Gene Williams - "Don't Let Your Love Fade Away" - (2:46) 95 BPM
The Chosen Few - "People Make The World Go Round" - (3:18) 89 BPM
Esther Phillips - "Home Is Where The Hatred Is" - (3:25) 99 BPM
Delegation - "Oh Honey" - (5:41) 123 BPM
Velly Joonas - "Kaes On Aeg" - (2:52) 98 BPM
Stereolab - "The Flower Called Nowhere" - (4:55) 105 BPM
Kiki Gyan - "Disco Dancer" - (6:56) 116 BPM
Admas Anchi - "Bale Game" - (5:14) 59 BPM
Francis Bebey - "Sanza Nocturne" - (5:51) 95 BPM
Thundercat - "For Love I Come" - (3:35) 69 BPM
River Tiber - "West" (feat Daniel Caesar) - (2:32) 80 BPM
Charlotte Day Wilson - "Work" - (3:44) 65 BPM
The Beach Boys - "Don't Talk (Put Your Head On My Shoulder)" - (2:58) 78 BPM
Donnie & Joe Emerson - "Baby" - (4:10) 91 BPM
Les Prospection - "Lido" - (3:44) 72 BPM
Grady Tate - "And I Love Her" - (4:47) 81 BPM
Badbadnotgood - "To You" (Exclusive Andy Shauf cover version) - (2:25) 60 BPM
Steve Kuhn - "The Meaning Of Love" - (3:00) 110 BPM
Lydia Lunch - "You, Me & Jim Beam" (Exclusive Spoken Word Piece) - (4:25) 96 BPM
Late Night Tales: Badbadnotgood (continuous mix) - (1:08:19) 98 BPM
Review: Beyond all the clubbing action, another often forgotten tradition of the 90s was the post-club 'all back to mine' session. The air thick with 'smoke', a curated chillout mix by an established dj would sort everyone out. The Late Night Tales series continues that tradition and here we have a new volume curated by Canadian quartet BadBadNotGood. The album features 21 cuts from their record collections woven together in a hazy nocturnal fashion. Highlights include the psychedelic electronica of "Oh Honey" by Delegation, the seductive 60s folk-soul of "Kaes On Aeg" by Velly Joonas and the campy synth-boogie of "Disco Dancer" by Kiki Gyan.
Review: Six years after the release of their first inspirational Late Night Tales mix, fey Scottish post-indie miserablists Belle & Sebastian unveil a second volume. Given the unusual and exciting nature of their first collection, hopes are naturally high for Volume 2. Thankfully, it's every bit as odd, enjoyable and enlightening as the first edition. Psychedelic folk-pop, Indian soul, Balkan beats, Spanish crooners, Chanson ballads, film soundtrack compositions, Gold Panda, The Lovin' Spoonful, dancehall, The Pop Group and Pete Shelley all feature, alongside a range of thrillingly strange records that defy easy categorization. As a collection of music, it's breathtakingly brilliant, while the accompanying DJ mix is wonderful.
Review: Veteran Ninja Tune artist Bonobo has been putting out seriously decent tunes pretty much since the birth of the highly regarded Late Night Tales compilation. It's amazing that they haven't crossed paths before, but with the release of this 33rd entry into the series, the time has finally come for Green to take us on his own nocturnal mission. This 21-track odyssey is seamlessly mixed but the unmixed tracks are also presented so we can enjoy highlights like the velvety soul of 'Didn't I", the hippy funk of "Flowers" and the distorted, fuzzy trap of "Gutter Glitter".
Review: Given his encyclopedic knowledge of music, you'd expect any compilation put together by Bill Brewster to be full of unlikely gems and lesser-known anthems. That's certainly the case with After Dark, the first in a new DJ-focused series from the Late Night Tales camp. From start to finish, Brewster's selections are spot on, from the lowdown, slo-mo disco oddness of Sheffield chanteuse Marti Caine's "Love The Way You Love Me" and wide-eyed, acid-laden kosmiche of Coober Peder University Band's "Moon Plain", to the dirty electrofunk of Zed Bias's "Koolade" (featuring Toddla T, of all people) and mid'80s percussion fest of Martin Kershaw's "Keep On Pokin". If that wasn't enough, Brewster has also unearthed a decent Jamiroquai record. The wonders never cease.
