Birthed in 2010 by founders Simon Purnell and Paul ‘Mudd’ Murphy, Leng have gone from strength to strength since their inception as an effortlessly forward-thinking disco/nu-disco label, making their presence felt with a hybrid of danceable, mid-tempo swing and sauce. A fascinating insight into suave, stylish bubblers and psychedelic, toe-tapping funk numbers, Leng never fail to keep you dancing from dusk til’ dawn, a quality and facet nailed down by heavily supported star appearances from 40 Thieves, Daniele Baldelli, Apiento & Co, Earthboogie and Cantoma amongst many others, ensuring that the sun is always shining when it comes to Leng’s storied, funkadelic roots.
Review: Balearica exponents 40 Thieves are back on Leng for this cheeky little treat. "In Your Space" is five minutes of slow motion cosmic pleasure, holding a soft and fluffy linear 70s groove that's in no rush to go anywhere...and with the chilled mood it'll put you in, that's a very good thing indeed.
Review: 40 Thieves long awaited debut album, The Sky Is Yours, was something of an epic; 10 years in the making, it stretched out across two CDs and four slabs of vinyl. Here, two tracks from the album get the remix treatment, with crate diggers-turned-party animals Psychemagik and Phil Mison's Cantoma outfit at the controls. Psychemagik's version of "The Sandpiper" is particularly good, delivering a heady, Arabic-influenced slice of chugging, eyes-wide-shut Balearica that benefits greatly from a rubbery groove and woozy chords. Mison takes a different approach on his rework of "The Sky Is Yours", laying down a version that sounds like T-Coy making late '80s Italian house. It is, all told, the epitome of Balearic house.
Review: San Francisco trio 40 Thieves have never been particularly productive, dropping a handful of impressive releases over the course of the last decade. It's something of a pleasant surprise, then, to discover that this long-awaited debut album encompasses an impressive 20 tracks. It's exciting to report, too, that The Sky Is Yours is also rather good. Sitting somewhere between low-slung punk-funk, misty-eyed Balearica, slacker dub-rock, stargazing disco, wonky jazz, stripped Italo and bubbly nu-disco, the 20 tracks bristle with sassy alternative attitude and intoxicating underground flavour. It takes a little time to soak it all in, but it's worth the effort; The Sky Is Yours is full of weird and wonderful highlights.
Review: Occasional Rong Music types and Smash Hit Music Co mainstays 40 Thieves transfer to Claremont 56's dancefloor offshoot Leng for a touch of heady Balearic chugginess. "Backward Love" is arguably their best single for some time, coming on like a twisted Balearic disco trip through San Francisco's party underground with only copious amounts of LSD for company. It features backwards guitar solos, a killer groove and the sort of tight, dubwise disco bass that used to mark out Mudd releases. Flipside "Crystal Mountain Thunder Fuck" (really!) continues in the same vein, sounding not unlike an 80s alt rock B-Side. Well and truly baked - we love it.
Review: San Francisco-based collective 40 Thieves draft in a couple of very special guests here. Cinnamon Joyce, formerly known as Joyce Jones, was a member of Philly stalwarts First Choice and sang on classics like 'Armed And Extremely Dangerous' and 'Smarty Pants', while Gary Davis was an in-house musician for Patrick Adams and Peter Brown's equally legendary P&P Records. Which explains the sheer quality that drips from every pore of 'The Gift', a slo-mo groover sitting somewhere between soul, Balearica and nu-disco that's augmented by some gorgeous, garage-y organs and supplied with dub, beats and radio mixes for maximum playability.
Review: Turkish producer Ali Kuru is now some ten years into his recording career. While he's yet to receive serious attention, there's some undoubted gold to be found amongst his bulging discography. This first outing for the ever-reliable Leng imprint is arguably one of his strongest EP's to date, and once again showcases his Balearic-minded blends of traditional Turkish instrumentation, dub disco grooves, and downtempo nous. "Luna" is particularly fine, with exotic Turkish sounds gently unfurling over a warm, deep and dubby groove. He raises the tempo a little on "Araf", with fluttering flutes and Middle Eastern vocal snippets riding a metronomic groove built around reclaimed samba percussion and foreboding bass.
