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Lost Palms

Steadfast - (5:29) 140 BPM Biggest-selling track on this release
Count It Off - (5:14) 136 BPM
Rapids - (5:51) 136 BPM
In The Ashes - (5:06) 132 BPM
Review: The Lost Palms team seem to have a real knack for finding sonic gems, with this latest episode of their catalogue being another stunning selection, with Subjoi providing a gorgeous four-track display of atmospheric garage-inspired precision. We open up with 'In The Ashes', a beautiful harmonic display across emotive piano melodies and delicate drums, followed by a slightly quicker, more sub-driven creation in 'Steadfast', a very worthy title track indeed. Next, 'Count It Off' ups the pace again with a chime-driven harmonic structure and more intense drum processing, before the choppy basslines and intricate chord delays of 'Rapids' put a fancy bow on top of an already well designed selection. Lovely stuff!
12 Nov 21
UK Garage
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Divine Reality
Divine Reality - (7:39) 126 BPM
Local Chain - (7:21) 122 BPM
Green Machine - (7:08) 123 BPM Biggest-selling track on this release
Review: London-based Detoiter Demi Riquisimo has been responsible for some high-quality music over the last 18 months, most notably a superb two-tracker on Homage and an electro-focused outing on 10 Questions. Divine Reality, the producer's Lost Palms label debut, is equally as striking. Riquisimo sets the tone with the sci-fi seeped title track, where classic Kraftwerk synths, psychedelic acid motifs and shimmering Motor City electronics rise above a crunchy drum machine beat, before exploring disco-fuelled loop jam territory on the unfeasibly funky 'Local Chain'. Arguably best of all though is closing cut 'Green Machine', a joyously camp and driving chunk of late-night Italo-disco rich in mid-'80s synth riffs, intergalactic chords and thrusting electronic bass.
24 Sep 21
Deep House
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Smart Digital Life
1722 - (4:07) 125 BPM
Spin - (5:12) 130 BPM
PAD MA - (4:20) 128 BPM
When I Wake Up - (4:45) 132 BPM Biggest-selling track on this release
Up High - (6:06) 116 BPM
Review: Since switching from Greco-Roman Records to Lost Palms last year, Andy Smith AKA Lxury has reinvented himself as a maker of colourful, hard-to-pigeonhole dance music that puts kaleidoscopic synth synths, dreamy chords, and loved-up vocal samples at the heart of the action. The producer's new trademark sound is much in evidence on Smart Digital Life, an expansive collection of cuts that's full of subtle (and not so subtle) nods to different dancefloor styles. Our picks of a very strong bunch include the pulsating, Italo-influenced throb of 'Pad Ma', the rave-igniting house bounce of 'When I Wake Up' - all looped vocal snippets, vintage Orbital riffs and carnival-ready drums - the mid-tempo deep house weight of 'Up High' and the huggable dreaminess of superb opener '1722'.
02 Jul 21
Deep House
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Amber Fade
Amber Fade - (5:45) 127 BPM Biggest-selling track on this release
Tilted - (6:15) 131 BPM
This Moment (I Feel) - (6:14) 122 BPM
Disappear - (6:36) 132 BPM
Start Again - (6:00) 124 BPM
04 Jun 21
Deep House
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In My Dreams
In My Dreams - (4:48) 119 BPM
21 May 21
Deep House
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Into The Past
Into The Past - (6:30) 128 BPM Biggest-selling track on this release
Strange Object - (5:51) 128 BPM
Calispo - (6:08) 127 BPM
Spitzer - (6:00) 125 BPM
Mars - (7:25) 128 BPM
Celestial - (6:57) 127 BPM
Review: In the space of a handful of EPs and contributions to compilations, Edinburgh-based Astro has developed a trademark sound that tends towards the starry and intergalactic. He further expands on this attractive sonic blueprint on Into The Past, the producer's most sizable offering yet. There's plenty to set the pulse racing across the six tracks on show, from the piano-powered, peak-time sci-fi house of the title track, to the squelchy, loved-up deep house bliss of 'Calipso' and the driving, immersive dancefloor futurism of 'Mars'. Also worth checking is ultra-deep shuffler 'Celestial', whose heavy sub-bass adds serious dancefloor weight, and the atmospheric, undulating brilliance of 'Strange Object'.