Review: The latest instalment in the long-running 'Late Night Tales' series has been curated by experimental beatsmith and jazzbo Floating Points. Sarah Davachi's opener 'Untitled' sets the tone: essentially seven minutes of a single modulating synth chord, it's an early warning that this is no cobbled-together collection of 'chill-out' tunes destined for Top Shop's in-store soundsystem, but instead a journey to some of downtempo music's more far-out fringes, where you'll find straight-up soul and jazz nestled up alongside 70s agit-folk, flotation tank ambience, experimental electronica and more. It might all be a little dense and daunting for the uninitiated, but Floating Points fans will lap it up.
Review: Following hot on the heels of the Lindstrom reissue, the Late Night Tales digital remasters series continues with a typically eclectic and atmospheric selection from Four Tet man Kieran Hebden. Like many other Late Night Tales selectors before and since, Hebden used the opportunity to cram in many weird and wonderful choices as possible, digging deep into his impressively left-of-centre record collection. So, we get American classical minimalism from Terry Riley, a smattering of spooky jazz numbers, the psychedelic folk-rock of Manfred Mann and Fairpoint Convention, off-kilter experimental hip-hop from Gravediggaz and Madvillain, and some clicky electronica from Manitoba. Predictably, the included DJ mix joins the dots in fine style.
Review: Apart from Ministry Of Sound and Fabric, the Late Night Tales crew is perhaps the best and most respected compilation series these days. Moreover, these guys have invited some of the biggest names in the game over the last fifteen years, a highly impressive catalogue which includes the likes of Fatboy Slim, Jamiroquai, AIR, Arctic Monkeys, Sly & Robbie, and many more of the same calibre. This September is Germany's Nils Frahm who takes care of the selection, and the DJ/producer serves up a gorgeously vast selection of sounds from around the globe and from all corners of time. Inside, you get shreds of house and techno from Four Tet and Nils Frahm himself, among others, but the mix explores much wider terrains; Miles Davis makes an appearance with the masterful "Concerto De Aranjuez", electronic dub maestros Rhythm & Sound join the party the timeless "Mango Drive", and even Nina Simone's "Who Knows Where The Time Goes" gets selected. It's as excellent and compelling as you would expect from this sublime mix series. A class act.
Review: One of the best things about the 70s & 80s was the bizarre disco-not-disco records that often quite mainstream acts would make for a laugh. Sting's 1978 collaboration with Eberhard Schoener being a prime example. Here St Albans' finest have delivered a faithful electro-disco version for their Late Night Tales comp. On remix duties, Jay Shepherd delivers a cheery house version but it's Hot Since 82's sultry dub version is the real gem here.
Review: Synth-bothering indie-popsters Friendly Fires are the latest contributors to the uniformly excellent Late Night Tales series, and they seem desperate to prove just how diverse their tastes are. Oh, and their underground credentials. So, we get fuzzy stoner disco (Renee), curious French electro-disco oddness (Space), shirts-off end of night goodness (the much-played but still ace "Like An Eagle" by Dennis Parker), krautrock-inspired indie pop (Stereolab, Cocteau Twins), classic US garage (Iron Galaxy), future anthems (SBTRKT), dream-pop (Junior Boys, Lauren Halo), folksy musings (Grouper), and even a dash of Olivia Newton-John (the decidedly Balearic "Love Song"). While a cynic may raise a surprised eyebrow at some of the selections, there's no denying their quality.
Review: 10 years on from its initial release, Groove Armada's contribution to the Anotherlatenight series gets a new lease of life. For those searching for deep, downtempo and vaguely Balearic fare, it's well worth a look. While Groove Armada's mix is enjoyable enough, it's the unmixed tracks that are most worthy of attention. Amongst the familiar classics (Kleer's boogie classic "Tonight", Mr Fingers' "Can You Feel It" and Metro Area's "Muira"), you'll find hot curiosities from the likes of Shuggie Otis (the decidedly acid-fried "Strawberry Letter 23"), Loose Ends ("Feel The Vibe"), Good Together (forgotten super-deep house jam "Work It Out") and Don Ray (the heady disco grooves of "Standing In The Rain").
Review: The Late Night Tales mix series - going strong since way back in 2003 - never ceases to both amaze and please our eardrums when they're in need of a sonic massage. With legendary artists such as Fatboy Slim, Jamiroquai, Groove Armada, MGMT and many others on their roster, you just know it's going to be quality throughout. This time it's up to Domino man Jon Hopkins to give us an outlook onto his own tastes and musical influences. The selection is vast and varied, with everyone from Four Tet to Darkstar and even Peter Broderick featuring within. An incandescent blend of sci-fi electronica, tropical bass nuggets and lighter shades of drone-fuelled house. Quality.