Review: Turkey's Ali Kuru specialises in slow, textured and deep beats with sultry, exotic overtones. His forthcoming LP "Egzotik" has elements of the type of noirish Mediterranean vibes peddled by Guy Gerber or David August. Here we have a selection of remixes of mainly album tracks. First up Italian cosmic legend Daniele Baldelli and Dario Piana team up for a killer electronic body music remix of "Ashoka". Next, Craig Bratley delivers a moody, minimal rework of "Zurna", "Return To Paradise" is turned into a traditional clippety-clop clap-along by Nicola Cruz and lastly "Lost Bedouin", reworked by Peter Power, recalls a million 90s chillout rooms.
Review: Ali Kuru took a decision some years ago not to seek publicity, preferring instead to let his music speak for itself. Egzotik, his long awaited debut album, seems to have a fair few stories to tell. Smothered in evocative field recordings made around his home city of Istanbul, the album is notable for fusing exotic Persian instrumentation with grooves and sounds more readily associated with cosmic disco, krautrock, dub, Balearica and Detroit beatdown. On paper, it's an unusual combination that should sound forced or contrived. In reality, it's a brilliant example of an artist with a singular artistic vision achieving his goals. Put it this way: it's amongst the most inspired and enjoyable debut albums we've heard this year.
Review: Recently snapped up by Claremont 56 offshoot Leng, Auf Togo are a new duo comprising Clement Cachot-Coulom (The Fabulous Penetrators) and Sasa Crnobrnja (In Flagranti). As you might expect deep, rolling leftfield disco is the order of the day, with the title track being a seven minute opus with incessant claps, lolloping bass and 60s West Coast-style guitar strums adding a sunkissed feel to proceedings. "Member Talk" is more lively, with an open high hat steering things along in a hippyish groove. Again, the laid back funk-rock guitar adds a whole new sonic layer, setting the tone nicely for some quality chilled out clubbing.
Review: First surfacing on Leng late last year, the Auf Togo pairing of Fabulous Penetrators bassist Clement Cachot-Coulom and Sasa Crnobrnja of In Flagranti repute was one of the less expected collaborations. Nonetheless their Second Left EP was a delight, discarding with the heavily edited smutty disco that Crnobrnja pioneered with In Flagranti in favour of a rich Balearic sound that felt at times like the results of Tame Impala recording after a week camped out in an Amsterdam coffee shop. It's great to see them back on the Leng label with more Auf Togo, with lead track "Old Models" adding some cooing vocals into the mix over a taut, tight and warm Gallic disco groove. Meanwhile "Waiting For Beggi" retains the upbeat tempo but the mood is hazily Balearic and the bassline sumptuous.
Review: It would be fair to say that Auf Togo's releases for Leng are sporadic, to say the least. While there are good reasons for this - Sasa Crnobrnja is busy with In Flagranti, while Clement Cochot-Coloum has his hands full with the Fabulous Penetrators - it's still frustrating for those who enjoy their undeniably quirky take on Balearic-rock fusion. Happily, this third EP - their first since 2013 - is chock full of highlights. Opener "The Basement", featuring MT, is an undeniably eccentric chunk of leftfield, AOR-influenced disco-pop, while "Second Tongue" blends undulating dub disco grooves with blazed, spoken vocals and punk-funk attitude. Closer "Carpet Stains", meanwhile, is a more obviously up-tempo, rock-influenced affair, with the duo's bold guitar chords counter-balanced by shimmering electronics and lilting melodies.
Review: Slippery synth disco abounds as Grecian newcomers Thanasis Skouzis and George Fountzoulas develop their Bonnie & Klein brand on Leng. "Singularity" is straight out of the late 80s play book thanks to its array of flutes and wind elements. "Ergosphere", meanwhile, is a much slower affair with a drone-like dynamic that builds more and more momentum as more elements are introduced into the mix. Truly hypnotic.
