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Ostgut Ton Germany
Browse the latest digital releases on Ostgut Ton Germany
Review: Despite his young age, Kobosil has already got a series of well-regarded releases to his credit, including a debut album on Ostgut. 105, his latest release for the label, will only serve to consolidate this reputation. "OOL" resounds to a pounding rhythm and rough, frazzled kicks, exactly the kind of track that is tailor made for Berghain's main floor. "Bei Nacht (178)" is of a similar disposition and revolves around a rolling, percussive groove and tough drums, while the aptly-named "Derange" sees the young German artist deliver a pacey, percussive workout. The most impressive track is "Backmask N"; a tough, pacey percussive roller, it hinges on the kind of sub-bass menace that Suburban Knight used to specialise in.
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OTON 105DIGITAL
14 Jul 17
Techno
14 Jul 17
Techno
Played by: Juno Recommends Techno
Review: Tobias Freund's catalogue is characterised by an intricate, layered production approach, and it's no surprise that he brings this aesthetic to bear on1972. The title track cracks and fizzles with raw percussive bursts as the veteran producer weaves an intricate web of haunting electronics. On "Schism", the rhythm is less direct and the sound deeper, but the same mindset applies, with Tobias multi-layering melodic elements to create a hypnotic effect. "The Wisdom Of No Escape", with its tripped out vocal sample, adds an extra dimension to his sonic armoury, while on "Electric Storm", Tobias diverts somewhat from the script to deliver an abstract, stripped back track.
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OTON 125DIGITAL
14 Feb 20
Techno
14 Feb 20
Techno
Review: It's strange to think that the title of Kobosil's latest release is a reference to his birth year, the same year that Berlin institution Hardwax first opened its doors. Despite being in his mid-20s, this protege of Berghain shows that he is very skilful at creating tough but distinctive techno. "Konvergent" is all pumping, rolling bass and doubled up claps, while "Per" sees him push in a similar direction - on this occasion however, he lets spiky percussive volleys accompany his grimy pulses. There is a men-acing, moody air throughout this record, but it never feels affected or put on, nor does Kobosil rely on cheap tricks to achieve this effect. It means that the dark ambience of "Athtar" is just as spine-chillingly evocative as the howling wind and powerful bass of techno.
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O-TON 091
20 Nov 15
Techno
20 Nov 15
Techno
Review: One of the many oddities in the English language is the array of collective nouns to describe the word "group". Sam Barker and Andreas Baumecker's second missive for German techno juggernaut Ostgut Ton "A Murder Of Crows" is one such example. "Part 1" opens with a cavernous four-four groove similar to Tommy Four Seven's 2009 Man Like Me remake. White hot snares and rattling percussion fizz to a heady climax enveloped by a throbbing slug of a bass line. Piercing 909 hats, Marcel Fengler thwacks and demonic synths add to the furore. The dank and techy basement beats of "Part 2" align itself with something you would expect from Untold or Hessle Audio, not German techno. Barker & Baumecker's booming kicks, nerdy percussion and ravey synth wobbles distance Ostgut Ton from the concrete and Berghain-centric sound synonymous with the label.
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O-TON 054
26 Mar 12
Techno
26 Mar 12
Techno
Review: Nick Hoppner is one of the key figures in the Ostgut operation, but isn't noted for putting out a lot of music. Clearly favouring quality over an excessive release schedule, the former MyMy member draws on the classic sounds of house and techno for Peck. The title track is the more current sounding, its heavy drum shuffled accompanied by weighty claps, a soft-focus filter and a lost 'aaaah' vocal sample. "She Parked Herself " is a totally different proposition; featuring the kind of emotional strings that featured on classic progressive house records by artists like Jaco and Slam, while its plunging bassline and rattling snares sound like the deep house of 90s producers like Jamie Read. "Swivel Flick" meanwhile is less derivative but also makes a play of that era's propensity for atmospheric pads and resonating bass riffs.
