16 Dec 16
Played by: Juno Recommends UK Funky/Garage
Review: Having already gained interest from some compilation appearances, the Unmade EP is actually the first release proper from this San Francisco outfit. Night Bass have to really trust an artist to put out their records and thankfully 219 Boys don't let them down. There are three spacey and imaginative takes on bass music here, starting with the cheeky Les Grossman-sampling melodic house opener "FYOF". Next is "Unmake" which is a slinky slice of sauntering tech-funk, before "Risk" drives things harder bringing some heavy underground vibes into the mix.
23 Feb 18
Review: Bass music heavyweights Night Bass make another fantastic addition to this years release listings with a heated three tracker from San Francisco's own 219 Boys. The title track for this EP is an animated bass adventure, full of swerving bass synths and intricate rhythmic ideas. Following his we have "Back Down" which takes a more techy approach, focussing on low end moogy oscillations and a stream of choppy vocal samples. Finally we move into the jukey drums and fidgety synths movement of 'Strizzy'. This one is a certified roller and a great way to round up a quality EP.
20 Apr 18
Another You (feat Kaleena Zanders - Jack Beats remix) - (5:47) 125 BPM
All About Paper (feat Bassboy - Taiki Nulight remix) - (4:10) 129 BPM
Jaws (feat Acid Mouth - Phlegmatic Dogs remix) - (4:09) 125 BPM
Come Back (Kastle remix) - (4:25) 132 BPM
Review: The first edition of AC Slater's 'Outsiders Remixed' release was met with a fantastic response from fans and DJ's across the globe. We were super excited therefore to see the second edition hit the shelves in such quick pursuit. This time we see Phlegmatic Dogs get their teeth stuck into 'Jaws' for a punchy rework, Kastle pull together a futuristic garage recreation of 'Come Back' and JackBeats step up for a fidgety overhaul of 'Another You'. The EP is then rounded off in style with Taiki Nulight's gritty 4x4 redesign of 'All About Paper'. Night Bass have done it yet again it seems!
09 Mar 18
Misfits (feat Herve & Purple Velvet Curtains - Sinden remix) - (4:56) 125 BPM
Taking Off (feat Shoffy - Jay Robinson remix) - (5:18) 124 BPM
Big Riddim (feat Jamakabi - Riddim Commission remix) - (3:43) 124 BPM
Dealer (feat Tchami - Petey Clicks remix) - (5:32) 128 BPM
Review: It's safe to say that AC Slater has become one of the most influential names in worldwide bass music, both as a producer and as the driving force behind the infamous 'Night Bass' imprint. He makes his return to the homeworld with this brand new four tracker entitled 'Outsiders Remixed Pt 1', where we see the Night Bass collective rework classic tracks from AC's 'Outsiders' album.
To start off Sinden gets to work with a vibrant fidgety refurbishment of 'Misfit', originally featuring PVC and Herve. Next up Jay Robinson gets to work shuffling up 'Taking Off' and Riddim Commision gets busy with Jamakabi's intense vocal performance on 'Big Riddim'. Finally we are treated to Petey Clicks putting together his emotive recreation of 'Dealer' featuring credits from Tchami and Rome Fortune.
29 Sep 17
Ring The Alarm - (4:49) 127 BPM
Dealer - (5:08) 126 BPM
Another You - (5:15) 125 BPM
Misfits - (5:15) 125 BPM
Taking Off - (3:18) 128 BPM
Dope Slinger - (3:16) 128 BPM
Jaws - (4:31) 124 BPM
All About Paper - (5:05) 133 BPM
Grime House - (4:33) 128 BPM
Big Riddim - (4:05) 128 BPM
Review: What a crazy trip it's been for AC Slater. Having bubbled away in all kinds of genres from hardcore to electro in the 2000s, having set up Night Bass just two years ago, he's created a distinctive and hugely successful sound that's so distinctive it's often described as the Night Bass sound. With his debut album Outsiders he galvanises and develops the sound even more as he ranges from the classic bass burping UK influenced jackers we know and love him for ("Ring The Alarm", All About The Paper", "Dope Slinger") to a much more soulful, sensual palette and flexes his deeper side ("Take Off", "Come Back") With splashes of UK garage ("Another You") and total alien grit ("Jaws"), this is the Night Bass bossman really digging into his own sound, his own crew and his movement.