07 May 21
Deep House
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Shimmer - (5:24) 121 BPM Biggest-selling track on this release
If - (8:21) 123 BPM
23 Apr 21
Deep House
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Never Complain
I Was There - (7:17) 119 BPM
Very Funky, Very Soulful - (6:09) 121 BPM
Never Complain - (7:24) 122 BPM
Bouncing Back - (6:09) 125 BPM
Keep This Sound Going - (5:40) 118 BPM Biggest-selling track on this release
Feelings (Xdeep mix) - (5:36) 120 BPM
Le Ciel - (5:52) 118 BPM
Review: Having previously impressed via an appearance on Shall Not Fade's fifth anniversary compilation, Sylvain Creton AKA DJ Psychiatre has been offered a chance to showcase his developing sound via an EP on the Bristol imprint's Lost Palms offshoot. His trademark sound is dreamy, warming and colourful, with immersive pads, shimmering lead lines and ear-pleasing musical flourishes riding tactile house and breakbeat grooves. Highlights come thick and fast throughout, from the cheery, sunrise-ready shuffle of 'Very Funky, Very Soulful', and the ultra-deep late-night sleaze of 'Never Complain', to the woozy, drifting haziness of 'Keep This Sound Going' and the bleeping, Rhodes-sporting lusciousness of closing cut 'Le Ciel'.
19 Mar 21
Deep House
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Invisible In The Dark
Invisible In The Dark - (7:35) 127 BPM
Slugs - (7:07) 126 BPM
Hate The Taste Of Whiskey - (7:42) 125 BPM Biggest-selling track on this release
Departure - (7:34) 124 BPM
19 Feb 21
Deep House
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Hypnotize - (4:08) 126 BPM Biggest-selling track on this release
Seductive - (4:12) 126 BPM
L'aquitaine - (3:36) 127 BPM
Ineedyourightnow - (4:05) 128 BPM
L'Aquitaine (DJ Swagger remix) - (5:23) 133 BPM
Review: Since debuting via a well-received collaboration with pal DJ Swagger back in 2016, DJ Aedidias has only released a handful of singles, mostly on rather obscure imprints. This first outing on Lost Palms, then, amounts to the producer's highest-profile release to date. It's quietly impressive, too. For proof, check out bass-heavy opener 'Hypnotize', where drowsy deep house chords ride a bumpin' late-night beat, the spacey ambient chords and snappy US garage drums of 'Seductive', and the jazzier and arguably cheerier 'L'Aquitaine', where he makes use of some rather good synth stabs. Elsewhere, 'Ineedyourightnow' strikes a superb balance between sub-heavy hypnotism and dewy-eyed deep house bliss, while DJ Swagger's remix of L'Aquitaine is a heady, saucer-eyed wonder.
29 Jan 21
Deep House
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Bias - (5:37) 131 BPM
Desire - (5:04) 152 BPM
Alone - (7:07) 126 BPM Biggest-selling track on this release
Empty Nights - (6:06) 126 BPM
Review: From the deep south comes Australian producer Subjoi outta Adelaide to deliver Shall Not Fade sub-label Lost Palms a third solo release! Turning in a house, drum and bass, trance and hip hop inspired EP, Subjoi kicks it off with some Wu-Tang sample flavours in the looped and filtered house vibe of "Empty Nights". Enter some straight-up UKG vocals and Australian-pop synths done Bag Raiders style in "Alone" there's some raw and dusty drum and bass sequences thrown under a piano-laden track in "Desire". Turning to distorted amen breaks, jungle loops and drum and bass alongside some '90s trance inspirations in the title track "Bias" - Subjoi brings the love.
04 Dec 20
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Lost Boi
Questions? - (7:07) 131 BPM
Lost Boi - (5:23) 150 BPM
Where Didya Come From? - (5:43) 125 BPM
Justin Jay, Krywald & Farrer - "I Feel" - (6:41) 131 BPM Biggest-selling track on this release
Justin Jay, Benny Bridges, Krywald & Farrer - "Ramen With The Boys" - (6:08) 133 BPM
Wtf Dude...? - (6:15) 140 BPM
Review: Justin Jay has quietly amassed an impressive discography over the last seven years, delivering a mixture of high-grade techno, tech-house and deep house cuts. On his first outing for Shall Not Fade offshoot Lost Palms, the Los Angeles-based producer cannily concentrates on the deeper, warmer and more atmospheric end of his trademark sound, bouncing between dusty, sample-rich jams (the S3A style quiet jazziness of 'Where Didya Come From?'), up-tempo deep space electro ('Lost Boy'), bumpin' and immersive deep house melodiousness ('Questions') and off-kilter, decidedly psychedelic post-IDM electronica (the acid-fired 'WTF Dude?'). We'd also recommend collaborative crew cut 'Ramen With The Boys', a deep and dubby excursion where Benny Bridges, Krywald and Farrar all lend a hand.
