Review: The title of Charlotte Bendiks' latest release relates to feeling safe after arriving home, while more broadly, it addresses questions that focus on 'belonging, becoming, and embodiment'. The title track is an offbeat affair, with Bendiks conjuring up rickety drums and woozy synths. On "Leaving Diego", she ups the pace to deliver a dense rhythmic workout, where a rubbery bass and mysterious, detuned guitar squalls prevail. These elements come together and gradually build to a heady crescendo. "Steykeh Sexual" sees Bendiks focus on club material. Centred on a plucked bass, chiming bells and dense tribal drums, it's tailor made for more discerning dance floors.
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