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LA Club Resource
Browse the latest digital releases on LA Club Resource
Similar labels:
Rush Hour, LIES, Running Back, Clone Basement Series Holland, Clone Jack For Daze Holland
Played by: Da GobliNN /Remuted
Review: We've always been big fans of Delroy Edwards, something which you've probably picked up on given the man's storming podcast for us a few years back. But, we don't only rate his music; we love his attitude and the way in which he's gone about releasing material through his own LA Club Resource imprint. Whether it be grainy, maladjusted techno or noise and distorted juke, he has managed to build a concrete sound aesthetic for himself. Moreover, we love the fact that he's waited until now to drop his debut album instead of going in too early and risking to dilute his talents because of pressure from the scene of which he's part of, a scene which expects instant gratification and albums from the start. Hanging At The Beach has been described by Edwards himself as the most personal work he's done to date, and it truly sounds like the artist has space to play and get his mood across correctly throughout its thirty cuts. These range from his signature house sound, through to lo-Fi drum machine sketches and fine segments of power electronics. This one comes hugely recommended, so just hit that DL button.
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634457 458963
05 Aug 16
Experimental/Electronic
05 Aug 16
Experimental/Electronic
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634457 461499
21 Jul 16
Experimental/Electronic
21 Jul 16
Experimental/Electronic
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634457 459205
20 Jun 16
Techno
20 Jun 16
Techno
Review: Previously responsible for a mixed cassette release on Delroy Edwrads' label, Fernando Seixlack aka INNSYTER now delivers this rough and raw mini-album. These tracks are coated in street dirt and layers of dust, but Seixlack still manages to stand apart from the noise crew. "Spider Bar" is led by a spooky, flickering bass and chattering, high-tempo minimal groove, while at the other end of the spectrum is the spacey, atmospheric textures of "Cut Eleven". In between lie the fat, bass-heavy house of "Fat Fetish" and the hyperactive funk of "Pleasurable Possession". It makes for another individualistic, distinctive LA Club Resource release.
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LACR 019
12 Feb 16
Techno
12 Feb 16
Techno
Played by: Christopher Demian
Review: Delroy Edward's LA Club Resource finally drops its next bombshell, this time a collaborative effort that includes three newcomers, possibly riding low-key under different aliases. Riding shotgun, you got Chicago legend Gene Hunt with the minimal and freaky vibes of "OW (Drum Beat)", a woman's scream darting in and out of the stripped-back groove, and the heavily filtered "S Sonics" by the mysterious Wrecking Project. Over on the flip of the wax plate you have Blacktail's old-school lick "Now Muzik", while "Blimp Works" by Innsyter is a pumping techno gunshot that goes dirty and heavy on the percussive rattle. Raw, dirty, and messed up from the start.
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LACR 013
13 Nov 15
Techno
13 Nov 15
Techno
Played by: Erol Alkan
Review: By sampling a famous scene from Scarface for this release's first track, is Delroy Edwards, like Tony Montana, trying to say: "You need people like me so you can point your fuckin' fingers and say, 'That's the bad guy'"? With an EP title like Kickin' Butts!! it's certainly possible, and he's the type of artist that's made it known he doesn't care what others think of his music. It's a minimal five-track EP overall and very lo-fi, none more so than the Steve Poindexter-styled "Str8 Fuckd" and on the swirling, metallic phase action of "Insane In The Membrane". Edwards throws down a basic hip hop beat in "Die Motherfucker" while it's the title-track that provides this release with the most dynamic moment of the lot.
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LACR 015
20 Jan 15
Techno
20 Jan 15
Techno
Played by: Paul Mac
Review: The resuscitation of Chicago's key '90s artists continues with Gene Hunt's latest release on LA Club Resource. Arriving just in time for witching season, the reissue of "Freddy's Dead" is a reminder of just how creative that wave of Windy City producers were. Borrowing samples from Nightmare on Elm Street, the 1999 track is murky and menacing, as ominous pulses and evil cackles herald the arrival of an unnaturally dark take on ghetto jacking. Fans of Hunt's sound will also be delighted to get their hands on the flip side track, "Bong". Recorded during the same period, its primal rhythm, visceral percussive volleys and malevolent acid gurgles are the ideal soundtrack to those long, dark winter nights.
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LACR 012
18 Nov 14
Techno
18 Nov 14
Techno
Review: Delroy Edwards' label won't win any prizes for releasing safe music and certainly its sixth record is not for the faint-hearted. "Dirge 2" is lttle more than a wall of fuzzy, frazzled noise interspersed with incessant filter bursts, while "Dirge 4" is more danceable as the author drops crunchy beats and waves of building feedback. On the remaining "Dirge" tracks, the unnamed producer focuses squarely on the floor. "Dirge 1" is an uncomplicated but effective fusion of banging beats and firing hats. Best of all, though is "Dirge 3", which features pounding titanium drums supporting relentless percussive volleys, a killer club track to rival Edwards' own material.
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LACR 006
22 Jul 14
Techno
22 Jul 14
Techno
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LACR 001
08 Jul 14
Techno
08 Jul 14
Techno