13 Nov 20
Deep House
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Ego - (8:24) 127 BPM Biggest-selling track on this release
Tonpooleins - (6:57) 130 BPM
Highball - (7:37) 130 BPM
M-type - (8:44) 132 BPM
Parametric - (5:33) 125 BPM
Review: Brett Henderson AKA Computer Data is clearly one of Lost Palms' priorities for 2020, because this fine EP is the San Francisco-based producer's fourth single for the label this year. It picks up where its predecessor Seele left off, with Henderson first offering up the muscular but spacey deep house/techno fusion of 'Ego' - all energetic synth-bass, dreamy chords, bleary-eyed female vocal samples and bleeping melodies - before opting for a deeper, hazier and more hypnotic vibe on late night house shuffler 'Tonpooleins'. He reaches for the breakbeats on tactile, loved-up workout 'Highball', while 'M-Type' is a jacking, bass-heavy chunk of late-night techno sleaze. The trippy and psychedelic stomp of 'Parametric' rounds of another essential collection of Computer Data cuts.
25 Sep 20
Deep House
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Trinity Lounge
Skydance - (4:54) 119 BPM
Blue Orchid - (3:43) 122 BPM
Dimly Lit - (3:24) 127 BPM
Memphis - (5:46) 128 BPM Biggest-selling track on this release
Go (dub) - (4:33) 127 BPM
Review: Shall Not Fade sublabel Lost Palms turns it up again by welcoming young producer and artist LXURY to its fold with this five-track maxi, Trinity Lounge. An artist formally known for his output on (Joe from Hot Chip's) Greco-Roman label he joins a cast of artists on Lost Palms that includes the likes of DJ Boring, J.Tijn and Harrison BDP! This label debut sees LXURY turn in an uplifting ensemble of tracks that sees summer vibes, attractions and melodies clash and bounce with a fresh aesthetic of future club and bass music, explored through touches of disco in "Memphis" and "Go (dub)". With fluro basslines exploding like a Starburst commercial in "Skydance" to dubbier, stepping and '90s vibes in "Dimly Lit" alongside the obscure club pop of "Blue Orchid", LXURY becomes a new name in future house and two-step inspired music.
11 Sep 20
Deep House
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Eolian - (6:11) 126 BPM Biggest-selling track on this release
Losing Track - (6:16) 128 BPM
Enklave - (5:42) 101 BPM
Opulence - (5:16) 124 BPM
Laze - (5:15) 126 BPM
Ae - (3:26) 126 BPM
Review: Following fine, must-check outings on Craigie Knowes and Let's Play House, rising star Eluize pops up on Lost Palms with a varied and ear-pleasing mini-album. The Night Tide label founder hits the ground running with title track "Eolian", enveloping a trippy, psychedelic house groove with dreamy vocalizations and richly melodic synthesizer motifs, before heading for warehouse-ready jack territory on the mildly foreboding "Losing Track". She dips the tempo on deep and melancholic chugger "Enklave", while "Opulence" is a creepy, all-analogue workout tailor made for wonky early morning dances. Elsewhere, "Leaze" is heavily influenced by sparkling, mid-80s Jean-Michel Jarre records, and "Ae" is a delicious drift through twinkling, piano-laden downtempo pastures full of dreamy vocal textures and sun-bright melodies.