06 Apr 18
I Wanna Show You - (4:21) 128 BPM
Amen Tribe - (4:38) 126 BPM
Can't Come Down (feat Young Lyxx) - (5:06) 128 BPM
Review: Aaron Clevenger aka AC Slater returns to Californian low-end specialists Night Bass, with a brand new three track EP ahead of his performance at the legendary Coachella festival in the Colorado Valley in April. This also follows up his debut album Outsiders for the label last year. "I Wanna Show You" sees the Party Like Us boss push his bass driven tech-sound sound forward. On "Amen Tribe" and "Can't Come Down" (featuring YoungLyxx) we see the Los Angeles native thrown down yet more sleazy deep tech bounce that's sure to cause some heat on the dancefloor.
16 Jun 17
Review: On the other side of the great, giant pond, the cause of bass music has never pushed more so than by LA's AC Slater and his Night Bass label. Sometimes its output can be raucous and underground, but sometimes the label can be commercial too. Either way the output is always totally lit. "Come Back" is strictly in the latter camp, a hook up with Shift K3Y, it has resulted in a super infectious and uplifting banger, with rolling bass, skippy beats and more build ups and break downs than you can shake a stick at!
14 Jul 15
The Chirp - (5:08) 63 BPM
Skywalker OG - (4:39) 126 BPM
Waterverb - (4:38) 64 BPM
Not No Love Song - (4:40) 126 BPM
Played by: Mr Brainz / SnF:Lo-Fi, Juno Recommends Bass, James Mannion, Prude Le Rude, Kry Wolf, Jay Robinson
Review: Flinging double negatives like a clown hurls custard pies, AC Slater builds on Night Bass's generous debut release with his second full-fat EP of the year. With a sound and attitude that's been cemented into the bass scene psyche for a decade, you know what to expect from him: BS-free floor-fire with added humour... And that's exactly what we get. "The Chirp" is a Dirtybird-level jacker, "Skywalker OG" taps deeper into the classic house roots with an air of late 90s Van Helden, "Waterverb" flips the trap bird before dropping into some seriously silky 4/4 wobble while "Not No Love Song" vibes with classic rave synths and a speed garage style drop that's not, not, amazing.
13 Oct 17
AC Slater - "Dope Slinger" - (3:16) 128 BPM
Sinden - "Lose Control" - (4:47) 127 BPM
Phlegmatic Dogs - "Steppin" - (3:58) 132 BPM
LOa99 - "Cabin Flex" - (4:29) 122 BPM
Petey Clicks - "I Canat Hold It In" - (5:42) 130 BPM
Sage Armstrong - "Drippindasawce" - (4:43) 122 BPM
Review: ooohhh - the calculating Night Bass imprint returns to some quick fire action thanks to this naughty VA comp - and the results are as impressive as they are, well, booty-shaking. There's a whole line of stars in the making here, with peeps like AC Slater, Phlegmatic Dogs and Petey Clicks all offering their various new strains of high-grade bass mutations. In fact, much like the label's wider catalogue, these future-minded bangers are a mixed race fo sorts; from speedy garage to teched-out house and dubstep, there's something in here for all lovers of the UK ting. Yes, yes!
14 Oct 16
Played by: SIRMO, Juno Recommends UK Funky/Garage, BURNIE, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Fedde Le Grand, Mr LA, Tube and Berger
Review: In the 90s AC Slater was the totally ripped jock in Saved By the Bell, but now however, it's the name of an LA bass maniac. Arriving on his own mighty Night Bass Label, My Peoples is a two track EP that continues to bring the sub-heavy heat to the USA. The title track is a storming 4 x 4 thumper with hip-hop samples and a stop-start dynamic that'll stop you resting on your laurels. Next up "Psycho" is a throwback to the deep and jazzy garage/house of the 90s - imagine vintage Van Helden with a firecracker in his tracksuit!
