Review: A.C. Slater's Night Bass is a wildly successful, internationally renowned institution for ground breaking, forward-thinking dance music that's spearheading an underground movement across the U.S.A. The Los Angeles based imprint now serves up another one by label staple Jay Robinson: the ascendant Welshman who has previously appeared on Bingo Bass, Cr2 and Mau5trap. His new effort is "Pushing" featuring the captivating vocals of Ina Bravo - this bass driven tech house jam is so infectious. This is supported by second original offering "Wrong About You" - another vocal track which explores classic U.S. house aesthetic with a modern, and yes bass driven, twist!
Review: It's quite difficult in today's bass scene to see Bassboy's name and not get excited, whether it be for one of his super entertaining Instagram track builds or a new EP such as this. He teams up with the legendary Night Bass imprint for a sizzling four track selection, kicking off with the gritty LFO rolls of the title track 'Hollywood', which is chased up the super colourful UKG struts of 'So Good'. Following this, 'Sweet 'n' Sour' switches the EP back onto a more gritty pass with his hardened bass synths running riot, before the moogy plucks of 'Vibesy' finish everything up with a serious dash of spice.
Review: What a journey the last year has been for Bushbaby, whilst undergoing a serious evolution in his sound, he has landed some of the biggest releases in UK dance music this year. He now touches down on the almighty Night Bass for his latest conquest, that being his extremely tech heavy 'Naughty Pleasure' EP. The title track itself is a super smooth 4x4 roller, driven by tight electronic bass tones and minimalist drum grooves, followed by a crunchy, metallic collaboration with the ever ready Inkline entitled 'Walk Away'. Finally, we finish up with our favourite of the bunch in 'Secret', a nostalgic twist up, livened up by its use of classic organ chords and a smooth final touch.
Review: For Brighton producer Taiki Nulight, he couldn't be more excited to release on Los Angeles-based Night Bass. This is a culmination of years of DJing and collaborating. His last LP Murky Manor was the soundscape of his life to date, claiming it was so important for him as an artist to do a full album - one that showcased the full depth and breadth of his sound. The themes continue on the Soundwave EP. The moody bounce of the title track and its druggy vocals, the intoxicating late night shuffle of "Lil Mama" and crossing over into minimal tech house on the tunneling "Turn It Up" - this one is fierce!
Review: Night Bass are wasting absolutely no time this year, as they here bring forward the second edition of their 'Night Bass Freshmen' series, showcasing the new, up and coming artists that are going to be working with the Night Bass imprint in the future. We see six originals make the tracklisting for this one, with artists such as SQWAD, Qlank, SODF and Double Agent all providing us with absolute heaters. For us however, the clear highlights for this project have to include the tech infused brilliance of 'Bad Blood' from Hot Goods, and of course Sammy Legs' super bouncy roller in 'Hi-Def'.
Review: Following on from a wicked feature on the last Night Bass four track compilation, we here see the full return of Corrupt, who joins the team with three very vibrant originals. We kick off with the smooth, piercing sub maneuvers and sharp drum designs of the title track 'Real Mob' before 'They Can't Do It' hurtles into view, featuring some wicked additional work from 'Natz'. Finally, we take a peek at the VIP mix of 'Shook', a track which is packed with some seriously electrifying energy, driven by its lethal synthesizer runs and punchy drum production. The Night Bass rampage continues!
Review: Next up, the Night Bass reign continues to pour, dispersing wavy music left right and centre as the founder himself returns home for a fantastic new garage single by the name of 'Final Fantasy'. This one is an instant hit, as Kaleena Zanders gets busy with some incredibly catchy vocal lines over some smooth, silky 4x4 flavours from AC Slater, making for the perfect combo. This single also comes complete with a bag of fantastic remixes, with Jay Robinson turning the original into a bouncy party piece, Steady Rock providing some nostalgic house flavours and Turno bringing forward a wicked drums interpretation, packed with catchy synth leads and lively rhythms!
Review: The Night Bass party continues to rock out here as we introduce their latest project, seeing Hotfire drive himself into the limelight across four techy bass bangers. The title track 'Do Or Die' is a bouncy, 808 driven crunch, with vocal slices providing quirky rhythmic movement throughout. Following this, the darkened sub tones and shimmering drum work of 'Dangerous' step into the field, with the minimal jackin' production themes of 'Criminal' not far behind. The finishing move comes via 'Relax', a smooth, moody roller, brought to life by its bright drum movement and vocal inputs.
