Review: Having previously released on the likes of Icarus Audio, P Lab and Subplate, Aussie artist Jaise levels up with this massive debut on Metalheadz. Hitting the label spot perfectly with a precision balance of soul, emotion and hardcore futurism, the drama is palpable from the off as the chords ease us into submission on 'Backwards Step' before 'In Conversation' takes us into cinematic overload. Deeper into the EP we glide to hit the ravy stabs and cataclysmic pressure of the title track 'The Client' before 'Delete Completed' closes the EP with vast swathes of tension. What a label debut!
Review: In case you're new to this drum & bass malarky, or you've been asleep for the last 30 years, when it comes to D&B albums then Metalheadz is one of the best. Dealing strictly in journeys, adventures and detailed peaks into the artists' psyche, they're built to last and work well on both dancefloors and on headphones / at home. Take Phase's long-awaited debut here. Following opuses from the like of Mikal, Blocks & Escher and Agzilla, the Belgian talent whips up a creative storm that ranges from the hard rave KOs of 'Stress Out' to the wonderful ambient bliss of 'Flowstone' and back again. Essential.
Review: Not to be confused with Mufasa's evil bitter brother in Lion King, Survival and Script's Scar alias is one of the flagship acts in Metalheadz premiership and this is their first new material since their pre-lockdown album High Fives & Devil Eyes. Heavyweight as ever, each track punches with both emotional and physical energy. Highlights include the toxic sludge bassline on 'Why', the pristine Good Looking dreaminess and gorgeous flutes on 'All I See' and the hurricane soul of the finale track with Ella Sopp 'Falling Down'. High grade material.
Review: Two of the scene's most established producers and a pair for whom Metalheadz is a familiar friend, John B & Digital are back on the label with a joint single. This one is proper business and although the elements used are basic, the results are spectacular and prove once more that vibey drum & bass is best left simple, raw and full of energy. That description aptly describes the B-side to this, as Digital and John roll things out amidst a flurry of hats and snares, topped off by an archetypal bassline that stretches its legs in satisfying fashion. The A-side is almost liquid in its lounging atmosphere, but it too has a naughty kick to it that reminds you just what label you're on. Superb.
Review: The 25 years of Metalheadz march continues and this time it's the job of Mark System, one of the label's most reliable stalwarts and an all-round incredible producer. For this single he's gone full old school jungle, and the results are acid-inflected masterclasses in how to construct stripped back drum & bass beats. 'On Top' is the highlight of the single, and the bounciness in the drums moves with clear precision through rolling waves of progression, a true journey through clubland sound that really lives up to the 25 year legacy of this label.
Review: One of several big labels with pivotal anniversaries this year, Metalheadz continue their streak of 25 year releases with this monster, a single by Asylum featuring remakes of his legendary track 'Da Base II Dark'. In its remastered version, the original shines even brighter, as those timeless drums rattle to the beat of the aspirations of the 90s, and subtle yet strong bass notes creep into your consciousness, around funky touches and supreme attention to detail. The Stealth remix takes it to an entirely different place, one of pure violence and unadulterated dancefloor hedonism, a smash and grab raid designed to steal your dignity and leave you in a daze. Pure brilliance from the Headz crew.
Review: This joint release by Inner Terrain and Wreckless is classic Headz from start to finish. The drums are perfect, the basses gargle with other-worldly aggression and the textural quality of every element is daubed in underground material. The title track is an ideal example, as a monotonous and hugely entertaining introduction needles into your soul, a foreboding prelude to a drop that's indistinct and spaced out, the focus here isn't on pure adrenaline but the construction of a journey through industrial soundscapes. 'Big Drama' is one of the dancefloor-facing cuts available, with a suspenseful build that collapses into the sheer ecstasy of punching stabs and shuddering frequencies.
Review: This debut EP from Response goes back to the classic Headz formula; honest drums, basslines that won't quit and stripped back sense of purity. It's more barebones and relaxed than the label's recent work and it's a flip that works extremely well, as Response rolls things out with a feeling of careless abandon. That's not to say there isn't toughness on here, however, as 'Manhunter' pushes growling bass barks underneath an outer layer of crisp hi-hats and back alley snare hits. 'Betrayal' is space-age, Bukem-style luxury, a panoramic journey through celestial tones that makes you feel lighter than air; this is proper liquid. An all-round masterclass!
Review: Metalheadz's march towards twenty five years continues, as does their revisitation and exploration of back catalogue classics, with a twist. Episode number three takes the furious sounds of Kaotic Chemistry's 'Drum Trip' and 'Jupiter' and reworks them, with production courtesy of Detboi, Madcap, Wheeler and Kaotic Chemistry themselves. Madcap's take on 'Drum Trip' is clean and precise, with a rolling drum break that builds through a gorgeous reece line for an instantly classic sound, one that's tied with the Metalheadz aesthetic both past and present. Detboi makes two contributions, and it's his Low Ends and Amens take on 'Drum Trip' that impresses most, with the rhythmic diversity he's become known for on full display, and Detboi sprints through downtempo breaks, stuttering claps and rusty percussive textures in his quest to create something with moodiness at its core. Finally, Kaotic Chemistry themselves turn 'Jupiter' into a fractious version of its former self, one which perfectly straddles the divide between jungle experimentalism and modern toughness. Seminal.
Review: If you like your drum & bass packed with eerie soundscapes and created more with the intention of imparting an experience than packing out a dancefloor, this is the EP for you. It's classic moody Headz, and Quartz channels the hazy smoke-filled vibe of Blue Note and pumps it through an apocalyptic filter, transposing classical breaks onto futuristic landscapes. 'Folding Water' is perhaps the EP's darkest outing, as hypnotic kicks ground a steampunk aesthetic of churning metal and furious percussive energy, one with abstraction at its core but traditional breaks music in its heart. Superb release.
