Desolate Cities - (6:49) 127 BPM Biggest-selling track on this release
   
Give This World - (6:29) 119 BPM
MOSDEEP 004
08 Nov 10
Techno
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Starfist Lazerbeam - (5:44) 118 BPM
   
Passion - (6:48) 126 BPM Biggest-selling track on this release
Played by: Posthuman, Troy Pierce
MOSDEEP 022
13 Apr 15
Deep House
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My Guarding Angel - (6:15) 129 BPM
   
Never Be The Same - (7:06) 129 BPM Biggest-selling track on this release
   
Shattered Soul - (7:33) 129 BPM
   
Mourning My Mother - (7:46) 129 BPM
Played by: Paul Mac
MOSDEEP 023
30 Mar 15
Techno
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Lonely Heart - (5:55) 125 BPM Biggest-selling track on this release
   
Sleepless Nights - (5:06) 127 BPM
   
Dry Tears - (6:40) 127 BPM
   
Mom's Spirit - (5:37) 127 BPM
Played by: Honey Soundsystem
MOSDEEP 028
27 Jan 17
Techno
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Salvation (original version) - (5:29) 110 BPM
   
Salvation (dub version) - (5:58) 110 BPM
   
Salvation (Spaventi D'Azzurro remake) - (5:46) 115 BPM Biggest-selling track on this release
AOG 01
09 Jun 14
Disco/Nu-Disco
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The Way We Love (original mix) - (6:05) 119 BPM
   
The Way We Love (Reprise) - (3:44) 146 BPM
   
The Way We Move (original mix) - (8:08) 118 BPM Biggest-selling track on this release
   
The Way We Move (Spaventi rework) - (6:39) 118 BPM
Review: Hot on the heels of the recent ASOK EP, label owner Aroy Dee teams up with Ma Spaventi to deliver the next MOS release. Both artists have been quiet on the release front over the past few years, but this split EP has been clearly worth the wait. In its original format, the title track is a wonderfully atmospheric serving of Chicago meets Detroit, with soulful vocals and eerie synths unfolding over rolling drums and powerful thunderclaps. The 'reprise' ventures down an ambient path, but "The Way We Move" is more in keeping with the title track style wise, with similar grainy kicks and hushed vocal tones spookily moving in and out of the arrangement. Few labels do this kind of soulful techno-house better than MOS.
MOS 026
21 Jun 19
Techno
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Future Wars - (7:23) 124 BPM
   
Final Battle - (7:18) 124 BPM
   
Interaction - (6:39) 123 BPM Biggest-selling track on this release
   
Abandoned Places - (6:21) 122 BPM
Played by: NYMA
MOSDEEP 024
11 May 15
Deep House
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Better Dead Than Alien - (7:07) 127 BPM Biggest-selling track on this release
   
Find A Way - (6:58) 131 BPM
   
Many Locations - (7:57) 131 BPM
   
Baal - (6:38) 127 BPM
Review: Stu Robinson aka ASOK returns to MOS after four years with his idiosyncratic take on techno and house music. The title track is a stripped back, bleep-laden affair, its gritty rhythm underpinning fuzzy, hazy synth lines. On "Find A Way", the UK producer delivers crisp break beats, busy percussion and a lumbering bass as a backdrop for shiny hooks and bubbling acid lines, while "Many Locations" sees the UK producer go deeper. Similar in style to other contemporary producers like Simoncino and John Heckle, the rolling drums and atmospheric synths sound inspired by vintage Larry Heard. Changing course once again, Robinson ends his comeback on Aroy Dee's label with the beatsy "Baal".
MOS 025
08 Feb 19
Techno
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Project Poltergeist - (7:58) 123 BPM Biggest-selling track on this release
   
Smash Dimensions - (5:04) 120 BPM
   
Walker - (8:27) 116 BPM
   
Captain Blood - (7:05) 122 BPM
Review: Having got a taste for all things Liverpool with last year's long overdue MOS Recordings debut of John Heckle, Aroy Dee has clearly surveyed the area for further talent and struck gold once more with this slammer from ASOK. The production mantle of Scenery Records boss Stu Robertson, ASOK has seen him trade his D&B roots for raw, analogue house and techno and following the one contribution to a Use Of Weapons records this Poltergeist slab represents his most high profile release to date. Ease yourself into the four tracks on this MOS DEEP release and you can hear why Aroy Dee wanted some ASOK action, with lead track "Project Poltergeist" using the minimum of elements - cascading acid lines, swift hats and a fluttering chord line - to impressive effect. "Smash Dimensions" and "Walker" are ASOK in stripped back and deep mode respectively whilst "Captain Blood" is the sort of ascendant track a jobbing house DJ will gravitate towards. A superb release on MOS - just as you'd expect!
MOSDEEP 018
24 Feb 14
Deep House
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Long Weekend - (7:33) 128 BPM Biggest-selling track on this release
   
1Lb Of Flesh - (5:28) 120 BPM
   
Acid Test - (4:25) 129 BPM
MOSDEEP 019
12 May 14
Deep House
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Ponderosa - (6:37) 123 BPM Biggest-selling track on this release
   