Review: If there is one thing that the legendary imprint known as Night Bass is able to do time and time again, it's step up to the occasion as they here bring together a fantastic 7 track compilation project, showcasing the best of their new school roster additions. This release showcases such a fantastic array of styles, from the crunchy drum switches of 'French Prince' from Movenchy, the rolling percussive stutters of 'Killers' from NuKid and Jordan Burns to Gerry Gonza's deeper 'Make My Eyes Roll Back' alongside Bekah. We also hear fantastic contributions from the likes of Kendoll with an electronic powerhouse entitled 'Denial', along with heaters from Shdws, MNNR, Tombz, Hotel Garuda and Julius Jetson, making this one a must have for bass fans worldwide.
Review: It's been a very exciting year for NuBass so far, who seems to be able to do no wrong as he continues to expand both his fanbase and catalogue with hard hitting releases dropping left, right and centre. We here see him touch down on the legendary Night Bass imprint across four absolute heaters, including the unique synth riffs of the title track 'Fuego'. This is followed by the pounding dancefloor flavours within 'Trippin', before a weighty collaboration with Hot Goods rolls into place by the name of 'Dead Prez'. Finally, Purple Velvet Curtains joins the party with yet another smashing vocal introduction, as the futuristic techy tones of 'Dusk' wade into view.
Review: Now let's be honest, is there anything that can stop the Night Bass train it it's tracks? It appears not as they continue their star studded ride with this latest project from MNNR, who gets seriously busy across two powerful originals. The first of these takes the title track role and goes by the name of 'Scared To Death', which brings together shuffling, sharpened bass creations and catchy vocal slices, topped with bubbling drum structures to add that dash of sauce. On the flip we are treated to another heater in 'Lazers', which, unironically uses lazer-like siren tones to form an alarming bass lead. Perfect for the ravers!
Review: It's been somewhat of a quiet start to the year for Shift K3y, who has been one of the most prominent figures in UK Dance music over the past few years, constantly pushing out original material laced with intense creativity. This EP see's him return to his tip top best as 'To The Floor' shuffles into play with it's unique, crunchy synthesized leads and bubbling 4x4 rhythms bringing a serious dose of dancefloor energy. On the flip, we are joined in collaboration mode by the legendary Taiki Nulight, one of Night Bass's most consistent flag flyers. He gets busy the hard hitting jacking drums and hypnotic percussive loops that inhabit 'SC4RY'.
Review: There is no doubting that at the moment, Notion is one of the biggest names in bass music worldwide, as we see him here link up with AC Slater's legendary Night Bass imprint for three tracks of pure fire. We begin our delving into this one with a trip through the title track 'Deadly Weapon', which is a nuclear strike of an original, packing a punch between it's hard hitting synth designs and sharp brass melodies. Next, the crunchy drum work of 'Trap Bitch' whirls into play, which takes a more subtle approach, focusing on large scale sub bass and vocal slices. Finally, we finish up with the shuffling synthesizer rolls of 'Slug 45', rounding up a very impressive body of work.
Review: The Night Bass rampage marches forward again as founder and front runner of the American bass scene: AC Slater touches down across three tracks of fire. For the title track 'Free Your Soul', we hear AC join forces with Young Lyxx for a vibrant 4x4 stomper, encapsulating the exact sound Night Bass represents. It all gets a bit more techy next as we are introducing to the jittery lead synthesis alongside the gloopy LFOs and sharp drum designs of 'IFU'. On the final recording, we are very excited to see Armanni Reign and TS7 join the party with some vibrant contributions towards 'Step Back', an acidic roller, perfect for the dance
Review: Phoenix-based DJ Blossom has been performing at the Night Bass Arizona shows for years, so A.C. Slater & Co. are beyond excited to introduce her first release on the Los Angeles-based label. The EP blasts off with the title track, featuring high energy vocals from TT The Artist. "DYTAM" keeps the vibe rolling along with a darker U.K. funky/bassline vibe, then leading into "Anime" 'a fidgety bass banger' with a grimy low end and featuring guest bars by Outlaw.
Review: There aren't many labels operating within the spheres of bass music that are able to keep pace with the freight train that is Night Bass, who seem to be dropping a top draw release every three weeks at least. This latest project sees them compile the second edition of 'Night Bass Remixed', featuring some heavyweight recreations from the likes of APEXAPE, 219 Boys, Proxy and a bag more high profile names. For us, the immediate stand outs on this one have to come from Codes & Stranger who rework the magnificent 'Big Riddim' featuring Jamakabi, along with Taiki Nulight's powerful overhaul of the classic 'Keepmastik' from Phlegmatic Dogs.
