Review: Sarah Story, a multifaceted talent known for her role as a broadcaster, DJ, producer, and songwriter, takes center stage with her latest single on Hypercolour. Through her influential Radio 1 'Future Dance' show, Story has been a key advocate for emerging talent and increased visibility for female and non-binary artists in the dance music scene. With this release, she delivers a dynamic showcase of her own skills, presenting a pair of pulsating and hypnotic club anthems that bang with classic warehouse force - a powerful contribution to the longstanding legacy of the UK label Hypercolour.
Review: In celebration of Hypercolour's 100th release, the highly sought-after KiNK (Strahil Velchev) turned in a milestone For The People EP - delivering four genre-blending bangers. As part of a series of EP remixes, Perc and Bailey Ibbs step up for this edition with a rendition each of the EP's standout track: "Vacation". Perc unleashes a relentless storm of industrial techno like Ali Wells knows how, with Bailey Ibbs delivering a high-end, tech house, funk-infused banger for that perfect offset - and with more to come!
Review: It's all kicking off with this latest Hypercolour outing, as we see Carlton Doom land in top quality form with a truly fiery display, unloading three dizzying originals, exploring a wide spectrum of dancefloor ideas. We begin with the earth-shattering drumlines and sub sweeps of 'I'll Be Fine', a mind-boggling twist up through explosive subs and subtle background glitches. Next, 'Cesspool' delivers an either deeper exploration of modern breaksy themes with just as much potency, before the icy synthesiser lines and warm bass bulges of 'I Miss You' gives the EP a truly emotive round off to close.
Review: Hypercolour boss man Alex Jones gets weird & wild on this Infin EP with four starkly different numbers that somehow all come together. "Infinity", the darkest, and hardest of the four, kicks out at a badass tempo for the heavier tech house heads out there, with something breezier, funkier and uplifting yet equally strange in vocally in "Gwilliam". As if cutting and screwing some lost Crookers tracks from the late 2010s "Passe" has squat rave written all over it, with vocoder of the year effect going to "Pressure Wash" and its distant drum pattern. An EP made unique by its oddball vocals and higher tempo beats. Wickedly strange
Review: Holger Zilske, a veteran of the German electronic music scene, returns to Hypercolour with a triplet of lascivious and flirtatious tracks on the 'AI Sex' single. The three track release showcases Zilske's skill for crafting raw and deep electro beats with psychedelic and trippy elements. "AI Sex" Part 1 features a familiar vocal hook that adds a pop sensibility to the dark and driving groove, while the second part is a more esoteric and experimental affair with bubbling acid and machine-made vocal refrains. Zilske's latest offering is a refreshing and captivating release for electro fans
Review: Hypercolour reaches its one hundredth release. To celebrate this milestone, Jamie Russell and Alex Jones' label enlists the services of KiNK. The title track is a high-paced banger, featuring a dramatic vocal loop and rousing rave synth lines. It sounds like KiNK has distilled the energy of early 90s dance music into "People". "Ta" isn't as dramatic, but still hits hard, thanks to the interplay between a rough bass and airy melodies. In contrast, "Kazan" sees the storied artist go down a more considered route, with glitchy percussion melded with a dubby groove. Rounding off this 100th release is another dance floor banger, in the form of the heavy stabs and dense kicks of "Vacation"
Review: With a background in running record stores, Jerome Hill is also the brains behind the Don't and Super Rhythm Trax labels and one of the UK's finest techno DJs. Hill brings all of these influences to bear on his debut album, Flow Mechanics. There are wild acid excursions on "Walk The Plank" and "The Doctor Will See You Now". On "Deafening Lull", he fuses noisy bass and ticking percussion with an irresistible electro swagger, while in contrast, "Afterlife" resounds to raucous break beats and a funk bassline. "Stax Had The Funk" and "More Chicken" sees Hill take Chicago jack as a starting point. He proceeds to integrate clanging rhythms and dark bass pulses with dreamy chords and trippy 303s - realised seamlessly by a proper underground hero.
Review: Following his 'Telepathy' outing last year, Hypercolour boss Minder returns with another rave homage - 'Sanctuary'. Living up to its name in all possible connotations, across the set we're taken on a journey through hardcore, jungle, breaks, acid house and all the many beautiful mutations in between. Get loose to the classic 91 breakbeats on 'Service', keep your head down and swagger your life away to the twisted two-step of 'Pomeroy', skank your little jacksy off to the proto jungle licks and kicks of 'Simulated' and close your eyes and pretend you're at Virus or Renegade night circa 2001 to the pummelling kicks of 'Sharded'. These are just some of the lifestyle options and coping strategies Minder is providing on this remarkable body of work.
