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Play It Say It

Browse the latest digital releases on Play It Say It
Subbeat EP
Subbeat - (7:02) 133 BPM
Subbeat (Jean Pierre remix) - (7:53) 130 BPM Hot
Acidsia - (6:27) 130 BPM
Acidsia (Synthless mix) - (6:27) 130 BPM
Review: Having previously impressed with a series of collaborative singles on Play It Say It, Florentine producer Leonardo Gonnelli and "live electronic act" Adne return to the label with another suitably strong EP. This time round there are two original cuts to choose from: the high-octane, driving tech-house hustle of "Subbeat", where wonky noises and sweaty percussion ride a formidable groove, and the similarly dense, druggy and dancefloor friendly "Acidsia." Both tracks are accompanied by rock solid remixes, too. Jean Pierre delivers a suitably spaced-out hybrid tech-house/deep house tweak of "Subbeat" that's less claustrophobic than the original mix, while the "Synthesis Mix" of "Acidsia" makes much greater use of off-kilter spoken word vocals and bouncier, Hot Creations style beats.
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PLAY 050
10 Apr 20
Minimal/Tech House
Art Is Long EP
That's Gas - (5:32) 127 BPM Hot
Ready To Work - (6:31) 128 BPM
Art Is Long - (6:17) 127 BPM
Steezin' - (6:10) 131 BPM
Played by: Danny Howard
Review: With recent releases for Desolat and Whippin' that saw Mason Collective team up with legendary Detroit producer Stacey Pullen, the three piece arrive on Seth Troxler's Play It Say It label with a four-track EP of bassline-centric clubs tracks. "That's Gas" pushes electro swing vocals, bumping basslines and classic old school Chicago percussion with the type of tom-foolery you'd expect from a Yello production in the background. Dirty club vibes make it to "Ready To Work" with an undeniable hi-hat groove while techier workouts set up "Steezin'". With more melody, minimalism and dynamics to be found on the title-track, "Art Is Long" is a perfect cut for those free and easy Sunday after hour sessions.
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PLAY 049
07 Feb 20
Minimal/Tech House
Inhibitions EP
Inhibition - (6:48) 127 BPM
Inhibitions (Twighlight mix) - (5:57) 129 BPM
Cherry Bomb - (6:17) 127 BPM Hot
Buchabeats - (6:47) 125 BPM
Review: Up and coming sounds from the New York club scene right now point to David Berrie, a producer who in some three years has collaborated with Jamie Jones via Hot Creations and landed another record on Hottrax and Seth Troxler's Play It Say It. Inhibitions serves up three more finely tuned numbers in classy club house, with a dubbed out Twilight mix of the title track added for good measure. In comparison to the original, vocals are distant, hazier and trippier with subtle phasing effects brought to foreground to stylistic effect. Subtle strands of kuduro vocals are threaded between a mix of skipping hi hats and walking basslines in "Cherry Bomb" while for the dubwise vinyl pop lovers out there's the sweet chord play and detuned vocals that hit the spot in "Buchabeats".
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PLAY 048
27 Dec 19
Minimal/Tech House
Slapping Out The Door
Slapping Out The Door - (6:00) 131 BPM
Say Waat - (7:23) 131 BPM Hot
Slapping Out The Door (Jean Pierre & Jesse Calosso remix) - (7:41) 130 BPM
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PLAY 047
06 Dec 19
Minimal/Tech House
Party Wall
Party Wall - (6:55) 125 BPM
By My Side - (7:41) 125 BPM Hot
Played by: Kate Simko
Review: It's been a while since we've heard from London-based minimal heroine Kate Simko, the last time being the epic London Electronic Orchestra & project she was involved in back in 2016. The Chicago native's hybrid electronic-orchestral music has taken her to high class events around the world, including her and Jamie Jones' sold out 'Opus 1' debut at the Barbican Centre last Autumn, while her solo releases have appeared on Last Night on Earth, No.19 Music and Get Physical amongst others. Get ready to work up a sweat with these two solid grooves: from the tough yet emotive boompty-funk of "By My Side", followed by the deeper and more introspective "Party Wall" (harking back to her minimal techno days) while retaining an undeniable Windy City style attitude of her hometown.