21 Aug 20
Deep House
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Slipping - (5:58) 132 BPM Biggest-selling track on this release
I Can't Keep My Head (He's Mine) - (5:34) 128 BPM
Corners - (5:21) 130 BPM
Getting Back To You - (6:54) 133 BPM
I Can't Keep My Head (He's Mine) (Will Silver remix) - (4:55) 80 BPM
14 Aug 20
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Seele - (8:25) 130 BPM Biggest-selling track on this release
Broken - (7:58) 130 BPM
Departure - (6:10) 130 BPM
Verloren - (8:13) 125 BPM
Verlust - (7:25) 125 BPM
Gleis Vier - (5:21) 157 BPM
Review: Earlier in the year, San Francisco artist Computer Data made the leap to Lost Palms with what we believe is his strongest and most impactful EP to date. Happily, we can report that this speedy sequel is every bit as alluring, offering a slightly more spacey and far-sighted blend of tracks. Highlights are plentiful throughout, from the ghostly and melancholic hypnotism of techno opener "Seele", and the revivalist deep acid house dreaminess of "Verloren", to the hazy lo-fi techno trip that is "Verlust". Redlined ambient cut "Gleis Veir" is a picturesque delight, too, while "Broken" is a breezy slab of melodic techno positivity.
17 Jul 20
Deep House
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The Jupiter Song - (7:28) 120 BPM
Hey, Keep Going - (6:49) 122 BPM
Acid Horizontal Polka - (6:05) 124 BPM Biggest-selling track on this release
Snake Jazz - (7:10) 120 BPM
Gotta Keep Us Separated - (5:59) 123 BPM
Review: Colombia's Felipe Gordon may be a relative newcomer to the scene, but on this superb five-tracker he evidences both a strong understanding/appreciation of dance music history and a remarkable degree of versatility in the studio. 'The Jupiter Song' is a garage-y affair built around stuttering Rhodes chords, 'Hey! Keep Going' takes us into acidic deep house territory and is one for locked-on 3am floors, 'Acid Horizontal Polka' is a proper 303 workout lightened by more garage-y keys, 'Snake Jazz' is a meandering, jazzual, sax-sprinkled drifter par excellence, and then finally 'Keep Us Separated' finds us back on more soulful ground.
29 May 20
Deep House
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Introspective - (6:06) 126 BPM
Musa - (5:59) 123 BPM
Smile - (6:08) 120 BPM
Lotus - (6:24) 127 BPM Biggest-selling track on this release
Review: Somewhat surprisingly, Danny 'Swoose' Simpson has not released a solo single (or album, for that matter) since making his debut on Made Fresh Daily way back in the summer of 2013. He's clearly been productive in that time, though, because this pleasingly melodious and atmospheric comeback single contains some of his strongest music to date. He begins via the drowsy Rhodes chords, twinkling lead lines, robust electronic motifs and skittish machine drums of "Introspective", before exploring more feverish, hallucinatory deep house territory on the neo-trance influenced "Musa". Elsewhere, "Smile" is a lolloping slab of hazy jazz-house deepness, while "Lotus" is an acid-flecked skip through DJ Seinfeld/DJ Boring style breakbeat-driven deep house dreaminess.
22 May 20
Deep House
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Keinrussisch - (6:02) 131 BPM
Abendrot - (10:13) 125 BPM
Baum - (5:59) 128 BPM
Selbstbesinnungen - (4:18) 127 BPM
Elektronisch - (7:13) 124 BPM
Healintro - (4:05) 127 BPM Biggest-selling track on this release
Review: Since first emerging in 2018, San Francisco artist Computer Data has offered up a handful of decent EPs on fairly obscure labels. This outing on Lost Palms is therefore is his most high profile release to date; happily, he's made the most of the opportunity. Across the six tracks you'll find a range of grooves and moods, from the ethereal, winter-crisp deep house beauty of "Abendrot" and the deep techno hustle of "Baum", to the bleeping, 21st century electro/breakbeat/deep house fusion of "Selbstbesinnungen" and the life-affirming ambient drift of "Healintro". Arguably best of all though is the rolling breakbeat house lusciousness of opener "Keinrussich".