10 Mar 17
AC Slater - "Head Knockin" - (4:18) 128 BPM
Taiki Nulight - "Super Doopah Legend" - (5:02) 128 BPM
Review: American bass music is always produced big and tough. Hailing from LA, AC Slater's Night Bass label excels at this particular breed of shizzle. Here Slater shares a release with Taiki Nulight who presents "Super Doopah Legend" - a sizzling anthem with ascending/descending bass riffs, comedy vocal samples, build-ups and a general ghetto bounce. Slater himself also provides "Head Knockin", a strong 4 x 4 vehicle, featuring weird low squelches and dubbed-out lasers. Another quality joint from Night Bass then.
15 Sep 17
G Code - (4:41) 125 BPM
1000 Bitches - (4:25) 124 BPM
Get Up - (5:16) 124 BPM
Afterparty - (4:30) 124 BPM
Review: Previously spotted on Night Bass compilations, Bijou makes his EP debut on the label with the dark and dank "G-Code", a firing quartet of big boy bass antics. The title track digs deep into our inner gangster with its pushed jacking groove and catchy sample, "1000 Bitches" lets the dogs out with a barking mad groaner that's laced with some really trippy FX and twisted trap vox, "Get Up" takes more of a house route that switches up with a classic breakbeat breakdown. Finally we hit the "Afterparty" where Bijou condones some seriously mischievous behaviour over a mean snake-like riddim. This hits the g-spot alright.
24 Jun 16
If U Feel (feat Kaleena Zanders) - (4:48) 124 BPM
Just Say - (4:55) 124 BPM
If U Feel (Dub) - (4:48) 124 BPM
Review: A decade ago dance music was turned on its head by fidget house duo, Crookers. When the spectre of cheesiness loomed one half, Bot, jumped ship. Ever since he has pursued the noble route of producing underground house and bass, helping found Main Course in the process. Here he is with If U Feel, his latest missive - a skippy ghetto-tinged electro-house romp that boats some elastic basslines and the sultry vocals of Kaleena Zanders. An instrumental is also included for those wanting electronic purity, and there's a bonus track too - the deeper, jackin' grind of "Just Say".
04 Dec 15
Review: According to his bio, Bot is of the future. Half man, half-machine; fully Italian. Fair enough: bring it on, we say! Formerly one half of Crookers and now stepping out on his own, bass renegade Andrea Fratangelo is now based in Los Angeles (by way of London) and delivers us the Balut EP, a collaboration with Tony Quattro. First track "Balut" is a bleepy and stripped, swing fuelled house jam for eager, early evening dancefloors. Fans of Will Clarke or the Dirtybird sound will definitely dig this. "Guess Who" features a massive white noise build up and referee whistles before the massive bass induced drop, on this tough late night house excursion for freaks.
02 Sep 16
Played by: Mr Brainz / SnF:Lo-Fi, Juno Recommends UK Funky/Garage, BURNIE, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Mikey B, Pharaoh K, Dj Spookz, Blaq Max, Tik&Borrow
Review: No messing around on this one: the man-machine Lorenzo lays down a severe groove and gives it the grave name it deserves. Spiked-out, siren-loaded and prone to switching, "Foot & Mouth" is the type of gully tune we all need as we come down from a hot, sticky summer. "Nightmares" follows suit with a similarly detuned feel to the bassline, all paranoid, weirded out and non-standard... The main strength that's got Chris to his premiership position in the first place.
