Review: The Night Bass rampage continues to rage as they bring in Bijou for this exciting four track selection, packing a serious punch. The title track 'Super Phat' is a heavyweight collaboration with Ushi Qute, working her impactful vocals into a high pressure build up, landing on a synth driven madness of a breakdown. To follow we have the super punchy drum work of 'Do Not Disturb' alongside the distorted devisings of 'Expert'. The EP is rounded off with some major flare as the shuffling synths and hard hitting drum designs of 'Better Than That' run riot.
Review: Phoenix-based DJ Blossom has been performing at the Night Bass Arizona shows for years, so A.C. Slater & Co. are beyond excited to introduce her first release on the Los Angeles-based label. The EP blasts off with the title track, featuring high energy vocals from TT The Artist. "DYTAM" keeps the vibe rolling along with a darker U.K. funky/bassline vibe, then leading into "Anime" 'a fidgety bass banger' with a grimy low end and featuring guest bars by Outlaw.
Review: According to his bio, Bot is of the future. Half man, half-machine; fully Italian. Fair enough: bring it on, we say! Formerly one half of Crookers and now stepping out on his own, bass renegade Andrea Fratangelo is now based in Los Angeles (by way of London) and delivers us the Balut EP, a collaboration with Tony Quattro. First track "Balut" is a bleepy and stripped, swing fuelled house jam for eager, early evening dancefloors. Fans of Will Clarke or the Dirtybird sound will definitely dig this. "Guess Who" features a massive white noise build up and referee whistles before the massive bass induced drop, on this tough late night house excursion for freaks.
Review: London duo Jack Beats return for Los Angeles' Night Bass imprint which continues to go from strength to strength with some killer releases lately by the likes of Herve, AC Slater and Sinden. Getting straight down to business on the late night sleaze of the title track (which features the sickest slap funk bassline you'll hear this year) beneath an electric, neon lit arrangement. There is also "Mercury" which builds into a groovy bass-driven shuffle optimised for maximum dancefloor impact. As the label put it "This is Jack Beats at the top of their game" and we certainly agree.
Review: For Brighton producer Taiki Nulight, he couldn't be more excited to release on Los Angeles-based Night Bass. This is a culmination of years of DJing and collaborating. His last LP Murky Manor was the soundscape of his life to date, claiming it was so important for him as an artist to do a full album - one that showcased the full depth and breadth of his sound. The themes continue on the Soundwave EP. The moody bounce of the title track and its druggy vocals, the intoxicating late night shuffle of "Lil Mama" and crossing over into minimal tech house on the tunneling "Turn It Up" - this one is fierce!
Review: AC Slater's Night Bass imprint has everybody waiting on the next announcement at the moment, and with such an impressive run of releases, who can blame anybody? The latest in this long line of highly anticipated projects comes from Moscow's own Volak. This two tracker is full of power and production precision. The title track is awesome, flitting between slightly bitcrushed synth leads and well rounded drum arrangements. On the B-side, Faith In You is a solid accompaniment which features fantastic string sampling and additional production credits from Tony B.