27 Mar 20
Deep House
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Me & U
Me & U - (6:09) 125 BPM Biggest-selling track on this release
Back Down - (8:08) 126 BPM
Contrast - (6:02) 130 BPM
Has It Come To This - (4:28) 143 BPM
Joy - (5:18) 127 BPM
28 Feb 20
Deep House
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The Devil In Disguise - (9:37) 130 BPM Biggest-selling track on this release
Dark Water - (7:55) 126 BPM
Cathedrals - (10:21) 124 BPM
Reflections - (7:12) 130 BPM
Review: Some six months on from his last appearance on Lost Palms, rising star Harrison BDP returns to the Shall Not Fade offshoot with another must-check EP. It's arguably one of his most energetic and forthright releases to date, too, with opener "The Devil In Disguise" cheerily doffing a cap towards the piano-sporting, gospel-tinged techno rush of Motor City artists Terrence Parker and Floorplan. In contrast "Dark Water" is spacey, deep and dubby - if no less dancefloor-ready - while title track "Cathedrals" is a lusciously melodious shuffle into heavily electronic deep house territory. As if that wasn't enough to set the pulse racing, "Reflections" sees the Cardiff producer brilliantly join the dots between jazz-house, two-step garage and futurist techno.
17 Jan 20
Deep House
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Dancing For You
3am Central Line - (6:15) 122 BPM
Latin Tongue - (5:53) 127 BPM
Don't Wanna Stop - (6:36) 125 BPM Biggest-selling track on this release
Minds Nature - (4:51) 129 BPM
Review: Next up on Lost Palms is 1-800 Girls aka Jake Stewart. Dancing is an atmospheric affair that is sure to appeal to fans of more esoteric techno. "3am Central Line" opens the release with a gentle, stepping groove and squelchy acid lines, while in a similar style is "Latin Tongue": the 303s have been replaced with breathy, billowing synths, but the punchy drums remain. On "Don't Wanna Stop", Stewart ups the tempo to deliver rolling break beats, but they deliver jazzy keys, while the EP concludes with "Minds Nature", an evocative piece of music that has echoes of 90s ambient.
29 Nov 19
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Watching The World Go By
Red Sky - (6:18) 128 BPM Biggest-selling track on this release
Watching The World Go By - (9:34) 126 BPM
Stuck In Limbo - (9:19) 127 BPM
Foxgloves - (8:00) 120 BPM
18 Oct 19
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Similar Steps
L.o.v.e. - (5:45) 124 BPM
Similar Steps - (5:23) 124 BPM Biggest-selling track on this release
Red October - (6:10) 120 BPM
Next Time - (6:23) 125 BPM
Played by: Iron Curtis
Review: London-based duo Zoo Look (Join The Dots/Tsuba/No Fit State) serve up four deep and dreamy jams for Shall Not Fade's sub-label Lost Palms. Kicking off with the sultry groove of "Love", followed by the groovy title track that's perefct for the summer and covered in that perfect sheen of dust and mandatory saturation. Finally "Red October" goes for more melancholic vibe, powered by its broken beat and evocative chords.
05 Jul 19
Deep House
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Crystal Voyage
Big Wednesday - (5:53) 121 BPM Biggest-selling track on this release
Crystal Voyage - (6:06) 128 BPM
Haole House Trax - (5:55) 125 BPM
Washed Out - (5:33) 83 BPM
Siren Song - (4:40) 140 BPM
05 Apr 19
Deep House
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Yearning For Yesterday
Immortal - (9:30) 128 BPM
Machine Ghosts - (8:43) 126 BPM
Seperation - (8:10) 127 BPM Biggest-selling track on this release
Yearning For Yesterday - (7:20) 127 BPM
14 Dec 18
Deep House
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Sunny Winter Morning
Sunny Winter Morning - (5:21) 123 BPM
Again & Again - (5:58) 125 BPM Biggest-selling track on this release
Night Train (feat Module One) - (6:05) 118 BPM
Chords To Dream - (3:32) 111 BPM
26 Oct 18
Deep House
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Take Care
Flow - (5:30) 128 BPM
Obsession - (5:32) 122 BPM
Take Care - (5:07) 125 BPM Biggest-selling track on this release
Take Care (DJ Heure remix) - (6:11) 125 BPM
07 Sep 18
Deep House
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Be Like Water
Brute - (8:22) 126 BPM
Be Like Water - (7:21) 126 BPM Biggest-selling track on this release
Easy Does It - (6:26) 126 BPM
Implosion - (7:07) 130 BPM
Review: Cardiff producer Harrison BDP has been on fine form this year, releasing impressive EPs on Piff, Enclave and Lost Palms. Here he returns to the latter with four more reasons to be cheerful. He begins with the spine-tingling late night brilliance of "Brute", where blissful, saucer-eyed breakdowns make way for bouncy, retro-futurist grooves, before re-imagining classic dream house via the picturesque shuffle of "Be Like Water". Elsewhere, the Welsh producer makes merry with psychedelic acid lines, dreamy chords and rubbery beats on "Easy Does It", while closer "Implosion" is a techno tempo surge of melodious positivity that's near impossible to dislike.