Review: The latest release from the Claremont 56 stable is further proof that Mudd & Co seemingly reside in a place where the sun always shines. On this Leng twelve inch, Ray Mang and Lexx have been enlisted to add some aural Vitamin D to the DNA of two tracks from Cantoma’s album Out Of Town. Mang’s version of "Under The Stars" is a world away from his visceral pumping work on the recent Glimmers album, opting to retain the feel and pace of the source, imbuing the bass with several degrees of added warmth and adding an ethereal quality to the vocal harmonies that flourish in the depths of the mix. On the flip Bear Funk affiliate Lexx tackles "Gambarra", stripping back the cosmic oscillations of the original to focus on the harmonious partnership between Marcelo Andrade’s vocals and the lilting guitar melodies over a percussive groove which throbs but never dominates.
Review: San Francisco's Cole Odin, a purveyor of "psych-rock, tech-hop, deep-balearic, chug-house", teams up with Berlin-based Canadian slo-mo don Eddie C on a languid, sinuous, constantly evolving instrumental workout that's two parts sleazy Berlin disco to three parts acid-fried west coast love-in, with a hint of Far Eastern exotica thrown in for good measure. Fellow Californians 40 Thieves then deliver a remix that somehow manages to emphasise all three aspects at once, aided and abetted by some six-string magic from Florida jam band Guavatron. Merry pranksters and disco dancers the world over should be more than satisfied.
Review: For all his skills as a DJ - and, let's face it, he pretty much created the Afro-cosmic DJ style all on his own - Daniele Baldelli's productions have not always hit the mark. It's heartening to report, then, that this collaboration with Dario Piana for Leng Records is arguably the best thing he's produced to date. "Infinity Machine", where wild, effects-laden Clavinet lines, jammed-out electric piano chords and meandering synthesizer solos ride a particularly druggy arpeggio bassline, sets the tone magnificently, before the Italian duo jogs towards dub disco territory on the percussion rich "If You Drive". Badlelli's love of spacey synths, crunchy guitars and tactile synth bass comes to the fore on closer "Air Vibes", which also boasts a wonderfully tactile breakdown.
Review: The disco scene's obsession with all things cosmic and Italo continues, but that's no reason for founding father Daniele Baldelli to rehash his own past - so don't expect cosmic-by-numbers on this team-up with his old Pedivelle Records mucker Dionigi. Instead you get the largely organic funk workout 'Alloteva', the low-slung, cinematic jazz-funk of 'Deflector', Latin-tinged midtempo number 'Sonora' and the deep n' moody 'Time Is Plastic'. But those are very broad-brush descriptions: Baldelli's 45+ years' DJing and production experience mean he's able to mine a wide variety of sources for inspiration, making for an EP that will appeal to a wide range of listeners.
Review: Over the years Daniele Baldelli has released quite a few albums, though it would be fair to say that none are anywhere near as good as this terrific collaboration with fellow Italian scene legend Marco Fratty. The genius of "Oil Painting" lies in the pair's ability to fuse chugging, typically cosmic grooves and mind-altering synthesizer motifs with the hot-to-trot grunt of funk-rock and disco-funk. It's a template that guarantees a string of high quality cuts from start to finish, with our favourites including the arpeggio-driven throb of organ-heavy smasher "Steam Engine", the melodious dub disco flex of "Jasmine Flavour", the Cymande tribute "Slinky Funk", the eye-closed rock guitar solos and trippy cosmic disco grooves of "Column", and the Nu Guinea-on-steroids flex of "Positive Flow".
Review: Both veterans of The White Isle, Italy's DJ Pippi and native Ibizan Willie Graff found time between sundown sets to make music together in the former's home studio. The result is their debut on Leng with a typically warm and woozy collection of cuts entitled the "Lunares EP" - named after the Spanish word for polka dots. Features the low lung balearic funk of the title track, the sensual beachside slow burner that is "Island Visitors" with its neon-lit Italo flourishes, as well as the fittingly named "Saxolicious" which goes down a loungey and jazzy early '00s deep house route that's reminiscent of Atjazz. Balmy tunes that are perfect for the summer season.
Review: Earthboogie's debut album, Human Call has rightly earned praise upon its release earlier in the year, with listeners responding positively to its sticky and humid dancefloor fusions of African and South American rhythms, chunky dub disco, retro-futurist house, spacey analogue electronics and sun-kissed Balearica. Hot on the heels of that release, Leng Records has sourced new remixes of two album highlights. The remix of "High Minded Man" from Running Back label boss Gerd Janson is an electrifying classic house rendition with an Afro influence that's just as neon-lit as you'd expect. Next, synthesizer-wielding Balearic stalwart Pete Herbert gives "Silken Moon" the late night boogie-down vibe that this veteran of nu-disco always does so well.
