Review: As one of the leading forces in worldwide bass music, AC Slater returns to his home imprint of Night Bass to unveil a fabulous selection of remixes, working directly off his critically acclaimed 'Hi8' album project. The line up is spicy to say the least, with the likes of Flava D, Sammy Virji, DALCO, NuKid, CID and more all getting involved for one the biggest remix projects bass music has ever seen. The two real standouts for us come from two brits however, as Bushbaby's colourful relick of 'Attitude' from AC & Taiki Nulight immediately catches our ears, alongside Drinks On Me's smooth and well thought out overhaul of 'Every Pigeon Is a Dove', featuring the wonderful vocal layers of Murkage Dave.
Review: It's been a long time coming, but after a long run of exciting single drop, Night Bass founder and all around dance music legend: AC Slater lands on his home imprint for a brand new album project. The project features the previously released single 'Final Fantasy' but as a club mix alongside a bag of incredible collaborative additions, including Dread MC, Jay Robinson, Chris Lorenzo, Murkage Dave, Taiki Nulight and more. With twelve tracks of the highest quality, AC has really set the bar super high, with particular highlights including the high energy collaboration with Jack Beats, Sinden and Flowdan entitled 'Boss Like That', along with the tasty house tones of 'Feeling Awake'.
Review: Next up, the Night Bass reign continues to pour, dispersing wavy music left right and centre as the founder himself returns home for a fantastic new garage single by the name of 'Final Fantasy'. This one is an instant hit, as Kaleena Zanders gets busy with some incredibly catchy vocal lines over some smooth, silky 4x4 flavours from AC Slater, making for the perfect combo. This single also comes complete with a bag of fantastic remixes, with Jay Robinson turning the original into a bouncy party piece, Steady Rock providing some nostalgic house flavours and Turno bringing forward a wicked drums interpretation, packed with catchy synth leads and lively rhythms!
Review: The Night Bass rampage marches forward again as founder and front runner of the American bass scene: AC Slater touches down across three tracks of fire. For the title track 'Free Your Soul', we hear AC join forces with Young Lyxx for a vibrant 4x4 stomper, encapsulating the exact sound Night Bass represents. It all gets a bit more techy next as we are introducing to the jittery lead synthesis alongside the gloopy LFOs and sharp drum designs of 'IFU'. On the final recording, we are very excited to see Armanni Reign and TS7 join the party with some vibrant contributions towards 'Step Back', an acidic roller, perfect for the dance
Review: The Nightbass rampage continues to roam into new territory here as they get busy with a super experimental collaboration. Primarily known for his catchy 140 grime flows, Capo Lee joins the party with a potent vocal appearance alongside messers Sinden and Lo'99 on 'Natural High'. This one is set to cause major damage in the dances as Capo's smooth vocal presence sits perfectly atop stripped back drum designs and potent sub pressure. This one comes complete with two remixes, with Proxy sending the original to the distortion choppin block and Bijou reworking the track into a super techy roller. Great stuff again from the Nightbass camp.
Sinden - "Swervin In A Lex" (feat Young Lyxx) - (4:26) 126 BPM
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
219 Boys - "Hooked Up" - (4:36) 126 BPM
Codes - "Brand New Drop" - (3:11) 125 BPM
Review: The rampage of the Night Bass collective shows no sign of slowing any time soon as they roll out another top draw compilation, this one consisting of six heaters under the name of 'Summer Phrases 2018'. Taiki Nulight and Hadean kick off proceedings with their tearout roller in 'No Attention', with 219 Boys following up on some sublow flavours in 'Hooked Up'. Codes then provides some techy tastings on 'Brand New Drop' before Bijou teams up with Davonyea Marcel for the experimental stylings of 'On Read'. Sinden & Dillon Nathaniel finish up the EP in style with their explosive outings on 'Swervin In A Lex' and 'Can't See Me'. Another top draw outing for the Night Bass camp.
Review: The first edition of AC Slater's 'Outsiders Remixed' release was met with a fantastic response from fans and DJ's across the globe. We were super excited therefore to see the second edition hit the shelves in such quick pursuit. This time we see Phlegmatic Dogs get their teeth stuck into 'Jaws' for a punchy rework, Kastle pull together a futuristic garage recreation of 'Come Back' and JackBeats step up for a fidgety overhaul of 'Another You'. The EP is then rounded off in style with Taiki Nulight's gritty 4x4 redesign of 'All About Paper'. Night Bass have done it yet again it seems!
Review: Aaron Clevenger aka AC Slater returns to Californian low-end specialists Night Bass, with a brand new three track EP ahead of his performance at the legendary Coachella festival in the Colorado Valley in April. This also follows up his debut album Outsiders for the label last year. "I Wanna Show You" sees the Party Like Us boss push his bass driven tech-sound sound forward. On "Amen Tribe" and "Can't Come Down" (featuring YoungLyxx) we see the Los Angeles native thrown down yet more sleazy deep tech bounce that's sure to cause some heat on the dancefloor.
Review: It's safe to say that AC Slater has become one of the most influential names in worldwide bass music, both as a producer and as the driving force behind the infamous 'Night Bass' imprint. He makes his return to the homeworld with this brand new four tracker entitled 'Outsiders Remixed Pt 1', where we see the Night Bass collective rework classic tracks from AC's 'Outsiders' album.