03 Aug 18
Deep House
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Haus Am Pazifik - (6:57) 117 BPM
Holdin' On - (5:26) 126 BPM Biggest-selling track on this release
Where U Get - (5:31) 130 BPM
I Can Count On You - (5:48) 125 BPM
06 Jul 18
Deep House
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Soul Brother
Born Funky - (5:27) 120 BPM Biggest-selling track on this release
Soul Brother - (6:20) 122 BPM
Move Like That - (5:24) 126 BPM
I Had No - (5:25) 120 BPM
Played by: Dave Lee ZR
22 Jun 18
Deep House
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Fading - (4:33) 120 BPM
No Smoke - (7:36) 127 BPM Biggest-selling track on this release
Mango Lexus - (6:28) 124 BPM
Mango Lexus (TRP remix) - (6:09) 128 BPM
22 Jun 18
Deep House
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Fade Back From Reality
Contact Light - (8:59) 126 BPM
Fade Back - (8:26) 126 BPM
It's All Just Sound - (9:29) 126 BPM
Panacea - (8:00) 126 BPM Biggest-selling track on this release
15 Jun 18
Deep House
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The Deluge
Ellesse - (5:01) 134 BPM Biggest-selling track on this release
Mood Bin - (5:47) 130 BPM
Slouchy - (5:11) 104 BPM
Concave - (5:20) 129 BPM
27 Apr 18
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Negative Spaces
Last Night She Left The Ground - (7:25) 127 BPM Biggest-selling track on this release
Today I - (3:59) 148 BPM
Dust - (7:04) 128 BPM
Inside Of Me - (7:26) 117 BPM
Review: Trudge is back on Shall Not Fade offshoot Lost Palms, almost a year on from the awesome 2017 EP When The Rain. Once again, the Parisian's lo-fi house exploits are in top form - from the raw and rusty locomotion of dynamic opener "Last Night She Left The Ground" that's awash in trails of plate reverb and celestial FM pads, the dark ambient interlude "Today I" which allows you to catch your breath until "Dust" gives your dose of deeply ethereal electro. Closing out proceedings is the euphoric/hypnotic acid epic "Inside Of Me" allowing for free fall motion down the vortex via the dancefloor. More promising stuff that follows up stellar work on labels such as Ave Traxx, Of Paradise and Dance Around 88.
23 Mar 18
Deep House
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Their Eyes Locked - (5:08) 116 BPM
Vanished - (6:39) 128 BPM
On & On - (5:35) 130 BPM
Flying Ballons - (4:49) 128 BPM Biggest-selling track on this release
Review: Last time we heard from Lock Eyes (AKA London-based Italian Pierfranco Demita), he was serving up wild blends of techno, acid house and electro on Lobster Theremin. Interestingly, this EP for Shall Not Fade offshoot Lost Palms is an altogether more melodious and positive affair, with greater use of spacey but sparkling synthesizer lines and bustling drums. These traits are particularly noticeable on the breakbeat driven headiness of "Vanished", which includes subtle nods towards 1990 style "bleep and breaks" hardcore releases, and the enveloping brilliance of Detroit techno-goes-deep-house rush of "On and On". That said, many will enjoy the energy-given cymbal lines, spiraling acid motifs and meandering analogue bass of "Flying Balloons", while off-kilter opener "Their Eyes Locked" is a fizzing aural treat.
23 Feb 18
Deep House
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Yucatan Channel
Todos Los Latinos - (4:01) 128 BPM
Yucatan Channel - (5:05) 134 BPM
Velvet Rope - (5:04) 116 BPM Biggest-selling track on this release
Velvet Rope (DJ Boring remix) - (7:17) 123 BPM
Review: Fresh from serving up the scintillating Trasnformations EP on Underthesea, Brooklyn-based X-Coast (AKA Serbia-born producer Bojan Cizmic) makes his bow on Lost Palms. This time round, he's joined on writing and production duties by Tristan Hallis, better known as DJ Boring. Musically, the EP is as jaunty, fired-up and fizzing as you'd expect, with both "Todos Los Latinos" and the more anthem-like "Yucatan Channel" sounding like a fusion of Sound Factory era Junior Vasquez productions and saucer-eyed early '90s Italian piano house. Those looking for more tactile, head-in-the-clouds thrills should check the ambient house era sunrise revivalism of "Velvet Rope". Hallis dons the DJ Boring alias to remix the latter track, in the process turning in a slightly tougher but even more loved-up interpretation.
