Review: After a hiatus of 24 months, Marvin & Guy finally return to action, in the process making a return to Life & Death - a label that released some of their earliest and most admired work - after six years. Predictably, they're in fine fettle, with the Italian twosome offering up a pair of weighty, peak-time ready club jams. Title track 'Who Dis' is fiendishly forthright and effortlessly weighty, with female rap samples, minor key motifs and rave-igniting stabs rising above filthy, mutant bass and jacking, sweat-soaked house beats. The retro-futrurist, acid house-meets-hip-house flex continues on 'Dance With Me (ACD Mix)', a TB-303-laden affair that's full to bursting with energy and sounds like a light-night anthem in the making.
Review: Sebra Cruz unleashes his debut album 'Don't Worry Psy Happy' on DJ Tennis' revered Life & Death imprint. The genre-defying LP encapsulates the Italian spirit in perfect style and comprises eleven daring tracks that experiment with various sounds including cinematic and ambient leaning sonics such as 'Optimist' and 'Poliziesco', the latter of which includes Gabriele Fabbri's atmospheric guitar riff throughout. 'The Siebel Road To Mars' is a powerful yet emotive record that samples current Italian President Sergio Mattarella between the piano and the extraterrestrial sound palette. 'Flying Junior', named after Cruz's own sailboat, emulates the peacefulness and tranquillity of the sea. Meanwhile, 'AltreCose', inspired by the energy of the Neapolitan people during Sebra's DJing residency in the 90s, is a high-energy disco-infused record. The album is a testament to the long-lasting and trusting collaborative relationship between Sebra Cruz and DJ Tennis.
Review: Jimi Jules drops his latest EP titled 'Free Bird', released via Life and Death Records. The four tracks featured on the release were written during the same sessions as his 2022 album '+', released on Innervisions. Each track encapsulates Jules' signature sound; a mix of hands-in-the-air anthems, chaotic house bangers, deep burners and contemplative moments. Overall, it showcases the Swiss producer's versatility and is a testament to his musical prowess, making it a must-listen for fans of global house and techno. It features the mesmerising and uplifting journey of the title track, the low slung funk groove of "Lil Dirty", while "Speed Meditation" is a good stomper for those heads down moments, and finally "Touched By Silence" sees him save the best for last on this glassy-eyed and bittersweet number that's perfect to drop at sunrise.
Review: Fresh from a high-profile release on Diplo's Higher Ground imprint, Carlita returns to her original musical home, Life & Death, with a predictably strong single. There are two fresh productions on offer (both presented in edited and extended form): title track 'Bon Trip', a sparkling slab of morning-fresh, sun-splashed brilliance in which glistening piano riffs and tactile synth-sounds rise above a chugging, arpeggio-driven bassline and unfussy, house-tempo drums, and 'Run Run Run', a more muscular, throbbing and driving chunk of immersive soundscape house. Krystal Klear delivers a terrifically energetic, loved-up and kaleidoscopic take on 'Bon Trip' full of his usual vibrant synth sounds and rushing breakdowns, before Red Axes give 'Run Run Run' a decidedly hallucinatory, acid-flecked revision that makes the most of Duddha's atmospheric vocal and Carlita's glassy-eyed chords.
Review: After three years away, Maurice Uzzan has returned to the Life & Death label with a two-part EP that cannily showcases the growing depth, variety and complexity of his dancefloor-focused productions. 'Discreet Moment Thing', the title track of the dual EP, kicks off this second volume, offering an attractively pulsating, occasionally foreboding workout that boasts distinctive nods towards both EBM and new beat - all stabbing, sequenced synth-bass, stuttering (and decidedly hallucinatory) vocal samples, sweaty drums and jacking intent. He moves further back in time for inspiration on 'Lady Cherry', whose warming chords, squelchy synth bass, twinkling keys, unfussy machine drums and pleasingly 1980s-sounding lead lines sound like they were inspired by Pet Shop Boys' first two albums.
Review: Under the now familiar Whitesquare alias, Maurice Uzzan has spent the last seven years bouncing between high profile and well-regarded labels such as Toy Tonics, Culprit, Freerange Records, DFTD and Life & Death. Here he returns to the latter label for the first time since 2019, delivering the first helping of a two-part release that tends towards the summery and celebratory. Opener 'Carte Blanche' is a driving, throbbing treat, with the Rome-based producer adding crunchy cowbells, spinetingling synth-pop chords, breakbeat bursts and mutilated male vocal samples to a druggy, intergalactic groove that reminded us of the most inspired 'space disco' moments of Hans-Peter Lindstron and Todd Terje. 'Lux Interior' meanwhile joins the dots between piano-laden Italian house, sweaty Italian house and glassy-eyed nu-disco.
