Unmake - (5:40) 125 BPM Biggest-selling track on this release
   
Risk - (5:08) 125 BPM
Review: Having already gained interest from some compilation appearances, the Unmade EP is actually the first release proper from this San Francisco outfit. Night Bass have to really trust an artist to put out their records and thankfully 219 Boys don't let them down. There are three spacey and imaginative takes on bass music here, starting with the cheeky Les Grossman-sampling melodic house opener "FYOF". Next is "Unmake" which is a slinky slice of sauntering tech-funk, before "Risk" drives things harder bringing some heavy underground vibes into the mix.
NBD 034
16 Dec 16
UK Garage
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Strizzy - (5:06) 126 BPM
   
The Baddest - (5:55) 125 BPM
   
Back Down - (5:24) 125 BPM Biggest-selling track on this release
Review: Bass music heavyweights Night Bass make another fantastic addition to this years release listings with a heated three tracker from San Francisco's own 219 Boys. The title track for this EP is an animated bass adventure, full of swerving bass synths and intricate rhythmic ideas. Following his we have "Back Down" which takes a more techy approach, focussing on low end moogy oscillations and a stream of choppy vocal samples. Finally we move into the jukey drums and fidgety synths movement of 'Strizzy'. This one is a certified roller and a great way to round up a quality EP.
NBD 057
23 Feb 18
UK Garage
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Laid Off (explicit) - (4:21) 128 BPM
NBD 096S2
13 Sep 19
Funky/Club House
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I Wanna Show You - (4:21) 128 BPM Biggest-selling track on this release
   
Amen Tribe - (4:38) 126 BPM
   
Can't Come Down (feat Young Lyxx) - (5:06) 128 BPM
Played by: Mr Brainz
Review: Aaron Clevenger aka AC Slater returns to Californian low-end specialists Night Bass, with a brand new three track EP ahead of his performance at the legendary Coachella festival in the Colorado Valley in April. This also follows up his debut album Outsiders for the label last year. "I Wanna Show You" sees the Party Like Us boss push his bass driven tech-sound sound forward. On "Amen Tribe" and "Can't Come Down" (featuring YoungLyxx) we see the Los Angeles native thrown down yet more sleazy deep tech bounce that's sure to cause some heat on the dancefloor.
NBD 060
06 Apr 18
UK Garage
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AC Slater & Wax Motif - "Legit" - (4:45) 130 BPM
   
AC Slater & Chris Lorenzo - "Giant Mouse" - (4:36) 127 BPM Biggest-selling track on this release
   
AC Slater & Redlight - "Ultra Hype" - (4:49) 127 BPM
Played by: Kastle
NBD 070
22 Sep 18
UK Garage
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Another You (feat Kaleena Zanders - Jack Beats remix) - (5:47) 125 BPM
   
All About Paper (feat Bassboy - Taiki Nulight remix) - (4:10) 129 BPM Biggest-selling track on this release
   
Jaws (feat Acid Mouth - Phlegmatic Dogs remix) - (4:09) 125 BPM
   
Come Back (Kastle remix) - (4:25) 132 BPM
Played by: Mr Brainz, Kastle
Review: The first edition of AC Slater's 'Outsiders Remixed' release was met with a fantastic response from fans and DJ's across the globe. We were super excited therefore to see the second edition hit the shelves in such quick pursuit. This time we see Phlegmatic Dogs get their teeth stuck into 'Jaws' for a punchy rework, Kastle pull together a futuristic garage recreation of 'Come Back' and JackBeats step up for a fidgety overhaul of 'Another You'. The EP is then rounded off in style with Taiki Nulight's gritty 4x4 redesign of 'All About Paper'. Night Bass have done it yet again it seems!
NBD 061
20 Apr 18
UK Garage
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Misfits (feat Herve & Purple Velvet Curtains - Sinden remix) - (4:56) 125 BPM
   
Dealer (feat Tchami - Petey Clicks remix) - (5:32) 128 BPM
Review: It's safe to say that AC Slater has become one of the most influential names in worldwide bass music, both as a producer and as the driving force behind the infamous 'Night Bass' imprint. He makes his return to the homeworld with this brand new four tracker entitled 'Outsiders Remixed Pt 1', where we see the Night Bass collective rework classic tracks from AC's 'Outsiders' album.
To start off Sinden gets to work with a vibrant fidgety refurbishment of 'Misfit', originally featuring PVC and Herve. Next up Jay Robinson gets to work shuffling up 'Taking Off' and Riddim Commision gets busy with Jamakabi's intense vocal performance on 'Big Riddim'. Finally we are treated to Petey Clicks putting together his emotive recreation of 'Dealer' featuring credits from Tchami and Rome Fortune.
NBD 058
09 Mar 18
UK Garage
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IFU - (4:38) 128 BPM
   