12 Jan 18
Deep House
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I Gave You Everything
Deprive Me Of Air - (7:11) 126 BPM Biggest-selling track on this release
Cafe Luna - (5:38) 125 BPM
I Gave You Everything - (6:43) 120 BPM
Exit - (5:37) 122 BPM
Review: Lo-fi house merchant from Poland Bartosz Kruczynski returns as Earth Trax with another serving of retroactive VHS styled dreams. Also known as The Phantom, he has had previous releases on current 'it' labels such as Rhythm Section Intl, Dopeness Galore and Emotional Response. "Deprive Me of Air" is a sensual groove that bounces away deeply assisted by low-bit rate beats, granular pads and all beneath the mandatory layers of tape hiss. "Cafe Luna" is his way of channelling early Warp Records style ambient electronica: loved this one! On the flip, "I Gave You Everything" is a nice one too features all the tropical Amazonian aesthetics of 808 State style acid house from back in the day.
20 Oct 17
Deep House
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Goin Home
Goin Home - (6:49) 124 BPM Biggest-selling track on this release
Overboard - (5:49) 125 BPM
Cruise Control - (5:45) 125 BPM
Rush Hour - (5:26) 125 BPM
28 Aug 17
Deep House
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What I Need
Get With You - (6:21) 127 BPM
Brick Street - (5:40) 123 BPM Biggest-selling track on this release
What I Need - (4:35) 120 BPM
At Night - (6:04) 125 BPM
Review: Lost Palms' latest EP showcases the work of Anthony Fade, an Aussie twosome whose members (Brendon Zacharias and Mike 'Jenson Interceptor' Melas) have both previously impressed via rock solid solo releases. What I Need sees them in a retro-futurist frame of mind, combining bumping, no-nonsense, redlined house bats with a variety of hazy musical elements. Some will compare the energy, riffs and glassy-eyed vocal samples of "Get With You" to rave-era British productions, while the deep and jazzy warmth of "What I Need" is similar in tone to the kind of woozy, sun-kissed material regularly found on Rhythm Section International releases. Elsewhere, closer "At Night" is dark, thickset, driving and hugely atmospheric, while "Brick Street" tips a wink to classic Chez material.
17 Aug 17
Deep House
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When The Rain
When The Rain - (6:56) 121 BPM Biggest-selling track on this release
Deep Eyes Blue Skies - (6:40) 122 BPM
Her Touch - (6:10) 126 BPM
True Stories Can't Be Told - (6:51) 123 BPM
04 Aug 17
Minimal/Tech House
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Goin Good
Da Mind Da Body Da Soul - (5:38) 133 BPM Biggest-selling track on this release
No Fuss - (5:49) 127 BPM
Goin Good - (6:46) 126 BPM
Chinaski - (6:28) 127 BPM
04 Aug 17
from $1.49
Rendezvous - (6:34) 123 BPM
Angel - (6:46) 120 BPM Biggest-selling track on this release
ISO - (4:45) 123 BPM
ISO (DJ Seinfeld Remix) - (5:51) 130 BPM
Review: Like so many others of late, Baltra seems to be looking to the halcyon days of Italian dream house for inspiration. While it's easy to identify plenty of other influences across the four tracks - the rough-round-the-edges feel of lo-fi analogue house, the undulating TB-303 lines of Chicago acid (see the fuzzy deep house bliss of "Angel"), early British ambient house (the woozy and becalmed "ISO") - it's the grandiose, stretched-out pads and saucer-eyed atmospherics of vintage Italo dreaminess that catches the ear throughout. These are most evident on superb opener "Rendezvous", but can also be heard accompanying the shuffling two-step rhythms and evocative field recordings that mark out DJ Seinfeld's superb remix of "ISO".
04 Aug 17
Deep House
from $1.49


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