Review: ooohhh - the calculating Night Bass imprint returns to some quick fire action thanks to this naughty VA comp - and the results are as impressive as they are, well, booty-shaking. There's a whole line of stars in the making here, with peeps like AC Slater, Phlegmatic Dogs and Petey Clicks all offering their various new strains of high-grade bass mutations. In fact, much like the label's wider catalogue, these future-minded bangers are a mixed race fo sorts; from speedy garage to teched-out house and dubstep, there's something in here for all lovers of the UK ting. Yes, yes!
Review: Great to know that despite all the wonted EDM Stateside, the likes of Petey Clicks in LA is keeping it real. "My House" is a tough, attitude-heavy slice of stomping wobble with the kind of bass that'll rattle your bones. If the UK vibes seem strong with this one it might be down to the influence of Sinden who collaborates with Clicks here on "Feels", a banger that adds chipmunk vocals and breakbeats to the mix in killer effect.
Review: Anglophile US producer Petey Clicks has made a name for himself with his impressively authentic take on underground UK bass sounds. He does so with his own unique twist of course, and this can be heard throughout. "Trash" starts things in a lairy mood with speedy 2-step beats, nasty bass and raw vocals. From there "If Ya" slams some raw tribal house into the mix, "Like Body" is lean muscular 4x4 and "The One" is a diva-garage anthem in the making.
Review: Night Bass head honcho Petey Clicks is Los Angeles's chief exponent of filthy, UK-style bass music. Here he shows us why, with two left-right jabs of tough love dance music. "Home" is where the heaviness is, featuring a relentless distorted bass pulse and rolling tropical drums. "Here 2 Kill" meanwhile is gloriously updated Good Life-style ravey house, complete with diva wails and snare rolls and classic cymbal splashes. Back to the future has never sounded so good.
Review: If there's one thing we can all agree on it's this: Petey Clicks needs to release music on much more of a regular then he currently does. These two jacking bass house tracks remind us exactly why... "VA To LA" slides us some gully gossip in the form of a grunting high end bassline and a clattering groove that bites down and refuses to let go. "Awake" takes us deeper down the rave rabbit hole with a classically-informed detuned synth riff, a twisted two-step and an amenised breakdown that's heavy enough to power a time machine (1.21 gigawatts) and take us all the way back to 92. Woke yet?
Review: LA based imprint: Night Bass have been one of the most impressive labels within dance music over the last couple of years, and that trend continues with their latest EP project alongside Petey Clicks. This four-track project kicks off with the title track 'Club Heads', which is a ball of super electronic sounding synth instrumentation with sharp 4x4 drums below. Next up we have the super experimental distortion of 'Paid' along with the unpredictable synth melodies and explosive percussive design of 'Parrin'. Finally we finish up with fidget-inspired crunchy bass instruments of 'Bass & Tweeters' which ties the EP up with a real spark.
Review: Two of the most prominent faces on the Night Bass roster, Petey Clicks and former fidget house man, Sinden, have teamed up to deliver two punishing (in a good way) bangers. The title track gives a little UK 4x4 twist to a classic underground US house sound, whilst "Heartbeat" goes all out for the retro approach, with old skool organ stabs and wailing pitched-up diva vocals. Label boss AC Slater then delivers an utterly mesmerising electro-bass rejig of the title track and Hotfire injects some serious bottom end into their version of "Heartbeat". Ace sounds!