AC Slater & TS7 - "Step Back" (feat Armanni Reign) - (4:47) 129 BPM Biggest-selling track on this release
Review: The Night Bass rampage marches forward again as founder and front runner of the American bass scene: AC Slater touches down across three tracks of fire. For the title track 'Free Your Soul', we hear AC join forces with Young Lyxx for a vibrant 4x4 stomper, encapsulating the exact sound Night Bass represents. It all gets a bit more techy next as we are introducing to the jittery lead synthesis alongside the gloopy LFOs and sharp drum designs of 'IFU'. On the final recording, we are very excited to see Armanni Reign and TS7 join the party with some vibrant contributions towards 'Step Back', an acidic roller, perfect for the dance
NBD 080
08 Mar 19
UK Garage
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Final Fantasy (original mix) - (2:55) 128 BPM
   
Final Fantasy (Steady Rock remix) - (6:07) 126 BPM
   
Final Fantasy (Turno remix) - (4:47) 128 BPM Biggest-selling track on this release
   
Final Fantasy (Club mix) - (4:01) 128 BPM
Review: Next up, the Night Bass reign continues to pour, dispersing wavy music left right and centre as the founder himself returns home for a fantastic new garage single by the name of 'Final Fantasy'. This one is an instant hit, as Kaleena Zanders gets busy with some incredibly catchy vocal lines over some smooth, silky 4x4 flavours from AC Slater, making for the perfect combo. This single also comes complete with a bag of fantastic remixes, with Jay Robinson turning the original into a bouncy party piece, Steady Rock providing some nostalgic house flavours and Turno bringing forward a wicked drums interpretation, packed with catchy synth leads and lively rhythms!
NBD 096S1E
31 May 19
UK Garage
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Come Back - (5:08) 125 BPM
Review: On the other side of the great, giant pond, the cause of bass music has never pushed more so than by LA's AC Slater and his Night Bass label. Sometimes its output can be raucous and underground, but sometimes the label can be commercial too. Either way the output is always totally lit. "Come Back" is strictly in the latter camp, a hook up with Shift K3Y, it has resulted in a super infectious and uplifting banger, with rolling bass, skippy beats and more build ups and break downs than you can shake a stick at!
NBD 042
16 Jun 17
Funky/Club House
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Skywalker OG - (4:39) 126 BPM
   
Not No Love Song - (4:40) 126 BPM
Review: Flinging double negatives like a clown hurls custard pies, AC Slater builds on Night Bass's generous debut release with his second full-fat EP of the year. With a sound and attitude that's been cemented into the bass scene psyche for a decade, you know what to expect from him: BS-free floor-fire with added humour... And that's exactly what we get. "The Chirp" is a Dirtybird-level jacker, "Skywalker OG" taps deeper into the classic house roots with an air of late 90s Van Helden, "Waterverb" flips the trap bird before dropping into some seriously silky 4/4 wobble while "Not No Love Song" vibes with classic rave synths and a speed garage style drop that's not, not, amazing.
NBD 002
14 Jul 15
Bass
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Heavyweight Sound - (5:06) 126 BPM
NBD 046
18 Aug 17
Funky/Club House
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AC Slater - "Dope Slinger" - (3:16) 128 BPM
   
Sinden - "Lose Control" - (4:47) 127 BPM
   
Phlegmatic Dogs - "Steppin" - (3:58) 132 BPM Biggest-selling track on this release
   
Petey Clicks - "I Canat Hold It In" - (5:42) 130 BPM
Review: ooohhh - the calculating Night Bass imprint returns to some quick fire action thanks to this naughty VA comp - and the results are as impressive as they are, well, booty-shaking. There's a whole line of stars in the making here, with peeps like AC Slater, Phlegmatic Dogs and Petey Clicks all offering their various new strains of high-grade bass mutations. In fact, much like the label's wider catalogue, these future-minded bangers are a mixed race fo sorts; from speedy garage to teched-out house and dubstep, there's something in here for all lovers of the UK ting. Yes, yes!
NBDPHASE 010
13 Oct 17
UK Garage
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My Peoples - (5:07) 126 BPM
   
