Review: AC Slater's Los Angeles-based Night Bass label has been turning the US on its head what with all the real UK bass flavours they've been serving up. They've now made it to the fourth instalment of the mighty This Is Night Bass series, and once again it's sizzling with energy. There are eight tracks this time including the heavy stomp of Aussie Yolanda Be Cool & Wongo's "Roosevelt", Sinden's gloriously dark "God" and the deep jackin' grooves of Bijou's "Cant' See Us". Night Bass then, bringing quality to the masses.
Review: Night Bass are wasting absolutely no time this year, as they here bring forward the second edition of their 'Night Bass Freshmen' series, showcasing the new, up and coming artists that are going to be working with the Night Bass imprint in the future. We see six originals make the tracklisting for this one, with artists such as SQWAD, Qlank, SODF and Double Agent all providing us with absolute heaters. For us however, the clear highlights for this project have to include the tech infused brilliance of 'Bad Blood' from Hot Goods, and of course Sammy Legs' super bouncy roller in 'Hi-Def'.
Review: The Night Bass crew promised an 'epic selection of new tracks...a colorful mix of styles' for the second installment of their This Is Night Bass series, and they haven't let us down. The nine sizzlers included here really do capture a snapshot of here the bass scene is currently at. Highlights include the doomy house of "Bodyback", the raw techy disco of Sinden & Bot's "Grit Manis" and the brooding jacker "Shotgun" by Landis & LaPace.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".
Review: Boy, it's their instalment of the This Is Night Bass series and, as always, it's a tight and severely jam-packed bag of pure bass-ridden quality. The rhythm carrying the best part of the release is one that locks into 4/4 mode, but the melodies, low frequencies and vocals contain something seriously UK about them. In fact, if you're looking for purist British house music with a garage flavour then you'v hit the right spot; it's as if these guys have tele transported back to 2000/2001, when the roots of dubstep were being laid-down from the foundations of garage and bassline. YES.
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.
Review: LA's Night Bass imprint is contributing significantly to the US' newfound love for dance music that takes low frequencies to new extremes. As such, the label have opted to launch the fifth instalment of the This Is Night Bass series and, as you'd expect there's all sorts of bangers ready-made for dancehall gun-slinging in here! Tagged as bass doesn't do it justice though; Volac's opening "Wait A Minute" is basically a house tune that meets Drake-like r&b vocals, with the same going for Bijou's and Sinden's own 4/4, bass-filtered killers. Petey Click's "U NO I" takes the electro house framework to new and bruising levels, whereas Astronomar manages to strip it back down to tech-house territories on "100 MPH". Jay Robsinson, Dillon Nathanie and the 219 Boys are all the same wave-length, which is impressive given the fact that each one of these artists caters to a particularly niche shade of nu-school house. SUMMER ANTHEMS ABOUND.
Review: The team behind the Nightbass movement continue their incredible journey through 2018 here with yet another solid compilation, really pushing the Night Bass sound right through to the year's end. This project is made up on 9 original records, including top draw creations from the likes of AC Slater, Bijou, Cause & Affect, Taiki Nulight, Bassboy and more, making up a spectacular line up to say the least. For us the instant highlights on this one have to include 'The Freq' from 219 Boys and 'Church (feat Dances with White Girls)' from Sinden & Petey Clicks, both of which encapsulate the darkened futuristic bass stylings of Night Bass perfectly!
Review: There aren't many labels operating within the spheres of bass music that are able to keep pace with the freight train that is Night Bass, who seem to be dropping a top draw release every three weeks at least. This latest project sees them compile the second edition of 'Night Bass Remixed', featuring some heavyweight recreations from the likes of APEXAPE, 219 Boys, Proxy and a bag more high profile names. For us, the immediate stand outs on this one have to come from Codes & Stranger who rework the magnificent 'Big Riddim' featuring Jamakabi, along with Taiki Nulight's powerful overhaul of the classic 'Keepmastik' from Phlegmatic Dogs.
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
Review: The guys at Nightbass have had truly sensational year, with top quality releases flowing out of the camp left, right and centre. As a label, AC Slater's outfit has developed into one of the most forward thinking projects currently rolling out across the bass music expanse and this compilation showcases just how far they have moved forward. The tracklisting contains a monstrous host, featuring the likes of Flava D, Shift K3y, Jack Beats, Cause & Affect and many more heavy hitters. For us the immediate standouts have to come from Jay Robinson firstly, who's acidic roller 'The Return' hits home heavily, alongside Phlegmatic Dogs, who's classic 'Cuatrocats' adds major weight to the selection. Awesome stuff and a top quality signout.
Review: If there is one thing that the legendary imprint known as Night Bass is able to do time and time again, it's step up to the occasion as they here bring together a fantastic 7 track compilation project, showcasing the best of their new school roster additions. This release showcases such a fantastic array of styles, from the crunchy drum switches of 'French Prince' from Movenchy, the rolling percussive stutters of 'Killers' from NuKid and Jordan Burns to Gerry Gonza's deeper 'Make My Eyes Roll Back' alongside Bekah. We also hear fantastic contributions from the likes of Kendoll with an electronic powerhouse entitled 'Denial', along with heaters from Shdws, MNNR, Tombz, Hotel Garuda and Julius Jetson, making this one a must have for bass fans worldwide.