Review: The East London-based duo of Izaak Gray and Nicola Robinson have previously released a pair of EPs on Leng, showcasing their unique musical vision. This vision has never been clearer than it is on Human Call - a vibrant eight track album that combines African and South American dance music with a wide range of complimentary sounds. From spacey analogue electronics, and sun-kissed Balearica through to jazz, dub and disco. Throughout, Gray and Robinson showcase an impressive level of musicianship, combining dusty drum machines and warm analogue synthesizers with razor-sharp electric guitars, rich bass, cascading saxophone solos and hazy, life-affirming vocal harmonies.
Review: Earthboogie is currently on a break, so it's likely that this fine single is the last we'll hear from them for a year or two. First up is "Creepy Steve", a previously unheard workout that wraps lashings of Latin style percussion, spacey synthesizer noises, fuzzy guitar solos and African style vocals around a mid-tempo dub disco influenced groove. Arguably even better is Joel Harrison's remix of the title track from the band's superb debut album "Human Call". He retains some of the Afro-centric elements and live instrumentation but also adds dreamy, Larry Heard style chords, thrusting drums and some suitably wide-eyed musical touches. The result is a spacey deep house gem that's as warm and comforting as it is dancefloor friendly.
Review: Earthboogie - aka London soundsystem owners Izaak Gray and Nicola Robinson - make their wax debut with three raw, groove laden disco blends. Digging deep into both afrofunk and Italo roots, there's a universal musical language that grabs you physically across all three cuts. "Mr Mystery" sits between Booker T & The Mgs and Daniele Baldelli while "Route Ten To Interzone" is an energetic township jam with added synth sheen. Finally we're seduced by the Balearic weaves, ripples, twangs and horns of "The EB Theme". A rainbow of vibes from start to finish, this one's hard to put down.
Review: By his usually prolific standards, Fernando Pulichino has had a very quiet 2016. In fact, this fine EP for Leng is his first, and presumably only, release of the year. It wuld be fair to say that it's been worth the wait, though. As usual, each of the three tracks is built around his own fine instrumentation; check, for example, the spacey synths, tactile synth-bass and freshly baked guitars of opener "Backwards". Arguably even better is the funk-fuelled Balearic blues workout "Natural 77", which boasts Pulichino's own freestyle vocals, razor-sharp funk-rock guitars, and one of the producer's traditional rubbery basslines. Closer "Attic Party", a breezy trip through deep space via the Adriatic, is also rather good.
Review: Former Silver City man Fernando Pulichino seems to be mellowing with age. Having previously explored punk-funk, nu-disco and deep house on his solo releases, he's now switched his focus to dub-influenced, slo-mo Balearic synth-rock. Many of the old trademarks are still present - think rubbery live bass, fluorescent, vintage-sounding synths and unfussy beats - but are here joined by fuzzy guitar solos and an evocative vocal from guest star Fiorucci. It's a potent blend, reminiscent of early '80s cosmic rock with a little more nu-disco nous. The original vocal version is joined by a delicious Extended Dub, which impressively stretches out the infectious, head-nodding groove.
Review: In its original form, Paul 'Mudd' Murphy's first collaboration with David Harks and Icelandic songstress JaneLy is a bubbly and hugely evocative chunk of Balearic synth-pop that sounds like a sunset anthem in waiting. It's genuinely great, and the Emperor Machine's accompanying remixes are equally as inspired. The former Chicken Lips man delivers Vocal and Instrumental versions of his main pass - a typically sparse, mind-altering affair that wraps analogue synth bubbles and wayward electronics around a chugging beat - as well as an even more spaced out "Lovers Dub" that cleverly incorporates a few more elements from Harks and Murphy's original whilst adding copious amounts of delay and even more cosmic electronics.