Psycho - (4:35) 126 BPM Biggest-selling track on this release
Review: In the 90s AC Slater was the totally ripped jock in Saved By the Bell, but now however, it's the name of an LA bass maniac. Arriving on his own mighty Night Bass Label, My Peoples is a two track EP that continues to bring the sub-heavy heat to the USA. The title track is a storming 4 x 4 thumper with hip-hop samples and a stop-start dynamic that'll stop you resting on your laurels. Next up "Psycho" is a throwback to the deep and jazzy garage/house of the 90s - imagine vintage Van Helden with a firecracker in his tracksuit!
NBD 030
14 Oct 16
UK Garage
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AC Slater - "Head Knockin" - (4:18) 128 BPM
   
Taiki Nulight - "Super Doopah Legend" - (5:02) 128 BPM Biggest-selling track on this release
Played by: Mr Brainz
Review: American bass music is always produced big and tough. Hailing from LA, AC Slater's Night Bass label excels at this particular breed of shizzle. Here Slater shares a release with Taiki Nulight who presents "Super Doopah Legend" - a sizzling anthem with ascending/descending bass riffs, comedy vocal samples, build-ups and a general ghetto bounce. Slater himself also provides "Head Knockin", a strong 4 x 4 vehicle, featuring weird low squelches and dubbed-out lasers. Another quality joint from Night Bass then.
NBD 040
10 Mar 17
UK Garage
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Hollywood - (4:17) 128 BPM
   
So Good - (4:29) 130 BPM Biggest-selling track on this release
   
Sweet 'n' Sour - (4:34) 128 BPM
   
Vibesy - (5:00) 130 BPM
Played by: Mr Brainz, BURNIE
Review: It's quite difficult in today's bass scene to see Bassboy's name and not get excited, whether it be for one of his super entertaining Instagram track builds or a new EP such as this. He teams up with the legendary Night Bass imprint for a sizzling four track selection, kicking off with the gritty LFO rolls of the title track 'Hollywood', which is chased up the super colourful UKG struts of 'So Good'. Following this, 'Sweet 'n' Sour' switches the EP back onto a more gritty pass with his hardened bass synths running riot, before the moogy plucks of 'Vibesy' finish everything up with a serious dash of spice.
NBD 095
30 Aug 19
UK Garage
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Do Not Disturb - (4:39) 126 BPM
   
BIJOU & Blossom - "Expert" - (4:11) 126 BPM Biggest-selling track on this release
   
BIJOU & ATLAST - "Better Than That" - (3:23) 126 BPM
Review: The Night Bass rampage continues to rage as they bring in Bijou for this exciting four track selection, packing a serious punch. The title track 'Super Phat' is a heavyweight collaboration with Ushi Qute, working her impactful vocals into a high pressure build up, landing on a synth driven madness of a breakdown. To follow we have the super punchy drum work of 'Do Not Disturb' alongside the distorted devisings of 'Expert'. The EP is rounded off with some major flare as the shuffling synths and hard hitting drum designs of 'Better Than That' run riot.
NBD 071
14 Sep 18
UK Garage
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G Code - (4:41) 125 BPM Biggest-selling track on this release
Review: Previously spotted on Night Bass compilations, Bijou makes his EP debut on the label with the dark and dank "G-Code", a firing quartet of big boy bass antics. The title track digs deep into our inner gangster with its pushed jacking groove and catchy sample, "1000 Bitches" lets the dogs out with a barking mad groaner that's laced with some really trippy FX and twisted trap vox, "Get Up" takes more of a house route that switches up with a classic breakbeat breakdown. Finally we hit the "Afterparty" where Bijou condones some seriously mischievous behaviour over a mean snake-like riddim. This hits the g-spot alright.
NBD 048
15 Sep 17
UK Garage
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DYTAM - (3:53) 125 BPM
   
Anime (feat Outlaw The Artist) - (3:49) 127 BPM
Review: Phoenix-based DJ Blossom has been performing at the Night Bass Arizona shows for years, so A.C. Slater & Co. are beyond excited to introduce her first release on the Los Angeles-based label. The EP blasts off with the title track, featuring high energy vocals from TT The Artist. "DYTAM" keeps the vibe rolling along with a darker U.K. funky/bassline vibe, then leading into "Anime" 'a fidgety bass banger' with a grimy low end and featuring guest bars by Outlaw.
NBD 079
22 Feb 19
Minimal/Tech House
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Blossom - "Go" - (4:21) 128 BPM
   