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O-TON 049
20 Jun 11
Minimal/Tech House
20 Jun 11
Minimal/Tech House
Review: Given his relatively high productivity, it's something of a surprise to find that A Series of Shocks is Tobias Freund's first solo album since 2011. Happily, this return to longtime home Ostgut Ton is impressive. Beginning with the beatless melodic pulse of the Steve Reich-influenced "Entire", Freund works his way through a range of clandestine techno compositions, touching on claustrophobic acid and intense late night thump ("Testcard", "Ya Po"), scratchy Chicago jack ("Instant"), deeper moods ("The Scheme of Things") and, most thrillingly, early '90s influenced intelligent techno. It's in these moments - "If" and tactile ambient breaks of "Cursor Item Only" - that A Series of Shocks really flies.
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OSTGUT CD 30
31 Mar 14
Techno
31 Mar 14
Techno
Played by: Juno Recommends Experimental
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OSTGUTCD 49DIGITAL
26 Nov 21
Experimental/Electronic
26 Nov 21
Experimental/Electronic
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OSTGUTLP28 SINGLE2
15 Feb 18
Techno
15 Feb 18
Techno
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OSTGUTCD 44DIGITALSINGLE
23 Aug 18
Coldwave/Synth
23 Aug 18
Coldwave/Synth
Played by: Juno Recommends Techno
Review: After a series of releases on Marcel Fengler's label and Unterton, rising techno producer Somewhen makes it onto the main Ostgut label. Part of Berlin's new school of artists, AFL doesn't focus exclusively on one style. Instead, Somewhen varies the release by moving from the storming dark techno of "Ryte" - replete with doomy vocals - to the murky downtempo "Undress", which unravels to the sound of eerie strings and more mysterious voices., Shifting gear again, the title track is a noisy, broken beat workout, while on "Kilo",
a straighter approach prevails. Revolving around a pulsing groove, its acidic undercurrents are sure to have the right impact on the main floors of the German capital's clu
a straighter approach prevails. Revolving around a pulsing groove, its acidic undercurrents are sure to have the right impact on the main floors of the German capital's clu
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OTON 110D
16 Mar 18
Techno
16 Mar 18
Techno
Review: Originally released on Music Man back in 2003, Fixmer's "Mekanik" has stood the test of time. If anything, it sounds more relevant now than before thanks to a renewed interest in all things wave and ebm. So what are these remixes like? Kobosil's "44 Version" is the most dance floor friendly, with a hammering industrial rhythm playing a supporting role to rave stabs. Norman Nodge's take is more understated, as insistent acid lines rise over a metallic rhythm and his Berghain colleague Marcel Dettmann's "Leitmotiv" version moves into the abstract realms, with whirring ticks and clicks supporting the original's pulses. That's not forgetting the original version, where shrieks, grunts and groans play out against one of the most powerful rhythms in techno.
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OTON 088DIGITAL
08 Jun 15
Techno
08 Jun 15
Techno
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OSTGUTCD 41SDIGITAL
15 Sep 17
Techno
15 Sep 17
Techno
Played by: Juno Recommends Techno
Review: Over the space of just a few releases, Etapp Kyle has established himself as one of techno's most promising new artists. Of course, it helped him significantly that those initial Eps came out on labels like Klockworks, Prologue, Unterton and now Ostgut, the mother label associated with Berlin club Berghain, where he has a residency. As Alpha shows, Kyle's approach to techno is of the non-purist variety. On the title track, the sparse rhythmic pulses of Klockworks collide with Detroit otherworldliness for an expansive track. "Quantum" is more direct and sees the Ukrainian artist use his loose sounding drums and percussion to undercut a darker approach, while clouds of filtered sound and eerie textures crash in over the doubled up drums of "Source". "Ritual" sees him complete the release with a hint of bass-heavy menace, not entirely dissimilar to Prologue's sound.
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O-TON 107 DIGITAL
08 Sep 17
Techno
08 Sep 17
Techno
Played by: FLEKITZA
Review: Any new material from Luke Slater under the Planetary Assault Systems alias is something to celebrate, but rarely has the techno veteran dropped such an expansive set as Arc Angel. Boasting a positively overwhelming 20 tracks over three weighty slabs of vinyl, the first PAS album for five years is as spacey, hypnotic and intoxicating as anything in the British techno legend's vast catalogue. While mostly focused on atmospheric, Motor City influenced dancefloor futurism - and, let's face it, few do that better than Slater - Arc Angel also boasts a handful of inspired ambient cuts, some vintage, UK style "intelligent techno", and occasional nods towards UK contemporaries such as Surgeon, James Ruskin, Mark Broom and Oliver Ho.