Review: Having given rise to artists like Ashee, Kino Todo, Bawrut and the legendary Mr. Tophat in 2020, Life And Death now reveal a new project from Stefano Serafini aka Sebra Cruz. Debuting with a Siebel, Serafini's Cruz project sails the astralplane with the light, airy and melodic techno number "Hydroshima" that subtly touches on trance as it does a baerlic vibe. Turning in something more minimally inspired in the title-track, pianos and keys play a huge role in its emotive content which opens up to searing strings and pumping percussion without ever going overboard. Class.
Review: Celebrating ten years of his Life And Death label, DJ Tennis delivers a diverse compilation. Schwarzmann's "Octave Two" is a groovy, stripped back track that resounds to a bubbling groove and dayglo bleeps, while on "Agua", Prins Thomas delivers a searing, 303-led disco track. In stark contrast are Byetone and Gera Akate's electro breakers, while Red Axes veers into punk-funk territory with the wiry guitars and dubbed out FX of "Rasss". There really is something for every tate here, and the slamming techno of Fango's "Trattore", followed by the cosmic Italo of Vivian Koch's"Find Your Way Out" shows that Life And Death is a truly eclectic label.
Review: Israeli artist Kino Todo is up next on DJ Tennis's Life And Death imprint. Todo's multicultural sounds on Blue Shadow, as well as on Moscoman's Disco Halal have made him one of the most promising new artists in the scene. These are complex and characterful tracks that draw on a wide range of cultural references and reimagine them as dancefloor dynamite. Much like the EP's namesake, "Goa Kids" takes trance music motifs to create a slinky and hypnotic journey through sound, while the acid washed "Boom Shaki Boom" features fellow countrymen Red Axes. Finally, the low slung psychedelia of "Vocus Pocus" is perfect for Sunday afternoon drifting on the dancefloor.
Review: A straight 12 months since Italian producer Whitesquare debuted on Life And Death with the Visual Distortion Of Reality EP, Maurice Uzzan returns with Seventy Days Of Deja Vu. An '80s synth inspired mini-LP at large - made during a 70 day lockdown period - Whitesquare introduces a new kind of renegade funk to his sound, with tracks like "Roma Deserta" good enough for any action movie montage. Deeper tones, uplifting melodies and trance influences steal the show in "I've Been Here Before", with electronic basslines and touches of jazz instrumentation and percussion supporting the new age vibe of "Memories Of Tomorrow". Find ever-cascading chords, electro pan-pipes, pianos and some heavy Phil Collins-esque drum fills plotted between the slow motion Italo groove of "Same Day, Different Day" with a surprise section of jungle and breakbeat madness is "Fase Due".
Review: Swedish enfant terrible Mr Tophat breaks ranks with longtime collaborator (and Karlovak co-head) Art Alfie to fly solo on this new outing which, rather surprisingly, appears for the much lauded Life & Death imprint. The Junk Yard Connections main man presents "Time Lapse" taken from last year's album 'Dusk to Dawn' on Twilight Enterprise. At over 12 minutes long, the track is another Mr. Tophat masterclass in musical tension and narrative, featuring Noomi's seductive vocals throughout. Label boss DJ Tennis also steps up to add his own spin; a respectful rework which doesn't deviate too much from the original, just streamlines its groove for the dancefloor and accentuates all the track's euphoric and bittersweet elements.
Review: Climbing his way out of the mists of time and space with a stream of records for The Ransom Note this past decade, Italian producer out of Madrid, Bawrut, becomes the latest addition to Life and Death and Tale Of Us collective. He does so with three slower, long burning club, acid and synth numbers. All three tracks are defined by the slower 120 BPM rhythms with their own variations of pulsating basslines and rawkus electro melodies. "Drum Beat" goes for the trippy exotic approach, with "Rollin'" inhibiting a similar yet more percussive zone, to "Terza" fattening it up to the max.
Review: Following Eps for 20:20 Vision and Freerange, Whitesquare aka Maurice Uzzan makes his debut for Life And Death. This release draws on a number of sources for inspiration; on the title track, the bass is influenced by early 90s house, while the acid line is redolent of Josh Wink at his finest. The dreamy vocal samples and break beats on "Not Moving" could have come from a San Fran free party, while "Jasmine" is more grounded. Led by an earthy acid line and a stepping rhythm, it's one of the more functional tracks on this release - until DJ Tennis gets his hands on it and turns it into a rumbling, 303-led roller.
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