Review: Delivering us some stellar remixes over the years with their 2007 DJ Kicks edition and their Bugged Out mix (2009), a new Hot Chip mix or compilation is always welcome - especially in 2020! Fine selectors of immaculate taste, this mix brings us new and exclusive tracks from artists like Beatrice Dillon with the chilled and resonating "Workaround Two" to Kaitlyn Aurelia Smith's beatless and exotic "Who I Am & Why Am I Where". Added to that list is a deeper and drum laden synth groove from Fever Ray to some contemporary classical and emotive minimalism from Berlin's Nils Frahm. Hot Chip themselves 'chip in' with their own vocal cover of "Candy Says" alongside other contemporary avant pop numbers from Charlotte Adigery and Mike Salta's housey and happy "Hey Moloko". Late Night Tales and dreams from the future. Hot Chip!
Review: A most intrepid selection for the next instalment of the Late Night Tales series come from an equally beguiling soundtrack by multi-instrumentalist Jordan Rakei. Known for lending his vocals to the music of Disclosure to releasing with Blue Note and on Ninja Tune, the New Zealand born artist introduces himself to Late Night Tales with something neoclassical. Taking on folk, jazz & free jazz to spoken word, warm instrumentals and ambient dualities, the spaces between are filled with percussive electronics, solo acoustic numbers and walls of instrumental noise, culminating in two exclusives; Alejandro Gonzalez Inarritu's poetic closer, "Imagination", and Jordan Rakei's very own cover of Jeff Buckley's "Lover, You Should've Come Over".
Review: For the uninitiated Khruangbin is a three-piece band outta Texas formed of Laura Lee on bass, Mark Speer on guitar, and Donald Johnson on drums. Taking influence from 1960s Thai funk - think surf rock, psychedelica and Tarantino soundtracks - their name literally translates to "Engine Fly" in Thai. With a storied history so far with a bevy of albums on Late Night Tales sister label Night Time Stories, including this year's Mordechai LP, the trio have earned their right to contribute to the much loved LateNightTales mix series. With their cover of Kool & The Gang's "Summer Madness" an exclusive feature of the mix, you'll also find their number "A Calf Born in Winter' included in Bonobo's LateNightTales contribution from a years ago now. Across Khruangbin's selections most interestingly though is their global bent of taste that takes in Asian pop and Nigerian reggae to Latina inspirations, Hindi-disco and South Korean rock to an atmospheric banjo rendering of Erik Satie's 'Gnossienne'. Highly recommended.
Review: Second time around for Hans-Peter Lindstrom's decidedly Balearic, prog rock-tinged Late Night Tales selection, which first saw the light of day back in 2007. This time round, it's been given a gloss of new paint in the form of a sparkling digital remaster. While this is all well and good, the selling point remains the Norwegian producer's excellent, left-of-centre selections. There's another chance to check his own cover of Vangelis' "Let It Happen", classic Balearica from Fearn Kinney and Carly Simon, acapella action from Todd Lundgren, freestyle ambient jazz-funk from George Duke, a slew of forgotten prog rock faves and a brilliant dub track from Oslo mates Prins Thomas and Todd Terje ("Reinbagan").
Review: Joe Mount of lovable scuzz pop outfit Metronomy mans the latest volume in the long running Late Night Tales, a series who always seem to get the best results out of an unexpected cast of participants (Belle & Sebastien, MGMT, Trentemoeller and Midlake being recent inductees) It's hard not to get sucked in from the sugar sweet opening of Outkast's "Prototype", which is the first of several tracks that demonstrates Mount has a penchant for slow bumping R n B and outsider hiphop with Tweet, Sa Ra and a Dr Octagon classic also appearing. A typically far reaching approach to genres applies here with the cosmic jazz of Chic Corea happily mingling with Autechre and Two Lone Swordsmen and American synth oddities Geneva Jacuzzi and Appaloosa mingling for attention with The Alan Parsons Project and Herman Dune. The de-rigueur cover version arrives with a Metronomy rendition of Jean-Michel Jarre's"Hypnose" whilst Paul Morley ends the selection with a spoken word piece.