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OSTGUTCD 37DIGITAL
30 Sep 16
Techno
30 Sep 16
Techno
Review: Len Faki is no stranger to Ostgut Ton having mixed the label's third and possibly hardest sounding Berghain CD back in 2009. Whilst the Berlin fixture has remained resolutely busy since then, Faki has remained absent from the OSTGUT catalogue numbers. Basement Trax Vol 1 signals Faki's return to Ostgut colours in impressive and diverse fashion. Lead track "Btx1" is dominated by the heavily processed treatment of some orgasmic sounding female vocals submerged deep in the mix and smeared greedily across the channels chased by whipcracking percussion. The flipside accompaniment "Btx2" is a tougher version with the tribalistic percussion gradually consumed by the vastness of Faki's string arrangements, while the final version "Btx3" sees Faki present a swirling mass of ambient calm. How good would it be to hear this at 2pm on a Sunday in Berghain?
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O-TON 064
25 Feb 13
Techno
25 Feb 13
Techno
Review: Berlin's Len Faki returns to his resident label with Basement Trax Vol 2. which as the name suggests, provides banging, subterranean club tools for dusty basements and abandoned power plants alike, with some of his finest work since the tracks on his Berghain 03 mix several years ago. Who could forget The Obliteration of The Berghain and Rainbow Delta. The tracks on here are a return to form by an artist now considered one of the modern greats. The pounding kick drum workout of "B-PAX" is as well engineered as only a Berghain resident could execute. We predict the chugging epic "For Real" will be destroying dancefloors worldwide this summer. Finally the gritty, entrancing bassline faces off with mutant melody in yet another peak time journey on "Hainish Cycle".
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O-TON 089
22 Jun 15
Techno
22 Jun 15
Techno
Played by: Juno Recommends Techno
Review: Long before the current trend of EBM/industrial fuelled techno, Terrence Fixer was there, honing his now trademark style on his highly regarded Planete Rouge imprint as well as collaborating with Nitzer Ebb frontman Douglas McCarthy for several energised live shows over the years. For Berlin institution Ostgut Ton, he appears again with "Beneath The Skin", a powerful and brooding exercise in main room techno with equal parts tension and suspense. "Trace To Nowhere" features dramatic, reverb soaked vocals backed by trippy and hypnotic madness that even Mike Parker would stand up and notice. Finally "Immersion" provides a different and refreshing perspective from the Frenchman, going for an ethereal and emotive deep techno style that's perfect for drifting.
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OSTGUTTON 97DIGITAL
19 Aug 16
Techno
19 Aug 16
Techno
Played by: Dave Lee ZR, Joachim Spieth, Shadow Dancer, Dirt Crew, MISS CHRYSALIDE (Mixx, Need Light), Pete Tong, Juno Recommends Minimal Tech, Jay Shepheard, Afrilounge, Josh Wink, Dave Angel, John Dalagelis, Tony Lionni, Dan Drastic (Moon Harbour), Arnaud Le Texier, Resident Advisor, Ben Watt, Johnwaynes, Juno Classics, Shiny Chichin, Groove Armada, George Fitzgerald
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O-TON 022
20 Apr 09
Minimal/Tech House
20 Apr 09
Minimal/Tech House
Played by: Vince Watson, Paul Mac, Owain Kimber (Owain K), Kidb (Seoul), Joachim Spieth, Alkalino, Juno Recommends Minimal Tech, Future Beat Alliance, Drumcomplex, Kereni, Riley Reinhold, Das Glow & Para One
Review: One of the greatest things about Berlin club Berghain is that once you make your way past the autocratic glare of the door staff, you are free to act as you want. There are no rules and everyone is treated the same. This sense of egalitarianism may be fleeting, but the club's residents have succeeded in applying a similar aesthetic to their mix CDs. Well-known producers appear beside unknowns, while artists lauded for a particular sound veer off into new, uncharted territories. This approach is audible on this sampler for Marcel Fengler's forthcoming mix. Belgian producer Peter Van Hoesen is known primarily for his bass-heavy, heads down warehouse tracks, but on "Axis Mundi", there's a palpable change. Van Hoesen's usual deft production touch ensures that the arrangement features razor-blade percussion and a lithe rhyhtmic sensibility, but "Mundi" is all about the woozy, trancey melodies filtering their way to its centre. Likewise, Jonah Sharp and Move D's "The Labyrinth" marks a departure of sorts, with the duo's tasteful, jazzy keys teased out over a rough, glitchy backing track. Vril's "UV" is the most obvious sign that Fengler and Ostgut want to maintain the same egalitarian approach as Berghain: this artist, who hasjust two EPs to his/her credit on Giegling, drops a slamming, dubby techno track that simultaneously challenges the bass power of Shed's Wax project and the loose, echo chamber tones of Modern Love. Like Berghain, once they past the litmus test, every artist is an equal.