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PLAY 046
25 Oct 19
Minimal/Tech House
Loud Jam
Loud Jam - (7:08) 130 BPM Hot
Haggerstation - (8:54) 128 BPM
Lost Time - (6:09) 132 BPM
London - (7:43) 129 BPM
Review: With releases on labels like Blind Vision and Vatos Locos already to his credit, Javier Carballo now brings his Terms project to Seth Troxler's imprint. The title track is a dubbed out affair, featuring warbling acid lines and spaced out vocal samples, while on "Haggerstation", he changes focus and ups the tempo to deliver a rough, drum-heavy workout that resounds to wired 303 pulses. In contrast, "Lost Time" is a deeper, niggling groove that calls to mind the late 90s tech-house of acts like Circulation, while on "London", he reverts to the type of gritty, drum-led sound that prevailed on "Haggerstation".
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PLAY 045
11 Oct 19
Techno
Micromaya EP
Micromaya - (6:40) 127 BPM Hot
Pa Chu - (6:00) 128 BPM
Aire Libre - (6:08) 126 BPM
Part Of The Beautiful - (7:04) 127 BPM
Review: Spain's Cuartero covers a fair range of musical ground on this EP. 'Micromaya' is a funk-fuelled tech-houser, propelled along by a rolling bassline and topped with cut-up male rap fragments, 'Aire Libre' is a sparser cut that harks back to mid-00s minimal/glitch with its micro-percussion and stop-start feel, while 'Part Of The Affair' blends the floor appeal of tech-house, the intricate sonic detail of minimal and the groove of deep house. 'Pa Chu' meanwhile, has a similar MO to the latter but also sports a vocal that's ostensibly saying "pa chu" but SOUNDS like it's saying "bad tune!" - and it is, in the best possible way.
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PLAY 044
27 Sep 19
Minimal/Tech House
Me, You, Us
Me, You, Us - (5:38) 125 BPM Hot
Review: Seth Troxler takes a break from collaborating with Phil Moffa on the superbly sci-fi Lost Souls of Saturn project to join forces with a far more mysterious outfit. His Play It Say It label isn't giving away the identity of the producer (or producers) behind the Day or Night project, but the suspicious is that he/she/they are big in the game. "Me, You, Us" is pretty darn good all told, with Troxler and his shadowy collaborators wrapping trippy motifs, odd spoken word vocal snippets and a nagging synth hook around a rolling, delay-laden drum track reminiscent of those used by New York's proto-house producers in the early-to-mid 1980s
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PLAY 043
13 Sep 19
Deep House
Is It Right EP
Is It Right - (4:59) 130 BPM
Is It Right (Seb Zito remix) - (6:53) 130 BPM
Girl - (6:05) 128 BPM
Maaya - (5:11) 128 BPM Hot
Review: Leonardo Gonnelli & Adne are back on Play It Say it (one month after their last outing on the label) with another fantastic EP. Florentine DJ/producer Gonnelli has been on the scene for 10 years, with his distinct take on house finding favour on top labels like Gruuv, Get Physical and Deeperfect. He joins up again with with Adne: a live outfit who bring samples, live vocals and a love of weirdness to their music. Features the boompty minimal house groove of "Is It Right" (and its infectious acid inflections) as well as the similarly styled "Girl" pllus the tribal hypnotic groove of "Maaya". Also featured is by a thumping rework of "Is It Right" by the FUSE London affiliated Seb Zito - which takes the track from the afterhours to the peak time.
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PLAY 042
09 Aug 19
Minimal/Tech House
Experience Island Earth
Six LFO - (6:04) 128 BPM
Mascara - (5:39) 126 BPM
3 Kinds Of Yes - (6:37) 126 BPM
Island Earth - (6:43) 126 BPM
The Globe - (6:34) 127 BPM Hot
Review: Detroit's finest Ataxia return to Seth Troxler's Play It Say It, with their incredible new five-track EP - their third appearance now on Seth Troxler's esteemed label. Ataxia had a huge year in 2018 with EPs also on Visionquest, KMS, Leftroom and Nervous. All the while they have maintained their now ten-year residency at top Detroit venue TV Lounge. These are five off kilter club cuts that bring plenty of new ideas to the table, and with style to spare. There's a dark tunnelling journey aboard the acid express on "6 LFO", a deep down and dirty percolator jack on "Macara" with more 303 shenanigans and some tough rolling tech house for the main room on "The Globe".
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PLAY 041
26 Jul 19
Minimal/Tech House
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