Review: David Harks is a British singer-songwriter based in Berlin, who used to be the frontman of an indie band. Since deciding to explore the world of electronic music he's worked with Nang regulars Satin Jackets and become a member of the FSOL-affiliated Amorphous Androgynous collective; then, back in March, he teamed up with nu-disco veteran Mudd, AKA Paul N Murphy, on 'Susta', and now here come two fresh rubs courtesy of deep house legend Ron Trent. Think the kind of soulful, sophisticated grown-up dance pop peddled by the likes of Moloko, Crazy P or Ananda Project, and you'll have a good idea what to expect here.
Review: Harvey Couture hails - like the legendary Sabreman! - from Ashby De La Zouch in Leicestershire, and here he comes to London-based "midtempo dancefloor specialists" Leng with his debut long-player. If your nu-disco tastes tend towards authentic-sounding pastiches of 70s/80s grooves, this album might not be for you: its blend of nu-disco, leftfield and electronic pop stylings is perhaps more likely to appeal to fans of acts like Hot Chip or LCD Soundsystem. Standouts include 'Passion', with its nods to early 80s Bowie, and the Cold War funk of 'Creme Solaire'.
Review: A man of many hats, DJ/producer Lex (Athens) co-owns Greece's Quantized Music label and for many years ran one of the nation's most important dance vinyl stores, Radical Soundz, as well as co-hosting the successful club night MOVE. Here he serves up three midtempo electronic workouts, with the title track (named after a Mayan fishing village) a laidback, looping, tropically-infused groove and 'The Jamail Pass' busting out the Hammond organ and a guitar line reminiscent of Izit's 'Beefa classic 'Stories', before 'Angels Of Rhythm (Still Bouncing)' takes us on proper deep funk excursion and no mistake, guv'nor.
Review: A couple of years back, Leng welcomed Greek DJ/producer Lex to the label roster. Real name Alex Andrikopoulos, he's well known in his home city of Athens where he ran the Radical Soundz record shop. Now the Athenian has returned with his debut album for the esteemed London nu-disco label titled Waving, which appears on the back of a handful of EPs for a variety of labels (Samosa, B2, Frole). Whether it's the blissed-out balearica of last year's well received first single "Punta Alien", the late night boogie-down vibe of "Window Spells" (feat Max Giovara), the lo-slung dance floor heater "La Di Da D"i, to the sultry and deep mood music of "Angels Of Rhythm" (Still Bouncing - feat Harriet Summer) or the lovely closer "Keep Mashing" with its classic UK broken beat influence - Waving is his boldest and strongest statement yet as a producer.
Review: Almost two years on from the release of his fine - if arguably under-appreciated - debut album Waving, Athens veteran Lex returns to Leng Records with an EP that combines killer revisions of album tracks with two previously unreleased originals. The remixes are particularly impressive, with Faze Action's wonderfully colourful, pitched-down Balearic nu-disco revision of 'Punta Allen' - where the Lee brothers successfully add to the original version's cheery musicality - being followed by Ruf Dug's gloriously eccentric, acid-flecked house-not-house version of 'Prezend'. Elsewhere, 'Super Awake' is an immersive, TB-303-sporting chunk of sunrise dancefloor psychedelia, and Locke hook-up 'Libre D'Amor' is a glassy-eyed chunk of piano-powered '80s house nostalgia.
Review: Although their name sounds like the kind of faux-scientific title students might use to legitimise wayward experiments with hallucinogenic fungi, Mushrooms Project are in fact bona fide nu-disco veterans. "16823" recently appeared on their Undergrass LP and now it gets its own pair of remixes. Brennan Green goes all linear and shimmering Balearic electro-disco on us, while Mudd go all analogue - delivering six minutes of restrained disco rock bliss.
Review: Ah yes, it's the unstoppable Mushroom Project back to dominate our nu-disco charts with their inimitable swagger, and it's the Leng label that welcomes the back with open arms. To be honest, we're overjoyed to see them again, especially if they're bringing this many tunes along with them - all marvellously diverse and rich in harmonic texture. "Rivea Corymbosa" and "Rio Paraiba Do Sol", for example, are simply two sublime slice of balearic funk, while other tunes like "Dirty Bolas" veer onto more beat-laden territories. Tribalism and funk are very much at the core of all these tunes, and while it's all too easy to go for the big names and forget those riding below the radar, this release by Mushroom Project is both some of the best music these guys have put out, and makes for one of the best EPs on our charts this week. Warmly recommended.
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