04 Mar 16
Beatdown (feat Vanilla ACE) - (5:50) 124 BPM
Beatdown (feat Vanilla ACE - AC Slater remix) - (4:52) 126 BPM
Review: The prolific producer, Destructo, however hasn't released a solo effort in nearly a year. Now he's back in the game hooking up with Night Bass label mate Wax Motif and MC Vanilla Ace for their 'heavy g-house anthem', "Beatdown". The tune is lean and mean electro-house jam with a menacing bounce and a hint of wobbly nastiness in its infectious bottom end. Label captain AC Slater also steps up to deliver a more searing bassline remix. No dancefloor gets out alive with this one.
27 Jan 17
Fresh Squeezed - (6:20) 123 BPM
Flex The Frequency - (6:07) 123 BPM
Body Like - (5:48) 123 BPM
Going Up - (6:07) 122 BPM
Review: Dillon Nathaniel refers to himself as a 'manipulator of frequencies'. As this release for AC Slater's label demonstrates, it's not a bad description of his music. The title track fuses glitchy undercurrents with a throbbing bass and rolling snares, while on "Flex the Frequency" the LA -based producer moves in a similar direction, using powerful bass tones. "Body Like" is not quite as forceful, and sees Nathaniel add some sweeping chords and high-pitched vocal samples to his sound. However, this release is all about his manipulation of the low end - and on "Going Up" a throbbing bass provides the backing for chopped up vocals.
28 Oct 16
Review: Bass music legend Herve appears here for Los Angeles centered Night Bass imprint, who are up to really impressive things at the moment. As the label themselves point out, the EP 'radiates energy from the glory days of "fidget house" but with totally modern production.' And indeed it really calls to mind the likes of Switch and Jesse Rose back in the day. The bouncy title track "Real" features Wongo and some mad vocal skills from Contessa Stuto, a crazy hoover breakdown and a rolling bass line. "That's the Way I Feel" is more stripped back and drugged out, with its bumpy bassline and groovy hi toms doing most of the work, until that addictive piano breakdown comes rushing in and stuttering about the place.
25 Sep 15
I Need - (4:18) 127 BPM
Dip That - (4:34) 128 BPM
Pivotal - (4:38) 125 BPM
Yesterday - (4:07) 125 BPM
Review: Californian duo Kairos (aka Eric Yandall and Sascha Nowlin) are literally smokin' right now with their unique take on bass music burning up dancefloors left, right and centre. Following on from fellow American producer Petey Clicks, they too release an EP on the ever-savvy Night Bass. "Hotfire" features four tracks that draw on a wide range of influences, including UK garage and wobble on "I Need You", party breaks on "Pivotal" and even good old fidget house on "Yesterday".
01 Apr 16
Played by: Mr Brainz / SnF:Lo-Fi, Juno Recommends UK Funky/Garage, Kissy Sell Out, Afrojack, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Juno Recommends Bass
Review: Those who dismiss out of hand the stateside rise of EDM are missing out. For every Guetta or Harris, there's a producer discovering, and making, proper dance music too. Californian duo Hotfire (Eric Yandall and Sascha Nowlin) are a perfect example, making cool UK style bass music whilst hailing from San Diego. "Tough Break" is bouncy, bleepy mechanical funk at its finest, "The Fuegs" is fusion of a clever raw, arpeggiated electro and deep percussive house, whilst "Modish" wraps things up with some skippy, if subdued, garage beats and laser rhythms.
11 Nov 16
Review: London duo Jack Beats return for Los Angeles' Night Bass imprint which continues to go from strength to strength with some killer releases lately by the likes of Herve, AC Slater and Sinden. Getting straight down to business on the late night sleaze of the title track (which features the sickest slap funk bassline you'll hear this year) beneath an electric, neon lit arrangement. There is also "Mercury" which builds into a groovy bass-driven shuffle optimised for maximum dancefloor impact. As the label put it "This is Jack Beats at the top of their game" and we certainly agree.
