Review: Rene Lavice has been one of themost exciting additions to Andy C's Ram stable over the last few years. While the label is usually associated to strict drum & bass, Lavice's tunes push the boundaries of the genre way out into hyper space, and touch on many different influences in the process. "Human Safari" is a true hybrid tune, a mass of broken half-breaks, surrounded by raucous sonics ad playful atmpshperics. It's as daring as you're gonna get from modern d&b. It's definitely worth a gander!
Review: Legendary Sheffield techno-pop duo Hiem are back! First breaking out in the mid noughties with anthems such as "She's The One" and "Zombie Party" which received equally prolific remixes by Mathew Jonson and Konrad Black respectively. Nick "Nico" Eastwood and the inimitable David "Bozz" Boswell never really stopped going: and now London based Nang present their new Hotspace LP, which follows up some great collaborations on the label with Phil Oakey (Human League) and Roots Manuva, not to mention the 2014 full length entitled Freaky Nights. Much like their previous effort, the duo continue pursuing their love of pop-inflected nu-disco sounds: and the dynamic opener "High Life" is strong evidence of this from the get go. There is some gorgeous slo-mo Italo like on "Oxygene", some lo-slung soul/funk swagger on "My Evil Friends" and even a bit of comedic value in the form of the hilarious satire "Monkey Office".
Review: Having previously released the Atlanta Skyline EP on Nang in 2016, Russian disco/electro/synth-pop duo Hot Hot Hawk return to the label with their debut album. The 80s force is definitely strong in this one, thanks not least to the distinctly John Taylor-esque guitar that adorns many tracks, and leaves many sounding like a tribute to 'Seven And The Ragged Tiger'-era Duran Duran - albeit minus the vocals, as Legendary is an all-instrumental affair. There's an 80s feel, too, to the shimmering synths that are even more ubiquitous, but if you have a penchant for the sounds of that era then that's not going to be a problem, is it?
Review: Given that Pete Herbert has done more than most to define the synth-heavy nu-disco sound, it's pleasing to see that he's finally got round to recording a debut solo album. Made in the Shade naturally encapsulates all that's good about Herbert's work - think colourful synthesizers, loved-up pianos, dreamy chords, rich analogue synth-bass, Italo-disco style arpeggio lines, disco cowbells and an saucer-eyed Balearic mindset - while delivering a string of tracks that sound as good slouched on the sofa at home as they do while dancing in the sunshine. Highlights come thick and fast, from the classic Italo-house surge of "Washed Up" and T-Coy-does-nu-disco cheeriness of "Night Boat", to the soul-flecked tingle of Robert Owens hook-up "Pass Me By" and groovy, acid-flecked deepness of proto-house shuffler "Time".
Review: Along with Sheffield combo Hiem, Rayko is fast becoming Nang Records' most reliable artist. It would be fair to say that his latest album, No Stopping - his fourth in total and first since 2014 - is undoubtedly his strongest yet. Blessed with some fine guest vocals from Tania Haroshka and, perhaps more impressively, Crazy P's Danielle Moore, the set features much more "live instrumentation" - most notably bass and electric guitars - than the Spaniard's previous full-lengths. This adds an extra level of musical richness to the Madrid man's synthesizer-heavy tracks, which once again flit between hard-edged nu-disco, sun-kissed Balearica, revivalist electrofunk sweetness and the kind of cosmic disco that we would once have expected to hear from Daniele Baldelli and Marco Dionigi.
Review: Sare Havlicek has long been one of Nang's most reliable artists, delivering a steady stream of well-crafted albums and singles. Predictably, the Slovenian is in fine form on this fourth full-length - his first for two years - gleefully sprinting between joyful, Chic-inspired disco ("Everybody Freak Out", "Like You Wanna Do", "Here Comes That Sound"), woozy, synth-heavy Balearica ("Softmachine"), undulating Italo-disco inspired electrofunk ("Riot"), colourful P-funk ("Science of the Beat"), sumptuous Balearic disco bliss ("Music and Lies") and "Stranger Things"-inspired synthesizer soundscapes ("Perpetual Rise" and opener "Dreamachine"). In other words, it's another spot-on collection from the Slovenian.