Review: If you give Luke Vibert instructions to make an acid banger, chances are he'll come up with the goods. So it proves on Halloween, his second single for Cedric Maison's Hypercolour imprint. The title track is particularly intense, with in-your-face drums and ragged, abusive acid lines brushing shoulders with ghostly melodies, horror chords and dystopian vocal samples. The Cornishman provides a slight breather in the shape of "Jack U Whole", whose bubbling acid lines and murky vocal samples ride an 808 electro-influenced groove. Space Dimension Controller remixes the latter track, dropping a 1988 style acid jacker that sounds like a long lost Trax Records release.
Review: Oh my, it's number six in the Patterns series for London's Hypercolour! The previous compilations have all been absolute gold, blending house and bass-heavy clusterbombs like there's no tomorrow, so we're pretty psyched about this latest affair. There's plenty of exciting from all over the sphere on this one, namely some new appearances from Analogue Cop Lucretio and his lovely and soulful "Do It Forever" track; an absolutely cracking house-electro hybrid by Marco Bernardi in the form of "Japanese Firecracker", and a whole load of other bangers by the likes of West Norwood Cassette Library, Canada's Kevin McPhee, Luke Vibert and even Smallville's Christopher Rau! Essential comp vibes!
Review: As the title of his latest release suggests, mystery man (or woman) A Sagittariun has been around for a while. It's no surprise then that this release, like the rest of his catalogue, draws on older sources for inspiration. "3--4-3" is constructed from clipped drums, a shuffling rhythm and features the kind of wide-eyed, jazz-tinged keys that you'd associate with classic Prescription releases. Rolando's version of the track features this melodic element, albeit underpinned by a tough, linear rhythm and splintered percussion, while label boss Alex Jones' version is all about a splurging, noisy bass and a low-slung rhythm. The best track on the release however is "Delta House", a slower groove full of demented jazz squalls and a woman moaning ecstatically.
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