13 Jan 17
Review: It's kinda crazy to look back and see just how much music the Night Bass label put out between 2015 and the beginning of 2017. It's an unfathomable amount of releases for such a young label and, the thing is, it's all pretty damn hot, too! Jack Beats is the project from Niall Dailly and Ben Griffin, who are back with the second landing of the Body Work series, and kicking things off with a bit of a gangsta flex thanks to "The Lean", a cold-hearted London bombshell propelled into motion by some dutty grime vocals, and a menacing groove. "Formula3000" brings in Taiki Nulight for a bigger, badder flow of break-ridden, bass filth - just the sort we vibe to.
18 Mar 16
Review: London's Jack Beats (aka Niall Dailly & Ben Geffin), are, if not quite wise old elders of the bassline scene, then certainly one of the genre's more established acts. Here they are back with a two pronged attack: "Work It" provides a deep acid bassline, a solid 4/4 groove and hip-house vocals whilst "Intermission" stands out with its combination of a rap vocal, heavy wobble bass and synthy atmospherics.
01 Sep 17
Review: Jack Beats return to Night Bass with two of the most prime cuts imaginable. "Modulate" is almost techno in its mindset as the stripped back groove bumps and flexes until a warped bassline worms its way into the mix rising, teasing and melting into the groove. "Pump" maintains the heat with depth plunge bass tones that spiral so low you'll feel the need to pull up your trousers. Arguably two of Jack Beats' best bangers since they emerged almost 10 years ago.
05 Aug 16
Fury - (5:21) 128 BPM
The Model - (5:02) 128 BPM
Red Dot - (4:38) 127 BPM
The Start - (5:19) 127 BPM
Played by: Mr Brainz / SnF:Lo-Fi, Juno Recommends UK Funky/Garage, BURNIE, In:flux Audio, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Cos BV (Car Crash Set), Pharaoh K
Review: Rising Welsh DJ/producer Jay Robinson has made himself right at home with the Night Bass label, here presenting his third EP for the imprint. If ain't broke and all that. There are four turbo charged bass pounders packed on to this release, starting with the bad man bounce of opener "Fury". Next is the creepy, bleepy shuffle of "The Model", before he gets his wobble out on the skippy "Red Dot". Lastly he wraps things up with the UKG-informed "The Start", which is actually the end, but Robinson never plays by the rules.
29 Apr 16
Review: There we were, thoroughly enjoying Welsh DJ Jay Robinson's brand of doomy bass heavy house, when he disappears for ages! Now he's back with all fists flying on the Fight Music EP. There are three ferociously pissed off tunes here for the harder dancefloors out there. Opener "Dogfight" ducks and weaves with instrumental breaks, big breaks and some seriously growling bass. Elsewhere "Kombat Dub" is a taught and techy affair littered with video game samples and finally "Choker" is a straight out thumper with a bassline that's more likely to chew your leg off than ever fetch your paper!
24 Feb 17
Review: Night Bass is very protective of Welsh wonder kid Jay Robinson, whom they have helped nurture from the get go. So, it's no wonder that they're thrilled to announce this latest three track EP from the guy (his forth in total for the label). "Hussle" sees producer JM help contribute to this thumpin' big room gritty house monster. Next up "Heiss" is bouncy tech house with extra bottom end and finally the best of the lot is sleazy growler "SWYMGY", which also features labelmate Dillon Nathaniel on extra production duties.
17 Nov 17
Gettuh - (5:11) 124 BPM
Right Back - (5:24) 127 BPM
Oblivious - (4:44) 124 BPM
For The Night - (6:44) 124 BPM
Review: One of the most prolific and consistent basssmiths in the house/tech/broken beat axis, Robinson continues to raise the profile with four more mischief-making collaborations; Pelikann joins in for a little Python rattling on the twisted bass throw-down "Gettuh", NIQW and Ami Carmine collide with Jay for a little dirty soul shaking on "Right Back" while GAWP is onside for the a sweet strutting house groove that's tickled with a riff that's reminiscent of mid 2000s Get Physical material. Finally we have the epic stripped back jacker "Oblivious" with Vanilla Ace that drops into an immense hood-heaving mid-section and cowbell popping groove. Jay: 1 / World: 0 It's a knockout.
