Review: Rising Welsh DJ/producer Jay Robinson has made himself right at home with the Night Bass label, here presenting his third EP for the imprint. If ain't broke and all that. There are four turbo charged bass pounders packed on to this release, starting with the bad man bounce of opener "Fury". Next is the creepy, bleepy shuffle of "The Model", before he gets his wobble out on the skippy "Red Dot". Lastly he wraps things up with the UKG-informed "The Start", which is actually the end, but Robinson never plays by the rules.
Review: There we were, thoroughly enjoying Welsh DJ Jay Robinson's brand of doomy bass heavy house, when he disappears for ages! Now he's back with all fists flying on the Fight Music EP. There are three ferociously pissed off tunes here for the harder dancefloors out there. Opener "Dogfight" ducks and weaves with instrumental breaks, big breaks and some seriously growling bass. Elsewhere "Kombat Dub" is a taught and techy affair littered with video game samples and finally "Choker" is a straight out thumper with a bassline that's more likely to chew your leg off than ever fetch your paper!
Review: The Nightbass domination continues as long term bass revolutionary Jay Robinson puts together 'The Return' EP. In typical Jay fashion, the EP is outstanding and serves as a real lesson in rhythmic prowess. The title track A darkened demon, focused on lofi drum work and crunchy bass synths. This is followed by the funky grooves of 'Falling Upwards' and the monstrous lead synth design of 'The Ripper'. The EP is then finalized in style as the horn-like synths of 'The Melodic Weapon' take the reigns, driving this roller forward. This is a top project as ever from Jay Robinson and Night Bass look set to continue this incredible run of releases well into 2018 and beyond.
Review: One of the most prolific and consistent basssmiths in the house/tech/broken beat axis, Robinson continues to raise the profile with four more mischief-making collaborations; Pelikann joins in for a little Python rattling on the twisted bass throw-down "Gettuh", NIQW and Ami Carmine collide with Jay for a little dirty soul shaking on "Right Back" while GAWP is onside for the a sweet strutting house groove that's tickled with a riff that's reminiscent of mid 2000s Get Physical material. Finally we have the epic stripped back jacker "Oblivious" with Vanilla Ace that drops into an immense hood-heaving mid-section and cowbell popping groove. Jay: 1 / World: 0 It's a knockout.
Review: Night Bass is very protective of Welsh wonder kid Jay Robinson, whom they have helped nurture from the get go. So, it's no wonder that they're thrilled to announce this latest three track EP from the guy (his forth in total for the label). "Hussle" sees producer JM help contribute to this thumpin' big room gritty house monster. Next up "Heiss" is bouncy tech house with extra bottom end and finally the best of the lot is sleazy growler "SWYMGY", which also features labelmate Dillon Nathaniel on extra production duties.
Review: A.C. Slater's Night Bass is a wildly successful, internationally renowned institution for ground breaking, forward-thinking dance music that's spearheading an underground movement across the U.S.A. The Los Angeles based imprint now serves up another one by label staple Jay Robinson: the ascendant Welshman who has previously appeared on Bingo Bass, Cr2 and Mau5trap. His new effort is "Pushing" featuring the captivating vocals of Ina Bravo - this bass driven tech house jam is so infectious. This is supported by second original offering "Wrong About You" - another vocal track which explores classic U.S. house aesthetic with a modern, and yes bass driven, twist!
Review: For those in the know on the bassline scene, Welsh DJ Jay Robinson has been a hot name to watch for a while now. Always fine-tuning his brand of doomy bass heavy house, his latest single, 1987 has already picked up support from the likes of My Nu Leng, Shadow Child, Toddla T and Herve. "Carnage" and "Guttural" kick things off with vintage samples and bouncy bass, "Throwback" is all about the epic breakdowns, the deep and nasty "Shutdown" is an EP highlight and "The End" fuses dubstep and hip-hop to devastating effect