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Infinite Machine
Browse the latest digital releases on Infinite Machine
from $1.89
IM 108
26 Jan 24
Ambient/Drone
26 Jan 24
Ambient/Drone
from $1.89
IM 102
14 Apr 23
Bass
14 Apr 23
Bass
from $1.89
IM 088
30 Apr 21
Dirty Dubstep/Trap/Grime
30 Apr 21
Dirty Dubstep/Trap/Grime
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IM 081
25 Sep 20
Coldwave/Synth
25 Sep 20
Coldwave/Synth
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IM 071
26 Apr 19
Ambient/Drone
26 Apr 19
Ambient/Drone
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IM 067
28 Sep 18
Bass
28 Sep 18
Bass
Review: Although Born In Flamez has been present in terms of live recordings and DJ mixes over the last five years, he has put out a surprisingly small amount of official releases. His last effort for the Infinite Machine imprint, a digital-only EP that managed to blend the best of both IDM and ambient, has earned him a comeback, and it's clear that the producer's sound has evolved once again. In what feels more like a mini album, Born In Flamez successfully pulls off a heist involving power electronics and r&b, powered by a noticeable bass 'couture'. Not one of these 7 tracks remain stationary, with each one morphing and shape-shifting up and down the hardcore continuum. If you're a post-modernist in need of a good old mash-up of dance sounds, then you will certainly find it in Impossible Love. A truly hybrid art piece.
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IM 068
08 Jun 18
Bass
08 Jun 18
Bass
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IM 060
08 Sep 17
Bass
08 Sep 17
Bass
Review: Australian producer Galtier isn't too concerned with genres or trends by the sound of his releases. Pastime we heard from him he was delivering techno on Car Crash Set, and this time we hear him making wide-eyed bass experiments on the Infinite Machine imprint. "Chain" is an FX-heavy drum stepper with a murky outlook, "Gold Bones" is a wonky grime hybrid, and "Charm Complex" flutters its flute sounds over a dark and noxious layer of sub bass. There's a techno remix of "Chain" by Lydes, and a Luke West rework of "Gold Bones" that takes the original mix to more tribal territories. Heavy.
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IM 046
26 Aug 16
Bass
26 Aug 16
Bass
Review: Ziur is a new name to the bass scene, but she's by no means a newcomer in style and approach. Moreover, the she's been scouted by the experienced Infinite Machine label, so it's clear from the offset that this is pretty solid gear. But, apart from ticking all the boxes production-wise, the music across Taiga is violent, resolutely different and painfully cool. From "Fever", through to "Nails" and "Taiga" itself, Ziur sets up her own sound and his own rules with a newfangled bass sound that recalls more exuberant material on labels like Night Slugs. Remixes come from Born In Flamez and Air Max 97. Killahs!
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IM 044
01 Jul 16
Bass
01 Jul 16
Bass
Review: Ides' last EP came over a year on Get Me! and the time passed got us wondering what the producer was getting up to. Well, now we know, and we also know that the time spent waiting was well worth it, because Iydes' latest EP for Infinite Machine is exactly the sort of thing we're into when we're on a bass tip, these days. "Leaving Thrice" is a raucous, scatter-shot groove that burst into life, and sounds almost 3D in texture and sound design. "Skin" is slow, sparse, and takes the term 4/4 to new and amazing territories - our favourite on here, for sure - while "AWWorship" sits somewhere between juke, dubstep and grime; check out the remix of the latter by Endgame, a sort of twisted lay on house. Sick.
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IM 038
12 Feb 16
Bass
12 Feb 16
Bass
Review: The young Korma, a low frequency dweller who has impressed with his industrial brand of quasi-dubstep, gets called up to the Infinite Machine roster for a seven-tracker spanning the full bass circle. It's all half-steps and head-nodding but consisting of different strains and varieties: there's the melodic charm of "Pariah", darker and more penetrating beats on "Orloj", the broken monster that is the aptly named "Dismantle", and of course, the jittery sci-fi number "ZGMF X19A". Watch the Tomas Urquieta remix of "Oloj", an even wilder and nastier version of the original.
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IM 031
11 May 15
Bass
11 May 15
Bass
Played by: TCTS
Review: The day-glo synths come ripping out of Bwana's studio like there's no tomorrow on "It Ain't Done Til It's Over", pausing only for some powerful woodblock hits to echo at the end of each bar. Otherwise the details and delirium gets piled on in hefty measure on each track from the fresh-faced producer, keeping things melodic and meaningful in every shifting segment. XI turns out an interesting remix that slows the 2-step shuffle right down and bolsters it with haunting and contrasting synth parts. Jack Dixon opts for a more linear house take that still manages to straddle the contemporary hybrid juncture of electronic music.
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IM 007D
27 Feb 12
Dirty Dubstep/Trap/Grime
27 Feb 12
Dirty Dubstep/Trap/Grime
from $1.89
IM 002
21 Nov 11
UK Garage
21 Nov 11
UK Garage