Kendoll - "Stop Calling Me" - (3:50) 126 BPM
   
NuBass & Deppz - "Degenerate" - (5:17) 129 BPM Biggest-selling track on this release
Played by: Kastle
Review: The Night Bass train continues to roll out furiously as they employ the services of five brand new faces across their brand new compilation 'Night Bass Freshmen'. Being one of the most popular bass labels in the UK, the standard is set very high and everyone steps up to the mark, kicking off with Blossom's vibrant 4x4 belter 'Go'. We then move into Nukid's highly experimental electro balad in 'Front2Back' before landing on the techy bass rolls of 'The Burbs' from Jordan Burns. Next up, Kendoll with his slightly acidic stomper in 'Stop Calling Me' before we round of the EP with some minimalist UK Bass from the rapidly rising duo of Nubass & Deppz.
NBD 068
03 Aug 18
UK Garage
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Guess Who - (5:40) 126 BPM
Review: According to his bio, Bot is of the future. Half man, half-machine; fully Italian. Fair enough: bring it on, we say! Formerly one half of Crookers and now stepping out on his own, bass renegade Andrea Fratangelo is now based in Los Angeles (by way of London) and delivers us the Balut EP, a collaboration with Tony Quattro. First track "Balut" is a bleepy and stripped, swing fuelled house jam for eager, early evening dancefloors. Fans of Will Clarke or the Dirtybird sound will definitely dig this. "Guess Who" features a massive white noise build up and referee whistles before the massive bass induced drop, on this tough late night house excursion for freaks.
NBD 008
04 Dec 15
Minimal/Tech House
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Naughty Pleasure - (5:08) 126 BPM
   
Bushbaby & Inkline - "Walk Away" - (4:07) 126 BPM
   
Secret - (4:07) 126 BPM Biggest-selling track on this release
Review: What a journey the last year has been for Bushbaby, whilst undergoing a serious evolution in his sound, he has landed some of the biggest releases in UK dance music this year. He now touches down on the almighty Night Bass for his latest conquest, that being his extremely tech heavy 'Naughty Pleasure' EP. The title track itself is a super smooth 4x4 roller, driven by tight electronic bass tones and minimalist drum grooves, followed by a crunchy, metallic collaboration with the ever ready Inkline entitled 'Walk Away'. Finally, we finish up with our favourite of the bunch in 'Secret', a nostalgic twist up, livened up by its use of classic organ chords and a smooth final touch.
NBD 094
16 Aug 19
UK Garage
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Foot & Mouth - (3:30) 129 BPM Biggest-selling track on this release
   
Nightmares - (3:58) 129 BPM
Review: No messing around on this one: the man-machine Lorenzo lays down a severe groove and gives it the grave name it deserves. Spiked-out, siren-loaded and prone to switching, "Foot & Mouth" is the type of gully tune we all need as we come down from a hot, sticky summer. "Nightmares" follows suit with a similarly detuned feel to the bassline, all paranoid, weirded out and non-standard... The main strength that's got Chris to his premiership position in the first place.
NBD 027
02 Sep 16
UK Garage
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It's Not OK (feat Natz) - (3:48) 128 BPM Biggest-selling track on this release
   
Keep It Coming - (4:35) 128 BPM
   
All Massive - (4:32) 128 BPM
Review: As we kick start what is set to be an absolutely phenomenal year for bass music, we get stuck into the first offering of 2019 from Night Bass, who were without a doubt one of the stand out outfits within the music community last year. They bring forward Corrupt for four tracks of pure bass wizardry, with the title track 'It's Not Ok' being a sweeping swampy scorcher, followed by the the more electronic pressures of 'Keep It Coming'. Next up we dive head first into the angry synthesis and drum crunches of 'All The Massive', before rounding off with a punch in the circular bass tones of 'The Loot'. If this is how they are starting the year, it's set to be a very exciting 2019 for the Night Bass team.
NBD 077
11 Jan 19
Bass
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Real Mob - (4:30) 128 BPM Biggest-selling track on this release
   