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OTON 051
15 Aug 11
Minimal/Tech House
15 Aug 11
Minimal/Tech House
Review: Reactions to the news that Marcel Fengler was going to mix Berghain 05 focused on the fact that he is the club's most overlooked resident. This is to do Fengler a disservice and to understand the club in the narrowest context possible. If anything, the trajectory Fengler follows here defines the broad brush strokes played out in the Berlin club. There's the eerie intro which moves from Dettmann's vocal version of Emika's "Count Backwards" into Peter Van Hoesen's spacey, bleeping "Axis Mundi". Classic sounds always form an integral part of Fengler's approach and this is evident on Octogen's widescreen yet menacing electro reshape of Terrence Dixon, the wiry 90s minimalism of Ratio and in the alternate version of Secret Cinema's chord-heavy early 90s classic "Timeless Altitude". In between these sounds, Fengler proves his technical prowess, moving effortlessly from the drones and broken beats of Dr Walker's take on Byteone and the Regis version of Tommy Four Seven's "G" into straighter, albeit bass-heavy techno and house from Duplex - remixing Gerd- and LB Dub Corp, who delivers a new, multi-layered take on Fengler's own "Thwack". Put simply, Fengler has that rare talent that most DJs lack - he can put together seemingly disparate tracks without losing the flow. The club he resides at provides Fengler with a blank canvas and this mix is his masterpiece.
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OSTGUTCD 19
29 Aug 11
Techno
29 Aug 11
Techno
Review: This sampler from Norman Nodge's new mix CD shows that the Berghain resident spends a lot of time searching out music that no one else has. The upshot of his approach is that Nodge creates a mood like no one else. From the mix opener, the grayscale ambience of Birds Two Cage's "Gase", through the menacing builds of Mark Broom's "Vault 5" to newcomer Patrick Graser's "From Foreign Territories" - an insistent, bleep-heavy groove to rival Sleeparchive at his most austere - this taster release proves that when it comes to setting a menacing, spooky tone, no one can match Norman Nodge.
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O-TON 059
22 Oct 12
Techno
22 Oct 12
Techno
Norman Nodge / Various
The Nighttripper aka Orlando Voorn - "Tone Exploitation" (Planetary Assault Systems remix) - (4:23) 133 BPM
Review: Ben Klock is Berghain's DJ's DJ and Marcel Dettmann is the club's purist, but Norman Nodge is the teacher. Without the lawyer, family man and DJ's influence, it is arguable whether the Berlin club where both reside would enjoy the same kind of global profile. Nodge's DJing played a central role in shaping the club's musical aesthetic. Mixing classic house and techno styles with contemporary variants, his selection veers from the wild abstractions of Birds Two Cage and Oni Ayhun to the explosive white noise intensity of Planet Assault Systems' take on The Nightripper's "Tone Exploitation" and the stomping industrial techno of Charlton's "Black Slong". While Nodge is clearly an expert in building a set, he doesn't simply ramp up the tempo and cruise to a predictable climax. Nodge follows the PAS/Charlton segue with the gnarly rhythms and chain mail percussion of Ctrls and Chance 'Chancellor' McDermott, but then drops into the trippy acid and infectious vocals of Tim Taylor & DJ Slip's "New York Minds". He follows this shift in sound with Radioactive Man's melodic electro bass and Legowelt's warm synth version of Xosar's "Rainy Day Juno Jam", bringing to a close Berghain's most impressive mix yet.
