Review: Next up from 903Lun, an aquatic leap into some of the murkiest 140 we have heard so far this year, landing on the ever ready Noizion with four tracks of pure steppers bliss. We open up with 'Back In Time', a melodic title track that allows us to drift through floating pad textures and wonky drum types, followed by the more haunted soundscapes of 'E Shock', which utilises bumping subs and crunchy synths to deliver a pretty mind blowing roller. Next, dubwise chord delays and spacious reverberations, laced with a wicked bassline below on 'Frog Venom' again sees the themes switch, before we close off on the creeping, syncopated rhythms of 'In The Woods'. Awesome work.
Review: Next up from the team over at Noizion, a very feisty original selection from Indent, exploring the more murky waters of the dubstep spectrum with some hard hitting sonic themes throughout. We open up our dive with the sounds of 'Amphibious', a sizzling, smokey swank through lusciously designed sub bass grooves and unhinged, eerie melodic twists, followed by another rib-cage-rattler in 'Numero Uno', a powerful masterclass in dubby LFO design. Finally, the syncopated swings of 'Questions' jump into the driving seat, closing off the EP with more alien-like tones and another chilling backdrop of reverberated percussion and aquatic synths. Very tidy indeed!
Review: For this latest offering from the Noizon crew, we welcome Hubwar, a Montpellier based producer fusing futuristic dub themes with metallic dubstep ideas to create and incredibly original sound. This EP, entitled '140', kicks off with a track that defines the above beautifully in 'Simple One', as roughneck bass tones meet syncopated melodies with lively effects. This is then followed by the fluttering melodies and grizzly bass synths of 'Dubwar' before the spooky tones of 'Heptabeat' run riot closely after. Finally, 'Flir1' brings those progressive chords back into play with an eastern European feel, rounding off the project perfectly.
Review: There are few things we enjoy more than a well constructed modern bass album and with Hubwar willing to take his compositional structures from one end of the spectrum to the other in minutes, we may have found a candidate. His brand new 'Deep Earth' album showcases his versatility and flair with real style, from the super creative melodic structures on 'Far From' and 'Bama District', to the epic soundscapes of 'Raining Bay' and 'Northern Mali'. For us, the stand out originals from this one have to include the energetic junglistic collaboration with Nekochan entitled 'Kudumbigala', along with the dubstep style arrangements of 'Stone Henry' and the intense percussive relays of 'Sambacraft'.
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