Review: As we kick start what is set to be an absolutely phenomenal year for bass music, we get stuck into the first offering of 2019 from Night Bass, who were without a doubt one of the stand out outfits within the music community last year. They bring forward Corrupt for four tracks of pure bass wizardry, with the title track 'It's Not Ok' being a sweeping swampy scorcher, followed by the the more electronic pressures of 'Keep It Coming'. Next up we dive head first into the angry synthesis and drum crunches of 'All The Massive', before rounding off with a punch in the circular bass tones of 'The Loot'. If this is how they are starting the year, it's set to be a very exciting 2019 for the Night Bass team.
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
BIJOU - "Do Not Disturb" - (4:39) 63 BPM
Review: The guys at Nightbass have had truly sensational year, with top quality releases flowing out of the camp left, right and centre. As a label, AC Slater's outfit has developed into one of the most forward thinking projects currently rolling out across the bass music expanse and this compilation showcases just how far they have moved forward. The tracklisting contains a monstrous host, featuring the likes of Flava D, Shift K3y, Jack Beats, Cause & Affect and many more heavy hitters. For us the immediate standouts have to come from Jay Robinson firstly, who's acidic roller 'The Return' hits home heavily, alongside Phlegmatic Dogs, who's classic 'Cuatrocats' adds major weight to the selection. Awesome stuff and a top quality signout.
Review: The Nightbass rampage continues to roam into new territory here as they get busy with a super experimental collaboration. Primarily known for his catchy 140 grime flows, Capo Lee joins the party with a potent vocal appearance alongside messers Sinden and Lo'99 on 'Natural High'. This one is set to cause major damage in the dances as Capo's smooth vocal presence sits perfectly atop stripped back drum designs and potent sub pressure. This one comes complete with two remixes, with Proxy sending the original to the distortion choppin block and Bijou reworking the track into a super techy roller. Great stuff again from the Nightbass camp.
Taiki Nulight & Cause & Affect - "What You Gonna Do" - (4:11) 127 BPM
Villan Dub - (3:49) 127 BPM
Review: Within the UK Bass scene, there are few who can be held in higher acclaim that Brighton's own Taiki Nulight, who has been at the forefront of bass music for pretty much the entirety of the scene's modern existence. This album showcases everything that the man is about, from the UKG inspired flavours of the title track 'Murky Manor', to the more futuristic and experimental stylings of 'Iconic', alongside Dread MC. Other highlights include the circular percussive movements of the 'The Business', the tearout tones of 'Primal' and of course the three high profile collaborations alongside fellow bass heavyweights: AC Slater, Chris Lorenzo and Cause & Affect.
Review: The team behind the Nightbass movement continue their incredible journey through 2018 here with yet another solid compilation, really pushing the Night Bass sound right through to the year's end. This project is made up on 9 original records, including top draw creations from the likes of AC Slater, Bijou, Cause & Affect, Taiki Nulight, Bassboy and more, making up a spectacular line up to say the least. For us the instant highlights on this one have to include 'The Freq' from 219 Boys and 'Church (feat Dances with White Girls)' from Sinden & Petey Clicks, both of which encapsulate the darkened futuristic bass stylings of Night Bass perfectly!
Sinden - "Swervin In A Lex" (feat Young Lyxx) - (4:26) 126 BPM
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
219 Boys - "Hooked Up" - (4:36) 126 BPM
Codes - "Brand New Drop" - (3:11) 125 BPM
Review: The rampage of the Night Bass collective shows no sign of slowing any time soon as they roll out another top draw compilation, this one consisting of six heaters under the name of 'Summer Phrases 2018'. Taiki Nulight and Hadean kick off proceedings with their tearout roller in 'No Attention', with 219 Boys following up on some sublow flavours in 'Hooked Up'. Codes then provides some techy tastings on 'Brand New Drop' before Bijou teams up with Davonyea Marcel for the experimental stylings of 'On Read'. Sinden & Dillon Nathaniel finish up the EP in style with their explosive outings on 'Swervin In A Lex' and 'Can't See Me'. Another top draw outing for the Night Bass camp.