To start off Sinden gets to work with a vibrant fidgety refurbishment of 'Misfit', originally featuring PVC and Herve. Next up Jay Robinson gets to work shuffling up 'Taking Off' and Riddim Commision gets busy with Jamakabi's intense vocal performance on 'Big Riddim'. Finally we are treated to Petey Clicks putting together his emotive recreation of 'Dealer' featuring credits from Tchami and Rome Fortune.
Review: Sinden and DJ Q touch down on Night Bass which, unsurprisingly, means a barrel-full of dread-out low frequencies and crafty dance moves. The two-tracker kicks off with "Bigger Than Jaws", unleashing a sidewinder of a bass, all wobbly and grime-friendly, filtered through a bumpy garage riddim for maximum floor damage. "The Original" is even nuttier in its apparoach and harmonic mannerisms, unloading some pure mutant bass over chilly rave stabs and another magnetic drum rhythm that's utterly club-friendly. Badass!
Review: ooohhh - the calculating Night Bass imprint returns to some quick fire action thanks to this naughty VA comp - and the results are as impressive as they are, well, booty-shaking. There's a whole line of stars in the making here, with peeps like AC Slater, Phlegmatic Dogs and Petey Clicks all offering their various new strains of high-grade bass mutations. In fact, much like the label's wider catalogue, these future-minded bangers are a mixed race fo sorts; from speedy garage to teched-out house and dubstep, there's something in here for all lovers of the UK ting. Yes, yes!
Review: What a crazy trip it's been for AC Slater. Having bubbled away in all kinds of genres from hardcore to electro in the 2000s, having set up Night Bass just two years ago, he's created a distinctive and hugely successful sound that's so distinctive it's often described as the Night Bass sound. With his debut album Outsiders he galvanises and develops the sound even more as he ranges from the classic bass burping UK influenced jackers we know and love him for ("Ring The Alarm", All About The Paper", "Dope Slinger") to a much more soulful, sensual palette and flexes his deeper side ("Take Off", "Come Back") With splashes of UK garage ("Another You") and total alien grit ("Jaws"), this is the Night Bass bossman really digging into his own sound, his own crew and his movement.
Review: On the other side of the great, giant pond, the cause of bass music has never pushed more so than by LA's AC Slater and his Night Bass label. Sometimes its output can be raucous and underground, but sometimes the label can be commercial too. Either way the output is always totally lit. "Come Back" is strictly in the latter camp, a hook up with Shift K3Y, it has resulted in a super infectious and uplifting banger, with rolling bass, skippy beats and more build ups and break downs than you can shake a stick at!
Review: American bass music is always produced big and tough. Hailing from LA, AC Slater's Night Bass label excels at this particular breed of shizzle. Here Slater shares a release with Taiki Nulight who presents "Super Doopah Legend" - a sizzling anthem with ascending/descending bass riffs, comedy vocal samples, build-ups and a general ghetto bounce. Slater himself also provides "Head Knockin", a strong 4 x 4 vehicle, featuring weird low squelches and dubbed-out lasers. Another quality joint from Night Bass then.
Review: In the 90s AC Slater was the totally ripped jock in Saved By the Bell, but now however, it's the name of an LA bass maniac. Arriving on his own mighty Night Bass Label, My Peoples is a two track EP that continues to bring the sub-heavy heat to the USA. The title track is a storming 4 x 4 thumper with hip-hop samples and a stop-start dynamic that'll stop you resting on your laurels. Next up "Psycho" is a throwback to the deep and jazzy garage/house of the 90s - imagine vintage Van Helden with a firecracker in his tracksuit!
Review: Two of the most prominent faces on the Night Bass roster, Petey Clicks and former fidget house man, Sinden, have teamed up to deliver two punishing (in a good way) bangers. The title track gives a little UK 4x4 twist to a classic underground US house sound, whilst "Heartbeat" goes all out for the retro approach, with old skool organ stabs and wailing pitched-up diva vocals. Label boss AC Slater then delivers an utterly mesmerising electro-bass rejig of the title track and Hotfire injects some serious bottom end into their version of "Heartbeat". Ace sounds!
Review: Originally a pioneer of fidget house with Herve and Switch, Graeme Sinden recently relocated to Los Angeles to regain his mojo. However, despite the ubiquitous EDM that surrounds him there, his sound still stays true to the good old UK. Here on the Crystal Maze EP he presents four sizzling new cuts - the dubby garage of the title track, the bouncey hip-house of "Southern Rhythm", the trippy bleeps of booty joint "To The Ground" and the badass wobble attack "To The Ground".
Review: Flinging double negatives like a clown hurls custard pies, AC Slater builds on Night Bass's generous debut release with his second full-fat EP of the year. With a sound and attitude that's been cemented into the bass scene psyche for a decade, you know what to expect from him: BS-free floor-fire with added humour... And that's exactly what we get. "The Chirp" is a Dirtybird-level jacker, "Skywalker OG" taps deeper into the classic house roots with an air of late 90s Van Helden, "Waterverb" flips the trap bird before dropping into some seriously silky 4/4 wobble while "Not No Love Song" vibes with classic rave synths and a speed garage style drop that's not, not, amazing.
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