Review: There are few intros as iconic as that of John B's 'Up All Night'. It's the tune which launched the career of drum & bass' glitter adorned, pop fusion superstar, and what a way to make an entrance. Featherweight flutters and foreboding stabs aside, this three-tracker presages a broader 25 Years of Metalheadz release that will surely be one of the year's best, a part-nostalgia, part-future looking release that charts the history of drum & bass' most seminal imprint. 'Up All Night' gets a 2021 remastered relick, whilst Data 3 step up and flip proceedings on their head with a deeply techy, superbly engineered dancefloor remake that's been blowing up the virtual and physical dance for some time now. Finally, John's 'Epic Mix' stretches out the intro and amps up the suspense, as clattering breaks cement his place in the history books. Utterly superb.
Review: Mikal is without a doubt one of the best purveyors of breaksy music around. It's slightly criminal that he doesn't get landed with this title more and hopefully his new album - Metalwork - changes things. It's a sensational album, a truly impressive tour-de-force of halftime and breakbeats, a showcase of just how raw and unfiltered drum & bass can be. It's exceedingly hard to pick out standouts because they all work so well, but 'Metalwork' itself is something special; a spacious, cutting edge track that rests on a monstrous kick-snare combination and just goes from there. The expansive bassline of 'Scrapyard Dub', the furious breaks of 'Breaks & Pads'...it doesn't get much better.
Review: John Rolodex was one of the premier beat merchants of the Noughties, with a string of hit EPs on both Metalheadz and his Machinist imprint. It's been a decade since then, but his recent revival has brought new music to first his own label and now Headz, with The Rainmaker EP reminding all of us just how talented this man is. It's classic Headz and classic Rolodex, as underground percussion collides head-on with subterranean, low frequency shudders. The title tune sets the tone; a fractious, junglist construction that sees tumbling breaks raucously clash below a juxtaposedly smooth vocal hook, a proper crossover breaks number that reminds us of Goldie's previous work. The other tunes stretch things out a bit, as 'Unadorned' bounces through the shadows with an-almost foghorn approach; 'La Bodega' growls its choppy melody; and 'Opulence' clicks in the percussion and snarls in the bassline.
Review: Goldie's 2017 magnum opus - The Journey Man - has gone under the surgeon's knife of some of the best artists in the Metalheadz roster and the result is a sensational two-part collection of sounds from across drum and bass and beyond. This is the first part, and it kicks off with a classic old-school remix from Digital & Spirit, two artists who have done so much to define the modern Metalheadz aesthetic. Their take on 'I Think Of You' is powerful, underground and fractious in equal measure, a turn-of-the-century roller with wonderfully sharp stabs and a creepy atmosphere courtesy of the original's whispered vocal sample. It contrasts with Zero T's gorgeously nonchalant take on 'Truth', which rests on sunny day guitar flicks, rolling out with abandon and driving away over the horizon on a swell of soul. There are more ambient takes from Mathew Jonson and Subjective, whilst Diemantle get funky with a superb 145bpm take on 'Castaway'. There are many others as well - unmissable.
Review: Part two of the Goldie remix album is yet more serene blending of light and dark sounds, with some of the scenes best - including Grey Code, Lenzman, Jubei and Calibre - all pitching in with some of the best music of their career. The Grey Code remix of 'The Mirrored River' has been a long time coming, its debut originally at Outlook Festival in 2018, and what a remix it is; the original's towering vocals being flung headfirst into a cacophony of knife-edge breaks and tumbling basslines. Lenzman ebbs and flows with a typically funky rendition of 'The Ballad Celeste', whilst Calibre has his second contribution with a remix of 'Run Run Run', an utterly brilliant rolller that builds to soaring vocal heights abed a string section from your dreams, before cutting off into quintissential Calibre goodness. The culminatory part to a 2020-defining album.
Review: Artificial Intelligence are back on Metalheadz for their first label EP in three years, a seriously long time considering the foundational role Headz played in their evolution and we're all so happy to see them back. As you would expect, this release takes a step away from the genre of liquid they've been pioneering on Integral for the last few years, and instead blends harsh rolling sounds with lighter flicks to create a diverse, rough and ready piece of work. 'Outer Origins' is certainly tough, with loping drums that flow with restless energy and an expansive, growling bassline that oscillates in the gutter and only goes up from there. 'Good Things' is lovely, spacious liquid that moves through shimmering synth spasms; Satl joins for the minimal soul of 'No Choice'; and title track 'Signs Signs' is warm and evanescent in its movement. Gorgeous stuff.
Review: Metalheadz have been rolling out the artist albums this year, with stellar contributions from Adred, amongst others. This time it's the turn of Friske and he continues the trend of incredibly well thought out, resonant breaks-based music that makes you consider the meaning of life whilst blasting your face off at the same time. A whopping sixteen tracks long, there are too many highlights to mention them all but 'Destination' is certainly up there, as subterranean shudders creep into the arrangement underneath an inch-perfect set of clashing, cracking drums. There are no features on this album, it's pure Friske and all the better for it. Top stuff, and if you're into Mako, Autonomic or anything else clever and crushing, this one is for you.
Review: The word 'seminal' is thrown around with a reckless abandon these days and it's not always used with an appropriate level of respect, but this single from Metalheadz is undoubtedly one of the occasions on which its use is warranted. Throwing all the way back to 1994 is Alex Reece, one of the pioneers of Jungle's early foray into the lighter side of things, and his single 'Basic Principles', which also includes a remix from Dillinja on the flip. It's rough, fractious and reminiscent of the heady era from which Headz first came, a proper journey back in time. Legendary.
