Review: If your broken beat tastes lean towards the glitchy, leftfield and experimental side of the street, you'll find much to enjoy on this latest full-length from German trio Kuf - their fourth since 2014. Looped, stuttered beats and chopped-up samples abound, making 'Yield' a set that'll appeal to fans of labels such as Ninja Tune and Warp. For this writer, though, it's the album's mellower moments that stand out: cuts like 'Seem To Take' and '9' bring us a hazy, Balearic take on contemporary jazz while there's a certain appealing, laidback lounginess to 'Ah Oh' and, in particular, closer 'Long Before'.
Review: Austrian act Elektro Guzzi squeeze primal techno shapes from a traditional band format of guitars, bass and drums. On Clones, their fourth album for Stefan Goldmann's label, it sounds like they have perfected this art. From the glitchy, grimy "Room" through the galloping bongo-heavy, LCD Soundsystem rhythm and breathy synths of "Voix", this album shows that they bring a wide-ranging approach to live dance music. As the murky noise and crashing drums of "Slowfox" and the epic melodies and shuffling electro beats of "Element" both demonstrate, this album also proves that Elektro Guzzi are far more than the average three-piece band posing as techno auteurs.
Review: Stefan Goldmann's label has made a very astute move by releasing music from Rroxymore. Fresh form the Decon/Recon 1 release with Oni Ayhun, Paula Temple and Planningtorock, Tautologies sees her deliver three advanced, futuristic grooves. Bridging the gap between house and techno, "Darksun" is a lithe, organic groove that shifts and rolls incessantly, riding a torrent of bleeps and deft filters. "Q19" and "Dff" are in a similar mode, but more abstract; the former resonates to chim-ing bells in much the same way as Efdemin's music, while the latter houses drones and wind chimes in its drum-heavy, rolling groove.
Review: This young producer has only put out three releases so far, but he is already developing a distinctive identity. Merging found sounds, subtle abstractions and detuned offbeat trance melodies, his latest release sees him bring this bizarre but engaging approach a few steps further. "A Night Out With Therese" is typical of Stamm's sound, fusing tough stomping beats with a resonating, bleep bass and dramatic drops and effects. The title track is even more unusual in that it combines screeching background noises with banging beats and frosty trance melodies. On a different tack is "That Kid From Newport"; while it too is banging and full on, is covered in an acrid acidic veil.
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