Review: "This is all very 80s," was this reviewer's first thought - hardly surprising, given that a little digging reveals 'Exit' to have been first released way back in 1985! The 15-piece Fire Flight were, we're told, leading lights of the music scene in Trinidad & Tobago, and a big draw on the Latin carnival scene internationally at the time... which led to their recording this long-player, which blends Latin, pop and soul/R&B influences with the odd excursion into lilting reggae territory (see 'Hard Life' and 'Mornin' Lovin''). It's all very "shiny suits, shoulderpads and hi-top fades", but if you're a fan of 80s analogue drum sounds you're gonna be in heaven...
Review: The first in a series of compilations by Jura Soundsystem which blends dub, ambient, downtempo, boogie and proto house with a focus on previously unreleased music, out of print titles and some special versions edited specifically for the album. According to label boss Kevin Griffiths, the intention of this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Light one up and swagger to the sunkissed groove of Astral Engineering's "Seashore Dub", submit to the sweet steel drums and cosmo-dub vibes of Ken Dang's "Born In Borneo" (Jura Soundsystem Edit) or get down to the boogie-down vibe of Tabou Combo Superstars' "Ooh La La" (Jura Soundsystem Edit). The end of the album includes some soothing ambient tools.
Review: Isle of Jura's latest deep dive into electronic music's margins focuses on an obscure, previously cassette-only release from 1993. Champagne in Mozambique was the debut release from Ingleton Falls - AKA lesser-known producers Andy Eardley and Andy Seymour - and remains a laidback, saucer-eyed delight. Typical of the chill-out movement of the period, the mini album's five tracks effortlessly join the dots between ambient dub, psychedelic late night techno, drowsy downtempo grooves and horizontal instrumental synth-pop, with the duo peppering each production with trippy or amusing spoken word samples, intricate melodies and copies amounts of dub delay. It's a fine example of a necessary reissue: without Isle of Jura's intervention, few would be able to revel in its hazy, early morning charms.
Review: Originally released back in 1990, on their own, self-titled label, Holy Ghost Inc's second record has long been a collector's item. Faced with spiraling prices on the second hand market, Australian label Isle of Jura has done the sensible thing and reissued it. They deserve props for including the Sun & Moon Mix: with its ponderous bass and dubbed out effects, it has long been a crossover for house, ambient and even trance fans. At the other end of the spectrum, the Amphibious Carbine version is a classic 90s trance-y house groove. The label also deserves extra praise for including two previously unreleased dub mixes that alternate between ebbing and flowing effortlessly or tripping the light fantastic - on both occasions against a backdrop of subtle break beats.
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