They Can't Do It (feat Natz) - (4:31) 128 BPM
   
Shook VIP - (4:02) 128 BPM
Played by: BURNIE
Review: Following on from a wicked feature on the last Night Bass four track compilation, we here see the full return of Corrupt, who joins the team with three very vibrant originals. We kick off with the smooth, piercing sub maneuvers and sharp drum designs of the title track 'Real Mob' before 'They Can't Do It' hurtles into view, featuring some wicked additional work from 'Natz'. Finally, we take a peek at the VIP mix of 'Shook', a track which is packed with some seriously electrifying energy, driven by its lethal synthesizer runs and punchy drum production. The Night Bass rampage continues!
NBD 089
21 Jun 19
UK Garage
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Beatdown (feat Vanilla ACE - AC Slater remix) - (4:52) 126 BPM Biggest-selling track on this release
Review: The prolific producer, Destructo, however hasn't released a solo effort in nearly a year. Now he's back in the game hooking up with Night Bass label mate Wax Motif and MC Vanilla Ace for their 'heavy g-house anthem', "Beatdown". The tune is lean and mean electro-house jam with a menacing bounce and a hint of wobbly nastiness in its infectious bottom end. Label captain AC Slater also steps up to deliver a more searing bassline remix. No dancefloor gets out alive with this one.
NBD 014
04 Mar 16
UK Garage
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Spicy Noodles - (4:32) 128 BPM
   
Pick Pocket - (3:54) 128 BPM Biggest-selling track on this release
   
Acting Stank - (4:41) 127 BPM
Review: Here we see two bass heavy super powers combine as the immovable force of Night Bass team up with bass queen Flava D for a very highly anticipated project by the name of 'Spicy Noodles'. The title track kicks off with some serious flare as winding catchy synth melodies roam freely above chunky drum designs and lethal subwork to match. Next up, the more minimalized arrangement of 'Acting Skank', a techy roller dressed with expertly utilized vocal slices and electronic bass leads. Finally we finish up the project with 'Pickpocket', another minimal skanker, this time driven by the percussive clicks and subtle synth work, along with a top draw guest vocal from Brighton's PVC. Excellent stuff.
NBD 069
17 Aug 18
UK Garage
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Tough Break - (4:39) 126 BPM Biggest-selling track on this release
   
The Fuegs - (4:03) 127 BPM
   
Modish - (3:55) 125 BPM
Review: Those who dismiss out of hand the stateside rise of EDM are missing out. For every Guetta or Harris, there's a producer discovering, and making, proper dance music too. Californian duo Hotfire (Eric Yandall and Sascha Nowlin) are a perfect example, making cool UK style bass music whilst hailing from San Diego. "Tough Break" is bouncy, bleepy mechanical funk at its finest, "The Fuegs" is fusion of a clever raw, arpeggiated electro and deep percussive house, whilst "Modish" wraps things up with some skippy, if subdued, garage beats and laser rhythms.
NBD 016
01 Apr 16
UK Garage
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Do Or Die - (4:04) 127 BPM Biggest-selling track on this release
   
Dangerous - (4:02) 128 BPM
   
Criminal - (3:18) 127 BPM
   
Relax - (5:02) 128 BPM
Played by: Mr Brainz, KXVU
Review: The Night Bass party continues to rock out here as we introduce their latest project, seeing Hotfire drive himself into the limelight across four techy bass bangers. The title track 'Do Or Die' is a bouncy, 808 driven crunch, with vocal slices providing quirky rhythmic movement throughout. Following this, the darkened sub tones and shimmering drum work of 'Dangerous' step into the field, with the minimal jackin' production themes of 'Criminal' not far behind. The finishing move comes via 'Relax', a smooth, moody roller, brought to life by its bright drum movement and vocal inputs.
NBD 087
24 May 19
UK Garage
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I Need - (4:18) 127 BPM Biggest-selling track on this release
   
Dip That - (4:34) 128 BPM
   
Pivotal - (4:38) 125 BPM
   
Yesterday - (4:07) 125 BPM
Review: Californian duo Kairos (aka Eric Yandall and Sascha Nowlin) are literally smokin' right now with their unique take on bass music burning up dancefloors left, right and centre. Following on from fellow American producer Petey Clicks, they too release an EP on the ever-savvy Night Bass. "Hotfire" features four tracks that draw on a wide range of influences, including UK garage and wobble on "I Need You", party breaks on "Pivotal" and even good old fidget house on "Yesterday".
NBD 005
25 Sep 15
UK Garage
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Jack Beats & DJ Zinc - "Raise It Up" (feat MC GQ) - (4:02) 128 BPM Biggest-selling track on this release
   
Roast - (4:22) 128 BPM
   
Jack Beats & Taiki Nulight - "Mendo" - (4:38) 126 BPM
Played by: Mr Brainz, Pharaoh K
NBD 073
12 Oct 18
UK Garage
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Work It - (5:14) 125 BPM Biggest-selling track on this release
   