Pancake Breakfast - (6:14) 125 BPM
   
Firetruck Sunday - (5:48) 125 BPM
   
To The Westfield - (5:20) 125 BPM
MOS 017
11 Jun 12
Deep House
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Heavens & Angels (extended version) - (5:53) 120 BPM Biggest-selling track on this release
   
Heavens & Angels (mix 6) - (7:04) 120 BPM
   
Heaven (Aroy's edit) - (5:00) 120 BPM
MOSDEEP 001
31 Jul 09
Techno
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Bad Driver (Aroy edit) - (6:09) 120 BPM Biggest-selling track on this release
   
Lager Nord - (6:33) 120 BPM
   
Lager (Obsolete Music Technology remix) - (6:19) 122 BPM
MOSDEEP 007
18 Jul 11
Deep House
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Crystal Maze - "Dr Claw" - (5:36) 125 BPM
   
RAG - "Larry Venom" - (5:57) 124 BPM Biggest-selling track on this release
COSMOS 007
07 Oct 19
Minimal/Tech House
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How Are We Doing? - (5:33) 123 BPM Biggest-selling track on this release
   
A Second Earth - (6:08) 120 BPM
MOSDEEP 008
10 Oct 11
Deep House
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Set Free - (5:29) 122 BPM Biggest-selling track on this release
   
Tonight - (5:00) 160 BPM
Played by: Recloose, Shadow Dancer
Review: US DJ/producer D'Marc Cantu continues the M
MOSDEEP 005
28 Feb 11
Techno
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Good - (5:57) 125 BPM
   
Spirit Form - (6:18) 120 BPM
   
Mobile Communication - (5:38) 125 BPM
   
The First Planet - (5:48) 115 BPM
   
Genetic Script - (6:07) 153 BPM
   
Try Me - (6:30) Biggest-selling track on this release
   
Green Bike Seat - (5:43) 128 BPM
   
The Other Side Of House - (5:24) 120 BPM
Played by: Perc, Paul Mac, French Fries
Review: D'Marc Cantu may have languished in the shadow of his more high-profile associates Traxx and James T. Cotton, but A New World, his second artist album in as many years shows that he should be viewed as being the master of his own destiny rather than an engaging sideshow. Indeed, one of the most noticeable aspects of A New World is the lack of Jakbeat, the primal interpretation of Chicago house that the Nation stable of artists have developed. When it does rear its grungy head, it does so in the most irresistibly creepy manner; "Green Bike Sea" starts with rolling snares and leads to a grainy bass and shaking percussion underpinning muffled vocals and bleeding acid lines. "Try Me" is meaner and yet more suggestive, with the scent of blood and sweat-caked bar counters rising over a red-lit, heaving bass. However, this is not an album about shebeens and one-night stands with random strangers, but rather a reflective, more introverted work. "Mobile Communication" sees heavy claps supporting bleeding, bleepy bass licks, but it's merely a prelude for "The First Planet". Inspired by Detroit techno, it's Cantu's piece de resistance: atmospheric synths arc slowly upwards, their acidic undercurrent like tail lights on a jumbo jet as they reach into the upper levels of the night sky, hopefully guiding Cantu towards greater recognition.
MOS-LP1
23 Jul 12
Techno
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Beauty (original mix) - (6:59) 123 BPM Biggest-selling track on this release
   
Beauty (Ra Hs Cabinet mix) - (6:52) 123 BPM
   
Life - (5:39) 123 BPM
MOS 014
09 May 11
Progressive House
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Pure (R A G bass mix) - (7:55) 118 BPM
   
Until The Music Dies (DMarc Cantu remix) - (5:10) 73 BPM
   
City Of Others (Paul Du Lac rhythm rework) - (5:04) 120 BPM Biggest-selling track on this release
   
City Of Others (Cliff Lothar subway dub) - (6:35) 120 BPM
Played by: Tom Demac
Review: Last year M>O>S boss Aroy Dee released his debut album Sketches, an album of classic drum machine heavy house and techno. Now come the remixes, or re-sketches, with Dee searching out Bio Rhythm chief Paul du Lac, label affiliate D'Marc Cantu, Skudge White debutant Cliff Lothar and Dee's own R-A-G trio for creative interpretation. All four reworks stay true to the original, Chicago and Detroit influenced sound of the album, and R-A-G's bass mix, although heavy in low end, soars into cosmic fields. Cantu, deftly rides the faders and distortion units in his remix of "Until The Music Dies" while du Lac's submission is reminiscent of Tobias Freund's classic "Street Knowledge". And for something a little dubbier check out Lothar's mix of "City Of Others".
MOS 021
02 Feb 15
Deep House
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Summer (Bright) - (8:34) 120 BPM
   
Life Of Raw - (8:39) 122 BPM Biggest-selling track on this release
   
All That Remains - (6:08) 120 BPM
   
Summer (Dark) - (7:12) 120 BPM
   
Sphere - (1:28) 133 BPM
MOS 009
22 Sep 08
Techno
 Buy
from $1.49

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