Review: Following acclaimed releases on Dekmantel, Aus Music and Ninja Tune, Jack Hamill aka Space Dimension Controller is back this week with a fantastic new release of London's Hypercolour. The Cro2ma EP is a three-tracker featuring Detroit elements and bleepy bass that you've come to know and love from the Irish producer. From the contemplative electro of the title track, to the minimal hi-tech funk of "IG00158" and the deep, acid-tinged techno of "Highborne" which closes it out on an emotive tip - it's altogether highly accessible yet intricate in design.
Review: Ukrainian DJ & producer Roman Kurhan aka Monotronique follows up impressive efforts on Livity Sound, Banoffee Pies and Opal Tapes with a debut on Hypercolour. There's four tracks by the Kharkiv-based artist on the Uh Oooh EP, serving up modern electro beats in the face of the devastating effects of war on his city and country. We particularly enjoyed the bouncy martian breaks of "I Want That", the deep computer funk of "Magic Bliss" and the bass-heavy the title track with its Detroit sci-fi vibes.
Review: Luke Vibert follows 2020's Rave Hop long player with another fine album. Ground in the sound of the 303 but characterised by a series of twists and turns throughout, GRIT. moves from the easy listening "Surrounded By Neighbours" and "Decay Hole" into the electro swagger of "Gas Logs" and the title track's wild, woozy techno. "Swingeing Cuts" shows that Vibert is not averse to Chicago jack - once it's delivered in his own playful way - and "Disco Derriere" is the UK veteran's own acid-fried vision of lush, string-filled French house. In true Vibert form, the album concludes with the bonkers 303-led "Screwfix Typeface".
Review: Ste Roberts is a key part of the Hypercolour operation. After a succession of records on his own Set imprint, he now makes a debut on the renowned UK label. The title track opens his account in mesmerising fashion, as frazzled tones unravel over a shuffling, swung rhythm. On "Victor's Mezcal", Roberts goes deeper, with a pulsating, throbbing groove and dense bass underpinning blips, tones and metallic groans. It sounds like a modern, slightly more menacing version of Eddie Richards' late 90s/early 00s vision for tech-house. Roberts then proceeds to bring the house down with the hoover sirens and rolling drums of "The Hiding Spot".
Review: A confirmed presence within the landscape of UK dance music for the best part of 15 years, Hypercolour has cultivated its own constellation of artists while becoming a port of call for those hitting their peak within pseudo-mainstream house music. It's Patterns compilation series has always offered rare cuts and remixes from its roster of artists and from the get go here a lesser known Zodiac impresses out of the blocks with a banging dub techno joint "GhostNet". Sebastian Mullaert & Boelja go hardcore Swedish bleeptronic in "Who Are You Really?" with FRAK also included with an old school and lo-fi 909 workout "Berga Magic". Roman Flugel hits a sweetspot as usual next to some lowly jackin tracks by London Modular Alliance, a vocal breakbeat number of classical drum and bass refrain by Mathew Herbert to some tongue cheek rave by Luke Vibert and much much more! Approved.
Review: Eliphino is a pseudonym for Tom Wrankmore, who has put put music under this guise on Secretsundaze and Meda Fury. He also released on Hypercolour back in 2013, and Maelstrom sees him make a timely re-appearance on the label. The title track is an unusual affair, with a swinging rhythm and glitchy percussion underpinning dreamy melodies. On "Bubbling Glass", the focus shifts to a more electro-based sound, with rolling 808s supporting fuzzy soundscapes, while on "Eddy", he raises the tempo to deliver a frenetic break beat track. Rounding off this distinctive release is the vocal-sampling broken beats of "One Day".
Review: It's been raining Luke Vibert in 2020 with the legendary producer teaming up with Hypercolour for a trilogy of LPs, bringing with it new and neo genres like Modern Rave, and now Rave Hop. restoring some credibility to the lost art of breakbeat and sample culture, Vibert's productions are on point here while exploring different eras of dance music history in the process. Crafted with unique, original and refreshed vintage samples, each track, depending on its element, will transport you across a classic timeline; be it straight up old school hip hop, 90s drum and bass and early chicago house, to soul, disco and jazz before that; all cut up and repackaged in a contemporary and referential approach to rave and its continued legacy.
Review: Spawning the 96 Back project with a surge of EPs for Central Processing Unit, Evan Majumdar-Swift's emerging talents make the leap to Hypercolour! Keeping hope alive with cuts like "Fe Symbolic" and "Party Animal" - going great lengths in perpetuating the legacy of Aphex Twin, Warp and other bleep-era sounds - the EP also touches on elements of deeper dubstep and minimalism in "Cosied By" to other melodic club tracks in "TBQFH". It sees the 96-name added to a fresh cast of labelmates including HVL, Gary Gritness, Asquith and Carlton Doom. Believe the Hypercolour!
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