16 Sep 16
Review: It's safe to say that Kry Wolf now has a rather impressive catalogue behind him, and nothing but quality under his belt. The man behind the Sounds Of Sumo label drops his latest release for Night Bass and it seems like the perfect place for his wondrous bass cuts. "Temper" is a slow, shape-shifting beast with a rattling percussion hook that wraps perfectly around the tune's knotted swarms of swamp bass, whereas "Flashlight" unleashes a bit of four-to-the-floor beneath a sea of rave sirens and purring bass tones. "Wavvves" feels like the last piece of hardcore continuum, a break-heavy, pseudo jungle killer to tie this man's bass experimentalism in the best possible way. Hot!
16 Oct 15
Played by: Juno Recommends UK Funky/Garage, Kissy Sell Out, In:flux Audio, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Low Steppa
Review: Two premiere league UK bass enthusiasts Low Steppa and Taiki Nulight get their jack on for AC Slater?s Night Bass: ?Nose Powder? punches with a simple-but-deadly one note bassline technique. Warping, morphing and twisting all the way until we hit the classic garage chords on the breakdown; this guarantees hype on the floor. ?Nu Jam? rolls with slightly deeper feels as brushed hi-hats slink and slide over a slightly subtler bassline while an ominous sub hums with venom beneath. Killer.
30 Sep 16
Review: Night Bass head honcho Petey Clicks is Los Angeles's chief exponent of filthy, UK-style bass music. Here he shows us why, with two left-right jabs of tough love dance music. "Home" is where the heaviness is, featuring a relentless distorted bass pulse and rolling tropical drums. "Here 2 Kill" meanwhile is gloriously updated Good Life-style ravey house, complete with diva wails and snare rolls and classic cymbal splashes. Back to the future has never sounded so good.
28 Aug 15
Trash - (4:59) 133 BPM
If Ya - (5:07) 128 BPM
Like Body - (4:34) 127 BPM
The One (feat Kaleena Zanders) - (3:56) 135 BPM
The One (dub) - (3:52) 135 BPM
Played by: SIRMO, Mr Brainz / SnF:Lo-Fi, In:flux Audio, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Lojik, Roska
Review: Anglophile US producer Petey Clicks has made a name for himself with his impressively authentic take on underground UK bass sounds. He does so with his own unique twist of course, and this can be heard throughout. "Trash" starts things in a lairy mood with speedy 2-step beats, nasty bass and raw vocals. From there "If Ya" slams some raw tribal house into the mix, "Like Body" is lean muscular 4x4 and "The One" is a diva-garage anthem in the making.
22 Jan 16
Review: Great to know that despite all the wonted EDM Stateside, the likes of Petey Clicks in LA is keeping it real. "My House" is a tough, attitude-heavy slice of stomping wobble with the kind of bass that'll rattle your bones. If the UK vibes seem strong with this one it might be down to the influence of Sinden who collaborates with Clicks here on "Feels", a banger that adds chipmunk vocals and breakbeats to the mix in killer effect.
26 May 17
Review: If there's one thing we can all agree on it's this: Petey Clicks needs to release music on much more of a regular then he currently does. These two jacking bass house tracks remind us exactly why... "VA To LA" slides us some gully gossip in the form of a grunting high end bassline and a clattering groove that bites down and refuses to let go. "Awake" takes us deeper down the rave rabbit hole with a classically-informed detuned synth riff, a twisted two-step and an amenised breakdown that's heavy enough to power a time machine (1.21 gigawatts) and take us all the way back to 92. Woke yet?