Review: The Night Bass rampage continues to rage as they bring in Bijou for this exciting four track selection, packing a serious punch. The title track 'Super Phat' is a heavyweight collaboration with Ushi Qute, working her impactful vocals into a high pressure build up, landing on a synth driven madness of a breakdown. To follow we have the super punchy drum work of 'Do Not Disturb' alongside the distorted devisings of 'Expert'. The EP is rounded off with some major flare as the shuffling synths and hard hitting drum designs of 'Better Than That' run riot.
Review: Here we see two bass heavy super powers combine as the immovable force of Night Bass team up with bass queen Flava D for a very highly anticipated project by the name of 'Spicy Noodles'. The title track kicks off with some serious flare as winding catchy synth melodies roam freely above chunky drum designs and lethal subwork to match. Next up, the more minimalized arrangement of 'Acting Skank', a techy roller dressed with expertly utilized vocal slices and electronic bass leads. Finally we finish up the project with 'Pickpocket', another minimal skanker, this time driven by the percussive clicks and subtle synth work, along with a top draw guest vocal from Brighton's PVC. Excellent stuff.
Review: The Night Bass train continues to roll out furiously as they employ the services of five brand new faces across their brand new compilation 'Night Bass Freshmen'. Being one of the most popular bass labels in the UK, the standard is set very high and everyone steps up to the mark, kicking off with Blossom's vibrant 4x4 belter 'Go'. We then move into Nukid's highly experimental electro balad in 'Front2Back' before landing on the techy bass rolls of 'The Burbs' from Jordan Burns. Next up, Kendoll with his slightly acidic stomper in 'Stop Calling Me' before we round of the EP with some minimalist UK Bass from the rapidly rising duo of Nubass & Deppz.
Review: It's been a hot minute since we heard from Phlegmatic Dogs, but they are back in major style as they return to the ever-impressive Night Bass imprint for an explosive two track EP project entitled 'No Cats'. We kick off with 'Cuatrocats' which brings energy through squelchy bass waves and perfectly processed 4x4 drum patterns in typical Phlegmatic fashion. On the flip we are introduced to 'Bounce', which takes a more techy experimental route, with subtle subs rolling lose amidst heavily attacking bass stabs and yet more precise drum design. A great return for the Dogs!
Review: The rampage of the Night Bass crew continues as they bring together this incredibly vibrant breaks infused EP from Tombz. We begin with the softened introductory atmospherics on 'Deep In The Night', before descending into expertly crafted 4x4 rhythms and growling reesey leads. Up next, 'Sweat', featuring some intense vocal work from 'Jimmy Wit An H'. This one is a fidgety throwback, focusing on bouncy synthesis and rolling drumwork, inciting tribal grooves. We round the EP off with the deeper house inspired arrangement of the title track 'Sick', which focuses on moody leads and stuttered drum selections. This is another great product from the Night Bass collective, who again appear unable to put a foot wrong!
Review: Long term Night Bass flag flyer Taiki Nulight returns to the ever-impressive imprint with his long awaited Broken Ribs' EP, which is stuffed to the brim with bass heavy goodies. We begin with the title track which is a dancefloor weapon, from the high intensity build ups of the intro to the incredibly unique synth design of the breakdown. Next we move into the more stripped back 4/4 arrangements of 'U Know' before landing on the highly anticipated sub heavy collaboration with Inkline entitled 'Cynic'. Finally the EP rounds up with it's second collaboration, this time with Stranger, as the pair pull together a selection of weird and wonderful synth sounds and skippy drum patterns resulting in a high energy banger.
Review: LA based imprint: Night Bass have been one of the most impressive labels within dance music over the last couple of years, and that trend continues with their latest EP project alongside Petey Clicks. This four-track project kicks off with the title track 'Club Heads', which is a ball of super electronic sounding synth instrumentation with sharp 4x4 drums below. Next up we have the super experimental distortion of 'Paid' along with the unpredictable synth melodies and explosive percussive design of 'Parrin'. Finally we finish up with fidget-inspired crunchy bass instruments of 'Bass & Tweeters' which ties the EP up with a real spark.
Review: Since smashing his way into the centre of bass music in the UK, Shift K3y is yet to disappoint with a single release. His latest project sees him join forces with the goliath Night Bass imprint for three absolute stormers. We begin with the tear out tones of the title track 'Bite', before jumping into the more samba inspired funky rhythms of 'Cowbell'. We then round of with 'Don't Look Back', a sharp piece of certified dancefloor danger.