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OSTGUTCD 23
22 Oct 12
Techno
22 Oct 12
Techno
Review: It's always a good day for techno when new Steve 'master of the loop' Bicknell material arises, just like it's done here on the first sampler for Function's Berghain 07 mix. "Odyssey #1" is a distorted gyration through fizzy atmospheres and chocked bleeps, while Post Scriptum's rolling "Human Timescales" is a cross between the Hauntologists sound and the beats heard on Tobias' Leaning Over Backwards album, also released on Ostgut Ton. There's some transatlantic vibes on LB Dub Corp's "So Much", while the emerging Blue Hour sees his zapping drum track keep the sustain on his synth locked for the entirety of the track.
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O-TON 086
18 May 15
Techno
18 May 15
Techno
Review: It seems Function is a fan of Cassegrain & Tin man material as he's just signed them up for his next release on Infrastructure New York. For this second Berghain 07 sampler, Function's appetite for boomy, acid techno is whetted by the collaboration's "Oxide". Meanwhile, former flatmate Ed Davenport, aka Inland, delivers "Sca Fell", a subaqueous workout that would get the Mike Parker seal of approval. DVS1 throws down some trademark warehouse beats with some caustic stabs to boot, while Steve Bicknell delves even deeper into the abyss than he did on the first sampler, with a track that's as menacing and frenetic as what Drexciya can be.
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O-TON 087
18 May 15
Techno
18 May 15
Techno
Played by: Juno Recommends Techno
Review: Fiedel is the latest Berghain resident DJ to contribute to its mix series and this sampler release captures the machine-driven energy of his varied sets. Electric Indigo's contribution, "Registers", is a cavernous, steely arrangement designed for maximum impact in the Berlin club's high-ceilinged main room, while Stefan Rein's "Panther" is more of a heads-down banger, charged to provide a boost to tired dancers. Fiedel makes a diversion with the off centre broken beats and odd but inspired combination of industrial drums and animal sounds on rRoxymore's "Tropicalcore", while Fiedel himself gets down and dirty with fellow resident Boris for the bleep-heavy, tone-shifting "Div'hain".
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OTON 108D
26 Jan 18
Techno
26 Jan 18
Techno
Various
Played by: Juno Recommends Techno
Review: American industrial scene stalwart Dominick Fernow makes a somewhat surprising addition to Berlin institution Berghain's mix series on its ninth instalment. Under the Vatican Shadow moniker, he has increasingly flirted with techno, performing regularly at the Berlin institution as a DJ and with his intense live show. Of the mix, Fernow - who is otherwise known for work under many other aliases such as Prurient, Rainforest Spiritual Enslavement or Exploring Jezebel among others - has stated that his interest in DJing developed out of industrial music traditions such as mail art, tape trading, and sound collage. This sonic 'cut up' of electronic edits bridges the gap between several generations of electronic music subculture, taking in early UK industrial (Genesis Breyer P-Orridge), Japanese noise (Merzbow) and the very NYC underground that he came up in with contemporaries such as Virile Games and Kris Lapke (aka Alberich) also featured.
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OTON 119DIGITAL
15 Mar 19
Techno
15 Mar 19
Techno
Review: It's no surprise that the world's most feted techno club has decided to celebrate its fifteenth anniversary with something special - a release that seeks to redefine the art of the DJ mix. In fact, Luke Slater has christened his approach on Berghain Funfzehn 'ripping the cut': it saw the storied UK techno artist scour all of sister label Ostgut Ton's Eps and LPs for source material in order to fashion 26 new tracks and then to mix them all together. The end result is a wild ride through the very best in contemporary club techno, with elements from well-known Ostgut releases from Ben Klock, Levon Vincent and Marcel Dettmann featuring alongside lesser-known gems from Lerosa and Rolando.
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OTON 127DIGITAL
17 Apr 20
Techno
17 Apr 20
Techno
Review: It's a case of gamekeeper turned poacher as Ostgut boss Nick Hoppner appears again on the label, following his 2015 debut album, Folk. This three-tracker is like a distillation of his time spent in the Panorama Bar booth. The title track is a hypnotic, techy groove, covered in warm, hazy chords and redolent of classic David Alvarado's Sun Children material. On "Still", Hoppner keeps it deep, but injects some trippy acid undercurrents. The closing track, "Out of Sight", is the most dance floor friendly, with Hoppner opting for a lithe, swinging rhythm as a backing for his warm, sun-kissed chords and melodies.