Intermission - (4:30) 125 BPM
Review: London's Jack Beats (aka Niall Dailly & Ben Geffin), are, if not quite wise old elders of the bassline scene, then certainly one of the genre's more established acts. Here they are back with a two pronged attack: "Work It" provides a deep acid bassline, a solid 4/4 groove and hip-house vocals whilst "Intermission" stands out with its combination of a rap vocal, heavy wobble bass and synthy atmospherics.
NBD 015
18 Mar 16
UK Garage
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The Lean - (3:56) 125 BPM Biggest-selling track on this release
   
Formula 3000 - (4:18) 126 BPM
Review: It's kinda crazy to look back and see just how much music the Night Bass label put out between 2015 and the beginning of 2017. It's an unfathomable amount of releases for such a young label and, the thing is, it's all pretty damn hot, too! Jack Beats is the project from Niall Dailly and Ben Griffin, who are back with the second landing of the Body Work series, and kicking things off with a bit of a gangsta flex thanks to "The Lean", a cold-hearted London bombshell propelled into motion by some dutty grime vocals, and a menacing groove. "Formula3000" brings in Taiki Nulight for a bigger, badder flow of break-ridden, bass filth - just the sort we vibe to.
NBD 036
13 Jan 17
UK Garage
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Body Work - (5:24) 125 BPM
   
Mercury - (4:38) 125 BPM Biggest-selling track on this release
Review: London duo Jack Beats return for Los Angeles' Night Bass imprint which continues to go from strength to strength with some killer releases lately by the likes of Herve, AC Slater and Sinden. Getting straight down to business on the late night sleaze of the title track (which features the sickest slap funk bassline you'll hear this year) beneath an electric, neon lit arrangement. There is also "Mercury" which builds into a groovy bass-driven shuffle optimised for maximum dancefloor impact. As the label put it "This is Jack Beats at the top of their game" and we certainly agree.
NBD 032
11 Nov 16
Minimal/Tech House
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Modulate - (5:11) 125 BPM Biggest-selling track on this release
   
Pump - (3:57) 126 BPM
Review: Jack Beats return to Night Bass with two of the most prime cuts imaginable. "Modulate" is almost techno in its mindset as the stripped back groove bumps and flexes until a warped bassline worms its way into the mix rising, teasing and melting into the groove. "Pump" maintains the heat with depth plunge bass tones that spiral so low you'll feel the need to pull up your trousers. Arguably two of Jack Beats' best bangers since they emerged almost 10 years ago.
NBD 047
01 Sep 17
UK Garage
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Dogfight - (5:22) 127 BPM
   
Kombat Dub - (6:05) 128 BPM
   
Choker - (4:12) 130 BPM Biggest-selling track on this release
Played by: In:flux Audio, Lucent
Review: There we were, thoroughly enjoying Welsh DJ Jay Robinson's brand of doomy bass heavy house, when he disappears for ages! Now he's back with all fists flying on the Fight Music EP. There are three ferociously pissed off tunes here for the harder dancefloors out there. Opener "Dogfight" ducks and weaves with instrumental breaks, big breaks and some seriously growling bass. Elsewhere "Kombat Dub" is a taught and techy affair littered with video game samples and finally "Choker" is a straight out thumper with a bassline that's more likely to chew your leg off than ever fetch your paper!
NBD 018
29 Apr 16
UK Garage
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Fury - (5:21) 128 BPM
   