Review: The Nightbass domination continues as long term bass revolutionary Jay Robinson puts together 'The Return' EP. In typical Jay fashion, the EP is outstanding and serves as a real lesson in rhythmic prowess. The title track A darkened demon, focused on lofi drum work and crunchy bass synths. This is followed by the funky grooves of 'Falling Upwards' and the monstrous lead synth design of 'The Ripper'. The EP is then finalized in style as the horn-like synths of 'The Melodic Weapon' take the reigns, driving this roller forward. This is a top project as ever from Jay Robinson and Night Bass look set to continue this incredible run of releases well into 2018 and beyond.
Review: The first edition of AC Slater's 'Outsiders Remixed' release was met with a fantastic response from fans and DJ's across the globe. We were super excited therefore to see the second edition hit the shelves in such quick pursuit. This time we see Phlegmatic Dogs get their teeth stuck into 'Jaws' for a punchy rework, Kastle pull together a futuristic garage recreation of 'Come Back' and JackBeats step up for a fidgety overhaul of 'Another You'. The EP is then rounded off in style with Taiki Nulight's gritty 4x4 redesign of 'All About Paper'. Night Bass have done it yet again it seems!
Review: Aaron Clevenger aka AC Slater returns to Californian low-end specialists Night Bass, with a brand new three track EP ahead of his performance at the legendary Coachella festival in the Colorado Valley in April. This also follows up his debut album Outsiders for the label last year. "I Wanna Show You" sees the Party Like Us boss push his bass driven tech-sound sound forward. On "Amen Tribe" and "Can't Come Down" (featuring YoungLyxx) we see the Los Angeles native thrown down yet more sleazy deep tech bounce that's sure to cause some heat on the dancefloor.
Review: LA based label Night Bass have for a long time now been pushing the boundaries of electronic dance music through exciting sound design and style. Their latest release, courtesy of Proxy, sees the boundaries of rhythm pushed out further than ever before with a vibesy two tracker. First of all we hear the sounds of "Stupid" which is a reesey roller coupled with heavily syncopated clicky synth leads. The shuffled theme continues on "Serious" which has a more stripped back, sub-heavy arrangement.
Review: It's safe to say that AC Slater has become one of the most influential names in worldwide bass music, both as a producer and as the driving force behind the infamous 'Night Bass' imprint. He makes his return to the homeworld with this brand new four tracker entitled 'Outsiders Remixed Pt 1', where we see the Night Bass collective rework classic tracks from AC's 'Outsiders' album.
To start off Sinden gets to work with a vibrant fidgety refurbishment of 'Misfit', originally featuring PVC and Herve. Next up Jay Robinson gets to work shuffling up 'Taking Off' and Riddim Commision gets busy with Jamakabi's intense vocal performance on 'Big Riddim'. Finally we are treated to Petey Clicks putting together his emotive recreation of 'Dealer' featuring credits from Tchami and Rome Fortune.
Review: Bass music heavyweights Night Bass make another fantastic addition to this years release listings with a heated three tracker from San Francisco's own 219 Boys. The title track for this EP is an animated bass adventure, full of swerving bass synths and intricate rhythmic ideas. Following his we have "Back Down" which takes a more techy approach, focussing on low end moogy oscillations and a stream of choppy vocal samples. Finally we move into the jukey drums and fidgety synths movement of 'Strizzy'. This one is a certified roller and a great way to round up a quality EP.
Review: AC Slater's Night Bass imprint has everybody waiting on the next announcement at the moment, and with such an impressive run of releases, who can blame anybody? The latest in this long line of highly anticipated projects comes from Moscow's own Volak. This two tracker is full of power and production precision. The title track is awesome, flitting between slightly bitcrushed synth leads and well rounded drum arrangements. On the B-side, Faith In You is a solid accompaniment which features fantastic string sampling and additional production credits from Tony B.
Review: As 2017 has progressed, AC Slater's own Night Bass imprint have solidified themselves as a leading force in the world of underground bass music. This time around they call upon the services of Sydney's own 'Wax Motif' for a fantastic 2 tracker. The title track and A Side is a dancefloor driven monster, with electrifying bass synths and punchy drums cascading across the mix perfectly. The B Side 'Mental' which comes in collaboration with RICCI is more of a techy roller, focussing on catchy percussive rhythms and subtle sub patterns. This is a great way to round off the year for the LA based label who have consistently moved up from strength to strength throughout the year.