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OTON 103DIGITAL
17 Mar 17
Techno
17 Mar 17
Techno
Played by: Lifecycle, Mudrost, Luke Slater, Joachim Spieth, Juno Recommends Techno, Mauro Picotto, Resident Advisor, Sven Vath, Hound Scales, Malte Seddig
Review: The brilliant Answer Code Request follows releases for his own imprint and Marcel Dettmann's MDR label to make his Ostgut Ton debut with the Breathe EP, which delivers three cuts of his individual brand of weighty, breakbeat-inspired techno. Each of the three tracks sees him in particularly ravey form; "The 4th Verdict" combines a chugging synth line with minimal Mills-inspired percussion, while "Ghostes" offers a suitably spectral vision of club techno in its cavernous chords and heavy breakbeat rhythms. The title track however must be his most euphoric to date combining headspinning chords with taut drums - another killer from ACR.
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O-TON 075
24 Feb 14
Techno
24 Feb 14
Techno
Played by: Itokim, Detroit Grand Pubahs, Veztax, Audiolabor / S-Tek, Shadow Dancer, Mirko S., HEAVEN TO HELL RECORDS, James Ruskin, Luke Slater, Mattias Fridell, Frenkie V, Daniel Deluxxe AKA D.I.C.E, DADUB
Review: Long associated with the harder side of techno - on the evidence of his recent mix and pretty much any of his longer club sets, unfairly so - this release sees Berghain Ben Klock attempt to show a more musical flavour. The first version of the title track sees airy, spacey Detroit chords copper-fastened to a typically dense Klock drum pattern, with both seemingly disparate elements acting in unison to create a climax that’s as epic as Berghain’s Gotham City architecture. A similar approach applies on the second version: it features the same snappy drums and crackling percussion underpinning Klock’s previously undocumented lush leanings, but despite this, it would be wrong to assume that it’s merely a continuation of the first version. Tellingly, there are also dark, droning tones and hints of the ruthlessly utilitarian approach of his colleague, Marcel Dettmann - and these nuances are also audible on the third and final track, "Static Test". Although there is a building chord sequence, it sounds like a distraction to the main event - a rolling, functional techno rhythm, powered by whiplash percussion and an underlying hint of menace. Top release.
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O-TON 042
22 Nov 10
Techno
22 Nov 10
Techno
Review: Ostgut Ton keep their fires of 2013 well stoked with a new EP from Detroit luminary Edinburgh's most illustrious techno import Rolando who first appeared on the famed German imprint and nightclub with the rare white label 12? 5 To 8 released in late 2010. The D & N's EP marks another release in what's becoming an increasingly impressive year for Ostgut Ton, with a Function LP, Panorama Bar mix from Steffi and numerous 12"s already released. Rolando brings the heat across three tracks that are primed with the sinister funk Detroit-inspired drum sequences tailored made for the residential DJ sets of Herr Dettmann and Fengler
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O-TON 066
27 May 13
Techno
27 May 13
Techno
Review: While it may not seem as familiar as other artists, Sam Barker's relationship with the Berghain / Ostgut axis is long-established. Working together with Andy Baumecker, he has released a series of albums and Eps for the label, while his own imprint, Leisure System, has hosted nights at the hallowed Berlin club. Now flying solo with Debiasing, he reveals a more contemplative edge to his sound. "Cascade Effect" and "Look How Hard I've Tried" are led by atmospheric chords and gentle bass tones, while on "When Prophesy Fails", he offers up a similar, albeit slightly more frosty melodic sequence. Clearly there is a lot more going on to Barker than dance floor techno, and even the warbling rhythm of "Filter Bubbles" is complex, intricate - but always intriguing,
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OTON 112DIGITAL
01 Jun 18
Techno
01 Jun 18
Techno
Review: Marcel Dettmann drops one of the most anticipated albums of 2010, with his eponymous debut on Ostgut Ton. And it's everything you'd hope for (and expect) from a Berghain resident: dark, cavernous, atmospheric - utterly brilliant. The highlights are numerous, from the thunderous, atmospheric electrical storm that is "Argon" to the Basic Channel-esque hiss and crackle of "Drawing" and the looped percussion on "Reticie" that sounds like Dettmann has been dragging a bag of marbles around one of the unused rooms at Berghain. Techno, welcome to 2010.
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OSTGUTCD 12
26 Apr 10
Minimal/Tech House
26 Apr 10
Minimal/Tech House