The Model - (5:02) 128 BPM Biggest-selling track on this release
   
Red Dot - (4:38) 127 BPM
   
The Start - (5:19) 127 BPM
Review: Rising Welsh DJ/producer Jay Robinson has made himself right at home with the Night Bass label, here presenting his third EP for the imprint. If ain't broke and all that. There are four turbo charged bass pounders packed on to this release, starting with the bad man bounce of opener "Fury". Next is the creepy, bleepy shuffle of "The Model", before he gets his wobble out on the skippy "Red Dot". Lastly he wraps things up with the UKG-informed "The Start", which is actually the end, but Robinson never plays by the rules.
NBD 025
05 Aug 16
UK Garage
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Hussle - (4:23) 126 BPM Biggest-selling track on this release
Review: Night Bass is very protective of Welsh wonder kid Jay Robinson, whom they have helped nurture from the get go. So, it's no wonder that they're thrilled to announce this latest three track EP from the guy (his forth in total for the label). "Hussle" sees producer JM help contribute to this thumpin' big room gritty house monster. Next up "Heiss" is bouncy tech house with extra bottom end and finally the best of the lot is sleazy growler "SWYMGY", which also features labelmate Dillon Nathaniel on extra production duties.
NBD 039
24 Feb 17
UK Garage
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Right Back - (5:24) 127 BPM Biggest-selling track on this release
Review: One of the most prolific and consistent basssmiths in the house/tech/broken beat axis, Robinson continues to raise the profile with four more mischief-making collaborations; Pelikann joins in for a little Python rattling on the twisted bass throw-down "Gettuh", NIQW and Ami Carmine collide with Jay for a little dirty soul shaking on "Right Back" while GAWP is onside for the a sweet strutting house groove that's tickled with a riff that's reminiscent of mid 2000s Get Physical material. Finally we have the epic stripped back jacker "Oblivious" with Vanilla Ace that drops into an immense hood-heaving mid-section and cowbell popping groove. Jay: 1 / World: 0 It's a knockout.
NBD 051
17 Nov 17
UK Garage
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Tension - (4:51) 126 BPM Biggest-selling track on this release
   
In Effect - (4:04) 127 BPM
   
Glitched - (4:36) 126 BPM
   
Kendoll & Grensta - "Rave All Night" - (4:47) 128 BPM
NBD 083
12 Apr 19
Minimal/Tech House
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Temper - (5:06) 126 BPM Biggest-selling track on this release
   
Wavvves - (4:53) 125 BPM
Review: It's safe to say that Kry Wolf now has a rather impressive catalogue behind him, and nothing but quality under his belt. The man behind the Sounds Of Sumo label drops his latest release for Night Bass and it seems like the perfect place for his wondrous bass cuts. "Temper" is a slow, shape-shifting beast with a rattling percussion hook that wraps perfectly around the tune's knotted swarms of swamp bass, whereas "Flashlight" unleashes a bit of four-to-the-floor beneath a sea of rave sirens and purring bass tones. "Wavvves" feels like the last piece of hardcore continuum, a break-heavy, pseudo jungle killer to tie this man's bass experimentalism in the best possible way. Hot!
NBD 028
16 Sep 16
Bass
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Scared To Death - (4:24) 126 BPM Biggest-selling track on this release
   
Lazers - (4:09) 125 BPM
Review: Now let's be honest, is there anything that can stop the Night Bass train it it's tracks? It appears not as they continue their star studded ride with this latest project from MNNR, who gets seriously busy across two powerful originals. The first of these takes the title track role and goes by the name of 'Scared To Death', which brings together shuffling, sharpened bass creations and catchy vocal slices, topped with bubbling drum structures to add that dash of sauce. On the flip we are treated to another heater in 'Lazers', which, unironically uses lazer-like siren tones to form an alarming bass lead. Perfect for the ravers!
NBD 084
19 Apr 19
UK Garage
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Heist - (3:50) 126 BPM Biggest-selling track on this release
   
Bad For Me - (3:45) 130 BPM
   
OG Sins - (3:37) 125 BPM
Review: The run that the legendary Night Bass imprint has been on over the past 18 months is slightly frightening, with a relentlessness to deliver incredible bass music every single time. This latest project sees them bring in the hard hitting 4x4 structures of Nostalgix, a producer whose sound is instantly recognizable, due to her super sharp drum work. We hear this from the jump as the rolling kick thumps and bubbling sub pressures of 'Heist' kick us off, followed by the weird, warping synthesizer patterns and hypnotic sub drones of 'Bad For Me' arrive on the scene. We round up in style, as the super creative, alarm-like synth leads of the title track 'OG Sins' smashes this one over the line!
NBD 099
18 Oct 19
UK Garage
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Deadly Weapon - (4:06) 126 BPM Biggest-selling track on this release
   
Trap Bitch - (3:22) 127 BPM
   
Slug 45 - (3:20) 128 BPM
Review: There is no doubting that at the moment, Notion is one of the biggest names in bass music worldwide, as we see him here link up with AC Slater's legendary Night Bass imprint for three tracks of pure fire. We begin our delving into this one with a trip through the title track 'Deadly Weapon', which is a nuclear strike of an original, packing a punch between it's hard hitting synth designs and sharp brass melodies. Next, the crunchy drum work of 'Trap Bitch' whirls into play, which takes a more subtle approach, focusing on large scale sub bass and vocal slices. Finally, we finish up with the shuffling synthesizer rolls of 'Slug 45', rounding up a very impressive body of work.
NBD 081
22 Mar 19
UK Garage
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Fuego - (3:43) 130 BPM Biggest-selling track on this release
   
