Good music and good covers – that's the trademark of the Munich / Cologne based Label Jazz & Milk!
„Jazz & Milk“ was founded by Dusty, together with graphic designer Tim Schmitt. The label and the associated clubnight „Jazz&Milk“ have been installed in 2005 and since then represent an integral constant of the Munich club culture with international guests such as Mr. Scruff, Max Graef, Romare, Mark de Clive-Lowe, Dorian Concept, Clap Clap!, Debruit, Quantic, Sofrito Soundsystem, Lefto, Simbad, Poets Of Rhythm, Karl Hector & the Malcouns and many others.
Jazz & Milk is all about a broad spectrum of musical styles. Bringing together jazz, soul, afrobeat, dub, cosmic, disco, boogie and raw house rhythms, the label offers an experimental playground for international artists (such as Ziggy Zeitgeist, Abase, Sam Irl, Dusty, Steve Spacek, Bongani Givethanks and many more) that share one passion: a natural balance between accoustic and electronic sounds, traditional music and a modern club-music oriented approach.
Watch out for limited editions, handmade artwork... and help us to support individual artforms!
Review: Munich's Jazz & Milk have rustled up this mini label comp to mark their current ten-year anniversary. We get four cool cuts from as many producers: "Dreams" by Sam IRL kicks things off with deep organic grooves and bleeps and "Technotrap" by Mieux sees a raw, frenzied beat underscore some seriously trippy arpeggiation. Elsewhere Dusty's "Heavy Lights" is more of a loopy 4/4 space disco jam and finally things end on a brassy New Orleans party tip with Todd Simon and the Angel City All Star Brass Band's cheery rendition of "Mas Que Nada".
Review: Out after a host of EPs and an album on their own Jazz & Milk label, eight-piece jazz/exotica/Brazilian group Dusty follow up the album with four fresh new remixes of some of their biggest tunes to date. Solo Moderna rework "Loco Para La Pista" around its Cuban piano parts and an addictive sax line that's nicely anchored by a soft house beat. "Voodoo" however is transformed on Romanowski's "Voodoo Island" mix into a hugely funky, breaks-driven Latin party-starter - mainly thanks to some smart looping of both clarinet and guitar.
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