Review: It's all kicking off with this latest Hypercolour outing, as we see Carlton Doom land in top quality form with a truly fiery display, unloading three dizzying originals, exploring a wide spectrum of dancefloor ideas. We begin with the earth-shattering drumlines and sub sweeps of 'I'll Be Fine', a mind-boggling twist up through explosive subs and subtle background glitches. Next, 'Cesspool' delivers an either deeper exploration of modern breaksy themes with just as much potency, before the icy synthesiser lines and warm bass bulges of 'I Miss You' gives the EP a truly emotive round off to close.
Review: Hypercolour boss man Alex Jones gets weird & wild on this Infin EP with four starkly different numbers that somehow all come together. "Infinity", the darkest, and hardest of the four, kicks out at a badass tempo for the heavier tech house heads out there, with something breezier, funkier and uplifting yet equally strange in vocally in "Gwilliam". As if cutting and screwing some lost Crookers tracks from the late 2010s "Passe" has squat rave written all over it, with vocoder of the year effect going to "Pressure Wash" and its distant drum pattern. An EP made unique by its oddball vocals and higher tempo beats. Wickedly strange
Review: Hypercolour reaches its one hundredth release. To celebrate this milestone, Jamie Russell and Alex Jones' label enlists the services of KiNK. The title track is a high-paced banger, featuring a dramatic vocal loop and rousing rave synth lines. It sounds like KiNK has distilled the energy of early 90s dance music into "People". "Ta" isn't as dramatic, but still hits hard, thanks to the interplay between a rough bass and airy melodies. In contrast, "Kazan" sees the storied artist go down a more considered route, with glitchy percussion melded with a dubby groove. Rounding off this 100th release is another dance floor banger, in the form of the heavy stabs and dense kicks of "Vacation"
Review: Ukrainian DJ & producer Roman Kurhan aka Monotronique follows up impressive efforts on Livity Sound, Banoffee Pies and Opal Tapes with a debut on Hypercolour. There's four tracks by the Kharkiv-based artist on the Uh Oooh EP, serving up modern electro beats in the face of the devastating effects of war on his city and country. We particularly enjoyed the bouncy martian breaks of "I Want That", the deep computer funk of "Magic Bliss" and the bass-heavy the title track with its Detroit sci-fi vibes.
Review: A confirmed presence within the landscape of UK dance music for the best part of 15 years, Hypercolour has cultivated its own constellation of artists while becoming a port of call for those hitting their peak within pseudo-mainstream house music. It's Patterns compilation series has always offered rare cuts and remixes from its roster of artists and from the get go here a lesser known Zodiac impresses out of the blocks with a banging dub techno joint "GhostNet". Sebastian Mullaert & Boelja go hardcore Swedish bleeptronic in "Who Are You Really?" with FRAK also included with an old school and lo-fi 909 workout "Berga Magic". Roman Flugel hits a sweetspot as usual next to some lowly jackin tracks by London Modular Alliance, a vocal breakbeat number of classical drum and bass refrain by Mathew Herbert to some tongue cheek rave by Luke Vibert and much much more! Approved.
Review: It's been raining Luke Vibert in 2020 with the legendary producer teaming up with Hypercolour for a trilogy of LPs, bringing with it new and neo genres like Modern Rave, and now Rave Hop. restoring some credibility to the lost art of breakbeat and sample culture, Vibert's productions are on point here while exploring different eras of dance music history in the process. Crafted with unique, original and refreshed vintage samples, each track, depending on its element, will transport you across a classic timeline; be it straight up old school hip hop, 90s drum and bass and early chicago house, to soul, disco and jazz before that; all cut up and repackaged in a contemporary and referential approach to rave and its continued legacy.
Review: Spawning the 96 Back project with a surge of EPs for Central Processing Unit, Evan Majumdar-Swift's emerging talents make the leap to Hypercolour! Keeping hope alive with cuts like "Fe Symbolic" and "Party Animal" - going great lengths in perpetuating the legacy of Aphex Twin, Warp and other bleep-era sounds - the EP also touches on elements of deeper dubstep and minimalism in "Cosied By" to other melodic club tracks in "TBQFH". It sees the 96-name added to a fresh cast of labelmates including HVL, Gary Gritness, Asquith and Carlton Doom. Believe the Hypercolour!
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