the seminal, now defunct techno label.
Review: Given his stated role as curator at the head of the 'non-stop' LIES, it makes perfect sense that Ron Morelli would look elsewhere to issue his debut album. Gravitating towards the Hospital Productions label run by Dominick 'Vatican Shadow' Fernow makes equal sense given their shared appreciation of noise, ambient and industrial music. Apparently the first of three planned releases on Hospital from Morelli, it's no little surprise that Spit arrives with much expectation. Spend some time with the eight tracks that make up the LP and you'll begin to understand why Morelli has used such words as pressure, monotony and stress to describe the motivating emotions behind Spit. The corrugated growl of "Modern Paranoia" and the broken metallic rhythms of "Crack Microbes" are considered highlights!
Voices Came Crackling Across A Motorola Hand-Held Radio - (5:10)
He Held The Victims Responsible - (3:44)
Chechnya's Ghosts Loom Large In Death Of Former Spy - (6:09)
Snipers As A Breed Tend To Be Superstitious - (7:16)
Review: The heavily sought after "Ghosts Of Chechnya" cassette finally sees a digital release. Vatican Shadow is unstoppable at the moment, his alchemistic beats and military themes marking him out as a singular talent. This latest affair, a sort of LP, is nothing short of stunning and it's tracks like "The House Of The Followers" with its dubbed-out, reverberant noises, that make Vatican Shadow stand out among his peers. The aptly named "Voices Came Crackling Across A Motorola Hand-Held Radio" is another beast, where chugging kick drums meet ominous pads and crackling static. "Chechnya's Ghosts Loom Large In Death Of Former Spy" is another fine example of his creative ability to mould techno into any shape he sees fit; but it's the filling spaces made up of eerie melodies and stripped beats, like "Snipers As A Breed Tend To Be Superstitious" which make his recordings so enchanting. Highly recommended as usual.
Jordanian Descent (Guantanamo Military Commissions) - (15:12)
Review: Vatican Shadow has emerged as one of the most interesting and elusive acts within modern techno. Dominick Fernow's music is consistently tricky to pin down and he's been restructuring the connection between dark, industrial rock and techno - something which has gained massive support from veteran Birmingham boy, Regis. Jordanian Descent is another spine-chilling journey into chambered, military beats and dismembered melodies. The "Sharia Law" mix is a slow-moving, monster of a track. Menacing snares and hi-hats are transformed into slithering pieces of percussion which whirl along to a chugging, progressive beat. "Guantanamo Military Commissions" is faster in tempo but nonetheless effective; a pounding, granulous kick drum makes way for a shifting collage of apocalyptic sounds and atmospherics. Another huge record from this mysterious producer - an absolute TIP.
Spot A Witch By Changes In The Persons Behavior - (5:01)
In New Guinea Police Don't Have The Petrol Money To Search For The Witch Murderers - (5:01)
Bodies Of Suspected Witchs Are Dumped In The River Or Buried In Toilet Pits - (5:01)
Sorcery Killings - (5:01)
Review: Dominick Fernow's Hospital Productions has been running for donkey's years, continuously shaping the fine lines between abstract experimentation, sound installations and electronica. This is Rainforest Spiritual Enslavement's sixth instalment for the label and as usual, comes courtesy of a generous digital re-release from its original and near impossible to find, cassette format. A haunting wall of noise opens "Spot A Witch By Changes In The Persons Behaviour", a rich concoction of white noise which eventually transforms into a more stable, drone-fuelled dissection. The chillingly named "In New Guinea Police Don't Have The Petrol Money To Search For The Witch Murderers" is a fine example of their objective: to capture situations and reduce them to a musical context - crackling, almost human field recordings guiding the whole 5 minutes. Same goes for "Bodies Of Suspected Witches Are Dumped In The River Or Buried In Toilet Pits", a bizarre alignment between haunted recordings and tape manipulations; and its only on "Sorcery Killings" that the artist gives us anything near a concrete musical arrangement. Otherworldly recordings from the label!
Review: It's a good thing that Hospital Productions are unearthing most of Vatican Shadow's cassette takes on digital format, a lost collection of sublime electronic madness which would otherwise only be available for 75 lucky punters. "There Was A Black Banner On The Floor", a submerged kick drum leading the way for a medley of sharp percussion sounds and chilling tones, is some of Vatican's best work to date; while the provocatively named "Al Qaeda Possess Nuclear Capacity" sees our man in a more pensive mood, where cascading tribal drums are swayed by a mesmerising bundle of climatic synths and radiances. "Wahhabi Money Flows" is another brilliant downtempo piece, all complete with his usual blend of inter-wining snares and bass lines; but it's the ominous bass frequencies and haunting pads of "Once This Fire Gathers Strength" that truly separate Vatican Shadow's work from the rest of his peers. Highly recommended as usual...
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