Review: The combination of Richard H. Kirk and Minimal Wave was never going to disappoint, but the four tracks on this Never Lose Your Shadow 12" are still very special! Digging deep through the archives of the Cabaret Voltaire frontman, Veronica Vasicka presents a quartet of solo recordings that have never been committed to wax before. The highlight is undoubtedly the title track, a lolloping 10-minute track of hypnotic industrial action made all the more memorable by Kirk's acerbic intonations about "the blind leading the blind". If you've caught a Vasicka DJ set recently you will have probably lost yourself to these ten minutes. Complementing this are three tracks recorded in the same late '70s period which are distinctly more experimental in tone and just as vital.
Review: Primitive Brumbeat is the order of the day from Minimal Wave on this presentation of early Karl O'Connor material. Recorded under the Sandra Plays Electronics banner, Her Needs presents two versions of the same track from different periods of O'Connor's musical development and provide further enticing historical evidence of one of techno's most illuminating figureheads. Those who indulged in the brilliant White Savage Dance 12" from Downwards from late 2011 will be all over the DIY odes to O'Connor's childhood heroes such as DAF and Liaisons Dangereuses here. The 1999 version in particular which originates from the same recording sessions that ended in the seminal Diversion Group release A Man Has Responsibilities.
Review: "Game & Performance" from Deux remains one of our favourite transmissions in the ever blossoming discography of Minimal Wave, and the duo of Gerard Pelletier and Cati Tete are clearly second only to fellow Lyon act In Aeternam Vale in Veronica Vasicka's affections when it comes to her personal favourite French exponents of 80s minimal synth. Having already released a Deux retrospective in 2010 entitled Decadence, the Brooklyn label now presents Golden Dreams, a four track EP of studio and demo tracks that Pelletier and Tete recorded from 1985 onwards. Typically all four tracks are previously unreleased and have been newly remastered for this release. Final track "Fam Fam" perhaps comes closest to recapturing the magic of "Game & Performances" stripped down minimal synth compositions and hushed vocal duets, but all four tracks will prove temptation personified to Minimal Wave regulars.
Review: On the basis of this Minimal Wave release, the hugely prolific output of German artist Felix Kubin and his undoubted eccentric nature is swamped by his musical precocity. Teenage Tapes collates some twelve tracks Kubin recorded in his adolescent years after acquiring a Korg MS-20 synthesizer as an 11 year old, with six of them exclusive to this release. Regular collectors of Minimal Wave output will recognise Kubin - a self styled messenger of exploding lungs who rules the "syndicate of counter-noise" - from "Japan, Japan" his contribution to the Minimal Wave Tapes Vol 2 compilation released earlier this year, and that short burst of furiously uptempo, whacked out electro punk opens this compilation, setting the tone for what to expect. As with most Minimal Wave releases, the way Kubin's nascent musical ideas are indelibly tied to the musical motifs of contemporary electronic sounds proves to be enduringly fascinating, more so given how young he was when these recordings were made!
Review: The unwritten rule with any release from the Minimal Wave camp is that the illuminating nature of the music and the delightful way it's presented will almost always be matched by the story behind it - something that is undeniably true of their latest release, a collection of tracks from mid 80s UK synth act Hard Corps. Fronted by towering vocalist Regine Fetet, the band surfaced in 1984 with the two track single Dirty (the title track is included here) gained the studious attentions of John Peel (RIP) before signing with a major label and granted the chance to work with two 80s production titans in Martin Rushent and Daniel Miller. Hard Corps disbanded in 1989, having only released the one single Je Suis Passee amidst malcontent at their lack of support from Polydor. Clean Tables Have To Be Burnt collates six tracks from the Hard Corps canon, with the aforementioned "hits" accompanied by unheard archival material that will pique the fancy of any self regarding Minimal Wave fan.
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