22 Jul 16
Review: These guys are a self-professed Muscovite 'musical tandem' who specialise in deep house and garage with old skool flavours. Here they've teamed up with the Night Bass crew to unveil the Weegle EP. Russians know toughness and these guys are no exception delivering three dancefloor pulverisers for our listening pleasure. The title track is peak time mayhem, with a catchy ghetto chorus married to the skippiest beats and crunchiest bass you've ever heard. Elsewhere "Next Level" is a UKF with extra punishing bottom end and lastly "High Volume" delivers the wobble with nowhere to hide.
21 Jul 17
Review: Is it house? Is it bass? Who cares - it's a new EP from Proxy courtesy of the ever-impressive Night Bass household! The Turbo Recordings regular steps up large and in charge through "Sirenade", a minimalistic bass grenade backed by a swarm of noxious synths that sound more like alarm bells, and that is followed-up by a rather odd but utterly banging hybrid in the form of "I Feel", probably the best example of something worthy enough of moving the scene forwards. Last but not least, "Magic Word" uses the power of the vocal chop to slice and dice its way through a set of sparse but effective bass mortars and, of course, a much needed house groove. There's something brewing here - don't miss it!
23 Mar 18
Review: LA based label Night Bass have for a long time now been pushing the boundaries of electronic dance music through exciting sound design and style. Their latest release, courtesy of Proxy, sees the boundaries of rhythm pushed out further than ever before with a vibesy two tracker. First of all we hear the sounds of "Stupid" which is a reesey roller coupled with heavily syncopated clicky synth leads. The shuffled theme continues on "Serious" which has a more stripped back, sub-heavy arrangement.
10 Jun 16
Review: The quality of Dave Ralston's recent productions have seen him become a staple on the UK bass scene, releasing through Night Bass and getting plays on Rinse FM and Radio 1. His last proper release was with Henderson last year, so it's good to get a new solo EP from him at last. "We Rock This" harks back to the days when hip-hop and house used get along better, being a skippy garage/4 x 4 jam with some cool MCing on top. On the digital flipside we have the deeper, housier drum -heavy afterhours gem, "All Night Long".
08 Jan 16
More Fire (feat $tush) - (4:40) 124 BPM
More Fire (feat $tush - Jay Robinson remix) - (4:04) 130 BPM
More Fire (feat $tush - LO'99 remix) - (4:20) 126 BPM
More Fire (feat $tush - Sinden remix) - (4:57) 124 BPM
14 Aug 15
Carnage - (6:06) 128 BPM
Gutteral - (5:29) 128 BPM
Throwback - (6:52) 132 BPM
Shutdown - (4:43) 123 BPM
The End - (4:02) 128 BPM
Played by: Mr Brainz / SnF:Lo-Fi, Juno Recommends UK Funky/Garage, BURNIE, In:flux Audio, DJS: MOST CHARTED - DUBSTEP/UK FUNK, Negativ, Cos BV (Car Crash Set), Aaron Static, Danny Rich, Jamie George, Jay Robinson
Review: For those in the know on the bassline scene, Welsh DJ Jay Robinson has been a hot name to watch for a while now. Always fine-tuning his brand of doomy bass heavy house, his latest single, 1987 has already picked up support from the likes of My Nu Leng, Shadow Child, Toddla T and Herve. "Carnage" and "Guttural" kick things off with vintage samples and bouncy bass, "Throwback" is all about the epic breakdowns, the deep and nasty "Shutdown" is an EP highlight and "The End" fuses dubstep and hip-hop to devastating effect
05 Feb 16
Crystal Maze - (5:21) 126 BPM
Southend Rhythm (feat Bobby Brackins) - (4:56) 124 BPM
To The Ground (feat TT The Artist) - (5:26) 126 BPM
Phantom Force - (4:37) 126 BPM
Review: Originally a pioneer of fidget house with Herve and Switch, Graeme Sinden recently relocated to Los Angeles to regain his mojo. However, despite the ubiquitous EDM that surrounds him there, his sound still stays true to the good old UK. Here on the Crystal Maze EP he presents four sizzling new cuts - the dubby garage of the title track, the bouncey hip-house of "Southern Rhythm", the trippy bleeps of booty joint "To The Ground" and the badass wobble attack "To The Ground".
