Run by Sasha, Last Night On Earth imprint has excelled in being a key platform for fresh, inspiring talent, including Cristoph, BAILE, John Monkman and VONDA7, along with showcasing well respected and long-established figures such as Maribou State, Max Cooper, Fur Coat, Ejeca and more. The label has also released remixes from esteemed figures such as Nicole Moudaber and Radio Slave, along with Sasha’s own originals and reworks.
Records released by the London-based label have found their way into the sets of revered DJs worldwide since 2011, establishing it as a global success. The LNOE movement grew swiftly, with regular sell-out label showcases worldwide, including in Miami, Tulum and ADE. Meanwhile the Last Night On Earth podcast has accrued a loyal following who eagerly await each month’s new opportunity to experience Sasha’s handpicked live sets.
February 2019 marks a milestone of 100 releases. To celebrate the label drops its first compilation, with 11 LNOE tracks selected by Sasha’s invited guest remixers. Radio Slave, Frankey & Sandrino, Locked Groove, Deadbeat and Yotto step up for their label debut, while Nicole Moudaber, Fur Coat, John Monkman, Dubspeeka, BAILE and VONDA7 return. LNOE100 honours both the artists and the fans who have made the label an industry leader.
With Sasha at the helm, masterfully striking that balance between supporting both emerging and experienced artists to deliver both original content and inspired remixes, Last Night On Earth will continue to aim for and reach new heights.
Review: Madrid-based duo Guille and Fran Zaragoza, better known as Depaart, release their second EP here for Sasha's ever reliable Last Night On Earth imprint. The Tortilla and Fluido residents are in fine form on the Migrate EP, with the slinky and hypnotic title track leading the way with its soothing vocal and evocative vibes, followed up by the moody and elevating progressive house jourtney "Malvats" and the sombre yet bittersweet dancefloor drama of "Sunk". On the remix front, British producer Alex Warren aka Kiwi (Correspondant/Cin Cin) delivers an absolutely thumping electro bass rendition of "Migrate" that really packs a punch.
Review: Spanish duo Depaart are the latest act to sign to Sasha'a label. The title track brings together a multitude of different styles: there's the stripped back, minimal beats; bass that oozes menace and the somewhat apocalyptic sounding trance riffs. "Column Dance" is more understated; building on low-key drums, Depaart add in some throbbing low end before dropping an epic break down. It's exactly the type of track one could imagine Sasha himself playing. In stark contrast is the abstract "Watered, Cooked, Recycled", where the pair use deconstructed drums and a low-slung bass to create a new vision for minimal house. Factor in a deep, dubbed out take on the title track by A Friend of Marcus and Animal Picnic's tripped out take on "Column Dance" and you've got a hugely impressive debut on Last Night On Earth.
Review: Sasha's Last Night On Earth presents the promising upstart from Tillburg Netherlands: Budakid aka Kevin Huizing. He has had previous releases on Einmusika and All Day I Dream. Here he teams up with Formel on the dark and slinky tech house groove that is the title track, before "Confused" sees him go solo for some emotive progressive house that builds up slowly and is perfect for the early evening or afterhours alike. The spacey cruise control of "Never Leave Your Shuttle" is up next and is perfect for those cool down moments on the dancefloor, until finally the Olaf Stuut remix of "Creatures" goes for an oddball form of tribalism that will take you straight into the stratosphere.
Review: Now here's an interesting package as Sasha's label mark a deep exploration into the realms of dubstep. Naturally, it's unlike other tracks of its ilk as the brother/sister duo take their fractured EP title track into some very strange, trippy pastures. Meanwhile on the remix front John Tejada takes the tune to a more peaktime techno environment with a refreshing and complementary reversion while Kuxxan Sunn highlights the eerie space and subverts it with a creativity that sits somewhere between Four Tet and Burial. Elsewhere on the EP you'll find more of Knox's original material - each of them shimmering with a similar ghostly soul often heard on Trentemoller records.
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