NuBass & Hot Goods - "Dead Prez" - (3:50) 128 BPM
   
Dusk (feat Purple Velvet Curtains) - (4:10) 125 BPM
   
Trippin' - (3:33) 128 BPM
Review: It's been a very exciting year for NuBass so far, who seems to be able to do no wrong as he continues to expand both his fanbase and catalogue with hard hitting releases dropping left, right and centre. We here see him touch down on the legendary Night Bass imprint across four absolute heaters, including the unique synth riffs of the title track 'Fuego'. This is followed by the pounding dancefloor flavours within 'Trippin', before a weighty collaboration with Hot Goods rolls into place by the name of 'Dead Prez'. Finally, Purple Velvet Curtains joins the party with yet another smashing vocal introduction, as the futuristic techy tones of 'Dusk' wade into view.
NBD 085
26 Apr 19
UK Garage
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My House - (6:07) 127 BPM Biggest-selling track on this release
   
Feels - (5:42) 126 BPM
Played by: Mr Brainz
Review: Great to know that despite all the wonted EDM Stateside, the likes of Petey Clicks in LA is keeping it real. "My House" is a tough, attitude-heavy slice of stomping wobble with the kind of bass that'll rattle your bones. If the UK vibes seem strong with this one it might be down to the influence of Sinden who collaborates with Clicks here on "Feels", a banger that adds chipmunk vocals and breakbeats to the mix in killer effect.
NBD 011
22 Jan 16
UK Garage
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Trash - (4:59) 133 BPM
   
If Ya - (5:07) 128 BPM
   
Like Body - (4:34) 127 BPM
Review: Anglophile US producer Petey Clicks has made a name for himself with his impressively authentic take on underground UK bass sounds. He does so with his own unique twist of course, and this can be heard throughout. "Trash" starts things in a lairy mood with speedy 2-step beats, nasty bass and raw vocals. From there "If Ya" slams some raw tribal house into the mix, "Like Body" is lean muscular 4x4 and "The One" is a diva-garage anthem in the making.
NBD 004
28 Aug 15
UK Garage
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Home - (5:40) 125 BPM Biggest-selling track on this release
Review: Night Bass head honcho Petey Clicks is Los Angeles's chief exponent of filthy, UK-style bass music. Here he shows us why, with two left-right jabs of tough love dance music. "Home" is where the heaviness is, featuring a relentless distorted bass pulse and rolling tropical drums. "Here 2 Kill" meanwhile is gloriously updated Good Life-style ravey house, complete with diva wails and snare rolls and classic cymbal splashes. Back to the future has never sounded so good.
NBD 029
30 Sep 16
UK Garage
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VA 2 LA - (4:42) 129 BPM
   
Awake - (4:01) 128 BPM Biggest-selling track on this release
Review: If there's one thing we can all agree on it's this: Petey Clicks needs to release music on much more of a regular then he currently does. These two jacking bass house tracks remind us exactly why... "VA To LA" slides us some gully gossip in the form of a grunting high end bassline and a clattering groove that bites down and refuses to let go. "Awake" takes us deeper down the rave rabbit hole with a classically-informed detuned synth riff, a twisted two-step and an amenised breakdown that's heavy enough to power a time machine (1.21 gigawatts) and take us all the way back to 92. Woke yet?
NBD 041
26 May 17
UK Garage
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Parred - (4:30) 129 BPM
   
Bass N Tweeters - (3:59) 130 BPM
   
Club Heads - (4:39) 130 BPM Biggest-selling track on this release
   
Paid - (5:34) 127 BPM
Review: LA based imprint: Night Bass have been one of the most impressive labels within dance music over the last couple of years, and that trend continues with their latest EP project alongside Petey Clicks. This four-track project kicks off with the title track 'Club Heads', which is a ball of super electronic sounding synth instrumentation with sharp 4x4 drums below. Next up we have the super experimental distortion of 'Paid' along with the unpredictable synth melodies and explosive percussive design of 'Parrin'. Finally we finish up with fidget-inspired crunchy bass instruments of 'Bass & Tweeters' which ties the EP up with a real spark.
NBD 064
01 Jun 18
UK Garage
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