03 Nov 17
Review: Sinden and DJ Q touch down on Night Bass which, unsurprisingly, means a barrel-full of dread-out low frequencies and crafty dance moves. The two-tracker kicks off with "Bigger Than Jaws", unleashing a sidewinder of a bass, all wobbly and grime-friendly, filtered through a bumpy garage riddim for maximum floor damage. "The Original" is even nuttier in its apparoach and harmonic mannerisms, unloading some pure mutant bass over chilly rave stabs and another magnetic drum rhythm that's utterly club-friendly. Badass!
15 Apr 16
Hardwood Flooring - (5:36) 126 BPM
Heartbeat - (5:36) 126 BPM
Hardwood Flooring (AC Slater remix) - (4:06) 127 BPM
Heartbeat (Hotfire remix) - (4:05) 126 BPM
Review: Two of the most prominent faces on the Night Bass roster, Petey Clicks and former fidget house man, Sinden, have teamed up to deliver two punishing (in a good way) bangers. The title track gives a little UK 4x4 twist to a classic underground US house sound, whilst "Heartbeat" goes all out for the retro approach, with old skool organ stabs and wailing pitched-up diva vocals. Label boss AC Slater then delivers an utterly mesmerising electro-bass rejig of the title track and Hotfire injects some serious bottom end into their version of "Heartbeat". Ace sounds!
18 Dec 15
Prelude - (5:02) 126 BPM
House Party (feat Waka Flocka Flame) - (4:16) 64 BPM
Then I Bounce - (4:17) 124 BPM
Wait A Minute - (4:07) 126 BPM
19 Feb 16
Played by: SIRMO, Mr Brainz / SnF:Lo-Fi, Dom 877, Kissy Sell Out, In:flux Audio, Axwell and Ingrosso, Juno Recommends Bass
Review: Taiki Nulight's recent antic on Night Bass are steadily earning our attention and praise, not least because of their sheer carelessness for all the latest trends and sub-genre-fascination. The producer, who comes out of an excellent recent appearance alongside Low Steppa, goes dirty and loud with a no-nonsense, jungle-ridden bass monster built strictly for the dance floor. "Dominos", on the other hand, is a UK house bastard boasting a steady bit of beats, but an utterly deranged pile of sonics. It's one for the heads.
27 May 16
Review: With a title like "Piano Cannon" you'd be forgiven in thinking Taiki and Low Steppa have cooked up a house cut of such funky proportions you'd think it was gilded by Morillo's mum herself. But no; the pianos barely get a look-in as the two hot-to-trot producers lay down a shuffling, mildly broken house shuffled coded with computer bleepery where the full emphasis on dark missions rather than any OTT evangelism. "Lazer" maintains the chugging spirit as we're peppered with tripped FX over another heads-down UKG style beat and some slippery low-end dynamics.
20 Oct 17
Dead End - (3:53) 126 BPM
Horn Porn - (4:11) 127 BPM
Everybody In The Club - (4:10) 132 BPM
Trippina Up - (3:52) 127 BPM
Review: The Night Bass crew just keep on throwing out KO punches. Hot on the heels of the label boss AC Slater's debut album Outsiders and the killer V/A "Summer Phases" EP comes this rampant four-tracker from UK machine twister Taiki Nulight. It's some of his deadliest material, too; "Dead End" is drunken wobbler where the bass leads you down some very dark pathways, "Horn Porn" (a collabo with the ubiquitous Lorenzo) is a high frequency flexing soul-shaker with a series of system-slapping drums while "Everybody In The Club" (with Mikey B) adds a little off-beat ruffage with a seriously aggy hornets-nest bassline. "Trippin' Up" closes the show with one of Taiki's heaviest designs to date. Broken, groaning, gnarly and metallic, Taiki's taking no prisoners today mate.